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ALSO INSIDE: in Memorium: P.J.—Warrior Dash Comes to the 979
VOL.3 MARCH 2011 — ISSUE3 ALSO INSIDE: In Memorium: P.J.—Warrior Dash Comes To the 979—Brazos County Metal News— GeekBiz 101—Dahli Rama—Reading Rocks—CD Reviews—Concert Calendar—Spoo—More Spoo 979 Represent 2 In Memorium: PJ A lot of us gripe about living in B/CS. Not enough to do, too many uptight people, etc... Growing up for the most part in this town, I like most people, couldn't wait to get the hell out of here. And I did. Then I came 979Represent is a local magazine back. It happens. My perspective of this community has really changed over the last 10 years that we have for the discerning dirtbag. been back here. I have come to really embrace the good friends I have made here, my family being close by, and the fun things we have come up with to stay busy. My perspective has, again, Editorial bored changed. Kelly Minnis—Atarimatt—Niki Pistols February 21, 2011 my oldest nephew Bobby 'PJ' Williams passed away. He truly was one of the sweetest kids I have ever known and I am so glad that he and I were close. He always had a smile on his face and a big hug for everyone that he loved. He was fiercely Art Splendidness protective of his family and friends and always showed it. He was Wonko The Sane the kind of person that would do anything to help someone else out and expect nothing in return, simply because he loved you. Distributrix I am sure I don't have to say how devastated my entire family is by his death. -
The Beacon, October 21, 2009 Florida International University
Florida International University FIU Digital Commons The aP nther Press (formerly The Beacon) Special Collections and University Archives 10-21-2009 The Beacon, October 21, 2009 Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/student_newspaper Recommended Citation Florida International University, "The Beacon, October 21, 2009" (2009). The Panther Press (formerly The Beacon). 373. https://digitalcommons.fiu.edu/student_newspaper/373 This work is brought to you for free and open access by the Special Collections and University Archives at FIU Digital Commons. It has been accepted for inclusion in The aP nther Press (formerly The Beacon) by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. A Forum for Free Student Expression at Florida International University Vol. 22, Issue 31 www.fiusm.com Wednesday, October 21, 2009 Learn grandma’s Spanish Rocky Horror Picture Show lentils for upcoming winter comes to FIU this week PAGE 5 PAGE 7 SPOTLIGHT SGC-MMC AT thE BAY PAGE 5 Students get to talk about relation- ships, sex, cheating at the Women’s Resolution Center forum, and everyone is welcome! PRETTY IN PINK opiNioN PAGE 6 calling for Volleyball team really ‘digs’ helping cancer foundation restructure of Getting Schooled: Students should visit universities in order to learn JULIA CARDENUTO “This wouldn’t have been possible without SGA passes more about prospective programs. News Director them,” Tomic said. All of the proceeds will be donated to the opiNioN PAGE 6 FRANCISCO MARADIAGA Susan G. Komen for the Cure Foundation, which In light of his progress in the econo- The women’s volleyball team will “dig pink” Staff Writer my, foreign policy and health care, this Friday by helping raise money for breast the volleyball players have already volunteered does Obama make the grade? cancer awareness during the match against and worked for. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
Lonnie Holley a Voice from Another Time
For Immediate Release 14 November 2017 Contact: Jodi Joseph Director of Communications 413.664.4481 x8113 [email protected] Lonnie Holley A voice from another time NORTH ADAMS, MASSACHUSETTS — Artist and musician Lonnie Holley recorded his first album in 2012 at age 62 after making home recordings for more than two decades. Holley’s music, like his art, defies classification — haunting vocals, keyboards, and new renditions of songs with every performance. He has collaborated with musicians such as Dirty Projectors, Animal Collective, Bill Callahan, and Bon Iver. Holley’s medium is the moment. On Saturday, December 2, at 8pm, he’s here with a new band, playing new arrangements and new songs: you’ll only hear it once. Currently featured in the exhibition Thumbs Up For the Mothership, Alabama-born artist Holley has devoted his life to the practice of improvisational creativity since 1979. Born in 1950 as the 7th of 27 children, his art and music came out of struggle, hardship, and, perhaps most importantly, furious curiosity and biological necessity. His art has manifested itself in drawing, painting, sculpture, photography, performance, and sound. Self-taught, he started carving sculptures from discarded sandstone when he was 29, eventually broadening his material to anything and everything, often collected on long rambling walks. These objects, already imbued with cultural and artistic metaphor, combine into narrative pieces that commemorate places, people, and events, often delving into issues of ecology and social justice. His sculptures exist almost as three-dimensional sketches for ideas and stories, influencing the songs he writes. Similar to the spontaneous nature of his sculptures, Holley’s music is somewhere between — and perhaps beyond — Sun Ra and spoken-word poetry. -
Earwax Final.Indd
page 22 the paper november 18, 2009 it shrugs its shoulders.” Easing the acerbity, she repeats these lines to end the record peace- fully, its storm having passed. With this consistent mix of tur- bulence and sweetness, Holy Ghost! sustains a simple rich- ness throughout, seamlessly meandering between folk and soul, fast and slow, and melan- choly and playful. LIL’ WAYNE No Ceilings by Alex Blalock “Okay! No ceilings! Moth- er fucker good mornin’! Dick in your mouth while you’re yawnin’, I’m goin’ in!” These opening lines off the track Namaste. We’re back to 33 unreleased tracks by artists of course, the timeless 3/4-4/4 of strings culminate as Laura “Watch My Shoes” set the normal here at the ‘Wax, and (some famous, others not so polyrhythm. This is cultural ap- tests her larynx’s limits by the mood for Lil’ Wayne’s newest because Fearwax had no new much) primarily in the Highlife propriation done right: a blend- chorus. Punctuated pauses dra- mixtape, No Ceilings. Sched- releases, we have a backlog of genre. Highlife is a combination ing of all of the best bits of the matize her voice as it trills up- uled to drop on Halloween, the new material to get to. Yours of traditional African music and popular musical lexicon of the wards, and violins whine with mixtape was leaked on sites truly staked claim to the lead American funk with a distinctly time rolled up into one neat and a guitar riff that seems to tell such as Datpiff and Biggy Jiggy article this time around, re- Afro-Cuban sentimentality. -
Aug. ‘13 Texas Swing School, Learning to Play Texas Extra Swing, Known to Some As the Original Texas Music
In each room of the performing arts center in Gainesville — about 70 miles north of the Dallas-Fort Worth metroplex — you’ll find young musicians of all types stringing their fiddles, strumming their guitars and belting out tunes. They’re all participating in the Big Aug. ‘13 Texas Swing School, learning to play Texas extra Swing, known to some as the original Texas music. “It was a joining of two genres of swing music,” says executive director Dave Alexan- der, who founded the school. “Big band music news calendar releases q&a and cowboy music, which was fiddle based.” click here to read click here to read click here to read click here to read Don’t be fooled, though: these students are Students attending the Big Texas Swing School range from no amateurs. “I can play the fiddle, guitar, 11 to 17 years old. mandolin, drums and piano,” Colby Sheppard School of Swing says. “I can play a lot.” The students range in included legendary pickers Merle Travis and Up in Gainesville, Texas, apparently, Bob Wills age from 11 to 17, and, like Sheppard, most play Charlie Monroe. He also recorded at Motown is still the king. Texas Swing may be a genre several instruments. They work in different Records and played with Ray Price and Merle that’s a century old, but now it’s gaining groups throughout the day. Then, once well re- Haggard before teaming up with Nelson from popularity with a new generation through a hearsed, they come together to make one big 1973 through 2008. -
Dossier De Prensa
Dossier de Prensa NOS PRIMAVERA SOUND EDICIÓN 2016 CARTEL 2016 PARQUE DA CIDADE ORGANIZACIÓN Y COLABORADORES ENTRADAS Y PUNTOS DE VENTA EDICIÓN 2012 EDICIÓN 2013 EDICIÓN 2014 EDICIÓN 2015 CONTACTOS BIOGRAFÍAS 2 NOS PRIMAVERA SOUND NOS Primavera Sound es el homólogo portugués del festival Primavera Sound que se celebra en Barcelona desde hace 15 años. La ciudad de Oporto acogerá por quinto año consecutivo la edición lusa, que se celebrará entre el 9 y el 11 de junio en el Parque da Cidade. El cartel de NOS Primavera Sound contará con una amplia selección de artistas internacionales, así como una significativa representación de artistas de la escena musical portuguesa. La línea artística sigue las mismas directrices que el de Barcelona, que se distingue por la variedad de estilos y por su apuesta por nuevos valores, destacando tanto la escena musical local como a artistas con largas y respetadas carreras. Tras consolidar su éxito en la quinta edición, NOS Primavera Sound se ha convertido en parada obligatoria dentro del circuito de festivales del la Europa. La excelente localización geográ ca de Oporto, lo bien comunicada que está con el resto de Europa y la distinción del festival dentro del panorama musical portugués contribuyen al crecimiento de la ciudad, a su proyección como capital cultural y a su dinamización internacional como destino turístico. 3 EDICIÓN 2016 NOS Primavera Sound acaba de dar a conocer el cartel completo de su quinta edición. Tras anunciar la presencia del dúo francés Air, autores de notables discos como “Moon Safari o la BSO de “Las Virgenes Suicidas”, el festival revela los nombres que, entre el 9 y el 11 de junio, pasarán por el emblemático Parque da Cidade de Oporto. -
Barocke Dunkelheit
# 2019/02 dschungel https://jungle.world/artikel/2019/02/barocke-dunkelheit »Why Hasn’t Everything Already Disappeared?« - Das neue Album von Deerhunter Barocke Dunkelheit Von Maik Bierwirth Das achte Album der Indierock-Band Deerhunter klingt nach Baroque Pop aus den sechziger Jahren. Bradford Cox und seiner Band Deerhunter ist mit »Why Hasn’t Everything Already Disappeared?« ein kurzweiliges Album gelungen. Auf dem achten Longplayer der Band aus Athens, Georgia, verfeinern Anleihen aus dem Baroque Pop den versponnenen, stets von den Sixties inspirierten Indierock der Gruppe. Bereits bei der Vorabsingle »Death in Midsummer« dominiert nicht die Gitarre, sondern ein markantes Cembalo (gespielt von der walisischen Musikerin und Produzentin Cate Le Bon), das so klingt, als wolle sich die Band in Richtung von The Left Banke verbeugen, deren Popsongs mit Cembalo und Streicherarrangements vor gut 50 Jahren erstmals das Attribut »barock« zugesprochen wurde. Daraus entstand ein ganzes Genre aus mal opulentem, mal subtilerem Orchestereinsatz in der Musik zwischen Mitte der sechziger und Mitte der siebziger Jahre, wie man ihn bei zahlreichen Stücken der Beatles und Beach Boys aus dieser Zeit hören kann, aber ebenso bei psychedelischen Rockbands wie den Zombies und den Kinks. Scott Walker prägte auf seinen Soloalben ab 1967 einen besonderen Kammerpop und reizte die orchestralen Möglichkeiten in der Popmusik wohl am weitesten (und brillantesten) aus. Im Übrigen ist diese Spielart nicht zu verwechseln mit all den grauenvollen Anbiederungsversuchen aus der kommerziellen klassischen Musik in Richtung Populärkultur, Stichwort »Classic meets Rock«. Der Begriff Baroque Pop als retrospektive Stilbezeichnung setzte sich indessen erst Jahrzehnte später durch. Der morbide Titel des Albums liefert das Leitmotiv für alle Texte. -
De Første Fantastiske Navne Er Klar Til Northside 2018
2017-09-12 12:30 CEST De første fantastiske navne er klar til NorthSide 2018 Billetsalget til den niende udgave af NorthSide startede i fredags, og allerede nu er nogle af de første hovednavne klar til næste års festival. Det er fem stærke og højaktuelle amerikanske navne, der spænder vidt og samtidig udstikker en spændende retning for næste års program. - Det går rigtig hurtigt lige nu, siger talsmand for NorthSide, John Fogde, og fortsætter: - Efterspørgslen efter Early Bird-billetter var meget højere end i tidligere år, og der har i det hele taget været meget større interesse for NorthSide siden sommerens udsolgte festival, end vi har set før. Derfor er vi også virkelig glade for, at vi allerede nu kan sætte fem fantastiske navne på plakaten. Så selvom 2017 var noget helt særligt, kan jeg allerede nu garantere, at der er masser at glæde sig til i 2018. De fem første navne til NorthSide 2018 er: The National Den højaktuelle amerikanske gruppe har netop udsendt sit syvende album, ”Sleep Well Beast”, der som de foregående plader er blevet rost til skyerne af anmeldere både i udlandet og herhjemme, hvor BT, Soundvenue og GAFFA gav fem stjerner. Det samme var tilfældet, da The National tidligere på året var hovednavn på Haven Festival, hvor GAFFA også tildelte fem stjerner efter koncerten. Festivalen er skabt i samarbejde med Dessner-brødrene fra bandet og viser, at The National har et helt særligt forhold til Danmark. Vi skal dog helt tilbage til 2014, siden de sidst gæstede NorthSide, så derfor er det en kæmpe fornøjelse, at de har sagt ja til at vende tilbage til næste år. -
Autolux – Transit Transit 1
DEC. 2010 • VOL. 21 ISSUE # 264 • ALWAYS FREE • SLUGMAG.COM SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 21• Issue # 264 •December 2010 • slugmag.com Publisher: Eighteen Percent Gray [email protected] Editor: Angela H. Brown Jemie Sprankle Managing Editor: [email protected] Jeanette D. Moses Shauna Brennan Editorial Assistant: Ricky Vigil [email protected] Action Sports Editor: Marketing: Ischa Buchanan, Jea- Adam Dorobiala nette D. Moses, Jessica Davis, Billy Copy Editing Team: Jeanette D. Ditzig, Hailee Jacobson, Stephanie Moses, Rebecca Vernon, Ricky Buschardt, Giselle Vickery, Veg Vollum, Vigil, Esther Meroño, Liz Phillips, Katie Josh Dussere, Chrissy Hawkins, Emily Panzer, Rio Connelly, Joe Maddock, Burkhart, Rachel Roller, Jeremy Riley. Alexander Ortega, Mary Enge, Kolbie SLUG GAMES Coordinators: Mike Stonehocker, Cody Kirkland, Hannah Brown, Jeanette D. Moses, Mike Reff, Christian. Sean Zimmerman-Wall, Adam Doro- Daily Calendar Coordinator: biala, Jeremy Riley, Katie Panzer, Jake Jessica Davis Vivori, Brett Allen, Chris Proctor, Dave [email protected] Brewer, Billy Ditzig. Social Networking Coordinator: Distribution Manager: Eric Granato Katie Rubio Distro: Eric Granato, Tommy Dolph, Cover Photo: “Drawn” by Jake Garn Tony Bassett, Joe Jewkes, Jesse See page 18 Hawlish, Nancy Burkhart, Adam Heath, Design Interns: Adam Dorobiala, Adam Okeefe, Manuel Aguilar, Chris Eric Sapp Proctor, David Frohlich. Ad Designers: Todd Powelson, Office Interns: Jessica Davis, Jeremy Kent Farrington, -
Time Bandit Same with Songs
Often in a completely different way The CV: big interview/usa than we expected. Throughout life Sam Beam, as Iron & Wine, you can always look back and see has made music for more than a decade. He captures things with new eyes and it’s the listeners’ imaginations with Time bandit same with songs. masterful songwriting in six albums and numerous EPs. On his latest album, Sam Beam, otherwise known as M: What do you think of Austin’s supposed hipness? Discography: Iron & Wine, is in a reflective mood. His theory: embrace the “The Creek Drank the SB: Honestly, I don’t think about it moment but if it’s not happening, just do something else. Cradle” (2002) because I lived there for so long “Our Endless Numbered By Sarah Rowland with my family – it was simply Days” (2004) Photography Valerie Chiang home at the time. Initially I moved “The Shepherd’s Dog” to Austin to be centrally located (2007) for touring and it was already a “Kiss Each Other Clean” (2011) On a foliage-covered terrace of MONOCLE: With “Beast Epic”, what progressive city. I definitely saw it “Ghost on Ghost” (2013) Austin’s Hotel San José, frontman did you set out to do? change and grow to become what “Sing into my Mouth” Sam Beam of indie-folk outfit Iron & SAM BEAM: I never go into creating it is right now. In many ways it’s with Ben Bridwell (2015) Wine muses (appropriately enough, with a motive because the songs are great for the city but it’s alienating “Love Letter for Fire” over a glass of chardonnay) on the art made up of what I’m experiencing. -
KEY SONGS and We’Ll Tell Everyone Else
Cover-15.03.13_cover template 12/03/13 09:49 Page 1 11 9 776669 776136 THE BUSINESS OF MUSIC www.musicweek.com 15.03.13 £5.15 40 million albums sold worldwide 8 million albums sold in the UK Project1_Layout 1 12/03/2013 10:07 Page 1 Multiple Grammy Award winner to release sixth studio album ahead of his ten sold out dates in June at the O2 Arena ‘To Be Loved’ 15/04/2013 ‘It’s A Beautiful Day’ 08/04/2013 Radio Added to Heart, Radio 2, Magic, Smooth, Real, BBC Locals Highest New Entry and Highest Mover in Airplay Number 6 in Airplay Chart TV March BBC Breakfast Video Exclusive 25/03 ‘It’s A Beautiful Day’ Video In Rotation 30/03 Ant & Dec Saturday Night Takeaway 12/04 Graham Norton Interview And Performance June 1 Hour ITV Special Expected TV Audience of 16 million, with further TVs to be announced Press Covers and features across the national press Online Over 5.5 million likes on Facebook Over 1 million followers on Twitter Over 250 million views on YouTube Live 10 Consecutive Dates At London’s O2 Arena 30th June • 1st July • 3rd July • 4th July 5thSOLD July OUT • 7thSOLD July OUT • 8thSOLD July OUT • 10thSOLD July OUT 12thSOLD July OUT • 13thSOLD July OUT SOLD OUT SOLD OUT SOLD OUT SOLD OUT Marketing Nationwide Poster Campaign Nationwide TV Advertising Campaign www.michaelbuble.com 01 MARCH15 Cover_v5_cover template 12/03/13 13:51 Page 1 11 9 776669 776136 THE BUSINESS OF MUSIC www.musicweek.com 15.03.13 £5.15 ANALYSIS PROFILE FEATURE 12 15 18 The story of physical and digital Music Week talks to the team How the US genre is entertainment retail in 2012, behind much-loved Sheffield crossing borders ahead of with new figures from ERA venue The Leadmill London’s C2C festival Pet Shop Boys leave Parlophone NEW ALBUM COMING IN JUNE G WORLDWIDE DEAL SIGNED WITH KOBALT LABEL SERVICES TALENT can say they have worked with I BY TIM INGHAM any artist for 28 years, but Parlophone have and we are very et Shop Boys have left proud of that.