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Jewish Quarterly
Wordslinger: Clive Sinclair burst onto the literary CLIVE scene like Wyatt Earp--and then he disappeared. live Sinclair spent most of his life in search ment of Custer’s Last Stand in Montana. (1948-2018) of his “inner cowboy”. He grew up in It was Smolinsky-like detective work that precipitated North London, in the 1950s as a self-styled this pilgrimage. On one of his many trips to local auc- SINCLAIR “Hendonite”. The dullness of suburban life tion-houses to obtain nineteenth-century Americana, was relieved by classical Westerns which Sinclair bought a photograph of a nude woman covered Cshaped his imagination. In the Sinclair household it was only in a thin black veil. He eventually discovered that the universally acknowledged that John Ford’s The Search- photograph was of Josephine Marcus, Wyatt Earp’s Jewish ers (1956), starring John Wayne, was the greatest movie wife for half a century, whose family came from Prussia. ever made. A visit to the Hendon Odeon to see a Hol- His two imagined homelands (Wild West America and lywood Western (after donning a cowboy outfit with Jewish Europe) had collided. The mysterious photograph The Forgotten his younger brother Stewart) was the highlight of the led to the two novellas in Meet the Wife (2002) and to his week. Centre-stage in their home was a photograph of travel bool True Tales of the Wild West (2008). the brothers Sinclair dressed as cowboys aged 8 and 4 (the year when The Searchers first appeared). In most first met Clive Sinclair as a twenty-something Revolutionary school photographs before the age of 11, Sinclair wore graduate student in the early 1980s. -
Fall2011.Pdf
Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa. -
The International in Ben Okri's The Famished Road Colleen
Exploring the “Edge of Reality”: the International in Ben Okri’s The Famished Road Colleen Maher Honors Thesis Spring 2019 Maher 1 Abstract Ben Okri’s The Famished Road (1993) follows Azaro, an abiku child, and his family through life in an impoverished neighborhood in what can be assumed to Lagos, Nigeria, just before the advent of Nigerian independence. Okri says “[A] true invasion takes place not when a society has been taken over by another society in terms of its infrastructure, but in terms of its mind and its dreams and its myths, and its perception of reality” (qtd. in Hawley 32). Okri, like many magical realists, ultimately uses his novel as a means of resistance to Western epistemologies. Okri’s novel is exemplary of a localized mode of magical realism, and Okri uses the license of magical realism to explore the interpenetration of the national and, especially, the international within the local. This thesis examines the ways in which centrifugal and centripetal movements within the text suggest the potential for neocolonialism, while at the same time speculating a liberated future. The thesis concludes with an acknowledgement of the paradoxes extent within The Famished Road. Maher 2 Chapter One: A Famished Road, a Full Tradition With heady, visceral details and dizzying jumps in setting, deeply human characters and bizarre spirits, Ben Okri’s The Famished Road is more than reality. Okri’s novel follows the life of a young boy nicknamed Azaro living with his mother and father in a harsh neighborhood which they call their “ghetto” (Okri 82). -
The Famished Road
The Famished Road The Famished Road: Ben Okri’s Imaginary Homelands Edited by Vanessa Guignery The Famished Road: Ben Okri’s Imaginary Homelands, Edited by Vanessa Guignery This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Vanessa Guignery and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4534-5, ISBN (13): 978-1-4438-4534-2 TABLE OF CONTENTS Acknowledgements.....................................................................................................vii Introduction...................................................................................................................... 1 To See or not to See: Ben Okri’s The Famished Road Vanessa Guignery Chapter One ....................................................................................................................17 Ben Okri in Conversation Vanessa Guignery and Catherine Pesso-Miquel Chapter Two ...................................................................................................................30 Episodes and Passages: Spiralling Structure in Ben Okri’s The Famished Road Kerry-Jane Wallart Chapter Three -
THE FAMISHED ROAD Ben Okri
THE FAMISHED ROAD Ben Okri SECTION 1 BOOK 1 ONE IN THE BEGINNING there was a river. The river became a road and the road branched out to the whole world. And because the road was once a river it was always hungry. In that land of beginnings spirits mingled with the unborn. We could assume numerous forms. Many of us were birds. We knew no boundaries. There was much feasting, playing, and sorrowing. We feasted much because of the beautiful terrors of eternity. We played much because we were free. And we sorrowed much because there were always those amongst us who had just returned from the world of the Living. They had returned inconsolable for all the love they had left behind, all the suffering they hadn’t redeemed, all that they hadn’t understood, and for all that they had barely begun to learn before they were drawn back to the land of origins. There was not one amongst us who looked forward to being born. We disliked the rigours of existence, the unfulfilled longings, the enshrined injustices of the world, the labyrinths of love, the ignorance of parents, the fact of dying, and the amazing indifference of the Living in the midst of the simple beauties of the universe. We feared the heartlessness of human beings, all of whom are born blind, few of whom ever learn to see. Our king was a wonderful personage who sometimes appeared in the form of a great cat. He had a red beard and eyes of greenish sapphire. He had been born uncountable times and was a legend in all worlds, known by a hundred different names. -
Advance Program Notes an Onstage Conversation with Zadie Smith, Author Tuesday, March 19, 2019, 7:30 PM
Advance Program Notes An Onstage Conversation with Zadie Smith, author Tuesday, March 19, 2019, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. An Onstage Conversation with Zadie Smith, author Moderated by Lucinda Roy, Alumni Distinguished Professor, Department of English at Virginia Tech Presented in partnership with the Department of English Visiting Writers Series and the Women’s Center at Virginia Tech in celebration of its 25th anniversary Biography ZADIE SMITH Novelist Zadie Smith was born in North London in 1975 to an English father and a Jamaican mother. She read English at Cambridge before graduating in 1997. Her acclaimed first novel,White Teeth (2000), is a vibrant portrait of contemporary multicultural London, told through the stories of three ethnically diverse families. The book won a number of awards and prizes, including the Guardian First Book Award, the Whitbread First Novel Award, the Commonwealth Writers Prize (Overall Winner, Best First Book), and two BT Ethnic and Multicultural Media Awards (Best Book/Novel and Best Female Media Newcomer). It was also shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize, the Orange Prize for Fiction and the Author’s Club First Novel Award. White Teeth has been translated into over 20 languages and was adapted for Channel 4 television for broadcast in autumn 2002 and for the stage in November 2018. Smith’s The Autograph Man (2002), a story of loss, obsession, and the nature of celebrity, won the 2003 Jewish Quarterly Wingate Literary Prize for Fiction. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Introduction: Questions of Class in the Contemporary British Novel
Notes Introduction: Questions of Class in the Contemporary British Novel 1. Martin Amis, London Fields (New York: Harmony Books, 1989), 24. 2. The full text of Tony Blair’s 1999 speech can be found at http://news.bbc. co.uk/2/hi/uk_news/politics/460009.stm (accessed on December 9, 2008). 3. Terry Eagleton, After Theory (New York: Perseus Books, 2003), 16. 4. Ibid. 5. Peter Hitchcock, “ ‘They Must Be Represented’: Problems in Theories of Working-Class Representation,” PMLA Special Topic: Rereading Class 115 no. 1 January (2000): 20. Savage, Bagnall, and Longhurst have also pointed out that “Over the past twenty-five years, this sense that the working class ‘matters’ has ebbed. It is now difficult to detect sustained research interest in the nature of working class culture” (97). 6. Gary Day, Class (London and New York: Routledge, 2001), 202. This point is also echoed by Ebert and Zavarzadeh: “By advancing singularity, hetero- geneity, anti-totality, and supplementarity, for instance, deconstruction has, among other things, demolished ‘history’ itself as an articulation of class relations. In doing so, it has constructed a cognitive environment in which the economic interests of capital are seen as natural and not the effect of a particular historical situation. Deconstruction continues to produce some of the most effective discourses to normalize capitalism and contribute to the construction of a capitalist-friendly cultural common sense . .” (8). 7. Slavoj Žižek, In Defence of Lost Causes (London and New York: Verso, 2008), 404–405 (Hereafter, Lost Causes). 8. Andrew Milner, Class (London: Sage, 1999), 9. 9. Gavin Keulks, ed., Martin Amis: Postmodernism and Beyond (New York: Palgrave Macmillan, 2006), 73. -
Politics, Oppression and Violence in Harold Pinter's Plays
Politics, Oppression and Violence in Harold Pinter’s Plays through the Lens of Arabic Plays from Egypt and Syria Hekmat Shammout A thesis submitted to the University of Birmingham for the degree of MASTER OF ARTS BY RESEARCH Department of Drama and Theatre Arts College of Arts and Law University of Birmingham May 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis aims to examine how far the political plays of Harold Pinter reflect the Arabic political situation, particularly in Syria and Egypt, by comparing them to several plays that have been written in these two countries after 1967. During the research, the comparative study examined the similarities and differences on a theoretical basis, and how each playwright dramatised the topic of political violence and aggression against oppressed individuals. It also focussed on what dramatic techniques have been used in the plays. The thesis also tries to shed light on how Arab theatre practitioners managed to adapt Pinter’s plays to overcome the cultural-specific elements and the foreignness of the text to bring the play closer to the understanding of the targeted audience. -
Gordon Burn Prize 2018: 13-Strong Longlist Highlights Fearless Works of Fiction and Non-Fiction
Gordon Burn Prize 2018: 13-strong longlist highlights fearless works of fiction and non-fiction News release for release 00:00 18 May 2018 The longlist is announced today for the Gordon Burn Prize 2018, which seeks to reward some of the boldest and most fearless new books published in the United Kingdom and the United States. Denise Mina won the prize in 2017 for her true crime novel The Long Drop. Previous winners have included David Szalay’s linked collection of short stories, All That Man Is, and In Plain Sight: The Life and Lies of Jimmy Savile by Dan Davies. Gordon Burn’s writing was precise and rigorous, and often blurred the line Between fact and fiction. He wrote across a wide range of suBjects, from celeBrities to serial killers, politics to contemporary art; his works include the novels Fullalove and Born Yesterday: The News as a Novel and non-fiction Happy Like Murderers: The Story of Fred and Rosemary West, Best and Edwards: Football, Fame and Oblivion and Sex & Violence, Death & Silence: Encounters with Recent Art. The Gordon Burn Prize, founded in 2012 and run in partnership By the Gordon Burn Trust, New Writing North, FaBer & FaBer and Durham Book Festival, seeks to celebrate the work of those who follow in his footsteps: novels that dare to enter history and interrogate the past; non-fiction adventurous enough to inhaBit characters and events to create new and vivid realities. The prize is open to works in English published between 1 July 2017 and 1 July 2018, by writers of any nationality or descent who are resident in the United Kingdom or the United States of America. -
Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June. -
HL2032: African Literature
3/10/2021 HL2032 African Literature HL2032: African Literature This module explores a diverse range of African literatures – including works from Nigeria, Egypt, Kenya, and South Africa. It will offer an historical account of the emergence and development of these national literatures, while also focusing on some of the major social and political issues they address. Of particular interest will be the transformative encounter with colonial modernity, the profound socioeconomic consequences of apartheid, and the various challenges faced by the postcolonial nation-state. We will also be discussing the significance of the oral tradition in African literature, and the controversy surrounding its use of English, the language of the colonizer. Although literature will be our primary focus, the course will include an analysis of the South African film Tsotsi, and will introduce students to a number of important theoretical concepts within the field of postcolonial studies. Primary Sources FICTION Chinua Achebe, Things Fall Apart (Anchor 1994) J.M. Coetzee, Disgrace (Vintage 2000) Naguib Mahfouz, Midaq Alley (Anchor 1992) Ngugi wa Thiong’o, A Grain of Wheat (Penguin 2002) Ben Okri, Selected Stories (Available on NTU Learn) FILM Tsotsi (dir. Gavin Hood; 2005) https://www3.ntu.edu.sg/home/btscott/HL2032syllabus0119.htm 1/3 3/10/2021 HL2032 African Literature Secondary Sources Simon Gikandi, Reading the African Novel Gareth Griffiths, African Literatures in English: East and West Tejumola Olaniyan and Ato Quayson (ed.), African Literature: An Anthology