Drug Policy Alliance: 2013 Annual Report
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Samir : Gym Tonik Enquête : Pourquoi on Kiffe La Racaille ?
03 2004 Dec > Samir : Gym Tonik Enquête : Pourquoi on kiffe la racaille ? Sommaire BABY BOY TEAM 03 - Edito Rédacteur en chef : Fouad Zeraoui Directeur Artistique : Dimitri Carnus 04 - In Da Club Photographe : Alain Charles Beau Cool Hot Boyz Correcteur : Corinne Megy Directeur de Publication : Fouad Zeraoui 06 - Tabloid Junky Assistant : Skander Dafdouf Hot News Editeur : Kelma Group Publicité : Nicolas Dupuis 08 - R’n Boy Tél.:01 53 25 11 06 Fax: 01 53 23 1122 ou [email protected] Portrait : David Abonnement : www.babyboy.fr 10 - R’n Boy Baby Boy est publié par Kelma Group ITW : Charles Shillings 118-130 avenue Jean JAURES 75169 paris cedex 19 sarl au capital de 10 000 euros 12 - R’n Boy R.C.S PARIS B 479121287 Portrait : Karim La reproduction totale ou partielle des arti- cles et illustrations sans autorisation est interdite. Baby Boy décline toute responsa- 14 - Baby Boy bilité pour les documents remis non solli- Samir : Gym Tonik cités. Les articles sont libres de toute publicité. 24 - Dossier Rédaction : ([email protected]) Pourquoi Kiffe-t-on les racailles ? Coordination de la rédaction : Jan de Kerne collaborateur : 26 - Baby Talk Cyril denuet, William Carnimolla, Laurent Riès, Joseph Marie, ITW: Nelly Hulewick, Caro et Nico, Mustapha K, Rachid X,Antoine 30 - Play List Legrand, Yasmine DJ Doze Ne pas jeter sur la voie publique. 33 - Play Baby Couverture : Modèle/Samir Photos : Alain Charles Beau Need for speed underground 2 35 - E Baby Tyson Beckford 36 - Let’s Talk About Sex T’as des kpotes ? 38 - Viens Voir le docteur Par Rachid X 03 in Da Club Photos / Alain Charles Beau, Gérard Bezaud Cool Party Boyz Clichés pris à la soirée BBB Dimanche aux Folies Pigalle 05 Tabloid Junkie Photo: jennifer lopez.com JJ.Lo.Lo maquéemaquée !! >Jennifer Lopez, qui fait actuellement la Le producteur de Justin Timberlake et de tournée des capitales européennes pour Britney est un vrai fashionista qui ne rate la promo de son nouvel album, "Rebirth", aucun défilé de mode entre Paris, Milan et ne met plus le feu partout où elle passe. -
Taís De F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRI
Taís de F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Santa Maria, RS 2014/1 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Trabalho Final de Graduação II (TFG II) apresentado ao Curso de Publicidade e Propaganda, Área de Ciências Sociais, do Centro Universitário Franciscano – Unifra, como requisito para conclusão de curso. Orientadora: Prof.ª Me. Morgana Hamester Santa Maria, RS 2014/1 2 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW _________________________________________________ Profª Me. Morgana Hamester (UNIFRA) _________________________________________________ Prof Me. Carlos Alberto Badke (UNIFRA) _________________________________________________ Profª Claudia Souto (UNIFRA) 3 AGRADECIMENTOS Inicialmente gostaria de agradecer aos meus pais por terem me proporcionado todas as chances possíveis e impossíveis para que eu tivesse acesso ao ensino superior que eles nunca tiveram, meus irmãos por terem me aguentado e me ajudado durante esse tempo, meus tios e tias, que da mesma forma que meus pais, sempre me incentivaram a estudar, meus avós que sempre me ajudarem nos momentos difíceis com sua sabedoria e experiência. Gostaria também de agradecer em especial à tia Edi, minha dinda, minha madrinha de coração que junto com meus pais, sempre me deu todo tipo de apoio para que eu não desistisse, mesmo nos momentos mais difíceis. Meu amigo Rafa que me deu a ideia do tema e ter me ajudado até a finalização do mesmo. -
A Not-To-Be-Believed Semester Ending Edition
A NOT -TO-BE-BELIEVED SEME S TER EN DI N G EDITIO N THE P l e a s e r e c y c l e t h i s Thursday, December 10, 2009 newspaper when you are Volume 47, Issue 14 NUGGET finished with it. YOUR STUDENT NEWSPAPER, EDMONTON, ALBERTA, CANADA nait goes nude! Story page 3 Our Nugget staff gets together to kick off this utterly unbelievable edi- tion, which should not be taken seriously! Photo by Raymond Ip 2 The Nugget note: this FanCiFuL PaPeR is FoR enteRTAINMent onLY! Thursday, December 10, 2009 NEWS&FEATURES NAIT mascot tragedy By ryan fLAherty NAIT is mourning the tragic loss this week of the school’s mascot, the Ooklet, who died while attempting to fly. The circumstances surrounding the tragedy are still somewhat unclear, but investigators are hoping that the results of an autopsy, expected some time next week, will help fill in the blanks. So far, all police are willing to say is that some time between 5 p.m. and 10 p.m. last Saturday evening, the beloved blue owl climbed to the top of the parkade outside the Industrial Technical building and proceeded to fling himself off the upper level, dying instantly upon impact. One witness, who asked that her name not be published, said that every- thing happened quickly. “One minute I saw the Ooklet high- fiving a bunch of basketball fans outside the parkade, the next thing you know I see him hitting the ground,” she said. “He pretty much exploded into a ball of blue fluff and foam rubber.” Authorities are still piecing together the timeline leading up to the Ooklet’s Photo illustration untimely demise. -
Dr. Sana Mahmoud Abbasi ABSTRACT KEYWORDS
ORIGINAL RESEARCH PAPER Volume-7 | Issue-3 | March-2018 | PRINT ISSN No 2277 - 8179 INTERNATIONAL JOURNAL OF SCIENTIFIC RESEARCH “THE MAKING OF THE VICTORIA'S SECRET FANTASY BRA 2017 BY: MOUAWAD JEWELRY HOUSE” “A STUDY OF THE RELATIONSHIP BETWEEN FASHION AND JEWELRY DESIGN, AND THE MAKING OF THE MOST EXPENSIVE BRA IN HISTORY, AND REACHING FIVE GUINNESS'S WORLD RECORDS” Fashion Design Dr. Sana Mahmoud Dar Al Hekma University, Jeddah, Saudi Arabia Chair of the Fashion Design Department Abbasi (College of Design & Architecture) ABSTRACT Mouwad jewelry House has a proven record that emphasize the strong relationship between Fashion and Jewelry Design. Since 2011, Mouwad Jewelry has collaborated with Victoria's Secret to create the final high jewelry- meets-lingerie pieces. The maison has produced 10 different Fantasy Bras since the start of the collaboration, and the dynamic between the two brands is clearly very strong and innovative. The 2003 Very sexy Fantasy Bra made the Guinness World Record as the most expensive bra ever at US $ 11 Million Dollars. This is five times the jewelry house has sent a world record by producing the most expensive jewelry box, named “The Eternity Jewelry Coffer” for the amount US $ 3.5 million Dollars. The price tag on the 2017 Champagne Nights bra comes in at US $ 2 million Dollars. This study will look into the history of the jewelry house Mouwad and the collaboration between the maison and Victoria's Secret High Fashionable Bras made out of precious stones and diamonds. The company has collaborated on jewelry designs with celebrities including the fashion model Heidi Klum and has accessorized actresses including Nicole Kidman and Angelina Jolie. -
'The Wall That Heals' Hits Nahant
MONDAY JULY 19, 2021 By Tréa Lavery Swampscott Conservancy ITEM STAFF SWAMPSCOTT — The Swampscott Conservancy is advocating for a ban on balloons in the town, saying that they have a detrimental effect on the airing out its case environment and on animals that may ingest them. In a post on the Conservancy’s website, President Toni Bandrowicz ac- knowledged that balloons are a bright and fun way of celebrating happy against balloons events, but asked residents to consider the negative impacts as well as the positive. “To protect nature in our neighborhood, perhaps it’s time for Swamp- scott to consider such a by-law — or at least a policy that bans balloons at town-sponsored events, on town-owned properties, or for any events requir- ing town approval,” Bandrowicz said. “The town should promote the use of non-disposable, reusable decorations for such events, not balloons and other single-use plastic decorations.” A handful of communities in Massachusetts have already enacted similar rules, including Chatham, Everett, Nantucket and Provincetown. In 2019, State Representative Sarah Peake of Provincetown introduced a bill that would ban “the sale, distribution and release of any type of balloon, includ- ing, but not limited to, plastic, latex or mylar, lled with any type of lighter BALLOONS, A3 Lynn, Revere and MBTA mapping out transit plan By Allysha Dunnigan ITEM STAFF The Massachusetts Bay Transporta- tion Authority (MBTA) announced its collaboration with municipal partners, including Revere and Lynn, for a series of bus priority projects that will construct up to 4.8 miles of bus lanes — and other pro-transit infrastructure upgrades — to improve bus speed and reliability as the region re-opens from COVID-19-related regulations. -
It Is Time to Make Our Communities Healthy Too
Lindsey Directs LADWP’s Water Hill Harper talks The Black Wall Distribution System Street (See page A-2) (See page A-9) VOL. LXXXVII NO. 23, $1.00 +CA. Sales Tax “For Over Eighty Years, the Voice of Our Community Speaking for Itself.” THURSDAY, JUNE 10, 2021 VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax “For Over Eighty Years The Voice of Our Community Speaking for Itself THURSDAY, DECEMBER 12 - 18, 2013 munity center branch; he reflected on this intensi- el.” Dimon shared his ex- made worse by the COV- described the cultural evo- fied process between the citement of being a part of ID-19 pandemic.” The $30 lution of Chase and how community and financial this innovation and watch- billion commitment will the institution looks to be- circulation, stating, “A ing it unfold. support projects geared to- come a pillar of growth in community branch was an The JPMorgan Chase wards affordable housing, the Crenshaw community. idea—we had this $30 bil- Path Forward initiative minority-owned business- The public center’s lion racial equity commit- has a mission to address es, financial health, and goal unites the act of bank- ment which is huge— but “structural barriers in the workforce diversity. ing and the genuine needs at the end of the day, it all U.S. that have created pro- of the community. Dimon takes place on a local lev- found racial inequalities- {See CHASE A-11} JPMorgan Chase CEO Jamie Dimon E. MESIYAH MCGINNIS / LA SENTINEL BY BETTI HALSELL center in the Bakewell build- Contributing Writer ing, on corner of Crenshaw Blvd. -
Ani Difranco – Revolutionary Love Biography
Ani DiFranco – Revolutionary Love Biography The transcendent new album from Ani DiFranco, Revolutionary Love marks the latest proof of one of her most powerful gifts as an artist: a rare ability to give voice to our deepest frustrations and tensions, on both a personal and political level. “My songs have always reflected an acute connection between my personal life and the life of my society,” says the trailblazing musician and activist. “As I started to come out of dealing with years of personal hardship, I saw that my entire country was struggling with the same problems: the same themes of how much damage we do to each other and how much pain we’re carrying, and the same question of how to keep going when we’re so broken.” As her 22nd studio album in an iconic career—one that’s included winning a Grammy and countless other accolades, collaborating with legends like Prince, and breaking ground as one of the first artists to launch her own label, Righteous Babe Records— Revolutionary Love first began taking shape in the final weeks of winter 2020. After returning from a West Coast tour with a new batch of songs she’d written on the road, DiFranco laid down those tracks at her New Orleans home studio with bassist Todd Sickafoose and drummer Terence Higgins (her longtime touring bandmates), but then felt compelled to keep on writing. Before long, she’d amassed a body of work whose urgency felt undeniable. “I suddenly decided I need to push this record out by fall,” she recalls. -
“Hago Esto Porque Es Muy Divertido.” the DIAMOND DREAM FANTASY BRA 1997 $ 3,000,000
THE MILLION DOLLAR FANTASY BRA 1996 $ 1,000,000 DISEÑADO POR VICTORIA’S SECRET HORAS DE TRABAJO 300 COMPUESTO POR - 100 QUILATES DE DIAMANTES - VARIEDAD DE OTRAS PIEDRAS PRECIOSAS ÁNGEL CLAUDIA SCHIFFER NACIONALIDAD ALEMANIA DESFILES CON EL FANTASY BRA 1ª VEZ “Hago esto porque es muy divertido.” THE DIAMOND DREAM FANTASY BRA 1997 $ 3,000,000 DISEÑADO POR HARRY WINSTON HORAS DE TRABAJO 500 COMPUESTO POR - 93 PIEDRAS PRECIOSAS DE CORTE PERA - ALREDEDOR DE 100 DIAMANTES EN LOS RIBETES - UN DIAMANTE DE 42 QUILATES DE CORTE PERA EN EL CENTRO ÁNGEL TYRA BANKS NACIONALIDAD EEUU DESFILES CON EL FANTASY BRA 1ª VEZ “Estaba muy nerviosa por hacer el desfile de Victoria’s Secret por primera vez porque ellos consiguen que las modelos ganen fama mundial.” THE DREAM FANTASY BRA 1998 $ 5,000,000 DISEÑADO POR JANIS SAVITT PARA M&J HORAS DE TRABAJO 300 COMPUESTO POR - 77 QUILATES DE RUBÍES TALLA MARQUESA - 330 QUILATES DE DIAMANTES DE TALLAS MARQUESA Y PERA - TODOS ENGARZADOS EN PLATINO ÁNGEL DANIELA PESTOVA NACIONALIDAD REPÚBLICA CHECA DESFILES CON EL FANTASY BRA 1ª VEZ “Si no lo haces ahora igual no te lo piden el ano~ que viene.” THE MILLENIUM FANTASY BRA 1999 $ 10,000,000 DISEÑADO POR VICTORIAS’S SECRET HORAS DE TRABAJO 300 COMPUESTO POR - 2.000 DIAMANTES ENGARZADOS EN PLATINO - VARIOS ZAFIROS DE CORTE DIAMANTE ÁNGEL HEIDI KLUM NACIONALIDAD ALEMANIA DESFILES CON EL FANTASY BRA 1ª VEZ ´ THE RED HOT FANTASY BRA 2000 $ 15,000,000 DISEÑADO POR VICTORIAS’S SECRET HORAS DE TRABAJO 370 COMPUESTO POR - 1.300 PIEDRAS PRECIOSAS - 300 QUILATES DE RUBÍES TAILANDESES -
This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN -
Doble Celebración Con Los Santaella Hernández
VIDA 10 NOVIEMBRE.qxd 09/11/2008 08:00 p.m. Page 5 LUNES 10 EL SIGLO DE DURANGO F5 Sociales DE NOVIEMBRE 2008 MÉXICO Abiú Santaella Hernández y Claudia Leticia Hernández Anguiano con su pequeña Alicia Linette. Abiú Josué Santaella Hernández también participó en la ceremonia en honor a de su Alicia Linette Santaella Hernández recibió las aguas del Jordán en el Templo del Amor hermanita, donde dio gracias a Dios por haber cumplido un añito más de vida. Misericordioso de Jesús. Sacramento Doble celebración con los Santaella Hernández Evelyn Rocío Hernández Anguiano y Rubén Adolfo Martínez Pulido fungieron como padrinos de la pequeña. Alicia Linette fue bautizada en la Parroquia del Amor Misericordioso de Jesús, mientras su hermanito Abiú Josué celebró su cumpleaños. Una hermosa celebración encargó de ingresar a Alicia ciones en esta ocasión tam- residencia familiar, donde se se ofreció en honor a la Linette a la grey católica bién se hicieron las de congregaron los abuelitos pequeña Alicia Linette cuando la ungió con el agradecimiento, y es que el de los hermanos, así como Santaella Hernández, quien santo crisma y pidió tanto a hermano mayor de Alicia sus tíos, además de amigos se encontraba con sus papás Rubén Adolfo Martínez Linette, Abiú Josué, celebró del matrimonio, que muy Abiú Santaella Hernández y Pulido y a Evelyn Rocío su cuarto aniversario, por lo amablemente abrió las Claudia Leticia Hernández Hernández Anguiano que que sus papás unieron sus puertas de su hogar para Anguiano en la Parroquia fueran como unos padres plegarias para que sus celebrar el evento con del Amor Misericordioso de para ella al aceptar el com- herederos se encuentren doble motivo. -
Ani Difranco – Biography
Ani DiFranco – Biography Widely considered a feminist icon, Grammy winner Ani DiFranco is the mother of the DIY movement, being one of the first artists to create her own record label in 1990. While she has been known as the “Little Folksinger,” her music has embraced punk, funk, hip hop, jazz, soul, electronica and even more distant sounds. Her collaborators have included everyone from Utah Phillips to legendary R&B saxophonist Maceo Parker to Prince. She has shared stages with Bob Dylan, Bruce Springsteen, Pete Seeger, Kris Kristofferson, Greg Brown, Billy Bragg, Michael Franti, Chuck D., and many more. Her most recent studio album Binary was released in June 2017 on Righteous Babe Records. Her memoir No Walls and the Recurring Dream was released in May 2019, and DiFranco released a No Walls Mixtape alongside the book, offering her take on songs related to the memoir. Over the years she's performed at countless benefit concerts, donated songs to many charity albums, and given time and energy to many progressive causes. She has learned from and demonstrated beside Gloria Steinem, Jesse Jackson and Dennis Kucinich. In 2004, she marched in the front row of the March for Women's Lives along with Margaret Cho, Janeane Garofalo, Whoopi Goldberg, and many others, later performing on the main stage. She has beaten the drum for voter registration and turnout with "Vote Dammit" tours in multiple presidential election years, including most recently in 2016. She's currently on the board of Roots of Music, an organization that provides at-risk youth with support and musical education in New Orleans, and the creative council of EMILY’s List, which helps elect pro-choice Democratic women to office. -
Three Waves of Feminism
01-Krolokke-4666.qxd 6/10/2005 2:21 PM Page 1 1 Three Waves of Feminism From Suffragettes to Grrls e now ask our readers to join us in an exploration of the history of W feminism or, rather, feminisms: How have they evolved in time and space? How have they framed feminist communication scholarship in terms of what we see as a significant interplay between theory and politics? And how have they raised questions of gender, power, and communication? We shall focus our journey on the modern feminist waves from the 19th to the 21st century and underscore continuities as well as disruptions. Our starting point is what most feminist scholars consider the “first wave.” First-wave feminism arose in the context of industrial society and liberal politics but is connected to both the liberal women’s rights movement and early socialist feminism in the late 19th and early 20th century in the United States and Europe. Concerned with access and equal opportunities for women, the first wave continued to influence feminism in both Western and Eastern societies throughout the 20th century. We then move on to the sec- ond wave of feminism, which emerged in the 1960s to 1970s in postwar Western welfare societies, when other “oppressed” groups such as Blacks and homosexuals were being defined and the New Left was on the rise. Second-wave feminism is closely linked to the radical voices of women’s empowerment and differential rights and, during the 1980s to 1990s, also to a crucial differentiation of second-wave feminism itself, initiated by women of color and third-world women.