Recommended Summer Reading List - 2021
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Starz' 'American Gods' Descends for Season 3
Starz' 'American Gods' Descends for Season 3 12.03.2020 Starz' American Gods, based on the best-selling novel by Neil Gaiman, prepare for their season-three return in the above trailer. Ahead of the trailer's debut, the American Gods' social channels hosted an event in which, much like when Game of Thrones' fans watched a block of ice melt, fans guessed when the car from the novel's Lakeside Clunker Raffle would fall through the ice. Once it did, the official season-three trailer was revealed. Starz will air a marathon of seasons one and two over the weekend of January 9 and 10, leading up to the premiere at 8 p.m. ET/PT that evening. The show will premiere internationally on Amazon Prime Video on Monday, Jan. 11. American Gods is the story of the war that is building between mythology's Old Gods, brought to America by immigration, and technology's New Gods. The story is told through the perspective of ex-con Shadow Moon (Ricky Whittle), who is recruited by the mysterious Mr. Wednesday (Ian McShane) to serve as a sort of body man. Shadow Moon soon learns that Mr. Wednesday has a lot of secrets, the biggest of which is that he is actually the Norse All-Father God Odin. Character poster of Shadow Moon for Starz' 'American Gods' season 3 The series also stars Emily Browning as Laura Moon, Yetide Badaki as Bilquis, Bruce Langley as Technical Boy, Omid Abtahi as Salim, Ashley Reys as Cordelia, Crispin Glover and Mr. World, Demore Barnes as Mr. -
American Gods, Myths, and Roadside Attractions
EN 3553.01 Major Authors Spring 2018 MWF 10:00-10:50 Mr. Price American Gods and American Roadside Attractions In the popular novel American Gods, Neil Gaiman offers the premise that we “create the gods.” He takes the notion from psychologist Carl Gustav Jung that by imagining gods, by bringing them into our culture, we fully create them. They take on an existence beyond that of our imagination. They become real. As a writer of fantasy, Gaiman can make that “becoming real” quite literal, as in the novel his gods wander through the American landscape. For us – and therefore as a literary metaphor – they become “real” in another sense. There are the gods we worship, such as the Odin brought to American shores by Leif Erickson and his contemporaries. There are things we worship, such as the television set that has been the altar and shrine of American households. There is the automobile and the highway. For this class I want to begin with Gaiman’s depiction of “the gods,” looking a bit at the novel’s central plot, but particularly at his incorporation of “forgotten gods,” figures of folklore, and such elements as flavor American culture. I plan to also look at a couple example American myths, big ones. I am including a couple pieces on the “frontier” and “melting pot” myths: Willa Cather’s My Antonia and a John Ford film, “The Man Who Shot Liberty Valance.” For America’s favorite twentieth century myth, “the business of America is business” (quote attributed to Calvin Coolidge), we will look at Sinclair Lewis’s Babbitt. -
Highly-Anticipated Fantasy Drama American Gods to Launch Exclusively on Amazon Prime Video in 2017
Highly-Anticipated Fantasy Drama American Gods to Launch Exclusively on Amazon Prime Video in 2017 August 24, 2016 Neil Gaiman’s tale of mythological gods, starring Ricky Whittle, Ian McShane, Emily Browning., Kristin Chenoweth and Gillian Anderson, will launch on Prime Video in Germany, Austria, UK and Japan next year Along with access to thousands of popular movies and TV episodes through Prime Video, Prime members across the UK benefit from unlimited One-Day delivery on millions of products, access to over one million songs on Prime Music, 30-minute early access to Lightning Deals, one free pre-released book a month with Kindle First and unlimited photo storage with Prime Photos — all available for a monthly membership of £7.99/month or £79/year London, Wednesday 24th August 2016 – Amazon today announced that fantasy drama American Gods will launch exclusively for Prime members in Germany, Austria, UK and Japan in 2017. The drama is based on the award-winning novel by Neil Gaiman (The Sandman, Good Omens, Coraline), which has been translated into over 30 languages. Starring Ricky Whittle (The 100, Austenland) as protagonist ex-con Shadow Moon, Ian McShane (Deadwood, Pirates of the Caribbean) as Mr. Wednesday who enlists Shadow Moon as part of his cross-country mission, and Emily Browning (Sucker Punch, Legend) as Shadow’s wife, Laura Moon, American Gods also features Gillian Anderson (The X-Files) as Media, the mouthpiece for the New Gods. Joining Whittle, McShane, Browning and Anderson are Pablo Schreiber (13 Hours, Orange Is the New Black) as Mad Sweeney, Yetide Badaki (Aquarius, Masters of Sex) as Bilquis and a strong supporting cast including, recently announced, Kristin Chenoweth, as Easter. -
Rebecca + Elliott-Final
Rebecca + Elliott "Love recognizes no barriers. It jumps hurdles, leaps fences, penetrates walls to arrive at its destination full of hope." Maya Angelou Hello! Welcome to our story. We are Elliott, Rebecca, and Ellie. We are a family created by adoption and love. We want to share a little about our hearts and hopefully get to know yours one day soon. Through this book, we hope that you can see our love of life and family and our genuine desire to be the best parents possible. We adopted our daughter, Ellie, four years ago so our family understands the importance of the decision you are considering. If our family feels like home for your child, we would be blessed by your trust in us. Whatever your choice may be, please know that we are thinking about you, praying for you, and support you as you seek what feels right for you and your baby. With great love, Rebecca and Elliott We are a c o n n e c t e d f a m i l y and love to spend time with each other. It’s our g r e a t e s t j o y to just laugh with one another. Where it all began We met in college. Mutual friends introduced us and we found ourselves talking all night at a friend's birthday party. Elliott invited Rebecca to be his date at his sister's party the following weekend, and we have been together ever since! At the end of college, Elliott got a job in Memphis, TN and Rebecca was accepted to graduate school at Vanderbilt. -
Book List-Indvl
Jonathan Hunt Coordinator, Library Media EDITOR’S NOTE: These 100 titles feature strong connections to equity, diversity, inclusion, and social justice. They represent a sampling of the best books published in 2018 across a range of audiences, formats, and genres. While recommended grade levels are provided, they are suggestions only and should be modified depending on specific populations of students. Primary Grades (K-3) BOWWOW POWWOW THE ALL-OF-A-KIND FAMILY ( ) HANNUKAH Windy Girl is blessed with a vivid imagination. From Uncle, she gathers stories ( ) of long-ago traditions, about dances and In 1912 New York, Gertie feels left out while sharing and gratitude. Windy can tell such Mama and her four older sisters cook stories herself—about her dog, Itchy Boy, and Hanukkah dinner, but Papa comes home and the way he dances. asks her help with an important task. CRESCENT MOONS AND POINTED ALMA AND HOW SHE GOT HER MINARETS: A MUSLIM BOOK OF NAME SHAPES ( ) When Alma Sofia Esperanza José Pura ( ) Candela asks her father why she has so many In simple rhyming text a young Muslim girl names, she hears the story of her name and guides the reader through the traditions and learns about her grandparents. shapes of Islam. Follow-up to Golden Domes and Silver Lanterns: A Muslim Book of Colors. AUNTIE LUCE’S TALKING PAINTINGS THE DAY YOU BEGIN ( ) Every winter, a young girl flies to Haiti to visit ó( ) her Auntie Luce, a painter. The moment she Other students laugh when Rigoberto, an steps off the plane, she feels a wall of heat, and immigrant from Venezuela, introduces himself familiar sights soon follow. -
CAST BIOGRAPHIES Season 2 RICKY WHITTLE
CAST BIOGRAPHIES Season 2 RICKY WHITTLE (SHADOW MOON) Ricky Whittle was born in Oldham, near Manchester in the north of England. Growing up, Whittle excelled in various sports representing his country at youth level in football, rugby, American football and athletics. After being scouted by both Arsenal and Celtic Football Clubs, injuries forced him to pursue a law degree at Southampton University. It was here he began modeling, becoming the face of a Reebok campaign in 2000. Whittle left university to pursue an acting career and soon joined several action-packed seasons as bad boy Ryan Naysmith in Sky One’s “Dream Team.” Following that, Whittle quickly joined the U.K.’s hugely popular long-running drama, “Hollyoaks,” in which he played rookie cop Calvin Valentine to acclaim across 400+ episodes. In 2010, Whittle made the decision to relocate to California and, within months of settling in, booked the role of Captain George East in the romantic-comedy feature Austenland for Sony Pictures, which was produced by Twilight creator Stephanie Meyer. Additionally, he was soon cast in a major recurring role in VH1’s popular series, “Single Ladies.” Another major recurring role followed on The CW’s popular post-apocalyptic sci-fi series “The 100.” Whittle’s character, Lincoln, immediately became a fan-favorite character, so he was upped to a series regular. Simultaneously, Whittle also had a recurring arc as Daniel Zamora in ABC’s “Mistresses.” In 2016, after a vigorous casting process, Whittle won the coveted role of Shadow Moon in Starz’s “American Gods.” In 2017, Whittle was seen opposite Sanaa Lathan in the Netflix feature film Nappily Ever After, which is based on the novel of the same name by Trisha R. -
The Clash of Culture in Neil Gaiman's American Gods
LEXICON Volume 5, Number 2, October 2018, 139-151 The Clash of Culture in Neil Gaiman's American Gods Naya Fauzia Dzikrina*, Ahmad Munjid Universitas Gadjah Mada, Indonesia *Email: [email protected] ABSTRACT This research aims to examine the portrayal of cultural clash in Neil Gaiman’s novel, American Gods. More specifically, this research aims to identify what cultures are clashing and why they clash, and also to understand how the situation of cultural clash affects the lives and attitudes of the characters. This research also explores how the novel relates to cases of cultural clash happening in the current American society. This research is conducted using the framework of several sociological theories to understand the different forms of effects of cultural clash. The main issue presented in the novel is the conflict between the old gods, who represent society’s traditional beliefs, and the new gods, who represent the shift of culture in modern America. This conflict symbolizes how the two ideals, tradition and modernity, are competing in the American society today. The challenges the old gods face can also be seen as a portrayal of the immigrant experience, where they experience effects of cultural clash also commonly experienced by immigrants: cultural displacement, identity crisis, and conflict. The main finding of this research is that a person or group who experiences cultural clash will face a struggle where they must compromise or negotiate their cultural identity in order to be part of their current community. This is done as a way to survive and thrive in their environment. Keywords: conflict, cultural clash, displacement, identity, modernity, tradition. -
From Cynic to Believer: 'American Gods' Star Ricky Whittle Boasts
From Cynic to Believer: ‘American Gods’ Star Ricky Whittle Boasts About Shadow Moon fanfest.com/2017/07/07/from-cynic-to-believer-american-gods-star-ricky-whittle-boasts-about-shadow-moon/ McKenzie Morrell July 8, 2017 From an outpouring of social media buzz to a 5-month long audition, Ricky Whittle clinched the coveted role of Shadow Moon in the small screen adaptation of Neil Gaiman’s best- selling book American God. The Starz series, which has talented showrunners such as Bryan Fuller and Michael Green at its helm, has eloquently entwined a new age tale of Ancient Deities that is surprisingly extremely relevant in present day America. This show, which is unlike anything on TV right now, runs circles around its predecessors which unfortunately have fallen short when trying to achieve this mind-bending concept. Whittle, well-known for his role on The CW’s The 100 as Lincoln, a Grounder with a heart of gold who ultimately met his untimely fate by sacrificing himself for the greater good, is captivating (and did we mention brooding?) in the role of Shadow. Fans of Whittle’s The 100 character were severely scorned last year following Lincoln’s death, and immediately threw Whittle’s name in the hat once the opportunity for the iconic American Gods role came into the picture. And the timing couldn’t be more perfect… Though his character on American Gods possesses similar traits to Whittle’s character on The 100, Shadow often finds himself in the midst of a world he can barely make sense of, but throughout the season goes from cynic to believer. -
Embodied Gods and Material Worship in Neil Gaiman's American Gods
“Think of us as symbols”: Embodied Gods and Material Worship in Neil Gaiman’s American Gods Veera Pohjalainen MA Thesis English, Language Specialist Path School of Languages and Humanities Faculty of Humanities University of Turku March 2020 The originality of this thesis has been checked in accordance with the University of Turku quality assurance system using the Turnitin OriginalityCheck service. UNIVERSITY OF TURKU School of Languages and Translation Studies/ Faculty of Humanities POHJALAINEN, VEERA: “Think of us as symbols”: Embodied Gods and Material Worship in Neil Gaiman’s American Gods MA Thesis, 78 pp., appendices 7 pp. English, Language Specialist Path March 2020 –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– This thesis analyzes the connection between beliefs and their material representation in Neil Gaiman’s novel American Gods (2001). The aim is to show how ideas and matter converge in the creation of gods and the material ways to worship them. Each god originates from nature or man-made innovations, and their embodiment represents the material origin of the belief. Believers then worship these gods, forming a bodily and emotional connection. The analysis demonstrates how technology and science are religious belief systems that resemble traditional religions and mythologies, in addition to how the deities that represent technoscience and contemporary innovations are comparable to traditional gods. Additionally, this thesis speculates what the prevailing paradigms and their gods are in the present-day America. The two primary frameworks this thesis utilizes are Pascal Boyer’s (2001) and Stewart Guthrie’s (1993) cognitive theories and a material theory of religion proposed by David Morgan (2010). The cognitive theories demonstrate how ideas of gods stem from nature by interpreting and discovering humanlike agencies, and the material theory of religion conceptualizes how religion’s material practices can be analyzed by focusing on body, feeling, and performance. -
American Gods by Neil Gaiman Image
American Gods by Neil Gaiman Image: the cover of American Gods Released from prison, Shadow finds his world turned upside down. His wife has been killed; a mysterious stranger offers him a job. But Mr. Wednesday, who knows more about Shadow than is possible, warns that a storm is coming – a battle for the very soul of America . and they are in its direct path. American Gods is a kaleidoscopic journey into myth and across an American landscape at once eerily familiar and utterly alien. Visit Neil Gaiman’s site: http://neilgaiman.com/ Read Chapter 1: http://neilgaiman.com/works/Books/American+Gods/in/181/ Reviews: Library Journal: In his latest novel, Gaiman (Neverwhere ) explores the vast and bloody landscape of myths and legends where the gods of yore and the neoteric gods of now conflict in modern-day America. The antihero, a man of unusually acute intellect through whose eyes we witness the behind-the-scenes dynamics of human religion and faith, is a convict called Shadow. He is flung into the midst of a supernatural fray of gods such as Odin, Anansi, Loki One-Eye, Thor, and a multitude of other ancient divinities as they struggle for survival in an America beset by trends, fads, and constant upheaval—an environment not good for gods. They are joined in this struggle by such contemporary deities as the geek-boy god Internet and the goddess Media. There's a nice plot twist in the end, and the fascinating subject matter and impressive mythic scope are handled creatively and expertly. Gaiman is an exemplary short story writer, but his ventures into novels are also compellingly imaginative. -
Norse Mythology
N O R S E M Y T H O L O G Y N E I L G A I M A N W. W. NORTON & COMPANY Independent Publishers Since 1923 New York • London FOR EVERETT, OLD STORIES FOR A NEW BOY. C O N T E N T S An Introduction THE PLAYERS BEFORE THE BEGINNING, AND AFTER YGGDRASIL AND THE NINE WORLDS MIMIR’S HEAD AND ODIN’S EYE THE TREASURES OF THE GODS THE MASTER BUILDER THE CHILDREN OF LOKI FREYA’S UNUSUAL WEDDING THE MEAD OF POETS THOR’S JOURNEY TO THE LAND OF THE GIANTS THE APPLES OF IMMORTALITY THE STORY OF GERD AND FREY HYMIR AND THOR’S FISHING EXPEDITION THE DEATH OF BALDER THE LAST DAYS OF LOKI RAGNAROK: THE FINAL DESTINY OF THE GODS A Glossary A N I N T R O D U C T I O N It’s as hard to have a favorite sequence of myths as it is to have a favorite style of cooking (some nights you might want Thai food, some nights sushi, other nights you crave the plain home cooking you grew up on). But if I had to declare a favorite, it would probably be for the Norse myths. My first encounter with Asgard and its inhabitants was as a small boy, no more than seven, reading the adventures of the Mighty Thor as depicted by American comics artist Jack Kirby, in stories plotted by Kirby and Stan Lee and dialogued by Stan Lee’s brother, Larry Lieber. Kirby’s Thor was powerful and good-looking, his Asgard a towering science fictional city of imposing buildings and dangerous edifices, his Odin wise and noble, his Loki a sardonic horn-helmeted creature of pure mischief. -
Seite 6 Episodensynopsen
INHALT CREDITS – SEITE 2 SYNOPSIS – SEITE 6 EPISODENSYNOPSEN – SEITE 7 SPOILER-LISTE – SEITE 9 FIGURENBESCHREIBUNGEN – SEITE 10 ÜBER DIE PRODUKTION – SEITE 13 BIOGRAFIEN DER HAUPTDARSTELLER – SEITE 21 BIOGRAFIEN WEITERER DARSTELLER – SEITE 30 BIOGRAFIEN DER SERIENMACHER – SEITE 35 KONTAKT LEWIS Communications [email protected] Tel.: 089 - 17301956 1 IN DEN HAUPTROLLEN Ricky Whittle Shadow Moon Ian McShane Mr. Wednesday Emily Browning Laura Moon Pablo Schreiber Mad Sweeney Crispin Glover Mr. World Orlando Jones Mr. Nancy Yetide Badaki Bilquis Bruce Langley Technical Boy Mousa Kraish The Jinn Omid Abtahi Salim Demore Barnes Mr. Ibis WEITERE ROLLEN Peter Stormare Czernobog Cloris Leachman Zorya Vechernyaya Kahyun Kim New Media Devery Jacobs Sam Black Crow Sakina Jaffrey Mama-Ji Dean Winters Mr. Town 2 AUF BASIS EINES ROMANS VON NEIL GAIMAN EXECUTIVE PRODUCER Jesse Alexander Neil Gaiman Craig Cegielski Scott Hornbacher Ian McShane Stefanie Berk Padraic McKinley Christopher J. Byrne CO-EXECUTIVE PRODUCER Heather Bellson Rodney Barnes SUPERVISING PRODUCER Adria Lang PRODUZENTEN Lisa Kussner BERATENDE PRODUZENTEN Peter Calloway Orlando Jones KAMERA Tico Poulakakis David Greene Marc Laliberté Else PRODUKTIONSDESIGNER Rory Cheyne CASTING-DIREKTOREN Debra Zane Jason Knight (CAN) KOSTÜMBILDNER Claire Anderson Robert Blackman MASKE Colin Penman STYLING Daniel Curet 3 STUNT-KOORDINATOR Layton Morrison SENIOR VISUAL EFFECTS SUPERVISOR Eric J. Robertson VISUAL EFFECTS SUPERVISOR Chris MacLean REDAKTEURE Wendy Hallam Martin Christopher Donaldson Don Cassidy TON Tyler Whitham REGIE (201) Christopher J. Byrne AUTOREN (201) Jesse Alexander Neil Gaiman REGIE (202) Frederick E.O. Toye AUTOREN (202) Tyler Dinucci Andres Fischer-Centeno REGIE (203) Deborah Chow AUTOR (203) Heather Bellson REGIE (204) Stacie Passon AUTOREN (204) Peter Calloway Aditi Brennan Kapil REGIE (205) Salli Richardson-Whitfield 4 AUTOR (205) Rodney Barnes REGIE (206) Rachel Talalay AUTOR (206) Adria Lang REGIE (207) Paco Cabezas AUTOR (207) Heather Bellson REGIE (208) Christopher J.