LCQ 8 Annex Concerts Given in the Past Five Years by Local Artistes Or Groups in the Hong Kong Coliseum of Which Tickets Were So
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CHAPTER 3 Hong Kong Music Ecosphere
Abstract The people of Hong Kong experienced their deepest sense of insecurity and anxiety after the handover of sovereignty to Beijing. Time and again, the incapacity and lack of credibility of the SAR government has been manifested in various new policies or incidents. Hong Kong people’s anger and discontent with the government have reached to the peak. On July 1, 2003, the sixth anniversary of the hand-over of Hong Kong to China, 500,000 demonstrators poured through the streets of Hong Kong to voice their concerns over the proposed legislation of Article 23 and their dissatisfaction to the SAR government. And the studies of politics and social movement are still dominated by accounts of open confrontations in the form of large scale and organized rebellions and protests. If we shift our focus on the terrain of everyday life, we can find that the youth voice out their discontents by different ways, such as various kinds of media. This research aims to fill the gap and explore the relationship between popular culture and politics of the youth in Hong Kong after 1997 by using one of the local bands KingLyChee as a case study. Politically, it aims at discovering the hidden voices of the youth and argues that the youth are not seen as passive victims of structural factors such as education system, market and family. Rather they are active and strategic actors who are capable of negotiating with and responding to the social change of Hong Kong society via employing popular culture like music by which the youth obtain their pleasure of producing their own meanings of social experience and the pleasure of avoiding the social discipline of the power-bloc. -
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Cover Title Authors Edition Volume Genre Format ISBN Keywords The Museum of Found Mirjam, LINSCHOOTEN Exhibition Soft cover 9780968546819 Objects: Toronto (ed.), Sameer, FAROOQ Catalogue (Maharaja and - ) (ed.), Haema, SIVANESAN (Da bao)(Takeout) Anik, GLAUDE (ed.), Meg, Exhibition Soft cover 9780973589689 Chinese, TAYLOR (ed.), Ruth, Catalogue Canadian art, GASKILL (ed.), Jing Yuan, multimedia, 21st HUANG (trans.), Xiao, century, Ontario, OUYANG (trans.), Mark, Markham TIMMINGS Piercing Brightness Shezad, DAWOOD. (ill.), Exhibition Hard 9783863351465 film Gerrie, van NOORD. (ed.), Catalogue cover Malenie, POCOCK (ed.), Abake 52nd International Art Ming-Liang, TSAI (ill.), Exhibition Soft cover film, mixed Exhibition - La Biennale Huang-Chen, TANG (ill.), Catalogue media, print, di Venezia - Atopia Kuo Min, LEE (ill.), Shih performance art Chieh, HUANG (ill.), VIVA (ill.), Hongjohn, LIN (ed.) Passage Osvaldo, YERO (ill.), Exhibition Soft cover 9780978241995 Sculpture, mixed Charo, NEVILLE (ed.), Catalogue media, ceramic, Scott, WATSON (ed.) Installaion China International Arata, ISOZAKI (ill.), Exhibition Soft cover architecture, Practical Exhibition of Jiakun, LIU (ill.), Jiang, XU Catalogue design, China Architecture (ill.), Xiaoshan, LI (ill.), Steven, HOLL (ill.), Kai, ZHOU (ill.), Mathias, KLOTZ (ill.), Qingyun, MA (ill.), Hrvoje, NJIRIC (ill.), Kazuyo, SEJIMA (ill.), Ryue, NISHIZAWA (ill.), David, ADJAYE (ill.), Ettore, SOTTSASS (ill.), Lei, ZHANG (ill.), Luis M. MANSILLA (ill.), Sean, GODSELL (ill.), Gabor, BACHMAN (ill.), Yung -
Paper Number: 63 May 2007 Before and After the Fall: Mapping Hong
Paper Number: 63 May 2007 Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era Stephen Yiu-wai Chu Hong Kong Baptist University The author welcome comments from readers. Contact details: Stephen Yiu-wai Chu, Department of Chinese Language and Literature, Hong Kong Baptist University, Hong Kong Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Commencement Program
Sunday, the Sixteenth of May, Two Thousand and Ten ten o’clock in the morning ~ wallace wade stadium Duke University Commencement ~ 2010 One Hundred Fifty-Eighth Commencement Notes on Academic Dress Academic dress had its origin in the Middle Ages. When the European universities were taking form in the thirteenth and fourteenth centuries, scholars were also clerics, and they adopted Mace and Chain of Office robes similar to those of their monastic orders. Caps were a necessity in drafty buildings, and Again at commencement, ceremonial use is copes or capes with hoods attached were made of two important insignia given to Duke needed for warmth. As the control of universities University in memory of Benjamin N. Duke. gradually passed from the church, academic Both the mace and chain of office are the gifts costume began to take on brighter hues and to of anonymous donors and of the Mary Duke employ varied patterns in cut and color of gown Biddle Foundation. They were designed and and type of headdress. executed by Professor Kurt J. Matzdorf of New The use of academic costume in the United Paltz, New York, and were dedicated and first States has been continuous since Colonial times, used at the inaugural ceremonies of President but a clear protocol did not emerge until an Sanford in 1970. intercollegiate commission in 1893 recommended The Mace, the symbol of authority of the a uniform code. In this country, the design of a University, is made of sterling silver throughout. gown varies with the degree held. The bachelor’s Significance of Colors It is thirty-seven inches long and weighs about gown is relatively simple with long pointed Colors indicating fields of eight pounds. -
The Smuggling Issue Scanning the Nation's Contraband
P earl R iver D elta The Smuggling Issue Scanning the nation's contraband Follow Us on WeChat Now Advertising Hotline 400 820 8428 城市漫步珠三角 Plus: 英文版 6 月份 国内统一刊号: CN 11-5234/GO Exclusive with Akon China Intercontinental Press 06 Record-breakers in the PRD JUNE 2014 The rise of the drone 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京市海淀区北三环中路 31 号生产力大楼 B 座 7 层 邮编 100088 B-721 Shengchanli Building, No. 31 Beisanhuan Zhonglu, Haidian District, Beijing 100088, PRC http://www.cicc.org.cn 社长 President: 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui Chief Editor Tom Lee Deputy Editor Jane Kent Shenzhen Editor Gary Maidment Events and Web Editor Will Wu Staff Writer S. E. Smith Editorial Assistant Van Fan Contributors Emily Aylett, Marianna Cerini, Andrew Chin, Lena Gidwani, Christine Gilbert, James Griffiths, Lauren Hogan, Matt Horn, Monica Liau, Zoey Zha Urbanatomy Media Shanghai (Head office) 上海和舟广告有限公司 上海市澳门路 872 弄 10 号 邮政编码 : 200050 No.10, Lane 872, Aomen Lu, Shanghai 200050 电话 : 021-2213 9018 传真 : 021-2213 9010 Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Rm. 610, No. 2 Building, Area 42, Lu Yuan Lu, Guangzhou 510095 电话 : 020-8358 6125 传真 : 020-8357 3859 - 816 Shenzhen 深圳业务 电话 : 0755-8623 3220 传真 : 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街 48 号东方银座 C 座 G9 室 邮政编码 : 100027 9G, Block C, Ginza Mall, No.48 Dongzhimen Wai Dajie, Dongcheng District, Beijing, 100027 电话 : 010-8447 7002 传真 : 010-8447 6455 -
Summer Hits Concert to Take the Stage at Venetian Macao Five Electric Acts Performing at Cotai Arena
Summer Hits Concert to Take the Stage at Venetian Macao Five electric acts performing at Cotai Arena (Macao, May 21, 2014) – Some of Hong Kong’s popular singers from Universal Music Group will stage a joint concert at The Venetian® Macao’s Cotai Arena Saturday, June 7, 2014, with the Universal Music Summer Hits Concert. Tickets go on sale Thursday, May 22 at all Cotai Ticketing™ box offices*. Eric Suen, Kary Ng, Pong Nan, Kelvin Kwan and girl group Robynn & Kendy are set for an energetic night of invigorating summer music at the Cotai Arena. Each performance brings a different style to the stage, and the audience is sure to enjoy the unique experience, which also includes a DJ and live band crossover acts. With Suen singing some of his signature ballads, Ng delivering her rousing dance routines, Nan captivating fans with his fantastic piano skills, Kwan sharing his sensational vocals, and Robynn & Kendy performing an acoustic guitar set, the stage is set for an entertaining evening. Tickets for the 8 p.m., June 7, 2014 performance of Universal Music Summer Hits Concert at the Cotai Arena go on sale Thursday, May 22 at Cotai Ticketing, and can be purchased for HKD/MOP 680 (A Reserve), 480 (B Reserve), and 280 (C Reserve); HKD/MOP 88 adds a round trip Cotai Water Jet ferry ticket between Hong Kong and Macao. Tickets can be booked online at www.cotaiticketing.com, or by phone at +853 2882 8818 (Macao) / +852 6333 6660 (HK) / 4001 206 618 (China). Tickets are also available through Hong Kong Ticketing (customer service fee applies), online at www.HKTicketing.com or by phone at +852 3128 8288, and via Macao Kong Seng Ticketing Network, online at www.macauticket.com, by phone at +853 2855 5555, or in person at selected retail outlets (for locations, visit www.macauticket.com/TicketWeb/ServiceStations.aspx). -
Special Ticket Sale Arrangement for Joey Yung in Concert
Special ticket sale arrangement for Joey Yung in Concert – no counter booking and tickets can be collected from the 14th day before and up to the day of the respective performance Emperor Entertainment (Hong Kong) Ltd. (presenter), in discussion with the Leisure and Cultural Services Department, has decided not to arrange counter booking for ticket sale of “YF Life PRETTY CRAZY Joey Yung Concert Tour”. Only internet, mobile app and credit card telephone bookings are available with implementation of “delayed collection of tickets”. Patrons purchasing tickets through the above-mentioned channels can collect their paid tickets at all URBTIX outlets and ticket dispensing machines with their credit cards (used to purchase the tickets) from the 14th day before and up to the day of the respective performance. Postal and courier delivery service is not available. Details of ticket sale arrangement as follows: YF Life PRETTY CRAZY Joey Yung Concert Tour Hong Kong Coliseum 5-11, 13-18, 20-24/8/2019 $980, $580, $380 A total of 18 performances with about 85 000 tickets are available for public sale through URBTIX from 9 May (Thu) at 10am. Patrons can purchase tickets through the following channels at the same time: URBTIX website: www.urbtix.hk Mobile app My URBTIX (Android and iPhone versions) Credit card telephone booking: 2111 5999 (10 am – 8 pm daily, including Public Holidays) Maximum 4 tickets per purchase. (A credit card purchase limit is set for this event on the first day of ticket sale. When the aggregated number of tickets purchased -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
3Q19 Earnings Call Supplemental Materials October 23, 2019 Index – 3Q19 Supplementary Materials
3Q19 Earnings Call Supplemental Materials October 23, 2019 Index – 3Q19 Supplementary Materials I. Sands ECO360 II. Sands – Global Leadership in Entertainment 2 I. Sands ECO360 Sands ECO360 Industry Leading Global Sustainability Program High‐performing buildings, energy Programs to reduce, recycle, efficiency innovations and divert and donate waste renewable energy solutions Advanced technologies Sustainable food options and optimized routes for and education, restaurant our ferry and bus fleet design and kitchen efficiency Water conservation policies, Sustainable product purchases efficient fixtures and systems, and and alternatives to single‐use plastics reclaimed non‐potable water usage The Sands ECO360 Global Sustainability program reflects our vision to lead our industry in sustainable development and integrated resort operations 4 Global Goals: Our 2016-2020 Targets • We have aligned our global sustainability targets for 2016-2020 with three key, measurable, UN Sustainable Development Goals (SDGs) and our emissions reduction goals are approved by science-based targets: Emissions Water Waste . Double the global rate of improvement . Substantially increase water-use . Substantially reduce waste UN Sustainable Development in energy efficiency efficiency across all sectors generation through prevention, Goals (SDGs) . Increase substantially the share of reduction, recycling, and reuse renewable energy in the global energy . Halve per capita global food waste mix Sands ECO360 Energy Water Waste Food Alignment with SDGs Transportation Procurement . 6% reduction in emissions from . 3% reduction in consumption on a . 5% increase in waste diversion resort operations, in addition to per square foot basis rate LVS Goals (2016-2020) offsetting newly opened resorts . 6% reduction in ferry emissions . Implemented 43 eco-efficiency . Conducted extensive water audit and . -
High-Precision 5Dof Tracking and Visualization of Catheter Placement in External Ventricular Drainage of the Brain Using Augmented Reality
1 High-Precision 5DoF Tracking and Visualization of Catheter Placement in External Ventricular Drainage of the Brain using Augmented Reality XUETONG SUN, University of Maryland College Park, USA SARAH MURTHI, University of Maryland School of Medicine, USA GARY SCHWARTZBAUER, University of Maryland School of Medicine, USA AMITABH VARSHNEY, University of Maryland College Park, USA External ventricular drainage (EVD) is a high-risk medical procedure that involves inserting a catheter inside a patient’s skull, through the brain and into a ventricle, to drain cerebrospinal fluid relieving elevated intracranial pressure. Once the catheter has entered the skull its tip cannot be seen. The neurosurgeon has to imagine its location inside the cranium and direct it towards the ventricle using only anatomic landmarks. The EVD catheter is thin and thus hard to track using infra-red depth sensors. Traditional optical tracking using fiducial or other markers inevitably changes the shape or weight of the medical instrument. We present an augmented reality (AR) system that depicts the catheter for EVD and a new technique to precisely track the catheter inside the skull. Our technique uses a new linear marker detection method that requires minimal changes to the catheter and is well-suited for tracking other thin medical devices that require high-precision tracking. CCS Concepts: • Computing methodologies → Tracking; Mixed / augmented reality. Additional Key Words and Phrases: Augmented reality, 5DoF tracking, external ventricular drain, assisted surgery, catheter placement ACM Reference Format: Xuetong Sun, Sarah Murthi, Gary Schwartzbauer, and Amitabh Varshney. 2019. High-Precision 5DoF Tracking and Visualization of Catheter Placement in External Ventricular Drainage of the Brain using Augmented Reality. -
Big Four Coming to the Venetian Macao for Third Time Hong Kong Cantopop Stars to Perform at Venetian Theatre
Big Four Coming to The Venetian Macao for Third Time Hong Kong Cantopop stars to perform at Venetian Theatre (Macao, Oct. 30, 2014) – Cantopop stars Big Four will perform one night only at The Venetian® Macao’s Venetian Theatre on Friday, Nov. 21 with its WOW An Evening date with Big Four. Tickets go on sale Oct. 31 at all Cotai Ticketing box offices*. The band’s return to The Venetian Macao is part of an exciting weekend of superstar entertainment at the popular integrated resort. Sunday, Nov. 23 will also see the return of boxing icon Manny Pacquiao, as he takes on the undefeated Chris Algieri at Clash in Cotai II. Tickets are still available, priced HKD/MOP 880-24,080, so fans are urged to grab tickets now at www.cotaiticketing.com. Both events give visitors a chance to experience spectacular live entertainment while enjoying the convenience of The Venetian Macao’s diverse selection of world-class shopping and dining choices. Formed in 2009, Big Four is made up of friends Dicky Cheung, Andy Hui, William So and Edmond Leung. The Hong Kong actor-singers are set to entertain the Macao audience this November with WOW An Evening date with Big Four, a concert filled with their greatest hits, including “Big Four,” “Powerless to Help,” “The Pain of Men,” and “Man Should Not Make Woman Cry.” Tickets for the 8 p.m., Nov. 21 performance of WOW An Evening date with Big Four at the Venetian Theatre go on sale Friday, Oct. 31 via Cotai Ticketing and can be purchased for HKD/MOP 780 (A Reserve), 580 (B Reserve) and 380 (C Reserve); HKD/MOP 88 adds a round trip Cotai Water Jet ferry ticket between Hong Kong and * The Venetian Macao – Cotai Arena and Main Lobby box offices; Four Seasons Hotel Macao – The Plaza™ Macao box office; Sands® Macao – L1 box office; Sands® Cotai Central – Sheraton Main Lobby and Holiday Inn Main Lobby Page 1 of 3 Macao.