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Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
MY INTERNSHIP in CANADA (Guibord S’En Va-T-En Guerre)
MY INTERNSHIP IN CANADA (Guibord s’en va-t-en guerre) Press Kit A political satire by Philippe Falardeau with Patrick Huard Irdens Exantus Clémence Dufresne-Deslières and Suzanne Clément INTERNATIONAL SALES CANADIAN DISTRIBUTION PUBLICITY Sébastien Beffa Sébastien Létourneau Judith Dubeau Films Distribution Les Films Christal IXION Communications +33 1 53 10 33 99 Tél : +1 514 336 9696 +1 514 495 8176 [email protected] [email protected] [email protected] My Internship in Canada synopsis Guibord is an independent Member of Parliament who represents Prescott-Makadewà- Rapides-aux Outardes, a vast county in Northern Quebec. As the entire country watches, Guibord unwillingly finds himself in the awkward position of holding the decisive vote to determine whether Canada will go to war. Accompanied by his wife, his daughter and an idealistic intern from Haiti named Souverain (Sovereign) Pascal, Guibord travels across his district in order to consult his constituents. While groups of lobbyists get involved in a debate that spins out of control, the MP will have to face his own conscience. My Internship in Canada (Guibord s’en va-t-en guerre) is a biting political satire in which politicians, citizens and lobbyists go head-to-head tearing democracy to shreds. My Internship in Canada | September 2015 1 My Internship in Canada cast Steve Guibord Patrick HUARD Suzanne Suzanne CLÉMENT Souverain (Sovereign) Pascal Irdens EXANTUS Lune Clémence DUFRESNE-DESLIÈRES Stéphanie Caron-Lavallée Sonia CORDEAU Prime Minister -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
FILM FESTIVAL 22Nd - 29Th November 2012
UNDER THE AUSPICES OF THE EMBASSY OF THE REPUBLIC OF SERBIA IN PRETORIA SERBIAN ARTS AND CULTURE SOCIETY AFRICA SERBIAN FILM FESTIVAL 22nd - 29th November 2012 NU METRO, MONTECASINO An author’s perspective of the world Film, as a sublimation of all arts, is a true medium, a universal vehicle with which the broader public is presented with a world view, as seen by the eye of the fi lmmaker. Nowadays, due to the global economic crisis, which is ironically producing technological and all sorts of other develop- ments, an increasing number of people are pushed to the margins of average standards of living, and fi lmmakers are given the chance to bring under their ‘protection’ millions of disillusioned people with their fi lmmaking capabilities. Art, throughout its history, has always praised but has also been heavily critical of its subject. Film is not just that. Film is that and so much more. Film is life itself and beyond life. Film is everything many of us dream about but never dare to say out loud. That is why people love fi lms. That is why it is eternal. It tears down boundaries and brings together cul- tures. It awakens curiosity and builds bridges from one far away coast to another. Film is a ‘great lie’ but an even greater truth. Yugoslavian, and today the Serbian fi lm industry has always been ‘in trend’. It might sound harsh but, unfortunately, this region has always provided ample ‘material’ for fi lms. Under our Balkan clouds there has been an ongoing battle about which people are older, which came and settled fi rst, who started it and who will be fi rst to leave and such battles have been and continue to be an inspiration to fi lm producers. -
Magic Mike August 2012
MAGA MAGIC MIKE AUGUST 2012... ““UnnhheessiiittaattiiinngglllyyThheeReexxiiisstthheebbeessttcciiinneemaaIIIhhaavveeeevveerrkknnoownn…”” ((SSuunnddaayyTiiimeess2012)) ““ppoossssiiibblllyyBrriiittaaiiinn’’’ssmoossttbbeeaauuttiiiffuulllcciiinneemaa.........””((BBC)) AUGUST 2012 Issue 89 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6pm Sun 4.30-5.30pm To advertise email [email protected] INTRODUCTION Gallery 4-5 BEST IN AUGUST August Evenings 11 Coming Soon 26 August Films at a glance 26 August Matinees 27 Rants and Pants 42-43 SEAT PRICES (+ REX DONATION £1.00) Circle £8.00+1 Concessions £6.50+1 At Table £10.00+1 Concessions £8.50+1 Royal Box (seats 6) £12.00+1 From infidelity in Caramel, Nadine takes her or for the Box £66.00+1 All matinees £5, £6.50, £10 (box) +1 women to war. Where Do We Go Now BOX OFFICE : 01442 877759 Mon to Sat 10.30 – 6.00 Mon 6 7.30. Egypt/France/Italy/Lebanon 2012 Sun 4.30 – 6.30 FILMS OF THE MONTH Disabled and flat access: through the gate on High Street (right of apartments) Some of the girls and boys you see at the Box Office and Bar: Dayna Archer Liam Parker Julia Childs Amberly Rose Ally Clifton Georgia Rose Nicola Darvell Sid Sagar Romy Davis Liam Stephenson Karina Gale Tina Thorpe Ollie Gower Beth Wallman Elizabeth Hannaway Jack Whiting Billie Hendry-Hughes Olivia Wilson Thanks to McConaughey's oily power, it's not Abigail Kellett Roz Wilson Amelia Kellett Keymea Yazdanian all sex, violence & chicken legs. Lydia Kellett Yalda Yazdanian Killer Joe Fri 3 7.30/Sat 4 7.00 USA 2012 Ushers: Amy, Amy P, Annabel, Ella, Ellie, Ellen W, Hannah, India, James, Kitty, Luke, Meg, Tyree Sally Rowbotham In charge Alun Rees Chief projectionist (Original) Jon Waugh 1st assistant projectionist Martin Coffill Part-time assistant projectionist Anna Shepherd Part-time assistant projectionist Jacquie Rose Chief Admin Oliver Hicks Best Boy Simon Messenger Writer Jack Whiting Writer "Like a whole series of The Wire in a single Jane Clucas & Lynn Hendry PR/Sales/FoH film..."?? Luckily it's French. -
The Fifth Republic at Fifty
Franco-Maghrebi Crossings International Conference November 3-5, 2011 Winthrop-King Institute for Contemporary French and Francophone Studies Florida State University, Tallahassee Conference Director: Alec G. Hargreaves Administrative Coordinator: Racha Sattati Program All sessions take place in the Diffenbaugh Building on the FSU campus. Details are subject to change. THURSDAY, NOVEMBER 3 11:45AM, 12:30PM, 1:15PM – Complimentary Bus from Hotel Duval (pick-up at North Monroe entrance) to FSU Campus 12:00 noon-6:00 pm – Registration, 4th floor, Diffenbaugh 1:30 pm-3:00 pm – Panels 1A, 1B, 1C Panel 1A, Diffenbaugh 009 From Colonial Conquest to Decolonization Chair: Lindsey Scott (FSU) Alisha Valani (University of Toronto) - Entre brassage et homogénéité : colonisation, exil et folie au Maghreb Jennifer Fredette (SUNY Albany) and Richard Fogarty (SUNY Albany) - Forever apart: Enduring themes of “otherness” in French discourse on North African Muslims and Islam, 1914-1918 and 1989-2011 Doris Gray ( Florida State University) - Tunisia after the revolution: the end of post- colonialism? Panel 1B, Diffenbaugh 129 Memory I Chair: Robyn Cope (FSU) Janice Gross (Grinnell College) - Slimane Benaïssa: Performing the Tightrope of Franco-Algerian Memory Eveline Caduc (Université de Nice-Sophia Antipolis) - « Un futur pour héritages déterritorialisés » Patricia Reynaud (School of Foreign Service-Qatar Georgetown University) - Fractures et cicatrices dans Bent Keltoum Panel 1C, Diffenbaugh 005 Women Writers Chair: Virginia Osborn (FSU) Oana Panaite -
Dramaturgies of Power a Dissertat
UNIVERSITY OF CALIFORNIA, SAN DIEGO UNIVERSITY OF CALIFORNIA, IRVINE The Master of Ceremonies: Dramaturgies of Power A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Drama and Theatre by Laura Anne Brueckner Committee in charge: University of California, San Diego Professor James Carmody, Chair Professor Judith Dolan Professor Manuel Rotenberg Professor Ted Shank Professor Janet Smarr University of California, Irvine Professor Ian Munro 2014 © Laura Anne Brueckner, 2014 All rights reserved The Dissertation of Laura Anne Brueckner is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ Chair University of California, San Diego University of California, Irvine 2014 iii DEDICATION This study is dedicated in large to the sprawling, variegated community of variety performers, whose work—rarely recorded and rarely examined, so often vanishing into thin air—reveals so much about the workings of our heads and hearts and My committee chair Jim Carmody, whose astonishing insight, intelligence, pragmatism, and support has given me a model for the kind of teacher I hope to be and Christopher -
It All Begins with Glass
film festival guide IT ALL BEGINS WITH GLASS The selection of a lens is the moment that can defi ne a shoot. From Hollywood studios to exotic locations around the globe, amazing big screen content is dramatized every day through the selection of Canon cinema lenses. The technologies behind our PL and EF mount cinema lenses ensure clear, crisp motion capture to the most demanding shoots. Canon optics empower fi lmmakers to bring visions to life. Throughout the more than 75 years of Canon history, it’s why we’ve always placed Glass First. glassfi rst.com GLASS FIRST © 2015 Canon U.S.A., Inc. All rights reserved. Canon is a registered trademark of Canon Inc. in the United States and may also be a registered trademark or trademark in other countries. Canon_Glass First Ad_CINEQUEST 2016.indd 1 1/7/16 3:03 PM WELCOME unite at Film Festival! Join forces with eye in the sky artists, film lovers, and innova- pg 7 tors—from across the globe, from all walks of life. Experience the com- pelling power of ONE, through films, media innovations, events, and celebrations. Embrace old friend- james franco ships, create new pg 17 connections, band together. Radiate outward, forging original pathways into the future. Emerge as a close-knit community, bound by fresh and fortified fellowship, collaboration, inspiration, vision, rita moreno and creativity. Come together…Unite! pg 25 CINEQUEST FILM FESTIVAL 2016 MARCH 1 - 13 CINEQUEST FILM FESTIVAL PICTURE THE POSSIBILITIES CINEQUEST MAVERICKS STUDIO showcases premiere films, empowers global youth with the creates innovative and renowned and emerging artists, tools, confidence, and inspiration motion pictures, television, and and breakthrough technology— to form and create their dreams distribution paradigms. -
Euro-In Film 2014
Директор Културног центра Новог Сада: Др Андреј Фајгељ Одговорни уредник филмског програма Културног центра Новог Сада и програма Фестивала: Ђорђе Каћански Помоћник уредника Фестивала Бранислава Ловре Програмски сарадници: мр Андрија Димитријевић Шеф филмског Кинооператери: Драгана Латиновић мр Владимир Анђелковић преводилачког тима Мирослав Обрадовић Јасмина Стеванов Милен Алимпијевић Јелена Милојковић Мирослав Пошарац Дејан Дабић др Драган Милинковић Фимон Специјални преводилац Богдан Живковић Игор Станковић мр Слободанка Радун Владимир Радмановић Маркетинг: Игoр Toхoљ Радојка Тмушић Степанов Секретар програма Мирсад Авдић Џин С. Финли Сарита Матијевић Сибина Рукавина Организација: мр Невена Тот Реџић Милеса Милинковић Миља Петровић Зоран Докић Слободан Милетић Миодраг Котлајић Организација пројекција Васа Тимотијевић Александар Ердељановић Ана Вршка Зоран Мишић Координација транспорта Ивана Костић Елена Вршка Кинотехничка екипа Бранислав Јовановић др Даница Аћимовић Супервизор: Економиста др Љиљана Петровић ПР Фестивала Илија Малин Александра Спасојевић Огњен Ракчевић Наташа Тополац Дигитал / Видео Правна питања: Бојан Станишик Милица Вукадиновић и аудио оператер Снежана Комар Ена Ђозо Бранислава Ловре Петар Кнежевић Иницијална група Фестивала европског филма ЕУРО-ИН ФИЛМ у Новом Саду (1997 - 2014): Ђорђе Каћански, Слободан Милетић, Ференц Деак, Карољ Вичек, Петар Латиновић, Желимир Жилник, др Петар Љубојев, Маријана Прпа - Финк, Владимир Црњански, Бранко Милошевић, др Даница Аћимовић, Вера Влајић, Gabor Pinter, Ратко Орозовић, мр Слободанка Радун, др Зоран Ђерић, Илија Башић, Срђан Илић, Torok Csaba, мр Сретен Јовановић, мр Андрија Димитријевић, Pavel Matuch, Pavel Gatajancu, Миодраг Котлајић, мр Срета Јованов, мр Мирјана Марковиновић, др Драган Милинковић Фимон, Бранко Андрић Андрла, др Марко Бабац, Александра Спасојевић, Зорица Богичевић, Иван Обренов, Филип Марковиновић, др Нада Савковић, Горан Вукчевић, Миша Белегишанин, Игор Тохољ, Драгана Латиновић, Јасмина Стеванов, Ана, Марита и Елена Вршка, Бранислава Ловре, Сергеј Зајцев и др. -
Shohei Juku Aikido Canada
Shohei Juku Aikido Canada Monthly Newsletter March, 2011. Number 75 “Over the Rainbow” Spring, March, hopeful Spring, joyful days... We had to practice saying these words around the time of the graduation ceremony in March. The Grade 5 class gave a graduation speech to Grade 6 and Grade 6 did the same to Grade 5 and the teachers. Around now I usually look back at all my memories about past graduation ceremonies. I think the ceremony does leave long lasting impressions on everyone's hearts. The other day I watched the 83rd Academy Awards on TV. This award was established in 1927 to promote the art of movie making in America. When I was a student I used to go watch foreign films like American movies. I preferred going alone. That way if I saw sad scenes, I could cry hard without worrying about anybody else. But there were no such scenes in Bruce Lee movies. In fact I was so excited that I danced around a lot. It was hard to copy Bruce Lee but his moves were so cool that it was worth trying. I skipped school and stayed at the movie theatre all day long with my lunch box. I was definitely young then! That much I was into Bruce Lee but unfortunately he never received an Academy Award. I believe he didn't even get nominated. When people accept an Academy Award, they thank their staff and cast members, praise and recognize their efforts but apparently they do not receive any prize money. The winners only receive a statue called “Oscar”. -
2 Days in NEW York PRESENTED by ENTERTAINMENT WEEKLY
The Premieres program showcases some of the most highly anticipated dramatic films of the coming year. Catch world premieres and the latest work from established directors at the Sundance Film Festival before they create a splash at local theatres. 2 DAYS IN New York DIRECTOR: Julie Delpy France, 2011, 91 min., color English and French with English subtitles Marion and Mingus live cozily—perhaps too cozily—with their cat and two young children from previous relationships. However, when Marion’s jolly father (played by director Delpy’s real-life dad), her oversexed sister, and her sister’s outrageous boyfriend unceremoniously descend upon them for a visit, it initiates two unforgettable days that will test Marion and Mingus’s relationship. With their unwitting racism and sexual frankness, the French triumvirate hilariously has no boundaries or filters . and no person is left unscathed in its wake. Directed and cowritten by Julie Delpy, 2 Days in New York is a deliciously PRESENTED by Entertainment Weekly witty romp. One of the pleasures of this follow-up film to 2 Days in Paris is the addition of Chris Rock, who—amid the Gallic mayhem—convincingly plays the straight man as Marion’s hipster American boyfriend. With great skill and energy, Delpy heightens cultural differences to comedic extremes but also manages to show that sometimes change is the best solution to a relationship that’s been pushed to its limit.—K.Y. Pr: Christophe Mazodier Ci: Lubomir Bakchev Ed: Isabelle Devinck PrD: Judy Rhee Wr: Julie Delpy, Alexia Landeau Principal Cast: Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau, Alex Nahon Monday, January 23, 6:30 p.m. -
Wheeler Asks District for Complaint Costs
50 CENTS 112TH YEAR • SATURDAY EDITION OCTOBER 22, 2011 For the October Journal of Osceola County Business, see section B. OOSCEOLASCEOLA NNEWSEWS-G-GAZETTEAZETTE www.aroundosceola.com • www.holaosceola.com Wheeler asks district for complaint costs By Marvin G. Cortner February 2010 when Wheeler ethics cases are an “intermedi- students during a teach-in that School Board was seeking re-election to the ate area.” Wheeler participated in. Editor Osceola County School School Board in district 1. Long Brown added that the Flori- The School Board would Board Member Jay Wheeler summer dismissed the ethics then – in June 2010 – filed to da attorney general in two have to consider Wheeler’s Tuesday requested the School complaint against Wheeler for run for School Board in district opinions – one involving the request, take testimony on the District pay the $15,000 in lack of probable cause and 5, and both candidates won city of St. Cloud and the other issue and then decide whether legal fees and costs he incurred then in September ruled that their respective seats. the city of Kissimmee – has said the case arose out of perform- ance of an official’s public duty while fighting an ethics com- Wheeler was not entitled to While Wheeler claimed he that reimbursement is allowed Wheeler Long and whether it would be in the plaint filed by fellow Board recover legal costs from Long. was entitled to the repayment, when a case arises out of public interest to pay the fees. Member Tom Long. Wheeler dez, sitting in for absent Chair- In his request to the Ethics board attorney Larry Brown actions related to the perform- Long said that Wheeler ask- said he would sue, if need be, to man Cindy Hartig, told Wheel- Commission to recover the said the law isn’t so clear.