DOCSLIB.ORG

Unfriendly Reminder Tour”

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Unfriendly Reminder Tour” BIG SEAN TO HEADLINE NORTH AMERICAN “UNFRIENDLY REMINDER TOUR” – Tickets On Sale to the General Public Starting February 9th – LOS ANGELES, CA (February 7, 2018) - Grammy nominated and multi-platinum G.O.O.D. Music / Def Jam Recordings artist, Big Sean, announced today his North American headlining “Unfriendly Reminder Tour”, which is set to kick off April 12th in Orlando, FL. The multi-city trek produced by Live Nation will hit a number of major U.S. cities including Miami, Houston, Los Angeles, Atlanta, New York and Detroit. The outing will feature direct support from acclaimed rapper Playboi Carti, along with opening sets from Shy Glizzy and GASHI. Big Sean will perform fan favorites spanning his entire discography, going beyond a normal album tour. The 31-city tour is scheduled to wrap June 3rd in Toronto, Canada. See full routing of concert dates and venues below. The “Unfriendly Reminder Tour” will be a celebration of Big Sean’s decade long career signed to G.O.O.D. Music and pay tribute to his fans. Each fan will be able to vote and choose their top 20 songs for their respective cities and help curate the set list from his entire discography. Voting will be available starting on Thursday, February 8th only at uknowbigsean.com. All stops will have brand new tour merchandise available and in select cities fans will have the option to customize handpicked pieces. Live Nation pre-sale tickets will be available on Thursday, February 8th between 10AM-10PM local time. Tickets will go on sale to the general public on Friday, February 9th at 10AM local time at LiveNation.com. “Unfriendly Reminder Tour” Art: Full Size Admat with Dates: https://www.dropbox.com/s/99tss5u9tkv3xfa/BS-UnfriendlyReminder- ADMAT-FULLsz.jpg?dl=0 IG Size Admat with Dates: https://www.dropbox.com/s/zkpmelk597fjpve/BS-UnfriendlyReminder- ADMAT-IG.jpg?dl=0 Big Sean Image: https://www.dropbox.com/s/u9kgzo9ifhq18ft/BIGSEANPRESS-2018.jpg?dl=0 “Unfriendly Reminder” Tour Dates: Thursday, April 12th Orlando, FL CFE Arena Saturday, April 14th Miami, FL Bayfront Park Amphitheatre Sunday, April 15th Jacksonville, FL Daily’s Place Wednesday, April 18th Houston, TX Smart Financial Centre at Sugar Land Thursday, April 19th Austin, TX H-E-B Center at Cedar Park Friday, April 20th Dallas, TX The Pavilion at Toyota Music Factory Monday, April 23rd Phoenix, AZ Comerica Theatre Tuesday, April 24th San Diego, CA Cal Coast Credit Union Open Air Theatre Wednesday, April 25th Los Angeles, CA Greek Theatre Saturday, April 28th San Francisco, CA Bill Graham Civic Auditorium Sunday, April 29th San Jose, CA Event Center at San Jose State University Tuesday, May 1st Seattle, WA WaMu Theatre Thursday, May 3rd Vancouver, Canada PNE Forum Saturday, May 5th Edmonton, Canada Shaw Conference Center Tuesday, May 8th Minneapolis, MN Armory Wednesday, May 9th Kansas City, MO Silverstein Eye Centers Arena Thursday, May 10th Nashville, TN Nashville Municipal Auditorium Friday, May 11th Atlanta, GA Coca Cola Roxy Monday, May 14th Charlotte, NC Charlotte Metro Credit Union Amphitheatre Tuesday, May 15th Washington, D.C. Anthem Friday, May 18th Brooklyn, NY Barclays Center Saturday, May 19th Uncasville, CT Mohegan Sun Sunday, May 20th Philadelphia, PA Festival Pier at Penn’s Landing Tuesday, May 22nd Boston, MA Blue Hills Bank Pavilion Friday, May 25th Cleveland, OH Jacobs Pavilion at Nautica Saturday, May 26th Indianapolis, IN Farm Bureau Insurance Lawn at White River State Park Sunday, May 27th Chicago, IL Huntington Bank Pavilion at Northerly Island Tuesday, May 29th Milwaukee, WI BMO Harris Pavilion Wednesday, May 30th Cincinnati, OH PNC Pavilion Saturday, June 2nd Detroit, MI Little Caesars Arena Sunday, June 3rd Toronto, Canada RBC Echo Beach About Big Sean: 7-time BET Award-winning and Grammy® nominated superstar Big Sean has enjoyed a massive career in hip-hop since he emerged in 2011, with his debut album Finally Famous on Kanye West’s G.O.O.D. Music/ Def Jam imprint. The album spun off consecutive top-charted pop/R&B/rap crossover smashes with “My Last” featuring Chris Brown (RIAA gold), “Marvin & Chardonnay” featuring Kanye West and Roscoe Dash (platinum), and “Dance (A$$)” featuring Nicki Minaj (3x-platinum). Sean was a major collaborator on Kanye’s groundbreaking Cruel Summer album in 2012, and shared multi-platinum success with Kanye on the Grammy®-nominated “Mercy” (also featuring Pusha T and 2 Chainz), and “Clique” (with Jay Z). Sean’s Hall Of Fame album followed in 2013, including “Guap” (platinum) and “Beware” featuring Lil Wayne and Jhené Aiko (gold). Dark Sky Paradise (2015) was Sean’s first platinum and first album to debut #1 on Soundscan. It reigned on the charts with the #1 “IDFWU” featuring E-40 (3x-platinum), “Blessings” featuring Drake and Kanye West (2x-platinum), and “One Man Can Change the World” featuring Kanye West and John Legend (gold). I Decided. (released Feb 2017, RIAA platinum) debuted at #1 on the momentum of the two pre-order instant grat tracks that turned into smash singles, “Bounce Back” (RIAA double platinum with over 300 million streams globally), and “Moves” (RIAA gold). His latest album, Double or Nothing (released December 8, 2017) with Metro Boomin has 261,376,362 global streams to date. About Live Nation Entertainment Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Media & Sponsorship. For additional information, visit www.livenationentertainment.com. For further press inquiries on Big Sean, please contact: Chelsea Thomas // 42West [email protected] Marisa Martins // 42West [email protected] Courtni Asbury // Def Jam [email protected] Emily Bender // Live Nation [email protected] Monique Sowinski // Live Nation [email protected] .
Load more

Recommended publications
  • Friday Night Cypher Lyrics – Big Sean Feat. Eminem | Funmeloud
    Friday Night Cypher Lyrics – Big Sean Feat. Eminem | FunMeLoud Friday Night Cypher Lyrics – Big Sean : At almost a ten-minute run-time, this collaboration brings together rappers with very different styles, as well as individuals who have previously had disagreements – notablyEminem and Tee Grizzley, which Big Sean addressed in an interview with Vulture: Song : Friday Night Cypher Artist : Big Sean : Kash Doll, Payroll Giovanni, Royce da 5’9″, Sada Featuring Baby, Drego, Boldy James, 42 Dugg, Eminem, Cash Kidd & Tee Grizzley Produced by : KeY Wane, Jay John Henry, Helluva Beats & Hit-Boy Album : Detroit 2 Friday Night Cypher Lyrics [Intro: Tee Grizzley] Ayy, ayy, ayy Ayy, ayy, ayy (Hit-Boy) Ayy, this that Clipse sample, ayy Fuck that talkin’, let the clip slam ’em [Verse 1: Tee Grizzley] Friday Night Cypher Lyrics Yellow bands around them hundreds, you know how much that is (Tens) Too much to give me cash, they had to wire me the backend (Send it) Niggas in here lookin’ tough, you know that I got mag in (What?) Ask me am I only rappin’, you know I got that bag in (You see it) Bandman like Lonnie (Lonnie), want my head? Come find me (Come get it) Lil’ bro in that bitch chillin’, he ain’t tryna come home cocky (He chillin’) He comin’ home to a dollar (Dollar), and a mansion and a chopper (What else?) In the desert on a dirt bike (Skrrt), VLONE shirt and the Pradas (Fresh) Big nigga fresher than you, fuck you and your stylist (Woah) Paid ninety for my grill, then lost it, that’s why I ain’t smilin’ (Damn) You got Sean, you got Hit, you got
    [Show full text]
  • Eminem Interview Download
    Eminem interview download LINK TO DOWNLOAD UPDATE 9/14 - PART 4 OUT NOW. Eminem sat down with Sway for an exclusive interview for his tenth studio album, Kamikaze. Stream/download Kamikaze HERE.. Part 4. Download eminem-interview mp3 – Lost In London (Hosted By DJ Exclusive) of Eminem - renuzap.podarokideal.ru Eminem X-Posed: The Interview Song Download- Listen Eminem X-Posed: The Interview MP3 song online free. Play Eminem X-Posed: The Interview album song MP3 by Eminem and download Eminem X-Posed: The Interview song on renuzap.podarokideal.ru 19 rows · Eminem Interview Title: date: source: Eminem, Back Issues (Cover Story) Interview: . 09/05/ · Lil Wayne has officially launched his own radio show on Apple’s Beats 1 channel. On Friday’s (May 8) episode of Young Money Radio, Tunechi and Eminem Author: VIBE Staff. 07/12/ · EMINEM: It was about having the right to stand up to oppression. I mean, that’s exactly what the people in the military and the people who have given their lives for this country have fought for—for everybody to have a voice and to protest injustices and speak out against shit that’s wrong. Eminem interview with BBC Radio 1 () Eminem interview with MTV () NY Rock interview with Eminem - "It's lonely at the top" () Spin Magazine interview with Eminem - "Chocolate on the inside" () Brian McCollum interview with Eminem - "Fame leaves sour aftertaste" () Eminem Interview with Music - "Oh Yes, It's Shady's Night. Eminem will host a three-hour-long special, “Music To Be Quarantined By”, Apr 28th Eminem StockX Collab To Benefit COVID Solidarity Response Fund.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Chart: Top50 AUDIO URBAN
    Chart: Top50_AUDIO_URBAN Report Date (TW): 2012-11-18 --- Previous Report Date(LW): 2012-11-11 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Ball (clean) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 2 3 Poetic Justice (dirty) Kendrick Lamar Ft Drake Hip Hop Interscope Records 3 2 Ball (dirty) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 4 4 Ball (instrumental) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 5 6 Adorn (dj Tedsmooth Remix) Miguel Ft Diddy & French Montana Hip Hop RCA Records 6 5 911 (clean) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 7 7 Adorn (dj Tedsmooth Remix) (clean) Miguel Ft Puff Daddy And French Montana R&b RCA Records 8 8 Birthday Song Remix (clean) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 9 13 Poetic Justice (clean) Kendrick Lamar Ft Drake Hip Hop Interscope Records 10 15 F_ckin Problems (dirty) Asap Rocky Ft Drake, 2 Chainz And Kendrick LamarHip Hop RCA Records 11 9 911 (dirty) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 12 10 Birthday Song Remix (dirty) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 13 11 Believe It (dirty) Meek Mill Ft Rick Ross Hip Hop Maybach Music Group 14 12 Dont Make Em Like You (clean) Neyo Ft Wiz Khalifa R&b Island Def Jam Records 15 17 Get Right (clean) Young Jeezy Hip Hop Island Def Jam Records 16 18 Bands A Make Her Dance (dirty) Trey Songz Hip Hop Atlantic Records 17 20 Dump Truck (clean) E 40 And Too Short Ft Travis Porter Hip Hop Sick Wit It Records 18 32 Guap (dirty) Big Sean Hip Hop island Def Jam Records 19 30 Poetic Justice (instrumental) Kendrick Lamar Ft Drake Hip Hop Interscope Records 20 22 Bandz A Make Her Dance (instrumental) Juicy J Ft Lil Wayne And 2 Chainz Hip Hop Hypnotize Minds 21 21 Compton (dirty) Kendrick Lamar Ft Dr.
    [Show full text]
  • Gold & Platinum Awards June// 6/1/17 - 6/30/17
    GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 MULTI PLATINUM SINGLE // 34 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// We Own It R&B/ 6/27/2017 2 Chainz Def Jam 5/21/2013 (Fast & Furious) Hip Hop 6/27/2017 Scars To Your Beautiful Alessia Cara Pop Def Jam 11/13/2015 R&B/ 6/5/2017 Caroline Amine Republic Records 8/26/2016 Hip Hop 6/20/2017 I Will Not Bow Breaking Benjamin Rock Hollywood Records 8/11/2009 6/23/2017 Count On Me Bruno Mars Pop Atlantic Records 5/11/2010 Calvin Harris & 6/19/2017 How Deep Is Your Love Pop Columbia 7/17/2015 Disciples This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna Calvin Harris Feat. 6/19/2017 Blame Dance/Elec Columbia 9/7/2014 John Newman R&B/ 6/19/2017 I’m The One Dj Khaled Epic 4/28/2017 Hip Hop 6/9/2017 Cool Kids Echosmith Pop Warner Bros. Records 7/2/2013 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 www.riaa.com // // GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 6/20/2017 Starving Hailee Steinfeld Pop Republic Records 7/15/2016 6/22/2017 Roar Katy Perry Pop Capitol Records 8/12/2013 R&B/ 6/23/2017 Location Khalid RCA 5/27/2016 Hip Hop R&B/ 6/30/2017 Tunnel Vision Kodak Black Atlantic Records 2/17/2017 Hip Hop 6/6/2017 Ispy (Feat.
    [Show full text]
  • NEW YEAR EDITION Inside Scoop
    Volume 1, Issue 1 January—February Edition NEWNEW YEARYEAR EDITIONEDITION Letter to the Readers, This is our very first edition of the GPA Scoop and we appreciate your pa- tience. We have incorporated different writers to make this edition appeal to every- one’s interests. We have pieces from what to wear and Not to wear to how to start your new year off right. We have interesting articles about the “Shining Dia- monds” this month that we hope will capture your attention. As a club, we are con- stantly opening ourselves up to new possibilities whether it be new writers or new piec- es. Your creativity is always welcomed, so enjoy this edition and keep your eyes open to try and win this month’s prize! Enjoy, GREAT PATH ACADEMY Selena & Ashley GPA Scoop Editors Pg.2 - GPA News Pg.10 - New Year Edition Pg.17 - Editorial & GPA Resolutions Pg.3 - Did You Know? Pg.18 - ASK Bella GPA Scoop GPA Scoop GPA Scoop & Weird Facts Pg.12 - Sports - Year in The Pg.20 - GPA Community The Review / GPA Student Pg.4 - Shining Athletes Diamonds Pg.22 - GPA Mind Bind Pg.14 nside-nside Entertainment TV Puzzles*Contests*Prizes Pg.6 - Fashion II Favorites & Music Pg.8 - Brain Food Pg.16 - Teen Speak Out ScoopScoop GPAGPA -- 411411 Message from Mrs. Niles - Outler I understand that this year has been an awkward year with all of the changes, but I am so proud of the way GPA students have risen to the occasion! For instance, there has been an increase in the number of students taking college courses.
    [Show full text]
  • The Good 5 Cent Cigar (10/5/2012) University of Rhode Island
    University of Rhode Island DigitalCommons@URI The Good 5 eC nt Cigar (Student Newspaper) University Archives 10-5-2012 The Good 5 Cent Cigar (10/5/2012) University of Rhode Island Follow this and additional works at: http://digitalcommons.uri.edu/cigar Recommended Citation University of Rhode Island, "The Good 5 eC nt Cigar (10/5/2012)" (2012). The Good 5 Cent Cigar (Student Newspaper). Book 10. http://digitalcommons.uri.edu/cigar/10http://digitalcommons.uri.edu/cigar/10 This Book is brought to you for free and open access by the University Archives at DigitalCommons@URI. It has been accepted for inclusion in The Good 5 Cent Cigar (Student Newspaper) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE UNIVERSITY OF RHODE ISLAND STUDENT NEWSPAPER SINCE 1971 Volume62 © 'Just what this country needs ' Friday · Issue 16 www.ramcigar.com . October 5, 2012 Nursing. school names interim Political science ·class puts Dean, searches for replacement focus on election campaigns BY KIMBE;RLY DELANDE Island], we're making steady said the College of Nursing News Reporter BY GILDA CENTENO exactly how the system progress," Sullivan said. has made it their initiative to Contributing News Reporter · works," Pearson ~aid . "We're responding to the not just teach students, but University of Rhode · An interestiry~ fact in the IOM' s report by looking at ensure that they are getting Political science professor speCifics . of vote'r hi'rnout, is Island nursing professor, our eurriculum and working experience out on. the field: Shanna Pearson ~ Merkowitz the' difficulties that jlre in · nurse-scientist and scholar to increase the number of Nursing students currently Mary Sullivan has been challenge to Univers·i,ty of pface when voting in ( the · nurses with bachelor degrees gain these skills by learning Rhode Island students in her Unit~d States.
    [Show full text]
  • Music Preferences: a Gateway to Where? by Delia Regan
    Music Preferences: A Gateway to Where? Delia Regan Anna Maria College Author’s Note Delia Regan (‘21), Music Therapy Honor Student, Anna Maria College This thesis was prepared for HON 490-01 Seniors Honors Seminar under the instruction of Professor Travis Maruska, Associate Professor of Humanities, Anna Maria College. Correspondence concerning this article should be addressed by electronic mail. Contact: [email protected], [email protected] ​ ​ ​ 1 Abstract This paper discusses the impact of peer pressure on shared music preferences which was conducted through a survey and group interviews. The information on the development of music preferences provides the reader with background on how the music preference process begins. Peer pressure is also discussed from early childhood into adulthood. The solidification of music preferences happens around the same age as college-aged individuals, which overlaps with a decrease in the impact of peer pressure. The research focuses on college-aged individuals who completed a survey on their music preferences in individual and group settings, and then were put into groups to determine if a social setting would influence their responses to the same questions. Overall, a distinct relationship between peer pressure and music preference could not be made. Keywords: College-Aged, Group Cohesion, Music, Music Preference, Peer Pressure, ​ Social Consequence 2 Music Preferences What does music taste say about a person? Music is usually a part of daily life, whether people are aware of it or not. It can help people express themselves, regulate their emotions, and, when used clinically, can help a person regain the ability to walk. Music is powerful, but what draws people to it? Studies have been done to try and determine why people are attracted to music, and they have created multiple theories trying to answer this question.
    [Show full text]
  • Scatternagaris
    1. In a parody Genius Verified video about this verse, a man dressed up as its artist spills lean on himself and says “what I mean by those lyrics is uh...I don’t really know...you know what I’m saying?”. This verse’s “LYRICS CANNOT BE (+) TRANSCRIBED” according to a tweet made by the primary artist of the song its featured on. In the music video for that song, this verse plays while a person wearing a blonde wig plays a rotating piano that catches on fire. A person described in this verse as (*) “wicked” was once embroiled in a feud with Bhad Bhabie [“baby”] and is known as “Woah Vicky”. This verse begins “We ain’t gotta ball, D. Rose.” For 10 points, name this verse by a mumble rapper on a song from Tyler the Creator’s Igor. ANSWER: Playboi Carti’s Earfquake verse [prompt on “Playboi Carti” or “Earfquake” alone] 2. This show is referenced by an ad-lib that follows the line “I was crusin’ down the street, four deep'' in “I <3 [“heart”] My Choppa” by Tay-K. The lines “she got ironic tattoos on her back / that ain't ironic...I love [this show]” appear on Childish Gambino’s “L.E.S.” Lil Yachty raps “keep that choppa on me at all times / these [people] be snakes,” on a song that samples this show’s title track. YBN Cordae’s raps about how he keeps a (+) submachine gun on him like this show on the chorus of “Kung Fu''. On (*) Cocoa Butter Kisses,” Chance reminisces about “orange cassette tapes” and this TV how.
    [Show full text]
  • Language Contact and US-Latin Hip Hop on Youtube
    City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Identifying Atlanta: John Portman, Postmodernism, and Pop-Culture" (2017)
    Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Identifying Atlanta: John Portman, Postmodernism, and Pop- Culture August McIntyre Dine Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Architectural History and Criticism Commons, and the Urban, Community and Regional Planning Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Dine, August McIntyre, "Identifying Atlanta: John Portman, Postmodernism, and Pop-Culture" (2017). Senior Projects Spring 2017. 128. https://digitalcommons.bard.edu/senproj_s2017/128 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Identifying Atlanta: John Portman, Postmodernism, and Pop Culture Senior Project Submitted to The Division of Social Studies of Bard College by August Dine Annandale-on-Hudson, New York May 2016 Acknowledgements Thanks to my advisor, Pete L’Official; my friends; and my family. Table of Contents Introduction…………………………………………………………………….…………………1 Chapter 1: Two Atlantas………………………………………………………….………………4 Chapter 2: The Peachtree Center…..…………………………...………………………………..23 Chapter 3: Pop Culture…………………………..……………………………………………....33 1 Introduction In his 1995 text “Atlanta,” architect, theorist, and notorious provocateur1 Rem Koolhaas claims, “Atlanta has culture, or at least it has a Richard Meier Museum.”2 Koolhaas is implying that the collection at Atlanta’s High Museum of Art is a cultural veneer.
    [Show full text]