Politische Satire Im Unterricht Am Beispiel Der Simpsons
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0 Universidade Do Sul De Santa Catarina Bruno
0 UNIVERSIDADE DO SUL DE SANTA CATARINA BRUNO RODRIGUES GONZALEZ OS SIMPSONS NO BRASIL: IRONIZANDO ESTEREÓTIPOS Palhoça SC 2012 1 BRUNO RODRIGUES GONZALEZ OS SIMPSONS NO BRASIL: IRONIZANDO ESTEREÓTIPOS Dissertação apresentada ao Curso de Mestrado em Ciências da Linguagem da Universidade do Sul de Santa Catarina, como requisito parcial à obtenção do título de Mestre em Ciências da Linguagem. Orientador: Prof. Dr. Fernando Simão Vugman. Palhoça SC 2012 2 3 4 Dedico esta dissertação à minha família que sempre me mostrou o caminho da educação e do amor. 5 AGRADECIMENTOS Agradeço aos meus pais Ulisses Gonzalez e Nádima Rodrigues Gonzalez que nunca mediram esforços por acreditar em meus sonhos e em minha jornada. Não apenas pela concretização deste estudo, mas por tudo o que foram e ainda serão em minha vida. A meu orientador Fernando Simão Vugman, que me incentivou na realização deste trabalho. Agradeço por toda orientação, apoio, atenção e cobranças. Aos professores Dilma Rocha e Solange Gallo por também estarem presentes em reuniões que foram fundamentais para a realização deste trabalho. Ao professor Tunico Amancio, por aceitar meu convite de imediato para ser examinador em minha banca. A todos meus amigos que afetivamente me acolheram e me acompanharam nesta longa etapa. Enfim, minha gratidão para com os professores, familiares e amigos, vocês sempre serão meus eternos companheiros a quem eu sempre serei grato, pois de uma forma ou de outra estiveram do meu lado nestes momentos encantadores e difíceis. 6 Se a culpa é minha eu coloco em quem eu quiser. (Homer Simpson) 7 RESUMO O objetivo deste estudo é detectar estereótipos do Brasil e dos brasileiros no episódio “O feitiço de Lisa” (Blame it on Lisa) da série televisiva Os Simpsons , estereótipos estes já outrora detectados e catalogados pelo professor Dr. -
Memetic Proliferation and Fan Participation in the Simpsons
THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
The Simpsons in Their Car, Driving Down a Snowy Road
'Name: Ryan Emms 'Email Address: [email protected] 'Fan Script Title: Dial 'L' for Lunatic ******************************************************* Cast of Characters Homer Simpson Marge Simpson Bart Simpson Lisa Simpson Maggie Simpson Bart's Classmates Charles Montgomery Burns Wayland Smithers Seymour Skinner Edna Krebappel Moe Szyslak Apu Nahasapeemapetilon Barney Gumbel Carl Lenny Milhouse Van Houten Herschel Krustofsky Bob Terwilliger Clancy Wiggum Dispatch Other Police Officers Kent Brockman Julius Hibbert Cut to - Springfield - at night [theme from 'COPS' playing] Enter Chief Clancy Wiggum [theme from 'COPS' ends] Chief Wiggum This is a nice night to do rounds: nothing to ruin it whatsoever. [picks up his two-way radio] Clancy to base, first rounds completed, no signs of trouble. Enter Dispatch, on other side of the CB radio Dispatch [crackling] Come in, 14. Chief Wiggum This is 14. Over. Dispatch There's a report of a man down in front of Moe's bar. An ambulance has already been sent. How long until you get there? Chief Wiggum In less than two minutes. [turns siren on, and turns off CB radio] This will be a good time to get a drink in [chuckles to himself] [Exit] Cut to - Springfield - Moe's Tavern - at night Enter Chief Wiggum Chief Wiggum [to CB radio] Dispatch, I have arrived at the scene, over and out. [gets out of the car] Enter Homer Simpson, Moe Szyslak, Carl, Lenny, Barney Gumbel, and Charles Montgomery Burns Chief Wiggum What exactly happened here? Homer [drunkenly] We.saw.a.mur.der. Chief Wiggum Say again? You saw a moodoo? Homer Shut.up.Wig.gum. -
The Simpsons WORKSHEET A
Inside Out The Simpsons WORKSHEET A First shown on television in 1989, the animated sitcom The Simpsons quickly became a huge success. The first series attracted an average of more than 13 million viewers per episode in the United States, and it wasn’t long before it started gaining fans in many other countries. In its 18 year history it has won countless prizes, as well as being named best ever television series by Time magazine. So what do people find so funny about the dysfunctional Simpson family and the other cartoon characters who inhabit the imaginary American town of Springfield? One possible answer is that the show doesn’t just poke fun at American society and culture, but also at universal aspects of the human condition. It also balances ‘low’ and ‘high’ humour, for example by combining amusing visual jokes with clever references to social and political issues, music, science, television and history. The show’s principal characters are, of course, the members of the Simpson family. The father, Homer, is widely seen as one of the greatest comic characters in cartoon history. Although lazy, clumsy, inconsiderate and basically quite stupid, he still manages to be likeable, partly because in his own unusual way he is devoted to his wife and children. He works, rather inappropriately, as a safety inspector at the Springfield nuclear power station. His catchphrase, ‘D’oh!’, used on the many occasions when he makes a mistake, became so popular that in 2002 it entered the Oxford English Dictionary. It is fortunate that his long-suffering wife, Marge, possesses a tolerant personality in addition to her eye-catching blue hair. -
Homer Economicus: Using the Simpsons to Teach Economics
Homer Economicus: Using The Simpsons to Teach Economics Joshua Hall* West Virginia University Getting students to understand the economic way of thinking might be the most difficult aspect of a teaching economist=s job. The counterintuitive nature of economics often makes it difficult to get the average student to think Alike an economist.@ To this end, the need to keep students engaged and interested is essential when teaching economic principles and interdisciplinary approaches to engaging students are becoming increasingly common. For example, Leet and Houser (2003) build an entire principles class around classic films and documentaries while Watts (1999) discusses how literary passages can be used to teach a typical undergraduate course more effectively. I further extend this interdisciplinary approach to economic education by providing examples from the long-running animated television show The Simpsons that can be used to stimulate student discussion and engagement in an introductory course in microeconomics. Using The Simpsons in the classroom The bulk of this paper describes scenes from The Simpsons that illustrate basic economic concepts. While the examples are pretty straightforward, the difficulty in using The Simpsons lies in deciding: where to place the examples into the lecture and the best way to present the scene to the students. _____________________________ * The author gratefully acknowledges the financial support of The Buckeye Institute. One difficult feature of using any popular culture in the classroom, even a show that has been on the air for fifteen seasons and 300-plus episodes, is that students do not all have the same frame of reference, even in the most homogenous of classrooms. -
Simpsons Comics - Colossal Compendium: Volume 3 Pdf
FREE SIMPSONS COMICS - COLOSSAL COMPENDIUM: VOLUME 3 PDF Matt Groening | 176 pages | 26 Sep 2016 | Titan Books Ltd | 9781783296545 | English | London, United Kingdom Simpsons Comics Colossal Compendium: Volume 3 by Matt Groening Even a tyke-sized Homer tries his hand at some magical wishing, and Ralph Wiggum does a little role modeling. Finally, Simpsons Comics - Colossal Compendium: Volume 3 for your convenience, quickly cut and fold your very own Kwik-E-Mart! Simpsons Comics - Colossal Compendium: Volume 3 edit will also create new pages on Comic Vine for:. Until you earn points all your submissions need to be vetted by other Comic Vine users. This process takes no more than a few hours and we'll send you an email once approved. Tweet Clean. Cancel Update. What size image should we insert? This will not affect the original upload Small Medium How do you want the image positioned around text? Float Left Float Right. Cancel Insert. Go to Link Unlink Change. Cancel Create Link. Disable this feature for this session. Rows: Columns:. Enter the URL for the tweet you want to embed. Creators Matt Groening. Crab Dr. Hibbert Dr. Burns Mrs. Story Arcs. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. Make sure this is what you intended. This will likely increase the time it takes for your changes to go live. Comment and Save Until you earn points all your submissions need to be vetted by other Comic Vine users. -
The Id, the Ego and the Superego of the Simpsons
Hugvísindasvið The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson January 2013 University of Iceland School of Humanities Department of English The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson Kt.: 090285-2119 Supervisor: Anna Heiða Pálsdóttir January 2013 Abstract The purpose of this essay is to explore three main characters from the popular television series The Simpsons in regards to Sigmund Freud‟s theories in psychoanalytical analysis. This exploration is done because of great interest by the author and the lack of psychoanalytical analysis found connected to The Simpsons television show. The main aim is to show that these three characters, Homer Simpson, Marge Simpson and Ned Flanders, represent Freud‟s three parts of the psyche, the id, the ego and the superego, respectively. Other Freudian terms and ideas are also discussed. Those include: the reality principle, the pleasure principle, anxiety, repression and aggression. For this analysis English translations of Sigmund Freud‟s original texts and other written sources, including psychology textbooks, and a selection of The Simpsons episodes, are used. The character study is split into three chapters, one for each character. The first chapter, which is about Homer Simpson and his controlling id, his oral character, the Oedipus complex and his relationship with his parents, is the longest due to the subchapter on the relationship between him and Marge, the id and the ego. The second chapter is on Marge Simpson, her phobia, anxiety, aggression and repression. In the third and last chapter, Ned Flanders and his superego is studied, mainly through the religious aspect of the character. -
Volume II, Issue I, Spring 2013
Volume II, Issue I, Spring 2013 VOICES : on difference A student-led journal focusing on issues of social justice Graduate Social Work Department West Chester University Editors’ Note If you have ever watched a mother bird build her nest, then you know that they do so with great care, deter- mination and perseverance. The mother bird carefully gathers any materials that she may weave together to build a home for her babies, and then she meticulously constructs the nest piece by piece to make it strong and resilient. Although the basic construction of most nests is similar, each bird constructs their nest with creativity - gathering whatever materials they may find, whether they be pieces of yarn, fabric, or even trash. Although each nest serves the same basic purpose, each nest is unique and different. Just as the mother bird builds her nest with great care, determination and perseverance, we, as social work- ers, steadfastly and adamantly work to build up our clients. We also come alongside our clients to assist them in securing safety, to cheer them on as they grow into their strengths, and to help them tap into their resiliency admist difficult life circumstances. Although this aspect of social work and the client-centered relationship is foundational for all of us, each of us possess a unique practice that is influenced by our per- sonal experiences, perspectives and creative touch. We each bring something different to the profession of social work. Our hope is that this journal can provide a forum for sharing our views on social justice. -
Simpsons Comics- Colossal Compendium: Volume 4 PDF Book
SIMPSONS COMICS- COLOSSAL COMPENDIUM: VOLUME 4 PDF, EPUB, EBOOK Matt Groening | none | 27 Sep 2016 | Titan Books Ltd | 9781783296552 | English | London, United Kingdom Simpsons Comics- Colossal Compendium: Volume 4 PDF Book Burns Mr. Burns commandeers the Springfield public beach in the middle of a heat wave; Ralph gets left home alone, Duffman shows his esprit de corps by carrying his message to the ends of the universe; Milhouse takes on an impossible mission; Cletus lays down the law in the backwoods; and McBain faces his archenemy The Left Behinders! Qty: 1 2 3. Modified on October 4, , at Use your keyboard! July 15, Burns forces Lisa to battle him in a game of Scrabble; she accepts and after a while she gets upset and smashes the board. So one issue might be issue , the next and the next etc. This will not affect the original upload Small Medium How do you want the image positioned around text? Many Simpsons Comics have been reprinted and collected in trade paperbacks by the American publisher HarperCollins since It has been published around September— October, for Halloween , every year since Ow, Quit It! Stock photo. Seasons 1—20 Seasons 21—present. The postman turns out to be Ned Flanders and while he gives her a tour through the wondrous world they get caught by Mr. Comment and Save Until you earn points all your submissions need to be vetted by other Comic Vine users. Folio: The Magazine for Magazine Management via findarticles. The third and the rarest variant was a reprint of the comic and it had the top right portion of Bart Simpson's head covered over the original bar code. -
Download TDO-CC4-Abridgedch6.Pdf
Chapter 6. Describing Relationships and Structures Robert J. Glushko Matthew Mayernik Alberto Pepe Murray Maloney 6.1. Introduction A family is a collection of people affiliated by some connections, such as common ancestors or a common residence. The Simpson family includes a man named Homer and a woman named Marge, the married parents of three sibling children, a boy named Bart and two girls, Lisa and Maggie. This magical family speaks many languages, but most often uses the language of the local television station. In the English-speaking Simpson family, the boy describes his parents as his father and mother and his two siblings as his sisters. In the Spanish speaking Simpson family he refers to his parents as su padre y su madre and his sisters are las hermanas. In the Chinese Simpson family the sisters refer to each other according to their relative ages; Lisa, the elder, as jiě jie and, Maggie, the younger, as mèi mei. Kinship relationships are ubiquitous and widely studied, and the names and significance of kinship relations like “is parent of” or “is sibling of” are familiar ones, making kinship a good starting point for understanding relationships in organizing systems. An organizing system can make use of existing relationships among resources, or it can create relationships by applying organizing principles to arrange the resources. Organizing systems for digital resources or digital description resources are the most likely to rely on explicit relationships to enable interactions with the resources. In a classic book called Data and Reality, William Kent defines a relationship as an association among several things, with that association having a particular significance. -
Anlam Yaratma Süreci İçerisinde “The Simpsons” Çizgi Dizisi
İstanbul Üniversitesi Sosyal Bilimler Enstitüsü Radyo Televizyon Sinema Anabilim Dalı Yüksek Lisans Tezi Anlam Yaratma Süreci İçerisinde “The Simpsons” Çizgi Dizisi Çetin Timur 2501040161 Tez Danışmanı Doç Dr. Neşe Kars İstanbul 2008 ÖZ Bu çalışmada, “The Simpsons” isimli çizgi dizinin yetmiş beş saniyelik jenerik bölümü göstergebilimsel çözümleme yöntemiyle incelenmiş içerdiği ideolojik göndermeler ve bağlantılar ortaya konulmaya çalışılmıştır. Çalışmanın amacı günümüzde çocuklar için hazırlanmış olan bir çizgi dizinin sadece çocukları değil, yediden yetmişe herkesi kapsadığını göstermek ve farklı düşüncelerin, farklı eleştirilerin ve yapıların izleyicilere yetmiş beş saniye gibi kısa bir sürede dahi olsa empoze edilebileceği düşüncesini ortaya koymaktır. Sonuç olarak, “The Simpsons” isimli çizgi dizinin, içerdiği karakterlerle “biz de sizdeniz” düşüncesini yerleştirmeye çalıştığı, bir yandan da izleyicilerin zihinlerinde üretim ve tüketim dengeleri, kadının toplumdaki yeri ve standardize edilmiş toplum gibi konularda kendi ideolojik düşüncelerini oluşturmak için bir takım simgeleri ve bunlara bağlı yan anlamları kullandığı ortaya çıkarılmıştır. ABSTRACT In this study, the opening sequence part of “The Simpsons” cartoon examined according to creation of meaning by using semiology. The time period of this part is approximately seventy-five seconds and all shots were examined according to their relation between ideology and its sub meanings. The aim of this project is to bring out that an animated cartoon which is created for children can contain several sub-meanings and symbols which can shape the judgements of adults which are classified in different age groups, in seventy-five seconds time period. As a result, “The Simpsons” cartoon, try to impress viewers by using similar characteristics in its scenes and give a message that “we are all the same” and also by using symbols and sub-meanings some issues such as production and consumption balance, place of the women in society, and standardized community were also try to create in the adults mind.