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Arto Lindsay, Melvin Gibbs, 1 ENC YCLOPEDIA OF ARTO VOLUME 1 VOLUME 2 (LIV E) 1 4 Skies The Prize 1 2 Simply Are Privacy 2 3 Illuminated Pony 3 4 The Prize Erotic City 4 5 Personagem Invoke 5 6 Child Prodigy Maneiras 6 7 Ridiculously Deep O Mais Belo dos Belos 7 8 Complicity Garden Wall of Guitar 8 9 Invoke Illuminated 9 10 Reentry Simply Beautiful 10 11 Combustível Estação Derradeira 11 12 Ondina Wall of Guitar 12 VOLUME 1 Whatever necessary fraction Melvin Gibbs: Bass, Programming, Keyboards, Filters Jeferson Victor: Horns But nothing more than it takes to provoke a reaction Andrés Levin: Acoustic Guitars, Keyboards, Produced by Arto Lindsay, Melvin Gibbs, 1. 4 SKIES Daydream your way around the room Programming, Rhythm 700, Stylophones, Pandeiro Kassin, Berna for Monoaural Through intersections and agressions Davi Moraes: Timbal, Caixas, Surdos, Pandeiro (Arto Lindsay/Amedeo Pace ) Ela faz o personagem You are one of those creatures who simply are Skoota Warner: Drums Firma Ltd. (BMI )/Amedeo Pace (BMI ) Mão enfiada no bolso Simply beyond why Stephen Barber: Strings and Horn Arrangements Chega ameaçando Arto Lindsay: Guitar Simple as okay Bob Malach: Saxes and Clarinets Amedeo Pace: Guitar Sandra Parks: Violin E semi-malemolente Pay enough attention to be fair Brian Eno: Sonics Sharon Yamada: Violin E nós conhecemos bem No need to get up from your chair Produced by Arto Lindsay Robert Rinehart: Viola Todos os seus lindos desmaios Shower me with evidence of pleasant disposition Allen Stepansky: Cello Seus colapsos de paixão One sky is orange Daydream your way around the room Vinia Mojica: Additional Vocals Quedas de sofrimento Some skies are grey Walk right past frowns and gloom Produced by Andrés Levin, Melvin Gibbs Or the deep dark blue that gave blue its name You are one of those creatures that simply are Ela é mestre na arte de ser atriz A sky like a room at the top of a house When did I empty Dona do jogo A most violent sky hanging low over water 3. ILLUMINATED My empty mind? Da verdade do fingimento I need a way to say you’re scorching (Arto Lindsay/Andrés Levin/Melvin Gibbs ) Did you see me let go of myself? Ela é soberana A seething, crumpled, teeming sky Firma Ltd. (BMI )/Cool Banana Music (ASCAP )/ Before I lose sight Dos tecidos transparentes Archetext Music (BMI ) Of that picture of you One sky on stage Reina sobre os descendentes Better place it face down on the bed Heathen and round Andrés Levin: Programming, Guitar, Keys Daqueles povos mais decentes Heat removes what was left of sound Melvin Gibbs: Bass Notice how nature Ela pensa e dispensa Braid two snakes, cover clouds with your arm Stephen Barber: Keys, Guitar Replaces what was mine Solta e improvisada Black hair turning red, sunset on a sweater Produced by Arto Lindsay, Melvin Gibbs, But still leaves me to drown in my style Séria e compenetrada Why do we feel like it might break? Andrés Levin Reinvent remind me Chora entre gargalhadas A seething, crumpled, teeming sky How we stuck to our fast I’m a student of just one master Ela é mestre Fasten me down I’m only afraid of one monster Do meu andamento 2. SIMPLY ARE I stand illuminated Rub words away Senhora do tempo (Arto Lindsay/Marisa Monte/Davi Moraes/Andrés Levin ) Roll back in the shade Dona das cadências Firma Ltd. (BMI )/Monte Songs Edições Musicais Ltda All my visions crowd down to one bead of sweat Violent and hectic and wise (Admin By EMI ), ZB, Cool Banana Music (ASCAP ) My whole life bears down on one hour Única e linda Peace in disguise I stand illuminated Devassa e gloriosa Davi Moraes: Acoustic Guitar, Surdo Dust covers the prize O avesso da modéstia Melvin Gibbs: Bass, Surdo I know the world holds many words Violent and hectic and wise Entrega-se aos ventos Peter Scherer: Keyboards Pearls hang down in necklaces (Se entrega aos comentários ) Ryuichi Sakamoto: Keyboards Islands come round in archipelagoes Bite marks and scratches Elbows and knees Andrés Levin: Keyboard, Programming I get all my light from one light bulb In our dollhouse the furniture’s capsized 6. Naná Vasconcelos: Repique, Stand Up Kit I stand illuminated CHILD PRODIGY Produced by Arto Lindsay, Andrés Levin, Rushing and stalling in our disbelief (Arto Lindsay/Caetano Veloso ) Melvin Gibbs I’m devoted to a telling detail Folded back into our own surprise Firma Ltd. (BMI )/Terra Enterprises Inc. (BMI ) I’m awash in overall impressions Vinicius Cantuária: Guitar, Percussion I do love your lack of all expression I stand illuminated 5. PERSONAGEM for Paula Hiroe Ryuichi Sakamoto: Piano, Synthesizers Find it not at all distressing (Arto Lindsay/Kassin/Melvin Gibbs ) Naná Vasconcelos: Cymbals Life was tailor made for our refreshment I only roll down the one staircase Firma Ltd. (BMI )/Esponja (Som Livre )/Archetext Music (BMI ) Produced by Arto Lindsay While life is rarely lacking dust I only have foresight the first time Melvin Gibbs: Programming, Bass, Keyboards Covered with details and fuss I stand illuminated His own private math is as big as life Davi Moraes: Guitar You are one of those creatures who simply are It’s all aftermath, burns in stripes so bright Marivaldo Paim: Surdo, Caixa Simply beyond why 4. THE PRIZE Kassin: Programming He sees right through walls, right through the Simple as okay (Arto Lindsay/Andrés Levin/Melvin Gibbs ) Firma Ltd. (BMI )/Cool Banana Music (ASCAP )/ Marcelo Camelo, Felipe Pinaud: Horn Arrangements writing on them Let me provide whatever bravery’s required Archetext Music (BMI ) Bidu Cordeiro, Mauro Zacharias, Two years old and playing those games He’s not tame, he’s not slim yet Like border guards Nanny Assis: Percussion In the center ring Feed him, give him to eat – child prodigy Sighs are rarely louder Produced by Arto Lindsay, Melvin Gibbs, Bright lights and lack Andrés Levin His head is barely hard, he’s so hard headed 8. COMPLICITY What’s all that dust? Hair isn’t hardly parted he’s a man of parts I call your image to mind Can you see me back? (Arto Lindsay/Vinicius Cantuária ) Call and recall You can’t be jealous, he just makes you feel bigger Firma Ltd. (BMI )/Sony Music Publishing Brazil (BMI ) Reentry on my way out Tactile and olfactory signs Two years old and he’ll never be the same Reentry why take me back Gustavo di Dalva: Boghan, Marcio Tchin-surdos, I list your numerable A real ending is it too much to ask? He’s not trained to put you through your paces Caixas, Bacurinha And innumerable parts Why can’t we leave it at that? Feed him, give him to eat – child prodigy Vinicius Cantuária: Guitar All your limbs Peter Scherer: Wurlitzer, Keyboards Together in a single motion No special air Child prodigy, all wizardry and charm is yours Melvin Gibbs: Bass No autumn light A children’s child, child of a child, prodigy Feast after feast goes bad Romero Lubambo: Additional Guitar Where might they be? Many many winds hold their heads Take it all in till you cry DJ Spooky: Additional Samples There’s no rest to be had Back to the room There’s always more blue Produced by Arto Lindsay, Andrés Levin, Where time still moves Grazing, grazing Camus Maré Celli I invoke, I invoke, I invoke Subject to me More laziness to make you cry Complicity I summon your side effects Reentry on my way out Unconscious wit Your side kicks, a side stick 7. Reentry why take me back RIDICULOUSLY DEEP Borders without borders under eyebrows Summon and apply (Arto Lindsay/Vinicius Cantuária/Melvin Gibbs ) A real ending is it too much to ask? Silent as scent Resonance and slapback Firma Ltd. (BMI )/Tucuman/Archetext Music (BMI ) Why can’t we just leave it at that? Hair curls like smoke I summon illusions Let’s talk about another kind of violence Melvin Gibbs: Programming, Bass Especially the flimsy underpinning A movie death Vinicius Cantuária: Acoustic Guitar Terrifying face of pleasure in the painting Of temporary things Clutch stumble roll Naná Vasconcelos: Drums Yeah stretch it out Red palms and soles stand out against blue skin I invoke, I invoke, I invoke Produced by Cycle 7 with Patrick Dillett, Standing on one leg with her long back displayed Dreams into steel Arto Lindsay, Andrés Levin While the other leg wraps itself around him On my knees in a new memory High ceilings, words gone with the rest Wrapped up, set up Maple opaque Day in a face Being visualized Severe and chic It was some part Voices erased Panting and life-size Is will power possible? I played that part At the center of a savage kind of halo I call out to you Falling dusk Up to my waist Lights unclear Hopelessly phrased 11. COMBUSTÍVEL In a howling wind Balance is less than useless I’m not a bird (Arto Lindsay/Melvin Gibbs/Lucas Santana ) You are not lying in a hammock And all the trash it brings Firma Ltd. (BMI )/Archetext Music (BMI )/BMG publishing Chill at the neck I invoke, I invoke, I invoke Melvin Gibbs: Programming, Keyboards Ice, cheeks and ears How biological can this clock really be Marivaldo Paim: Surdos, Djembe My sense of touch is worthless If it doesn’t get you going until midnight 10. Arto Lindsay: Guitar Expensive chests It’s an unconscious cult we don’t even know REENTRY (Arto Lindsay/Vinicius Cantuária ) Webster Santos, Lucas Santana, Arto Lindsay: Rampant, replete we’re in it Firma Ltd.
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