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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
John Hawkesworth Scope and Content
JOHN HAWKESWORTH SCOPE AND CONTENT Papers relating to film and television producer, scriptwriter and designer JOHN STANLEY HAWKESWORTH. Born: London, 7 December 1920 Died: Leicester, 30 September 2003 John Hawkesworth was born the son of Lt.General Sir John Hawkesworth and educated at Rugby and Queen's College, Oxford. Between school and university he spent a year studying art at the Sorbonne in Paris, where Picasso corrected his drawings once a week. Following the military tradition of his family, Hawkesworth joined the Grenadier guards in 1940 and had a distinguished World War II record. In 1943 he married Hyacinth Gregson-Ellis and on demobilisation from the army began work in the film industry as an assistant to Vincent Korda. As art director he worked on many films for British Lion including The THIRD MAN (GB, 1949), OUTCAST OF THE ISLANDS (GB, 1951), and The SOUND BARRIER (GB, 1952). As a freelance designer he was involved with The MAN WHO NEVER WAS (GB, 1955) and The PRISONER (GB, 1955). Joining the Rank Organisation as a trainee producer, Hawkesworth worked on several films at Pinewood and was associate producer on WINDOMS WAY (GB, 1957) and TIGER BAY (GB, 1959). Hawkesworth's writing for television began with projects including HIDDEN TRUTH (tx 9/7/1964 - 6/10/1964), BLACKMAIL (Associated Rediffusion tx 1965 - 1966) and the 13 part BBC series CONAN DOYLE (tx 15/1/1967 - 23/4/1967), before embarking on the acclaimed LWT series The GOLDROBBERS (tx 6/6/1969 - 29/4/1969). It was with the latter that the Sagitta Production Company who were to produce the highly successful Edwardian series UPSTAIRS DOWNSTAIRS (tx 1970 - 1975) for LWT, came into existence, making Hawkesworth and his long term professional partner Alfred Shaughnessy household names. -
Now Showing 2 a Directory of Films for Children
Now Showing 2 a directory of films for children Terry Staples CONTENTS Introduction by Terry Staples 2 D. A. R.Y.L. 16 Labyrinth 27 The Runner 39 List of Distributors and Danny the Champion of the World 16 The Land Before Time 27 School for Vandals 39 Rights–Holders 4 The Dark Crystal 16 The Last Unicorn 27 The Secret Garden (1993) 39 101 Dalmatians 5 Digimon: Digital Monsters The Legend of the Golden Prince 27 The Secret Garden (1949) 39 102 Dalmatians 5 The Movie 16 The Life and Surprising Adventures The Secret of NIMH 39 4D Special Agents 5 Dimples 16 of R Crusoe 28 The Secret of Roan Inish 39 The Adventures of Elmo in Dinosaur 16 Lili 28 Sesame Street Presents: Follow Grouchland 5 Doombeach 17 The Little Gang 28 That Bird 40 The Adventures of Huck Finn 5 Doug’s First Movie 17 The Little Mermaid (1976) 28 The Seventh Voyage of Sinbad 40 Adventures of Mark Twain 5 Dr. Dolittle 17 The Little Mermaid (1989) 28 Sherlock Junior + two Keaton shorts 40 The Adventures of Pinocchio 5 The Dragon of Pendragon Castle 17 A Little Princess 28 Shipwreck! 40 The Adventures of Prince Achmed 6 DragonHeart 17 The Little Rascals 28 Shrek 40 The Adventures of Robin Hood 6 Dunston Checks In 17 The Little Vampire 29 A Simple Wish 40 The Adventures of Rocky and Emily’s Ghost 17 Little Women 29 The Slipper and the Rose 41 Bullwinkle 6 The Emperor’s New Groove 18 Loch Ness 29 Small Soldiers 41 Air Bud 6 ET The Extra Terrestrial 18 Lord of the Rings 29 Snoopy Come Home 41 Aladdin and his Magic Lamp 6 Ever After: A Cinderella Story 18 Lorna Doone 29 The Snow Queen -
165705030.Pdf
[email protected] Name Persian Name PageYear 1 Subtitle Director Primary Actor Secondary Actor09/04/2013 Stephen Norrington Sean Connery Naseeruddin Shah 2003 انجمن مردان خارق العاده ( T EXTRAORDINARY (The League of Extraordinary Gentlemen 1 Michael Apted Pierce Brosnan Robert Carlyle 1999 دنیا کافی نیست World Is Not Enough 2 Dobleh Ronald Neame Gregory Peck Ronald Squire 1953 اسکناس یک میلیون پوندی (Million Pound Note (+ original sound 7 Alfred Hitchcock Joel Mc Crea Laraine Day 1940 خبرنگارخارجی Foreign Correspondent 8 Dobleh Anatole Litvak Ingrid Bergman Yul Brynner 1956 آناستازیا (ANASTASIA (+ original sound 9 Pietro Germi Marcello Mastroianni Daniela Rocca 1961 ازدواج به سبک ایتالیائی DIVORZIO ALL ITALIANA 10 Akira Kurosawa Toshirô Mifune Misa Uehara 1958 قلعه گمشده Hidden Fortress , The 11 Akira Kurosawa Hideo Aguno 1962 سانجورو Sanjuro 12 Akira Kurosawa Denjirô Ôkôchi Susumu Fujita 1945 مردی درتعقیب ببر Man Who Tread On The Tiger's Tail , The 14 فرشته مست DRUNKEN ANGEL 15 Akira Kurosawa Denjirô Ôkôchi Susumu Fujita 1943 سانشیروسوگاتا Sunshiro sugata 16 Akira Kurosawa Toshiro Mifune 1961 یوجیمبو Yojimbo 17 Akira Kurosawa Yuri Solomin Maksim Munzuk 1975 درسواوزال Dersu Uzala 18 Akira Kurosawa Isao Numasaki Chieko Nakakita 1947 یکشنبه شگفت انگیز One Wonderful Sunday 19 Mervyn LeRoy Robert Taylor Deborah Kerr 1951 کووادیس Qvo Vadis 21 Lux Vides Galatea Elizabeth Taylor Richard Burton 1962 سالواتورجولیاتو Salvatore Giuliano 22 Federico Fellini Federico Fellini Bernardino Zapponi 1972 روم Fellini's Roma 23 Federico Fellini Anthony Quinn Giulietta Masina 1954 جاده La Strada 24 Federico Fellini Franco Interlenghi Alberto Sordi 1953 ولگردها I Vitelloni 25 Federico Fellini Freddie Jones Barbara Jefford 1983 پسربادبان AND THE SHIP SAILSON 26 D.W. -
Newsletter 06/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 06/13 DIGITAL EDITION Nr. 329 - Juni 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 06/13 (Nr. 329) Juni 2013 Internet Killed the Videostar? Vor einigen Tagen sah ich auf arte Be Kind lich Video-on-Demand bei Amazon oder Netflix. Rewind. In dem Film müssen Mos Def und Jack Viele meiner Freunde und Bekannten, und ich Black populäre Filme auf Videokassette neu fil- selbst ganz besonders, kaufen auch gerne ihre men, weil sie aus Versehen den Bestand der ih- Lieblingsserien und Filme auf DVD bzw. Blu-ray. nen anvertrauten Videothek gelöscht haben. Ganz Wir sparen uns Werbung, können so viel gucken, unerwartet haben sie im Wohnviertel mit ihren wie wir wollen und Wolfram Hannemann hat wei- “geschwedeten” Filmen – so nennen sie ihre Bil- terhin Arbeit. Das ist auch wichtig! lig-Remakes, um sie exotischer und wertvoller klingen zu lassen – enormen Erfolg. Die 20-Minu- Der Generation YouTube geht es nämlich nicht ten-Versionen der Filme kommen bei den Leuten darum, alles umsonst zu bekommen. Es geht uns besser an als die Originale. Plötzlich existiert ein vielmehr um komplette Autonomie in unserer neues Medium, das dem Altehrwürdigen in Win- Unterhaltungskultur. Wir wollen nicht bevormundet deseile den Rang abläuft. werden, uns an ein Programm halten müssen und Werbung dulden, um die Sendung zu verdienen. Tatsächlich ist es so, dass wir genau dieses Phä- Wieso sonst ist TiVo so beliebt? Außerdem ist nomen seit der Eröffnung YouTube am eigenen spürbar, dass die User selbst bestimmen wollen, Leibe erfahren.