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m m ...... i" 07482008850004 2A Thursday. April 25,1985 Daily Nexus

tension throughout the play, keeping the audience on the OFFERS YOU A edge of its seat anticipating Dracula’s next sudden ap­ HOLLISTER pearance. HOMEAWAY Stage Fright At ETP the home of Lucy, a beautiful woman who attracts him, and FROM HOME a madhouse, operated by Dr. Steward. The good doctor INN ★ We’re less than happens to know a German collegue, Dr. Abraham Van 2 miles Helsing, who specializes in unknown diseases (ie. vampire from campus disorders). In the beginning of the play, the house lights dim and heavy organ music begins. Jonathon sits down in the middle of the stage, bathed in an erie blue-light spotlight as ★ Reduced rates for Students he scribbles in a diary about his journey to Transylvania. Marc Cardiff is visibly nervous and reluctant as his & their Fam ilies! ★ character travels to Dracula’s castle and is forced to ' Friendly Staff 967-5591 remain as the count’s “ guest.” Jonathon makes up his mind 1 Free Color TV to leave the castle after his host turns into a bat. ’ Solar heated Swimming Dracula’s arrival in England is predicted by Renfield Pool (Bobby Komhandler), a madman who lives at the assylum. 1 Free Local Calls Because of his bizzare behavior, Dr. Stewart has been 1 Complimentary Morning Coffee studying this lunatic, who is really a vampire but does not realize . Beginning with flies and. spiders, Renfield develops a taste for live animals. “ I used to fancy that I could prolong my life by eating dozens of little lives,” he says as he brushes feathers from his last meal away from his mouth. As Dracula approaches, Renfield becomes visible agitated, and begs Dr. Stewart to free him so he can join the “ master.” Komhandler’s performance as the deranged vampire was very funny. During his spider craze, I hate horror films. I can remember watching television he crawls around on the stage searching for “ a big fat one” with my sister and dad on Saturday nights when they until he finds it and plops it in his mouth. stayed up late to watch Creature Features. I never un­ His keeper, Dr. Stewart does nothing to prevent this derstood how they could enjoy watching monsters and because he is busy treating Lucy, who suffers from an in­ deranged killers chop up people and suck their blood. Those jured neck and mysterious loss of blood. Unfamiliar with kind of movies always give me nightmares. They scare me these symptoms, he contacts Dr. Van Helsing, a vampire so much that I ’ve learned to cover my eyes until they’ve specialist, who accurately diagnoses the problem. To ended. portray Van Helsing, Robert Weiss affects a thick German Few people will suffer from nightmares after seeing the accent and misuses words and expressions hilariously. Ensemble Theater Project’s version of Dracula — The “ Bight now, this family have a vampire problem,” he Pursuit of the Undead. This play, adapted by local announces after he examines Lucy. In his black doctor s playwright Marlene Walker from the original Bram Stoker bag, Van Helsing carries instruments to use against novel, offers more humor than horror. Although it has all vampires like garlic, holy wafers and a wooden stake. the requisite features of a conventional horror tale — He seems quite serious as he uses these weapons to fight vampires, coffins, heavy organ music, and an erie castle — Dracula, but the overall effect of the play is anything but this production seeks to entertain rather than terrify its serious. Instead, it is a truly innovative and entertaining r A MMSTERDAM audience. Using special effects with sound and lighting, treatment of the Dracula legend. Even people who don’t Director Joseph Hanreddy maintains a high degree of like scary movies will enjoy this play — Debbie Nestor & LONDON L Celebrate LONDON ...... *649 NON-STOP 747 Life! Multiple Listings, Multiple Meanings AMSTERDAM. ..*675* D I R E C T DC-10 lives it is also a financial center to others. They are being

Into LONDON, ' used as objects of speculation to be talked about as cocktail Out of AMSTERDAM . .*700 parties. They’re just being co-opted by the wealthy. It’s Into AMSTERDAM. emotions versus economics. Out of LONDON ____ *700 * A* tillable with purchase of EuratlPasi Is this a similar theme in pieces such as Hold Out/- at the time of hooking Help the Holding On with the huge black monoliths on either side of EURAILPASS WScw bU* issued over the counter\ •UP small houses? ' BRITRAIL PASSI Ft« <3j> Holding Out/Holding On is the idea of an elderly couple issued over the counter \ Ho»“ *5' ” Unu-U. e c ._ that have lived there all their lives. Developers offer them a March of Dimes millon dollars for the property but it has no meaning. Their t300 d ov e §T # 2 0 0 Newport Beach Fight pride and the feelings of what real values are keeps them C A 92660 Birth Defects there. They’e-going to hold out, and not sell their concept of 714-851-1787 what a home is. They just pull the blinds down a bit and say 213-590-8200 ‘to hell with it.’

r ▼ ▼ ▼ ^ ■y ur A lot of the pieces are divided as two separate buildings while others stand alone; what is the contrast? GOING THROUGH CUSTOMS: In many ways the pieces are candy-coated daggers. There’s a certain irony going on between that which is She Took The House/He Got The Business attractive and draws you in and then that which is the ON Gifford Myers’ Real Estart is an exhibition of ceramic turning of the knife. There are at least two conditions going WOMEN miniature pieces that explore the duality of the house as on at the same time in every one. In the double building both a profit-making investment to be marketed, and as an pieces I call duplex-diptych are two physical objects are THE emotional shelter of sentiment, memory and security. juxtaposed to one another, presenting two different points SAFELY While the works are often charming in their gift-shop or­ of view at the same time. In Imminent/Eminent Domain ROAD namentation, the element of conflict is consistent and takes one building is boarded up while the other reflects in the disguised and unexpected forms. Sometimes our window what it is going to become — it’s going to be tom A discussion about voyeuristic nature seeks out clues as to the inside stories of down and be made into luxury condos. dealing with verbal and these domains, while other times we are subjected to In the single houses the two conditions exist in the object reflections that bounces back into our viewer space. Some and the viewer’s space. The windows become a mirror physical harrassment of the houses are simple statements while others hint at image and the viewer is reflected back across the street...it when travelling narrative. is often a projection of what the viewer’s space may or on holiday. Multiple Listings is currently on view at the University become. Art Museum. Here Myers has created an eclectic neigh­ AT THE borhood, a witty, subtle yet provoking panorama that I Your windows in many cases block off any inside view defines the difference between the architecture of material with these reflections; while looking in one feels the Women’s Center status and the proud values of the home as a fortress. pushing out at the same time. Yes, you have this push-pull sense of being the voyeur. How do your pieces interpret the house as an object and Often times the single-point perspective of the pieces draws THURSDAY you in and then you’re thrown back across the street by the A P R IL 25 the house as a home? While some of the houses are presented as isolated, reflection...You find yourself in an introspective point of humble, maybe even lonely, they also stand as very proud view — what you thought was a passive activity is now 12: 0 0 * 1:00 and defiant statements that they are castles to certain thrown back at you. people. And while the house is an emotional center to some — Shirley Tatum 2>N Fraternity ROADSHOW Presents ■ - . . - : f E A T u R I N G A Volleyball IN ASSOCIATION WITH KTYD» mano the WEEKLY P k N T Weekend Blowout I "j~ ’~~E $ SANTA BA R B A R A .FREE PARTY FREE BEEI FOR Q with AFRICA 1 THE STINGRAYS 3 SUNDAY, APRIL 28 • 7:30-1:00 AM & And THE TROPICS 3t * TICKETS AT THE DOOR —ANO- £ 8:00 P.M. SATURDAY 1 R O C KY & BULL WINKLE $4.50 • NON-STOP DANCING FRIDAY, APRIL 2 « CASA DE LA RAZA • 601 E. MONTECITO 3 APRIL27 •t 8 ,1 0 ,1 2 MEGA SOUND SYSTEM • LIGHTING • PROVIDED BY ROADSHOW plus LUNERS PRO SOUND Only $2 at IV Theater NO AQK RESTRICTION • PROCEEDS DO TO AFRICAN FAMINE VICTIMS At the SIG M A NU HOUSE • 6510 Madrid Rd. Sponsored by Fencing Club Daily Nexus Thursday, April 25,1985 3A Horror Not Quite Fit For A King

Stephen K in g ’ s Got Another Movie ...this time it’s called Cat’s Eye. The film consists of a cat that “For Everything You Need in wanders through a trio of short stories by the popular Home Video Entertainment." horror novelist. The fist two tales are from his book Night Shift (Quitters Inc.: about 1 0 % O F F On Rental of quitting smoking “ the hard way’’ ; and The Ledge: about Video Cameras & Video Recorders a man who bets a tycoon (w/Coupon - Expires 5/13) gambler he can walk around the ledge of a towering skyscraper without slipping ...... -...... or— ...... off.) The last story was written by King specifically Rent 2 Movies at Regular Price for the film. It concerns a little girl (Drew Barrymore) and receive the 3rd One who has to put up with a small monster that tries to (w/Coupon - Expires 5/13) literally “ take her breath away.” Drew Barrymore in Cat’s Eye. I admit I was pessimistic about seeing Semetary before going to bed. One or two of Cat’s Eye since Lewis Teague directed it, these insiders would have been fine, but 181 N. Fairview Ave. 1187 Coast Village Rd. the same man who brought us such classics funny once does not always mean funny . Goleta, CA 93117 Montecito, CA 93108 as Alligator, about a giant (rubber) twice... or even funny five times. 6 8 3 -1 4 8 2 9 6 9 -3 2 5 6 alligator that terrorizes a city, and , a The special effects of Cat's Eye are not 1023 State St. 4129 State St. Santa Barbara, CA93101 Santa Barbara, C A 93110 poor adaptation of King’s worst book. I was the most exciting. There are some poor 963 -14 61 9 6 4 -8 6 3 3 also skeptic because I had yet to be terrified bluescreen effects where the object matted and/or enthralled by any of the eight into the frame appears out of focus with its previous films. Coming out of background. It is particularly noticeable Cat’s Eye proved to be no different from when objects fall off the skyscraper in The coming out of any other King film. It was Ledge, and when the mini-monster in t/fB mildly entertaining, but not scary. Barrymore’s bedroom climbs up on her bed. The unfortunate aspect of Cat’s Eye is Carlo Rambaldi’s creation of the creature is that almost any part of the film could have interesting, but not very articulate or ‘• Audio been improved. The cat that is used as a stunning compared to his previous works on linking element between the different the aliens in Alien and E.T. . stories is an interesting idea, but not as good Alan Silvestri’s score for Cat’s Eye ''C U if ic i as the comic book format that worked well, especially at the beginning of used to connect its stories. Even though the film when “ General” is being chased by “ General,” as Drew Barrymore calls him, Cujo; however, it too suffers in the film WE REPAIR ALL BRANDS OF AUDIO AND VIDEO becomes a central part of the final story, he with a horribly mutated and mutilated only interferes with the adaptations of the version of Every Breath You Take. The FACTORY AUTHORIZED SERVICE CENTER FOR: first two tales. The stories, themselves, are acting is also fine, particularly in The Ledge STEREO EQUIPM ENT only average for King. The first two are where Kenneth McMillan (the evil “ fat Akai Kenw ood N ikko So n y definitely not the best ones from Night Shift, man” of Dune) does an excellent job at Bang & Olufsan Kyocera O nkyo Teac and the last one is too childish to have been being a detestable swine who will gamble Base Luxm an Phase Linear Techniques Draco Labs written by King, following much along the anything. Yet it too falters when Drew MGA U.S. Pioneer Toshiba Dual Mitsubishi Sanyo Yamaha lines of Gremlins. Barrymore becomes one of the central Hitachi Nakamieni Sherwood And Other Unfortunatelty for King, his screenplay characters in the last story. Her “ lithp” leaves even more to be desired. His at­ V ID EO R E C O R D ER S & D IS C PLAYERS does not help one understand what she is Akai tempts at humor stem from his own success. saying, and the “ cutesiness” that', she JV C . . Pentax Sharp Canon Kenwood U.S. Pioneer Sony There must be at least five inside jokes displayed in E.T. does not work here Fisher M agnavox Quasar Toshiba based on his work. In the beginning of the because she’s gotten too old. She simply General Electric NEC RCA Zenith film, “ General” is chased by a rabid St. becomes annoying. Hitachi Panasonic Sanyo A n d Others Bernard that looks like a clone from On a four star basis, I am giving Cat’s Eye Teague’s adaptation of Cujo; and later in two. This is certainly unimportant to PROMPT PROFESSIONAL SERVICE the chase, the cat is almost nailed by a ’57 Stephen King, however, who is undoubtedly Plymouth Fury, better known as . excited about the production of Silver In the first story, James Woods watches The Bullet, the ninth King film to be based on his Dead Zone on TV, then complains: “ Who the latest work, . That hell writes this crap?” ; and later, he picks will be yet another Stephen King movie 3623 STATE ST. - SANTA BARBARA his daughter up at St. “ Stephens” School. In M-F 10-6 SAT. 12-2 — Peter Bors the last story, Candy Clark reads a bit of Pet ”WE DO IT RIGHT... THE FIRST TIM E”

p f i A P P Y B ! R T H D A Y = ti i I S R A E L ! WE ALL WANT TO CELEBRATE WITH YOU 37 YEARS OLD YOM HA’ATZM Wendy M. DuBow Stacey Kahn Gail Glaser Susan E. Dickman Marion Manatt Stephanie Dw orkin Leslie Ziontz Jim Hickman Terri Seftel Janet Rich Trish Ricci Dr. Richard Hecht Kevin Weiner Todd Sm ith Craig Trames Dr. Richard Flacks Mary Babbitt Ann Schwartz Michele Rappaport Raul Carro Vie Marshall LaCombe Robert Kooyman Sara Berman Eileen Cohen Malisa Halopoff Sharon Tolpin Daniel Sass James Stein Beth Stillman Goldee Seidman Jud y Ciao Heidi 0. Peyrefette Julie Durlester Fred Nakashite Betsy Foley Gregory Raich Edward S. M oore Maiska Sapsouz Freda Stutz Scott Nebenzahl Su sa n Handloff Leonel Ospina Tara Wallis Tracy Robbins Nancy Kahn Jo Buderus V ikki Shef Miriam Lyeil Debbie Ostrove Todd Wallin v Dabby Alexander Terri Seftel Shari Rodgers Kim M erkin Lisa Fox David Katz Steve Balkan Lesley Bright Cheryl Strauss Heidi Ellis Etyse Shapiro Pam Dyner Debra Stern Alexander R. Bapty Leans Poltorak Lori Schefsky Heather Rothman Jill Franklin Cyd Rotenberg Kelli Cecala Paul Gaddy Dave Slavin Tina Back Rena Schlesinger Elaine Sapiro Karen Westberg Jim K. Ito Lisa Oram Barry Daciis Paul Traina Terry Nitzan Lee Raskin Todd Goldenberg Tamar Fenton Tyrone Cooney Scott Ferer Culver Alan Davis Scott Levine Ivan Clinton Kan Lom an Julia Mendelsohn Kelly Row an Scott Moors Howard Lear Juanita Smith Marla S. Weinholtz Dr. & Mrs. Mendelsohn Jeff M. Spector Julie A. Breslau Jo Buderus " Sponsored by J.S.A. 4A Thursday, April 25,1985 Daily Nexus BOWLING Pas Moyenne If Yaz was too mechanical and synthesized for you, but OPEN 24 HRS you still loved the emotional way the lyrics were belted out, Relax, Unwind- Have Funi then ’s solo debut A lf is for you. Alf, Moyet’s Let Loose - Go Bowlingl pub name, left Vince Clarke (once of Depeche Mode) and Billiards and Videos their techno-pop group Yaz ( “ Only You,” “ Nobody’s Diary” ) to follow her own rhthym and blues instincts. The OPEN LANES general feeling from the lyrics on this album is one of a Weekends, Day, Lata Nite women out on her own. Moyet has an extremely powerful voice and even when she whispers it’s full of sensual feeling. She is heavily in­ ORCHID BOWL • 967-0128 fluenced by Black American music and gospel-soul, and her 5925 Calle Rea^.- near Fairview, Goleta rich vocals show up on every song. “ Money Mile” has a quick tempo and a seductive air to it at the same time. “ Where Hide Sleeps” is haunting, yet not atall depressing. MASTERSERIES ’85 presents Both songs have choral overtones that work well. Moyet must be incredible live. A Special Bach Tricentennial Event Yet, not all the songs are outstanding. “ Twisting the " I never recall hearing Bach played better. . . exquisite Knife” and “ All Cried Out” are pleasant enough, but GRAMOPHONE, London something is lacking in them and they don’t stay in your the vocals. In general there is too much background music memory very long. Boring might be a good word. Songs like in several songs that would have been better stripped of this on a debut album make for a fairly weak introduction. their excess ornamentation. Andras Schiff Everything, except the voice, is short on substance and Producers Tony Swain and Steve Jolley, who provide PIANO vitality. musical input on the album as well, have worked with both Moyet is also merciless in her use of cliches: “ Baby, I Spandau Ballet and Bananarama: listen to the beginning of B AC H : The Goldberg Variations burn a cupid’s arrow and here’s the short and narrow,” “ Love Ressurection” and the middle of “ All Cried Out” for A rare performance o f Bach’s great keyboard “ like a merry-go-round, I ’m going up, going down.” On the similarities. Whether or not this is good or bad, you masterpiece by the celebrated Hungarian'bom “ For You Only” Moyet’s beautiful and full-bodied vocals aren’t suppose to think of Spandau Ballet when listening to pianist who has been acclaimed as a leading interpreter o f Bach and one o f the world’s are as smooth as can be, but the instrumentation is a bit Alison Moyet. But if you do like the way these albums are great young pianists. repetitious and monotonous. The music almost slows Moyet produced, well-prepared, “ civilized,” heavy on the in­ GOOD SEATS STILL AVAILABLE down. strumentation... Sat., April 27 8PM I do like “ Invisible,” written by Lamont Dozier and All in all A 1/is a good album. It is music from the soul and currently receiving the most airplay. The song has some to be played really loud, if you really want to appreciate one Santa Barbara High School Auditorium interesting percussion and a whole lot of energy. A friend of England’s very best singers. 700 EAST ANAPAM U STREET said, “ It’s like Tina Turner passion, you know?” Still, Album supplied by Leopold RESERVED SEATS: $12/$ 10/$8 LOBERO BOX OFFICE much of the album’s production seems to take away from — Maureen Fan 33 E. Canon Perdido St. Call 963-0761 for tickets. Senior/Student Rush '/z Price at door.

T his project is funded in part b y the C O -A R T S program using funds provided by the N E A . the California A r e C ouncil, the C ity and Cou nty o f Santa Barbara, arid C o S B A A .

HEAR ALL THE CLASSICS ON K D B K W U . • The Bad & Low Down World Of... resemblance was so close I started to believe this band really was a novelty — like non-melting ice cubes you can COMPACT DISCS send away for. NOW IN STOCK: As I listened more and more I began to acquire a taste for it. I became intoxicated, absorbed. With each sip more of Phil Collins • “N o Jacket Required” the “ ice cubes” melted. What formally was a shallow Prince - “Around the World in a Day” amalgamation lacking identity emerged with a cultivated Creedence - “Cosm o’s Factory” flavor of it’s own. This is good stuff, I thought, although a Sage - “Diamond Life” little watered down. So I write as a recent convert to The Kane Gang. What Vangells - “Mask” and “Invisible Connections” once seemed trite and contrived has shed it’s skin and Bob Dylan - Real Life” Mike Oldfield - “Killing Fields” become, excuse the pun, appealing. With the help of Kinke - “Greatest Hits” The Smiths - “Meat is Murder” veteran soul producer Pete Wingfield, The Kane Gang Wings - “Wings Over America” (Martin Brammer, David Brewis, Paul Woods) have come up with a highly polished and eclectic sound which borrows —Plus Many Other— Once upon a time in a land far, far away there were three form the blues, country-western, reggae, rap, and gospel. Imported and Hard*To*Find Titles young men who called themselves The Kane Gang. They “ Gun Law” is an infectious dance number that shoots Coming Soon: ( J 2 played guitars and sang songs about oppression and in­ straight from the hip — though provoking yet avoiding justice and romanticized having dirty fingernails. After a repetition, it is music for both mind and body. “ How Much “Unforgettable Fire” a n d few hit singles they released their debut album: The Bad Longer?” picks you up with a swelling horn section and “Frankie Goes to Hollywood” and Lowdown World of The Kane Gang. delivers its powerful message with a soulful compassion Reserve Yonr Copy Now! If this scenario sounds at all familiar that’s because it is. and ardor. “ Closest Thing to Heaven” is a more personal, The first time I listened to this album I could not escape the blue-eyed melodica-laced love song that reaches for the banal analogy of The Kane Gang being some sort of cross silver lining in the clouds. New LP and Cassette Releases between the “ I don’t want to be your prisoner” days of the But as effective and clever the Gang’s hybrid sound is on —NOW IN STOCK— black market Clash and the soulful pining of a Style Council these songs, it can also become too refined — it’s cleaving Prince * Bon Jovi that had thrown away their French cigarets and begun to edge dulled, sounding somehow unrealized and lacking Vangelis • Ynquie Malm stein Allan Holdworth • Lone Justice smoke Marlboros. It seemed as if they definitely had an verve. At times it’s as if they’re saying “ Listen to what I Meatloaf * Freddie Mercury important message to voice but the way they were ex­ learned to play today” rather than forging new ground. For Alcatraz pressing it was just too familiar for their own good. The a squalid gang of rebels their boots are a bit too polished Fast Special Order Service on all CD’s* album’s title was so similar to The Fall’s recent The and they’re wearing more suede than leather. With a little and Cassettes A t No Extra Charge! Wonderful and Frightening World of... I began to wonder rawhide and some swagger their music would pack a whether this band had anything original to say for itself. stronger bite and be more enticing and convincing. Song titles such as “ Take This Train” , “ Losersville” , and Far too few bands express a social conscience in their 910 EMBARCADERO DEL NORTE • ISLA VISTA “ Small Town Creed” were so overused and tired they music these days. Most bands on MTV have the socially nearly jumped off the record trying to escape being flogged redeeming value of wallpaper. Although a little watery on OPEN 10-10 DAILY 12-8 SUNDAYS 968-4665 over the head again by another dusty needle. “ Respect occasion this is a worthy debut album that deserves at­ Yourself” was poignant and uplifting, yet it echoed The tention. I’ll drink with this Gang anytime. Smith’s “ Accept Yourself” almost verbatim. The thematic — Jason Lees Looking for experience, a creative outlet, increased income and fun? PCDC - A Nice Place To Dance Editorial Positions Conservative dancing is always fun. It’s nice to dance in a cartoons. The booths furnish privacy, unlike clubs where are now available nice place. Music is important as far as dancing is con­ cerned. Three very redundant, yet informative, sentences once you’re there, you’re stuck standing between the noise for the describing the “ new” Pacific Coast Dance Company, I and confusion. can’t say much about the “ old” PCDC, but the new You’ve heard it over and over again. Lesson number two 1986 La Cumbra remolded version is a club-goer’s dream,, or nightmare, of life’s little important lessons: courtesy counts. Everyone Yearbook depending on how you sleep. With new accomodations, and seemed quite courteous this Saturday night at the PCDC. It a powerfully sophisticated sound system, the PCDC offers was void of intimidating bouncers with bulging muscles Applications are available in the La drinking and dancing in an agreeable atmosphere. threatening to take away your fake I.D .; just cordial, quick service. The crowd seemed to be quite festive and Cumbre Office beneath Storke Tower, or The hassles of crowd-in-the-front-door-squish are cleverly eliminated; all customers enter via the side door genuinely entertained. They looked like they knew why they call 961*2386 for information. located in the back of the club. None of that loud music, came here. It’s not just another club one wanders into to Exparianca is helpful but not dance floor confusion is experienced. Paying money is find out what the bar scene is like. actually a tolerable experience. Once inside, you are The night’s entertainment was provided by The Young mandatory. greeted by many wood booths and adequate socializing Adults, a notably good band. They started off their first set space. Past this area is the dance floor, and a full bar, with danceable tunes and carried this theme through the Deadline is May 6 length and all. entire evening. With a new sound system and adequate lighting, the PCDC’s dance floor was packed. It could be a POSITIONS INCLUDE: The PCDC offers something most clubs do not. Space to breathe. A very inviting patio, with considerable space, little larger, but then more poeple would dance, and it Business Editor Features Editor would need to be larger still, and so on and so on. Photo Editor rests to the left of the entrance. Garnished with trees, petite Copy Editor The Pacific Coast Dance Company is just that. A dance Student Life Editor Departments Editor furniture, and heaters, the open patio is a refreshing asset company manufacturing unique facilities for the discerning Sports Editor Seniors/Classes Editor to the club. This delicate setting offers one a place to talk Greeks Editor Section Staff Members without being drowned out by the music or having to shout individual. Not another dive, but a place to go when you’re Dorms Editor Work/Study Staff over it. The front room has a bar of its own and several sick and tired of the mindless blare of juvenile bobbysox Organizations Editor video moniters which exhibit fine videos and Looney Tunes clubs, and in the mood for a little cosmopolitan veneer. ALL POSITIONS ARE PAIDI — Valerie De Lapp Daily Nexus Thursday, April 25,1985 5A 'MWW*lwwwl*WWvwvwwvWVWWWIftftlWWWWWWWWWWtfWWWW Video Rie f iT H g ; METROPOLITAN THEATRES CORPORATION Vìdeo Rie V id e o R ie SANTA BARBARA Simple Minds “ Don’t You (Forget About slow body pans elsewhere. That’s all I ’m Me)” ****** going to say! ARLINGTON l i CENTER This is one of those rare videos that still 4-27-Air Force Band TONIGHT! holds charm, wit, and imagination even Tom Petty “ Don’t Come Around Here No 1317 State Street 966-9382 after many viewings. Jim Kerr and the rest More” **** 4/28-Variety Benefit “Choose Me” of the band are at their best in this great You don’t have to like this song to enjoy this LIVE ARLINGTON 4/30 & 5/1-GIGI and STAGE song and original production. I love the way trip of a video. At first I thought Petty or “” K err keeps popping into view as the camera Dave Stewart (Eurythmics) were actually ENTERTAINMENT 5/2-Dance Night pans the room. playing with the mushrooms from Alice in Wonderland when they conceived the idea | 0 5:00,9:20 downstairs jflU upstairs ’til tuesday “ Voices Carry” *** for this one. But the antics are humorously ItRANADA IN DOLBY STEREO 1216 State Street ] Though much of this video’s substance is dealed out by Jeff Stein, who directed The 4:50,7:25.10:00 5:30,8:05,10:30 963-8740 J about the classically overused image of a Cars’ “ You Might Think.” Watch carefully women rocker trying to strike out against for the shocking and wonderfully disgusting upstairs her demanding boyfriend, the effects are images. generally powerful. The best part is the EDDIE MURPHY genuine ending of her final intolerance to him in a beautifully portrayed scene where Alison Moyet “ Invisible” *• The only quality saving this video is the she gets up and sings in the audience of a S03 Carnegie Hall opera. belief that Moyet really does feel “ in­ visible” as she belts out this soulful, but Fiona “ Talk to Me” sappy tune in a mock party setting. The LOST IN AMERICA rotating silver triangle of the symbolic ‘i’ 1 think it’s things like Fiona that we have to “Art inspired comedy." thank for women’s sex kitten roles in music. (for invisible) pushes reality out past the M,N'“ ALBERT balcony. She might have a nice body, but if she “To be cherished." BROOKS wanted to be a model she should take her — Laurie McCullough JULIE HAGERTY

’WAt c h O u t F o r Th e Fo r c e !

WITNESS 7:30 wwwwvwwvwwwtrvvwwvwwiAriftJvwifwwiAM Simple Minds They broke the rules. THE BREAKFAST THF1R FIRST ASSIGNMENT 5:30,9:45 CLUB

i n m 2044 Alameda Padre Serra The Pro's Of Near Santa Barbara Mission AmadeuS 8 A C A D E M Y “ ..A stunning motion picture!’ ^ A W A R D S ! f i -Bob Thomas, Associated Press BEST AN ORION PICTURES RELEASE PICTURE Mon.-Fri. 8:00, Saturday & Sunday 2:20,5:05,8:00 LOUIS JOURDAN

e t n e i ? ARLINGTON CENTER April 30th 8:00 PM M ay 1st 3:00 and 8:00 PM

Over the years, Pink Floyd has con­ music provided the most spellbinding effect, vincingly proved their worthiness, both with Waters’ band handling the material THE PURPLE artistically and through record sales, to the A place where everyone 349 S. Hitchcock Wty very well. Billed as the “ Pro’s and Con’s 682 4936 ROSE OF CAIRO entire music industry and record buying tour plus some old Pink Floyd stuff,” the risked everything for a public. Even after their untimely fallout in show was divided into two separate sets. piece of the American Dream. MIA 1983, the band still remains enormously FARROW The first, a one and a half hour feast of Pink 7:15, 9:20 popular today. A stroll through almost any Floyd standards from almost every one of 7Q5 ALAMO JEFF on-campus dorm will reveal a multitude of their albums, left more than a few stares of DANIELS Floyd inspired images on doors and walls. disbelief and speechless open mouths. 9:25 BAY “ The Dark Side of the Moon,” their 1973 Draped in a trenchcoat under a solitary release, has remarkably remained in spotlight and supported by an ominous Billboards’ Top 200 for over ten years. synthesizer drone in the background, GOLETA Throughout the 1970’s and into the 1980’s, Waters began with the acoustic strains of This M ovie’s----- Pink Floyd had produced an almost endless “ Welcome to the Machine," a highlight of Been Clocked at 55 string of impressive albums and concert the set from their 1975 album “ Wish You tours. Their genius as a group is sorely Were Here.” For “ Nobody Home,” Waters Laughs Per Minute! Starring missed but is still carried on today by the situated himself alone in an easy chair, CHER two premier members of the band: Roger accompanied only by a floor lamp and TV Waters and David Gilmour. set, reminiscent of Pink Floyd’s “ Wall” S A M 7:30, 7:10, Gilmour, lead guitarist for the band after tour of 1980. “ Nobody Home” and other ELLIOTT the departure of founding member Syd songs from “ The Wall,” their 1979 release, 9:40 9:00 Barrett, has made it on his own with an S i » (STÜ] garnered the most audience response, I P G 13| impressive solo album, “ About Face,” and although all were well received. Waters had subsequent tour. Waters, the main left out almost nothing, from background songwriter and dominate figure of the band, singers to dubbed-in effects from the 7:00,9:00 G has released his energy into last year’s solo albums. Upon the conclusion of the set with ÌF aIRVIEWi_ s Cat’s Eye M A D O N N A 2S1 N. Fairvlew effort, “ The Pro’s and Con’s of Hit­ “ The Gunner’s Dream,” a collection of 967-0744 715 DREW BARRYMORE chhiking,” and the tour which brought him songs from their last album “ The Final in P G P ] 1 JAMES WOODS to the Inglewood Forum on Thursday, April Cut,” I knew my concert dollar had been 4 for a very magical show. well spent. Rob Reiner’s The influence of Pink Floyd on the public, DESPERATELY ___/**£■ with Roger Waters acting as their Waters’ second set, also an attention 9:15 representative, was evidenced by the im­ getter, consisted of “ Pro’s and Con’s” in its PU u l mense turnout of over 16,000 fans. The SEEDING SUSAN entirety. The whole album became a never weeknight show was a gripping multimedia ending melange, full of force and passion. _ ¿"T d f 8:50 event destined to be remembered, by those The video screens came alive, highlighted in attendance, for years to come. by a fireball explosion and an aftermath C on dii Cuti« b In true Pink Floyd tradition, Waters’ which literally shook the seats. The film production was elaborate and held nothing background was constantly stunning, back. Equipped with an incredible perfectly following the path of the music. quadrophonic sound system, the show was The crowd at the show was as diverse as literally brought to life. The Forum, which they get, reflecting the universal appeal and for most concerts is just an overblown echo timelessness of Pink Floyd’s music. chamber, became' a musical environment, Thankfully, Waters and “ The Pro’s and generating sound from every inch of the Con’s” still perpetuate Floyd’s reputation of building. Adding to the extravaganza were diverse sound and sharp, SUNDAY three backdrop video screens, occupying thought—provoking lyrics. His show SWAP the approximate space of a basketball provided an unforgettable experience whose MEET court, which presented a multitude of effect is probably best summed up by some 907 S. Kellogg Goleta 964-9060 images ranging from vintage clips from the of my compatriots. “ What did you think, Sellers-Gates open 6a.m. No movie “The Wall,” to incredible moving Rob?” “ Wooooow ...” “ And you Mark?” reservation* necessary. animation. “ Oh my Goooodd...” I thought as much. Buyers-New deals every week. For most of the spectators, however, the — Brent Anderson 6A Thursday, April 25,1985 Daily Nexus

SPIUNG PERFORMANCES LARGER THAN LIE « 5 » CALENDAR OF EVENTS RONALD EYRE lecture “The Ins and Outs of Theater” today at 4 PM in the Main Theatre. Free. PETER SAMELSON THEATER OF ILLUSION m a g ic Master magician Samelson creates unbelievable effects and fun tricks on Friday, April 26 at 8 PM in Campbell Hall.

MAXINE HONG KINGSTON WOMAN WARRIOR Maxine Hong Kingston, author or The Woman Warrior and China Men, will appear at the Main Theatre on Friday, May 3 at 4 PM, to discuss her own writings, Chinese Oral tradi­ DOCTOR ZHIVAGO film tion, and her recent trip to the People’s Repub­ Big Films; Epics and lic of China with a delegation of American Spectaculars continues on writers. Sunday, April 28 at 7:30 PM in Having grown up in a Chinese American Campbell Hall. family in Stockton, California, Kingston lived for more than a decade in Hawaii, where she LEON BATES lecture was declared one of that state’s “national “The Positive Relationship treasures.” She cautions her readers that between Physical Activity & when she writes about “Chinese American Performing” on Tuesday, April 30 experience” she is writing about her expe­ at 3 PM in Music 1250. Free. rience; she refuses to be categorized as “the voice of the Chinese American community” or “the voice of the Chinese American woman.” “There is an expectation among readers Peter Samelson and critics that I sh ou ld represent the race,” PETER SAMELSON Kingston stated in Women Writers of the skills, and mentioned that “he can play pianos West Coast. “Each artist has a unique voice. MASTER MAGICIAN or lift them.” An avid weightlifter as well as a Many readers don’t understand that the prob­ nationally known musician, Bates would be lem of how representative one is will only be A magic show for “grown ups"? Why as comfortable in Gold’s Gym as he is on the not — why should kids have all the fun? solved when we have many more Chinese stage of concert halls in New York, Los Master magician Peter Samelson brings American writers. Then readers will see how Angeles and elsewhere. his dazzling Theater of Illusion to Campbell diverse our people are. Black writers have Bates will perform in Lotte Lehmann Con­ already surmounted the problem.”.^. Hall on Friday, April 26 at 8 PM, a classic cert Hall on Wednesday, May. 1 at 8 PM, con­ magic show that features superb theatrical Kingston’s fiction often deals “with The cluding Arts & Lectures’ ‘Big Discoveries” conflicts between the home culture (what we effects and awe-inspiring dramatic sketches. concert series. Samelson’s diverse artistic and aca­ learn at home, our family way of life) and the LEON BATES, piano concert A native of Philadelphia who developed public culture (what the rest of society Works by Ravel, Schubert, demic background (what some people might an interest in the piano while in kindergarten call academic schizophrenia) helps him com­ appears to believe). She-relies heavily on ‘Talk Chopin and Rachmaninoff on (and subsequently studied singing and tuba in story” (Chinese oral tradition) as the neces­ Wednesday, May 1 at 8 PM in bine seemingly disparate areas of knowledge a school marching band), Bates was groomed into his creative efforts. He studied physics at sary tool of communication; she teaches that Lotte Lehmann Concert Hall. for a concert career by the late Irene Beck at we each need to build our own mythologies. Stanford University; he then transferred to the Settlement Music School, and later by MAXINE HONG KINGSTON theater to explore his predilection for creativ­ “I guess what happens to some people is lecture Natalie Hinderas at Temple University. that they are just shocked into silence,” stated ity and human interaction. At Stanford he “Talk Story: A Living Tradition” Devoted to the piano repertoire of the Kingston. “Language is important to our san­ became deeply interested in Japanese Noh on Friday, May 3 at 4 PM in the nineteenth century, Bate's will perform two ity. You have to be able to tell your story, you drama. Later, he furthered his involvement by Impromptus, Op. 90, by Schubert; “Miroirs” by Main Theatre. Free. directing a Noh-inspired production of M a c­ have to be able to make up stories or you go Ravel; Chopin's Barcarolle in F-sharp Major, SONIA JOHNSON lecture beth. As a result, his Theater of Illusion perfor­ mad.” Op. 60; and Rachmaninoff’s Sonata No. 2 in “Feminism: The CenterPeace of mance draws on poetic and metaphorical Kingston’s lecture, titled “Talk Story: A B-flat minor, Op. 36. the Puzzle” on Monday, May 6 at elements as well as a magician’s sleight-of- Living Tradition," is presented by the UCSB Bates performs and lectures actively 8 PM in Campbell Hall. Free. hand. He fools not just to fool, he says, but to Library, Arts & Lectures, the A S Program throughout the country, as a soloist with Board, the Asian American Studies Program, LOS ANGELES CHAMBER communicate. major symphony orchestras, in solo recitals, “I don’t do magic,” says Samelson. “I help the Women’s Center and the Asian Pacific ORCHESTRA co n ce rt and sometimes as an accompanist to the American Student Union. This event is the you to see magic. It happens in your mind.” Alvin Ailey American Dance Theater at the With soloist Michala Petri on In order to accomplish this task, Samel­ 23rd annual Edwin and Jean Corle Memorial Saturday, May-11 at 8 PM in Metropolitan Opera in New York’s Lincoln Lecture. son has developed and refined what he calls Center. He delights in encouraging young Campbell Hall. his “techniques of perception.” It is his job musicians: "Having talent isn’t enough — AN EVENING WITH ALICE (and he doe? it masterfully) to control the some people get thrown to the wolves.” LOS ANGELES CHAMBER ORCHESTRA A D A M S lecture viewer’s perception, “to create moving fanta­ Because of this, Bates is happy to des­ Author of the best-seller Superior sies and worlds that seem to violate natural BAROQUE CONCERT cribe all aspects of his approach to the piano, Women on Morfday, May 13 at laws.” (The key word here, of course, is seem including the effect of his rigorous weight­ The Los Angeles Chamber Orchestra, a 8 PM in Broida 1610. Free. — and Samelson works with the eyes and lifting routine consistently fine ensemble and a regular high­ minds of his audiences to bridge the gap HOLOCAUST MEMORIAL "I have more control in dispensing arm light of A&L’s performing arts season, con­ between what seem s to be and what is.) FILMS weight to the keys — I have more power and cludes this year’s music events with a concert “The way you think and see enables me Professor Mamlock and Night solidity for playing chords and octaves,” of Baroque music in Campbell Hall on Satur­ to do magic.” The human mind works as if it and F o g on Thursday, May 16 at Bates explained to Keyboard Classics in a day, May 11 at 8 PM. were tackling a crossword puzzle, according Guest conductor Robert Bernhardt will 7 PM in Engineering 1104. Free. to Samelson. We speak and think in incom­ recent interview. “I also find that I’m more lead the orchestra in Handel’s Concerto plete sentences, completing those thoughts capable of handling the fatigue that results Grosso, Op. 6, No. 5; Sammartini’s Concerto in within our mind. “I begin a sentence and you from a recital. I’m not into weight-training F Major; Vivaldi’s Concerto in C Major for finish it. I control how you are going to finish it with the idea of enhancing my playing," he added, “but I can feel a direct result.” Sopranino Recorder, Op. 44, No. 11 (with because I use the knowledge of how your recorder soloist Michala Petri); Concerto for mind is going to function,” Samelson Since Bates’s repertoire covers the roar­ Violin and Orchestra in E minor, by Nardini explains. ing, thundering crescendos of the Romantics and the subtle, airy melodies of the Impres­ (with violinist llkka Talvi); and Rergolesi’s He is, to say the least, a unique and intri­ Concerto No. 5 in B-flat Major. guing artisan of magic. He employs his wide- sionists, he benefits greatly from increased Michala Petri, the young Danish recorder ranging ideas to enhance his “nouveau muscle control — his playing becomes, in the virtuoso, has been called ‘The James Galway magic” and tours worldwide with his top hat words of Joseph Horowitz in The New York of the recorder.” Petri draws pure and elegant and cloak. (In 1980, he was the first Western Times, “impressive from start to finish. The sounds from her instrument — the lowly magician to see the Great Wall of China since facility and easy power of his fingerwork were recorder, a simple wooden flute, acquires a the 1940s.) quickly established as foregone conclusions.” lofty grace and rich style when she plays it. Samelson always quotes the late magi­ Leon Bates will be in residence at UCSB “One could hardly believe at times that cian Karl Germain as a sort of magician’s April 29-May 1. On Monday, April 29, he will lead a piano Master Class with six junior high only one instrument was playing,” wrote a KHADRA INTERNATIONAL code: “Conjuring is the only truly honest pro­ and high school students at 3 PM in Music critic for The Times of London. FOLK BALLET OF SAN fession. The conjurer promises to deceive and 1145. On Tuesday, April 30, Bates will give a Tickets for the Los Angeles Chamber FRANCISCO d a n ce does so!” presentation on “The Positive Relationship Orchestra and all other Arts & Lectures events Ethnic dance from around the LEON BATES Between Physical Activity and Performing” in may be charged by phone (961-3535). Or stop world on Sunday, May 26 at BIG TALENT Music 1250 at 3 PM, followed by a Master by the A<icket Office (Bldg. 402, adjacent to 8 PM in Campbell Hall. (Memorial Class for UCSB music students at 3:30 PM. Campbell Hall) and pick up free brochures for Day weekend) A recent news article about pianist Leon These events are free and everyone is invited details about all performances, films and Any questions? Bates extolled his virtuosic performance to observe. lectures. Call 961-3535. Daily Nexus Thursday, April 25,1985 7A Penguin Dreams and Stranger Things briefs). This arrangement works well for “ Jackson” , WHO N 6 B P 6 P 'C M B A 6 B especially when he tells Michael’s accountant to use half pm HPouswoRtm HE'S BACK. CANCO. the Jackson wealth to buy smoked French sardines. com m sroRjMf THE NATIONAL EMERGENCY. Not everybody in leads such a cheerful C f iR M ? m m f W T Y R existence. Binkley suffers terribly as a result of his “ closet BouóHim am im of anxieties,” which range from a “ huge, Binkley-eating python” to “ Jesse Helms explaining at length how Martin ¿Ht2* Luther King was a Communist.” No fool, Binkley chooses the python. { y ] / Ê f a f l /$ is not well liked amongst the inhabitants of Omar Sheriff and Julie Christie star in David \ Jf Bloom County. When he is forced to resign as Mr. America after Dog World and National Geographic print nude pic­ Lean’s classic ‘Doctor Zhivago’ which will tures of him, Milo is sent to talk to him. He reassures Steve screen this Sunday in Campbell Hall as part of \\%l m3 that everyones’ feelings towards him haven’t changed; Arts & Lectures’ Big Epic series. they still believe that he “ should be dragged through What’s the first thing you do in the morning? No, I mean flaming walls of rabid rattlesnakes.” His problems don’t after yawning, stretching, and scratching your head. stop there however. Time magazine has announced the end The Armory Show Perhaps you leap out of bed, full of vigor at the thought of of the sexual revolution, so he and his companions at “ Bob’s experiencing another exciting day at the campus by the Bar and Flesh Market” are finding things tough. Celibacy A chorus of whispers, the most bizarre orchestra you’ve sea. But maybe not. If you’re like me, the first conscious has become fashionable as America returns to traditional ever seen or heard, and dancers inspired by everything... thought is a wish for the day to go away; a wish that is values, so finding someone “ to share your personal space” It’s all part of “ The Armory Show” which takes place at the rarely granted! Failing this, my normal course of action is is becoming almost impossible. Santa Barbara National Guard Armory (700 E. Canon to read Bloom Cotonty, my finest discovery since I ’ve been One of the most alarming features of the strip is the Perdido) this Saturday evening at 8:30 p.m. in America. tendency of new technology to fight back. Oliver’s “ Banana The Armory is a very old building of enormous size with A new collection of Berke Breathed’s cartoons, Penguin Junior Computer” swallows his father, while a walking TV lots of flat walls and incredible resonance. Five Santa Dreams and Stranger Things, was published this week by set terrorizes Opus into ordering a dozen “ tomato Barbara artists have put together this collaboration in Little, Brown and Company. This has given me a chance to scramblers” by phone. order to explore this space, and present a unique evening of take a longer, closer look at the Bloom County clan, and at The appeal of Penguin Dreams... lies in its creator’s art performance Santa Barbara won’t soon forget. the themes of the strip. anarchic view of life. Why shouldn’t Oliver be able to clone This event is being sponsored by the Contemporary Arts Little is sacred to a cartoonist, and there are few public a new Bill the Cat, from the tongue of the original one, using Forum, the National Endowment for the Arts, the figures or institutions that escape comment in this strip. only his “ Acme Chemistry Set” ? And why shouldn’t that California Arts Council, the City of Santa Barbara Com­ Elections are in all our minds right now at UCSB, and some cat run for president? munity Promotion Fund and private anonymous con­ of Breathed’s funniest cartoons center on the ridiculous After all, is Ronald Reagan’s position on tax indexing any tributors. aspects of the electoral process, especially opinion polls. more coherent than Bill the Cat’s ? .... ACKPHFT! Tickets are 87.50 or $5 for CAF members. They are The Meadow Party is reduced to shocked paralysis when — Andy Stevenson available in advance at CAF (7 W. De La Guerra) and at the People magazine’s popularity poll rates them “ just above door. Mondale... but just below pickled prunes.” Of course, this P x m iz o F N t m e n A r r m . THIS lôM OUT POH /HOW isn’t such a bad showing for a slate which consists of a dead OLD f ti YA ? ARCYA RKH OR. Staff- cat and a “ short, pudgy waterfowl which smells vaguely of POOR? SHORT OR TALI ?SM R J\ Brent Anderson herring guts.” Against an old B-movie actor that sounds or m e> ffxesH or s t ih k y ? like a perfectly reasonable proposition. YOU &ÏÏQUICH6 ? WITH Shirley Tatum Peter Bors Politics isn’t the only target in Penguin Dreams... Oliver ouvesîPrmocRNON- I p it t e d ? in h o 'p Susanne Vari Cleave Valerie DeLapp Wendell Jones, famed short “ hacker” and political pundit, t a g t * fails to understand his mother’s determination to turn him M m y y n W T B Maureen Fan into her “ own little Michael Jackson.” What sort of a role FOP BACK 07482008850004 model is a man whose “ best friend is a boa constrictor i m ? James Lees named Muscles?” Laurie McCullough Opus, on the other hand, is most impressed by the boy wonder, and agrees to switch places while Michael goes out Debbie Nestor into the real world (although he refuses to wear sequined

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923 STATE ST. , Stinta Barbara IN by 11 A.M. BACK by 4 P.M. 5915 Calle Real - Goleta O N E H O U R L A B A N D S T U D IO 8A Thursday, April 25,1986 Daily Nexus UCLA SUMMER SESSIONS 1985

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FIRST TERM Italian, Japanese, Latin, professional school entrance COURSES ARE OFFERED IN: SIX-WEEK SESSION: Portuguese, Quechua, and requirements, including • African Languages • Kinesiology Yoruba; a new Program in pre-medical, pre-dental, June 24-August 2 • Anthropology • Latin designed pre-law, and pre-business Com puting • Arabic • Latin American Studies EIGHT-WEEK especially for beginning courses as well as graduate • Archaeology • Library and Information SESSION: and intermediate students; courses in management, • Art Science June 24-August 16 and a special Near Eastern library science, nursing, • Art History • Linguistics Studies Program consisting and public health. • Astronomy • Mathematics TEN-WEEK SESSION: • Biology • Management of intensive language Lighten your workload June 24-August 30 programs in Arabic, • Chemistry & Biochemistry • Microbiology You can spread out your • Chicano Studies • Motion Pictures/Television Hebrew, Persian, Turkish, SECOND TERM load by taking a few • Chinese • Music and Uzbek, in addition to summer courses. Reducing • Classics • Near Eastern Studies SIX-WEEK SESSION: social science courses the number of courses you • Communications Studies • Nursing August 5- focusing on the region. take the rest of the year • Computer Science • Philosophy • Design • Physics September 13 Make progress toward leaves you with the time to • Economics • Physiology a degree concentrate on your • Education • Political Science The diverse curriculum remaining courses or more • Engineering • Portuguese There are several reasons includes courses appro­ time to do the other things • English • Psychiatry to enroll in UCLA Summer priate for fulfilling both you want to get accom­ • English Composition • Psychology Sessions. Here are just general and specific under­ plished. Either way, you • Folklore and Mythology • Public Health a few: graduate and graduate can satisfy minimum • French • Radiological Sciences • Geography • Russian Program diversity degree requirements. progress requirements. • German • Sociology Enrolling in summer UCLA Summer Sessions Enjoy Los Angeles and • Hebrew • Spanish courses brings you closer offers open enrollment in environs • History • Speech nearly 600 day and evening to your degree, faster. And In addition to the many • Italian • Theater classes. The wide variety only a UC school can offer courses offered, take • Japanese • Turkic Languages of courses encompasses you courses for complete advantage of the cultural • Jewish Studies • Women's Studies unit and grade credit. offerings in more than 40 and recreational opportu­ Free copies of the UCLA Summer Sessions catalog academic departments and Fulfill professional nities on the campus, in professional schools. school requirements Westwood Vilage, and are now available at: Specie I summer courses Offerings include many throughout Southern Summer Session Office Or call U C LA Summer include Intensive Language courses applicable to California. On-campus 1317 Cheadle Hall Sessions directly, at Program s in Chinese, housing is available. (213) 825-8355.

A A.S. PROGRAM BOARD This page provided and paid for by A S. Program Board Ten Inch Men Will Be There, Will You?

Ten Inch Men is a vibrant, high-energy Pop-Rock band with an in­ them as one of Southern California’s hottest new acts. There is a credible range of performance experience. Past performances include feeling of excitment in the air as the band records in the studio now, appearances with a great number of well-known acts: James Harmon, since experts have predicted a definite hit record in their dynamite Bill Nelson, Icicle Works, Fishbone, Untouchables, X, Animotion, and tune ‘High Society’, for which a video is in the works also. A special Minute Men. Tonight they will perform for free, courtesy of A.S. show is planned to begin about 8:30 pm. in the Pub so don’t miss them Program Board. while they’re hot. Currently the band is in the studio recording their new single. The Come down, jumpin’, boppin’, hoppin’ and don’t forget dancin’ ... C • 1984 release, which featured the band in ‘Good For The Soul’ and ‘My U • There! Arms Are Open Wide’, received considerable airplay and launched

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