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The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
Elite Music Productions This Music Guide Represents the Most Requested Songs at Weddings and Parties
Elite Music Productions This Music Guide represents the most requested songs at Weddings and Parties. Please circle songs you like and cross out the ones you don’t. You can also write-in additional requests on the back page! WEDDING SONGS ALL TIME PARTY FAVORITES CEREMONY MUSIC CELEBRATION THE TWIST HERE COMES THE BRIDE WE’RE HAVIN’ A PARTY SHOUT GOOD FEELIN’ HOLIDAY THE WEDDING MARCH IN THE MOOD YMCA FATHER OF THE BRIDE OLD TIME ROCK N ROLL BACK IN TIME INTRODUCTION MUSIC IT TAKES TWO STAYIN ALIVE ST. ELMOS FIRE, A NIGHT TO REMEMBER, RUNAROUND SUE MEN IN BLACK WHAT I LIKE ABOUT YOU RAPPERS DELIGHT GET READY FOR THIS, HERE COMES THE BRIDE BROWN EYED GIRL MAMBO #5 (DISCO VERSION), ROCKY THEME, LOVE & GETTIN’ JIGGY WITH IT LIVIN, LA VIDA LOCA MARRIAGE, JEFFERSONS THEME, BANG BANG EVERYBODY DANCE NOW WE LIKE TO PARTY OH WHAT A NIGHT HOT IN HERE BRIDE WITH FATHER DADDY’S LITTLE GIRL, I LOVED HER FIRST, DADDY’S HANDS, FATHER’S EYES, BUTTERFLY GROUP DANCES KISSES, HAVE I TOLD YOU LATELY, HERO, I’LL ALWAYS LOVE YOU, IF I COULD WRITE A SONG, CHICKEN DANCE ALLEY CAT CONGA LINE ELECTRIC SLIDE MORE, ONE IN A MILLION, THROUGH THE HANDS UP HOKEY POKEY YEARS, TIME IN A BOTTLE, UNFORGETTABLE, NEW YORK NEW YORK WALTZ WIND BENEATH MY WINGS, YOU LIGHT UP MY TANGO YMCA LIFE, YOU’RE THE INSPIRATION LINDY MAMBO #5BAD GROOM WITH MOTHER CUPID SHUFFLE STROLL YOU RAISE ME UP, TIMES OF MY LIFE, SPECIAL DOLLAR WINE DANCE MACERENA ANGEL, HOLDING BACK THE YEARS, YOU AND CHA CHA SLIDE COTTON EYED JOE ME AGAINST THE WORLD, CLOSE TO YOU, MR. -
Exhibitions Theatre & Dance Music Sports Special Events
EXHIBITIONS THEATRE & DANCE MUSIC SPORTS SPECIAL EVENTS Madrid. Save the Date 2018 | 1 So many tales to tell What was Madrid like two hundred years ago? Like many of the buildings that are now part of our heritage, Gran Vía avenue did not exist yet, but the city was already starting to take on its present-day appearance. On 23 April 1818, the first stone was laid for what would become theTeatro Real, the city’s new opera house. This year the iconic building is celebrating its bicentenary, and it’s doing so in style, revisiting some of the classics in its regular repertoire, like Aida, and staging major premieres such as Dead Man Walking -many will remember the film version- and Street Scene. The Prado Museum will also commemorate its two-hundredth anniversary in 2019, although the celebrations will officially kick off at the end of 2018. Fortuny and Rubens are two of the masters whose works will be featured in temporary exhibitions at the museum which was originally built to house the Royal Cabinet of Natural History. They won’t be the only artists Madrid will pay tribute to this year, however, as the 2018 exhibitions calendar will feature shows with artworks by Andy Warhol, Toulouse-Lautrec, Giacometti, Sorolla, Vasarely and Monet. We’ll feel the weight of history at extraordinary exhibitions like Auschwitz and at the theatre, thanks to stage adaptations of plays as representative of our heritage as Divinas Palabras (Teatro Español) and El Concierto de San Ovidio (Teatro María Guerrero). Madrid’s theatre scene is more vibrant than ever and theatregoers seeking more avant-garde alternatives will also be well served thanks to a packed calendar with a strong representation of female artists, including Sara Molina, Mónica Valenciano and Angélica Liddel. -
アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE
アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)(KOR) 1072528598 K-POP 2,290 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)(KOR) 1072528759 K-POP 2,290 https://tower.jp/item/4875653 100% (Korea) 28℃ <通常盤C> OKCK05028 K-POP 1,296 https://tower.jp/item/4825257 100% (Korea) 28℃ <通常盤B> OKCK05027 K-POP 1,296 https://tower.jp/item/4825256 100% (Korea) 28℃ <ユニット別ジャケット盤B> OKCK05030 K-POP 648 https://tower.jp/item/4825260 100% (Korea) 28℃ <ユニット別ジャケット盤A> OKCK05029 K-POP 648 https://tower.jp/item/4825259 100% (Korea) How to cry (Type-A) <通常盤> TS1P5002 K-POP 1,204 https://tower.jp/item/4415939 100% (Korea) How to cry (Type-B) <通常盤> TS1P5003 K-POP 1,204 https://tower.jp/item/4415954 100% (Korea) How to cry (ミヌ盤) <初回限定盤>(LTD) TS1P5005 K-POP 602 https://tower.jp/item/4415958 100% (Korea) How to cry (ロクヒョン盤) <初回限定盤>(LTD) TS1P5006 K-POP 602 https://tower.jp/item/4415970 100% (Korea) How to cry (ジョンファン盤) <初回限定盤>(LTD) TS1P5007 K-POP 602 https://tower.jp/item/4415972 100% (Korea) How to cry (チャンヨン盤) <初回限定盤>(LTD) TS1P5008 K-POP 602 https://tower.jp/item/4415974 100% (Korea) How to cry (ヒョクジン盤) <初回限定盤>(LTD) TS1P5009 K-POP 602 https://tower.jp/item/4415976 100% (Korea) Song for you (A) OKCK5011 K-POP 1,204 https://tower.jp/item/4655024 100% (Korea) Song for you (B) OKCK5012 K-POP 1,204 https://tower.jp/item/4655026 100% (Korea) Song for you (C) OKCK5013 K-POP 1,204 https://tower.jp/item/4655027 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)(LTD) OKCK5015 K-POP 602 https://tower.jp/item/4655029 100% (Korea) -
U.S. National Tour of the West End Smash Hit Musical To
Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards. -
Whitney Houston 1963—2012
The Legend Lives On Whitney Houston 1963—2012 Photo courtesy Resilient Media Entertainment via Creative Commons P A G E 24 F L O W S P R I N G 2 0 2 0 Whitney Houston’s undeniable talent, beauty and good works made her America’s sweetheart By Vanessa Gyamfi Houston was not only a talented artist, she was Standing on the stage shy and nervous with also a humanitarian she established the Whitney Hou- clenched hands, wearing a purple off-the-shoulder dress ston Foundation for Children, a nonprofit organization was a 20-year-old Whitney Houston making her first ever that funds projects to help needy children all over the national television debut on “The Merv Griffin Show.” world. Her undeniable talent, beauty, voice, charity work She sang her version of the song “Home” from the mov- and good girl image made her America’s sweetheart. ie, “The Wiz.” Her voice and performance were so beau- That's why it came as surprise to people when she mar- tiful and refreshing. This was the day the world wit- ried the overly provocative and bad boy of R&B, Bobby nessed a star in the making. Brown, in 1992. Houston received a lot of criticism, espe- The Queen of R&B was born August 9,1963, in cially from family members on her decision. But she Newark, N. J. She was blessed to be born into a musical loved Brown and refused to listen to her family members family, with her mother being Cissy Houston a gospel and the naysayers. -
The Bodyguard-North Shore Music Theatre! Wednesday, November 6, 2019
Bank of New Hampshire Presents The Bodyguard-North Shore Music Theatre! Wednesday, November 6, 2019 Join Bank of New Hampshire for a new musical based on the smash hit 1992 film! Don’t miss out as we return to one of our favorite show venues, the North Shore Music Theatre for this exciting new musical, topped off with one of our favorite places for lunch, The Beverly Depot! The Bodyguard is based on the beloved movie from 1992 which starred Kevin Costner and Whitney Houston. Former Secret Service agent turned bodyguard, Frank Farmer, is hired to protect superstar Rachel Marron from an unknown stalker. Each expects to be in charge; what they don’t expect is to fall in love. A breathtaking romantic thriller,The Bodyguard features the irresistible Whitney Houston classics includingQueen of the Night, One Moment in Time, Saving all my Love, Run to You, I Have Nothing, and one of the biggest selling songs of all time – I Will Always Love You! BankNH.com 1.800.832.0912 Member FDIC The Beverly Depot is a historic working train station housing one of our favorite restaurants. On the menu will be Surf and Turf with a choice of Prime Rib; Scallops and Sirloin; Shrimp and Sirloin or Grilled Salmon! We will meet at 7:45 a.m. for refreshments at Bank of New Hampshire’s Winnipesaukee Room (located at our Operation’s Center, 10 Mutual Way, Gilford, NH). We’ll depart for Beverly, MA at 8:15 a.m. We have allowed extra time for traffic. Pricing and Sign-up Procedure Trip costs are $185.00 per-person and include: *Pre-departure bank reception *Inner Circle tickets to The Bodyguard *Round trip transportation *Lunch at The Beverly Depot *All gratuities and taxes *Snack en-route home If you would like to participate in the event, please call Cindy Salta at 603.527.3901 or toll free at 1.800.832.0912, extension 3901. -
Download Cast and Crew Here
I - !!! I* CAST T WHOgS-, WHO IN THN SItrlIS (Errse*rl:le' u/S Bill ALEJAI{DRA }IATOS tEnsexzble} From Caracas, JAQUEZ ANDBf Broadway: ri{otow'n {Swing)' Venezuela. She is thrilled to be part of this ireau- Devuuey, Irtn-r' SciJ:elli) (Rudolpho). Broadrvayl titul east. Starting her training in her country Natianal Tour l\atilda OfY I (Trip Allen), Apollo Ct*h Hulent $ and continuing herJance career in LA aad NY' NYC: Spanrle,r I ''?he (Featnred Beats By TY credlts inelude "Americas Got Talent-" Dancer). Nationai Commelcial: T playing LeBron Best Time Ever" (F{BCi- Theater cledils include Dre l'eaturing Pharrell. Lasl seen , Chicago flative and Crtrmen An Afro-Cubart Musical. Special James in Le\roil: The Mltsittrl- '{ati and Moill tharks to my lamily. merto.rs and the Universe' Tisch graduate. Much iove to CTC. Brick @alekitty @justiaquez DEQUINA fr'IOOBE (Backup Vocolisr, College FIICOLE SPENCER (Eizseatble) AfBr traiilhg at in Dance Gitl, Ensemble, ulS Nicki Mnrron, Rachel Marrot) Tampa Ballet Center, she earned her BFA f cretiits include: Broadrvay: Legallr* Btoncle (Pilar). Ii*/e Shop of frcm Florida Stati Unive$it)'. Far-orite g Tour Capair/Swing). fJorrors {Chiffon), Two Gentlemen o! Ve rona, flapp -t Ditl' Dancittg National {Dance $ Inaugural Royal kincess, g Da1's {Joyce}" ffnir. Nat'l Touts: Fluslatlarlce (Kiiri)' The Potal Off-Broadrvay, 4 i$adea's Big Hoppy F**riJ-r" (Rose)' Film: Jo;'f,rl Andrea Bocelii. ard SNL. Nicole sends all her love to ; ldoi.re (Devonne), Mcdea's Big llappy Family. Ghast Mom, Dad, andChris! Tov,* Rachet Gettiag Married, Cttnp- TY: "Lz'N & Order: SVU" {guest star), "Racirtg For Time" LAU*EN TANNER (.luj*s) is delighted to be patt {: {Tsnya}, "Third Watch" iTania Manroe), "Al1 Falls ol The Bodlgu* tll Lauren is a graduale of Oklahoma Down" (Nycole). -
URL 100% (Korea)
アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価(税抜) URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)(KOR) 1072528598 CD K-POP 1,603 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)(KOR) 1072528759 CD K-POP 1,603 https://tower.jp/item/4875653 100% (Korea) 28℃ <通常盤C> OKCK05028 Single K-POP 907 https://tower.jp/item/4825257 100% (Korea) 28℃ <通常盤B> OKCK05027 Single K-POP 907 https://tower.jp/item/4825256 100% (Korea) Summer Night <通常盤C> OKCK5022 Single K-POP 602 https://tower.jp/item/4732096 100% (Korea) Summer Night <通常盤B> OKCK5021 Single K-POP 602 https://tower.jp/item/4732095 100% (Korea) Song for you メンバー別ジャケット盤 (チャンヨン)(LTD) OKCK5017 Single K-POP 301 https://tower.jp/item/4655033 100% (Korea) Summer Night <通常盤A> OKCK5020 Single K-POP 602 https://tower.jp/item/4732093 100% (Korea) 28℃ <ユニット別ジャケット盤A> OKCK05029 Single K-POP 454 https://tower.jp/item/4825259 100% (Korea) 28℃ <ユニット別ジャケット盤B> OKCK05030 Single K-POP 454 https://tower.jp/item/4825260 100% (Korea) Song for you メンバー別ジャケット盤 (ジョンファン)(LTD) OKCK5016 Single K-POP 301 https://tower.jp/item/4655032 100% (Korea) Song for you メンバー別ジャケット盤 (ヒョクジン)(LTD) OKCK5018 Single K-POP 301 https://tower.jp/item/4655034 100% (Korea) How to cry (Type-A) <通常盤> TS1P5002 Single K-POP 843 https://tower.jp/item/4415939 100% (Korea) How to cry (ヒョクジン盤) <初回限定盤>(LTD) TS1P5009 Single K-POP 421 https://tower.jp/item/4415976 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)(LTD) OKCK5015 Single K-POP 301 https://tower.jp/item/4655029 100% (Korea) How to cry (Type-B) <通常盤> TS1P5003 Single K-POP 843 https://tower.jp/item/4415954 -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
'Dolly Celebrates 25 Years of Dollywood' Talent Bios
‘DOLLY CELEBRATES 25 YEARS OF DOLLYWOOD’ TALENT BIOS DOLLY PARTON - "I've always been a writer. My songs are the door to every dream I've ever had and every success I've ever achieved," says Dolly Parton of her incredible career, which has spanned nearly five decades and is showing no signs of slowing down. An internationally renowned superstar, the iconic and irrepressible Parton has contributed countless treasures to the world of music entertainment, penning classic songs such as "Jolene," "Coat of Many Colors," and her mega-hit "I Will Always Love You." With 1977's crossover hit "Here You Come Again," she successfully erased the line between country and pop music without noticeably altering either her music or her image. "I'm not leaving country," she said at the time, "I'm just taking it with me." Making her film debut in the 1980 hit comedy “9 to 5,” Parton earned rave reviews for her performance and an Oscar nomination for writing the title tune, along with her second and third Grammy Awards. Roles in “Steel Magnolias,” “Best Little Whorehouse in Texas,” “Rhinestone,” and “Straight Talk” followed, along with two network television series, made for television movies, network and HBO specials, and guest-starring roles in series television. In 2006, Parton earned her second Oscar nomination for "Travelin' Thru," which she wrote for the film “Transamerica.” Dolly Parton's remarkable life began very humbly. Born January 19, 1946 on a farm in Sevier County, Tennessee, Parton is the fourth of twelve children. Her parents, Robert Lee and Avie Lee Parton struggled to make ends meet in the impoverished East Tennessee hills. -
Wisconsin Veterans Museum Research Center Transcript of An
Wisconsin Veterans Museum Research Center Transcript of an Oral History Interview with BUD WARNS Bodyguard and Driver, Army, World War II. 1999 OH 243 1 OH 243 Warns, Bud, (1928- ). Oral History Interview, 1999. User Copy: 1 sound cassette (ca. 75 min.), analog, 1 7/8 ips, mono. Master Copy: 1 sound cassette (ca. 75 min.), analog, 1 7/8 ips, mono. Video Recording: 1 videorecording (ca. 75 min.); ½ inch, color. Transcript: 0.1 linear ft. (1 folder). Abstract: Bud Warns, an Eau Claire, Wisconsin veteran, discusses his World War II service in the 5th Army as an escort with the bodyguard detail for General Mark Clark, Allied commander in Italy. Sent to Vienna (Austria) via France near the end of the war, Warns talks about riding in the motorcycle escort unit, duty as a driver and a bodyguard in a twenty-man unit, and being promoted to sergeant on his birthday. He touches upon treatment of enlisted men by General Clark, security arrangements when the General was on foot, and getting his picture taken with General Dwight Eisenhower. Warns talks about the cars he drove, including one of Hitler’s captured cars that Warns later saw on tour in the United States. He mentions chamois hunting trips in Bavaria with Generals Clark and Eisenhower and visiting Dachau Concentration Camp, where he was impressed by the smell. Warns talks about spending time with General J. Lawton Collins, Mrs. Clark, and General George Patton. Warns comments on saluting, tending to Pal, General Clark’s dog, and being put in the Army for one day so that he could accompany the General to Madison.