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Allparts Retail Catalog 01/2002
RETAIL PRICE LIST JANUARY 2002 GUITAR BRIDGES FOR TELECASTER® GUITARS TB 0020-001 Vintage Style 3 Saddle Bridge for Tele® Nickel With Screws 2-3/16" Spacing ...................................................................................... 36.00 TB 5120-001 Vintage Style 3 Saddle Bridge for Tele® Nickel With Brass Saddles 2-3/16" Spacing ...................................................................................... 38.00 NEW TB 5125-001 Vintage Style 3 Saddle Bridge for Tele® Nickel, Tilt Compensated Saddles 2-3/16" ...................................................................................... 44.00 TB 0020-002 Vintage Style 3 Saddle Bridge for Tele® Gold With Screws 2-3/16" Spacing ........................................................................................ 48.00 TB 0033-001 Vintage Style 6 Saddle Bridge for Tele® Nickel With Screws 2-3/16" Spacing ...................................................................................... 36.00 TB 0033-002 Vintage Style 6 Saddle Bridge for Tele® Gold With Screws 2-3/16" Spacing......................................................................................... 50.00 TB 0033-L01 Vintage Style 6 Saddle Bridge for Tele® Nickel Left-Handed With Screws ......................................................................................... 60.00 TB 0030-010 6 Saddle Bridge for Tele® Chrome With Rectangular Saddles 2-1/8" Spacing ......................................................................................... 70.00 TB 0030-002 6 Saddle Bridge for Tele® -
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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on. -
RETAIL PRICE LIST JANUARY 2005 GUITAR BRIDGES for TELECASTER GUITARS MO Cena Vc
RETAIL PRICE LIST JANUARY 2005 GUITAR BRIDGES FOR TELECASTER GUITARS MO cena vc. DPH TB 0020-001 Vintage Style 3 Saddle,Steel Bridge for Tele® Nickel, With Screws, 2-3/16" Spacing 1 249,50 Kc TB 0020-002 Vintage Style 3 Saddle,Steel Bridge for Tele® Gold,WithScrews,2-3/16" Spacing 1 606,50 Kc TB 0030-002 6 Saddle Brass Bridge for Tele® Gold Plated, W/Rectangular Saddles, 2-1/8" Spacing 2 856,00 Kc TB 0030-003 6 Saddle Brass Bridge for Tele® Black Plated, With Rectangular Saddles, 2-1/8" Spacing 2 677,50 Kc TB0030-010 6 Saddle Brass Bridge for Tele® Chrome Plated, Rectangular Saddles,2-1/8" Spacing 2 499,00 Kc TB 0030-L10 6 Saddle Brass Bridge for Tele® Chrome Plated, Left-Hand, Rectangular Saddles, 2-1/8" 2 677,50 Kc TB 0031-002 6 Saddle Humbucking Brass Bridge for Tele® Gold Plated,Rectangular Saddles, 2-3/32" 2 856,00 Kc TB 0031-003 6 Saddle Humbucking Brass Bridge for Tele® Black Plated,Rectangular Saddles, 2-3/32" 2 677,50 Kc TB 0031-010 6 Saddle Humbucking Brass Bridge for Tele® Chrome, Rectangular Saddles, 2-3/32" 2 499,00 Kc TB 0033-001 Vintage Style 6 Saddle Steel Bridge for Tele® Nickel Plated, W/Screws, 2-3/16" Spacing 1 249,50 Kc TB 0033-002 Vintage Style 6 Saddle Steel Bridge for Tele® Gold Plated, W/Screws, 2-3/16" Spacing 1 606,50 Kc TB 0033-L01 Vintage Style 6 Saddle Steel Bridge for Tele® Nickel Plated, Left-Hand, 2-3/16" Spacing 1 785,00 Kc TB 5034-010 6 Saddle Steel Bridge for Import Tele® Top-Loading, Chrome, Round Saddles, 2-1/8" 999,60 Kc TB 5120-001 Vintage Style 3 Saddle Steel Bridge for Tele® Nickel Plated, Brass -
Catalogue a ‐ Z
Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I. -
Front Cover Trade 2012.Pub
The UK’s Premier Guitar, Bass & Amp Parts Supplier Trade Price List March 2012 Allparts UK Ltd Phone lines open: 9.00 - 5.00 Mon - Fri Chiltern House Site Stocking Lane freephone: 0800 849 8224 Hughenden Valley tel: +44 (0)1494 410050 High Wycombe Bucks HP14 4NB fax: +44 (0)1494 569397 website:www.allparts.uk.com e-mail: info @ allparts.uk.com Introduction ALLPARTS UK are distributors and retailers in the UK and Eire for parts supplied by ALLPARTS - America's premier guitar and bass parts specialists, based in Houston, Texas. Parts include Fender-licensed replacement necks & bodies, fingerboards, nuts, saddles, fret wire, tun- ers, bridges, tailpieces, pickguards, pickups, pots, switches and all those useful hard-to-find, small-but- crucial screws, springs and knobs, including the bits that vanish from Floyd Rose trem systems. These are made or licensed by ABM, Badass, Bartolini, Bigsby, Burns, CRL, CTS, Danelectro, Earvana, Electrosocket, Fender, Gotoh, Graphtech, Grover, Hipshot, Hofner, Jim Dunlop, Lace, Leo Quan, Moses, Razor, Schaller, Sperzel, Sprague, Switchcraft & Wilkinson. Price This price list shows two prices: · a trade price (not including VAT) · a suggested retail price (including VAT), based on 50% mark-up (33-1/3% discount) for Allparts · trade discount is available only on parts and packs as listed. Stock availability Allparts UK does not hold all listed items in stock. We place regular orders so items not held or out-of- stock are usually available within 10-14 days. Some suppliers can however take longer. Postage and packing Charges for postage and packing to UK addresses via Royal Mail or UKMail are as follows: Net order value up to £10: Royal Mail - £2.50 inc VAT UKMail - £4.00 inc VAT Net order value £10.01-£25: Royal Mail - £3.50 inc VAT UKMail - £5.00 inc VAT Net order value £25.01-£50: Royal Mail - £4.50 inc VAT UKMail - £6.00 inc VAT Net order value £50.01 plus: Royal Mail - £5.50 inc VAT UKMail - £7.00 inc VAT · Royal Mail provides an untracked/signed for next working day delivery, once your order is picked & packed. -
Dickins Auctioneers 4 and 5 09 15.Xlsx
Dickins Auctioneers Ltd ‐ 2‐Day Antiques & Collectables Auction ‐ 4th & 5th Sept 2015 ‐ Pricing for collection, packing and UK mainland delivery by MBE Milton Keynes MBE Lot Shipping Description Number Price inc. VAT Canine School XIX, Oil on canvas, 1 29.95 Portrait of a wire haired Terrier Dog, 9 1/6 x 6 5/8" Estimate: £80‐100 XIX Continental Naive School, Oil on board, 2 29.95 Portrait head of a bovine bull with horns, 7 3/4 x 5 3/4" Estimate: £120‐180 F Rosset XIX, Oil on canvas, ' Nelley Shore ' Fishing boats and boats in an estuary, 3 39.95 Signed lower left. 8 x 16" Estimate: £50‐80 Monogrammed 1940, Oil on board, Kitchen assistant cleaning and polishing copper pots etc, 4 39.95 Signed and dated lower right. 22 x 18" Estimate: £50‐70 (XIX) Irish School, Oil on canvas, 5 49.95 Young boy playing his tin whistle for four children in a farmyard building. 19 1/4" x 26 1/2" Estimate: £300‐400 E Clark XIX‐ XX, Oil on board, Driving a flock of sheep past a country parish Church, 6 39.95 Signed lower right. 11 1/2 x 16 5/8 In a Watts type gilt frame Estimate: £100‐150 XIX‐XX Norwich School, Oil on board, 7 39.95 Figures in a punt. 9 1/2 x 17 1/2" Estimate: £30‐50 Gildas XX Mexican, Oil on canvas, An interior with guitar, chair and sombrero, 8 39.95 Signed lower left. 19 1/2 x 16" Estimate: £60‐90 EFP XIX‐XX, Oil on canvas, 'The Dingle ', 9 39.95 Signed lower right and titled under. -
Burns Chronicle 1995
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1995 The digital conversion of this Burns Chronicle was sponsored by Mrs Helen Morrison The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com BURNS CHRONICLE INCORPORATING "THE BURNSIAN" BICENTENARY of DEATH DECEMBER 1995 VOL. 4 (NEW SERIES) NUMBER 3 BURNS COUNTRY TOURING SOVEREIGN Chauffeur Drive The story of Scotland's National Poet Robert Burns is woven into the Ayrshire countryside which he knew so well. Burns Country holds a warm welcome for visitors, and at SOVEREIGN we offer a touring service tailored to your particular requirements. Whether a Burns expert, an enthusiast, or just curious to find out more about the legend - allow us to help make your visit a memorable one. Please call or write for our brochure and tariff SOVEREIGN Chauffeur Drive, Carrick Cottage, 15 Main Street, Dundonald, Ayrshire. KA2 9HF, Scotland, UK. Telephone: 44 1563850971 Fax: 44 1563850660 (UK Code 01563) Other Services: Airport/ Hotel transfers, Evening Hire, Executive Travel, Touring throughout Scotland and Northern England, SPecial Interest Tours (Castles, Historic Homes) . Members - AYRSHIRE TOURIST BOARD Partners - Catherine and William McKinlay BURNS CHRONICLE INCORPORATING "THE BURNSIAN" Contents DECEMBER 1995 Dumfries Commemoration .................................... 5 Burns's Neighbours in Dumfries ......................... 15 NUMBER 3 How We Licked 'Em ........ .. ....... .. ...... .. ................... 24 The Cheltenham Connection ........................ ..... .. 28 VOL. 5 Robert Burns -A Reverie and a Reminiscence ... 32 My Sketchbook ...................................................... 34 Coilsfield "The Castle 0' Montgomerie" ............ 36 The Passions of Robert Burns .............. ..... .... ... .... 43 Roger Quin, Scotland's Tramp Poet ........ -
Setting up Your Guitar
www.ronkirn.com Setting up your Guitar To Professional Standards WWW.RONKIRN.COM By, Ron Kirn © 2006 Ron Kirn, All Rights Reserved. The Fender® logo, Stratocaster® and Telecaster®, are registered trademarks of Fender® Musical Instruments Corporation. www.ronkirn.com Setting up your Guitar To Professional Standards By Ron Kirn Everything you need to know to Set up you guitar The way you have always wanted A “How To” manual Copyright © 2006 by Ron Kirn All rights reserved Printed in the USA Ron Kirn E-Mail: [email protected] WWW.RONKIRN.COM © 2006 Ron Kirn, All Rights Reserved. The Fender® logo, Stratocaster® and Telecaster®, are registered trademarks of Fender® Musical Instruments Corporation. www.ronkirn.com About this Book There are many publications available with great in- structions regarding the guitar setup The one prob- lem I have detected in most of them is, they assume you either have a complete luther’s shop with $50,000.00 worth of tools, or are predisposed to spend thousands on specialized tools to use once. This is not at all realistic for an amateur that simply wants to adjust his guitar to a point where it is actu- ally as playable as the professional’s guitar. I offer this, so that anyone with a fundamental under- standing of basic hand tools and a “do it yourself” ap- titude can do the same setup your favorite guitarist pays way too much for. Discussed here are my experiences as I have con- structed several solid body guitars and then moved on to the setup.. As I’m writing this, I am constructing several more. -
GUITARS - PEDALS - MICS Vente Live Sur Jeudi 18 Juin 2020 À 19H Live Auction on Thursday June 18, 2020 at 7 P.M
GUITARES - PEDALES - MICROS GUITARS - PEDALS - MICS Vente live sur www.drouotdigital.com Jeudi 18 juin 2020 à 19h Live auction on www.drouotdigital.com Thursday June 18, 2020 at 7 p.m. Exposition uniquement sur rendez-vous, à partir du 28 mai 2020 51, rue Decamps - 75116 Paris Contactez nous: +33 (0)1 42 24 80 76 ou [email protected] Exhibition only by appointment, from May 28, 2020 51, rue Decamps - 75116 Paris Contact us: +33 (0) 1 42 24 80 76 or [email protected] Patrick Deburaux Assisté de Jonathan Berg Commissaire-priseur Luthier Auctioneer instrument maker Vente en partenariat avec Abbey Road Institute ART RICHELIEU - OVV DEBURAUX PARIS - 51, rue Decamps - 75116 Paris - +33 (0)1 42 24 80 76 [email protected] - www.art-richelieu.fr - Commissaire-priseur: Patrick DEBURAUX CVV n° 050 2014 - SAS au capital de 10 000 € - SIRET n° 800 423 865 000 16 Abbey Road Institute Paris L’Abbey Road Institute Paris a pris place dans les célèbres studios Omega qui ont enregistré, mixé et masterisé les plus grands artistes internationaux et français (Alicia Keys, Jay-Z, Céline Dion, Sting, Florent Pagny, Lady Gaga, Kanye West, Johnny Hallyday, Lenny Kravitz, Phil Collins, Rihanna, Jennifer Lopez, Mylène Farmer, Tokio Hotel …). Abbey Road Institute est la branche éducative d’Abbey Road Studios qui a formé ses ingénieurs du son de- puis 85 ans. Le centre de formation est aujourd’hui présent sur plusieurs sites, en Europe, aux Etats-Unis, en Afrique et en Australie. Le partenariat qui lie Music Auction à l’Abbey Road Institute Paris a été initié lors de l’organisation de notre première vente de micros, en octobre 2019: Neumann, AKG, Shure, Beyer, Sennheiser, Melodium, Connoisseur, LEM, Electrovoice, RCA, Audiotechnika, Coles, Sony, STC, Fostex, Schoeps, Brauner … près de 120 micros dynamiques, statiques et à lampes ont été présentés et vendus dans les locaux du Abbey Road Institute Paris. -
Burns Chronicle 1931
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1931 The digital conversion of this Burns Chronicle was sponsored by Dr Robert Boyd, President The Robert Burns Association Of North America The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com BURNS CHR0NICLE AND CLUB DIRECTORY INSTITUTED 1891 PUBLISHED ANNUALLY SECOND SERIES : VOLUME VI THE BURNS FEDERATION KILMARNOCK I 9 3 I Price Three shillings The Haggis Difficulty Is Solved. No Rationing Now. The World-wide Demand ·for George Waugh's Haggis Can now be Met. Wi:regretthaHormany'yean it bas been im· pouible for -'ll• to meet the enoI'IDOU• A Culinary demands m&de on us for Bul'llB' Day and a.t other national Festivals, a.nd that we Achievement. have been forced to mioll customers of ma.nyyeara' standing. That Inconvenience ls now removed. OuB. new Kitchens at Haglllston are perfectly equipped and, with tlie incnued Patronised by ata.lf whlcli the7__ prorlde &ccoDlmoda.tioa for, give us faeilltiea fop obeying evoey Royalty. command. Waugh's Hag,rfs ls cooked from a Seel'et Recipe, .wh1ch Is kept In the Vault of a Banlt. 'rhe io«redlent.a are moat ca.refull7 cbosen and al'lf,ara of the beet qualitJ. A Triumph In Cooking la the re1ult, an Established All-tbe-YeaP--Round Food JIOPular with ' 1840. M':J. claa1, fol' the Meai Pal't of a No lrift is more acceptable to a Scot Al>road and pa.reels ol Waugh's Haggis are Wires: 11ent to ner:r clime and land: " HAGGIS, Edinburgh." Ninety ye&PS' oxpel'lence is behind us. -
The BMG “Super” Red Special Technical Detail from Greg Fryer
Questionnaire prepared by Mark Reynolds and Mike Ryde Text - © Greg Fryer & © 2008 Kz Guitar Works 2008 Main Pictures - © Mike Ryde 2008 & © 2008 Kz Guitar Works 2008 The BMG “Super” Red Special Technical Detail from Greg Fryer his document details Greg Fryer’s response to an in depth Tquestionnaire sent to him regarding the new BMG Red Special ‘Super’. The questionnaire attempts to garner further detail (to that previously published) about the design, construction and thoughts behind the BMG Super Red Special. Greg Fryer has taken time out from his busy work schedule to answer these questions and has given some in-depth answers. Brian has also recently used the BMG Super at the Kharkov Freedom Square concert (Ukraine, 12th September 2008) during the Queen & Paul Rodgers concert. This questionnaire might explain some of the reasons as to why Brian has chosen to use this guitar on the current tour. Q: Are the body, neck, headstock and scratch plate shapes as per the original guitar? A: Yes exactly as per Brian May's original Red Special. Q: Why does the Super have a mahogany body and an ebony fingerboard? A: The reason that we decided to pursue this method of construction was because after discussions we felt this would provide an extremely satisfactory sounding instrument but would not be nearly as expensive a process for manufacturing compared with using blockboard/oak/mahogany veneer and an oak fingerboard painted black. The BMG “Super” Red Special - Technical Detail from Greg Fryer The BM Super guitar concept began in March 2007 with discussions in London between Brian May, Pete Malandrone, Barry Moorhouse and myself. -
Sonic Utopia and Social Dystopia in the Music of Hendrix, Reznor and Deadmau5
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2015 Sonic utopia and social dystopia in the music of Hendrix, Reznor and Deadmau5 https://hdl.handle.net/2144/15988 Boston University BOSTON UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES Dissertation Sonic Utopia and Social Dystopia in the Music of Hendrix, Reznor and Deadmau5 by EVAN FRANCIS BARROS B.A., Boston College, 2004 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 © Copyright by EVAN FRANCIS BARROS 2015 Approved by First Reader _________________________________________________________ Victor Coelho, Ph.D. Professor of Music Second Reader _________________________________________________________ Bruce Schulman, Ph.D. William E. Huntington Professor of History DEDICATION For my parents, Jack and Rose. !iv ACKNOWLEGMENTS Thank you to my wonderfully supportive dissertation committee: Victor Coelho, Bruce Schulman, Brita Heimarck, Jennifer Tebbe-Grossman, and Andrew Shenton. Special thanks to Dr. Coelho for serving as my advisor and guiding me through this journey with invaluable advice, perspective and inspiration. This project would not have been possible without the support of the American and New England Studies Program at Boston University, and the faculty members and staff who have helped along the way, especially Kim Sichel, Nina Silber, Marilyn Halter, Robert Chodat, Anita Patterson, Jessica Sewell, Paul Schmitz, and Tony Barrand. Thank you to my loving family: Manuel, Maria, Lilly, Gloriana, Devin, Maggie, Victor, Ester, Kenny, Stephanie, Anabela, Selina, Joaquim, Candida, Isabel, Ethan and Bradnee.