Newsletter Nov 2017 ENGLISH
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The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
Exhibitions Theatre & Dance Music Sports Special Events
EXHIBITIONS THEATRE & DANCE MUSIC SPORTS SPECIAL EVENTS Madrid. Save the Date 2018 | 1 So many tales to tell What was Madrid like two hundred years ago? Like many of the buildings that are now part of our heritage, Gran Vía avenue did not exist yet, but the city was already starting to take on its present-day appearance. On 23 April 1818, the first stone was laid for what would become theTeatro Real, the city’s new opera house. This year the iconic building is celebrating its bicentenary, and it’s doing so in style, revisiting some of the classics in its regular repertoire, like Aida, and staging major premieres such as Dead Man Walking -many will remember the film version- and Street Scene. The Prado Museum will also commemorate its two-hundredth anniversary in 2019, although the celebrations will officially kick off at the end of 2018. Fortuny and Rubens are two of the masters whose works will be featured in temporary exhibitions at the museum which was originally built to house the Royal Cabinet of Natural History. They won’t be the only artists Madrid will pay tribute to this year, however, as the 2018 exhibitions calendar will feature shows with artworks by Andy Warhol, Toulouse-Lautrec, Giacometti, Sorolla, Vasarely and Monet. We’ll feel the weight of history at extraordinary exhibitions like Auschwitz and at the theatre, thanks to stage adaptations of plays as representative of our heritage as Divinas Palabras (Teatro Español) and El Concierto de San Ovidio (Teatro María Guerrero). Madrid’s theatre scene is more vibrant than ever and theatregoers seeking more avant-garde alternatives will also be well served thanks to a packed calendar with a strong representation of female artists, including Sara Molina, Mónica Valenciano and Angélica Liddel. -
Soldaat Van Oranje – Een Nederlandse Megamusical?
Soldaat van Oranje – Een Nederlandse megamusical? Bachelor eindwerkstuk Theater-, Film- en Televisiewetenschappen – blok 2 Kiki Beekers - 3713407 Inleverdatum: 14 maart 2014 Begeleidster: Liesbeth Groot Nibbelink Inhoud 1. Inleiding ....................................................................................................................................................................... 3 2. De megamusical ........................................................................................................................................................ 7 2.1 Artistieke aspecten ................................................................................................................................................ 7 2.2 Commerciële aspecten ......................................................................................................................................... 8 2.3 Negatieve kritieken door professionals .................................................................................................... 10 2 De Nederlandse musicaltraditie ...................................................................................................................... 11 3.1 Tekst staat centraal ............................................................................................................................................ 11 3.2 Oer-Hollandse thematiek ................................................................................................................................. 12 3.3 Diepgang in -
What's New in London for 2016 Attractions
What’s new in London for 2016 Lumiere London, 14 – 17 January 2016. Credit - Janet Echelman. Attractions ZSL London Zoo - Land of the Lions ZSL London Zoo, opening spring 2016 Land of the Lions will provide state-of-the-art facilities for a breeding group of endangered Asiatic lions, of which only 400 remain in the wild. Giving millions of people the chance to get up-close to the big cats, visitors to Land of the Lions will be able to see just how closely humans and lions live in the Gir Forest, with tantalising glimpses of the lions’ habitat appearing throughout a bustling Indian ‘village’. For more information contact Rebecca Blanchard on 020 7449 6236 / [email protected] Arcelor Mittal Orbit giant slide Queen Elizabeth Olympic Park, opening spring 2016 Anish Kapoor has invited Belgian artist Carsten Höller to create a giant slide for the ArcelorMittal Orbit. This is a unique collaboration between two of the world’s leading artists and will be a major new art installation for the capital. The slide will be the world’s longest and tallest tunnel slide, measuring approximately 178m long and will be 76m high. There will be transparent sections on the slide so you can marvel at the view. For more information contact Victoria Coombes on 020 7421 2500 / [email protected] New Tate Modern Southbank, 17 June 2016 The new Tate Modern will be unveiled with a complete re-hang, bringing together much-loved works from the collection with new acquisitions made for the nation since Tate Modern first opened in 2000. -
U.S. National Tour of the West End Smash Hit Musical To
Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards. -
Whitney Houston 1963—2012
The Legend Lives On Whitney Houston 1963—2012 Photo courtesy Resilient Media Entertainment via Creative Commons P A G E 24 F L O W S P R I N G 2 0 2 0 Whitney Houston’s undeniable talent, beauty and good works made her America’s sweetheart By Vanessa Gyamfi Houston was not only a talented artist, she was Standing on the stage shy and nervous with also a humanitarian she established the Whitney Hou- clenched hands, wearing a purple off-the-shoulder dress ston Foundation for Children, a nonprofit organization was a 20-year-old Whitney Houston making her first ever that funds projects to help needy children all over the national television debut on “The Merv Griffin Show.” world. Her undeniable talent, beauty, voice, charity work She sang her version of the song “Home” from the mov- and good girl image made her America’s sweetheart. ie, “The Wiz.” Her voice and performance were so beau- That's why it came as surprise to people when she mar- tiful and refreshing. This was the day the world wit- ried the overly provocative and bad boy of R&B, Bobby nessed a star in the making. Brown, in 1992. Houston received a lot of criticism, espe- The Queen of R&B was born August 9,1963, in cially from family members on her decision. But she Newark, N. J. She was blessed to be born into a musical loved Brown and refused to listen to her family members family, with her mother being Cissy Houston a gospel and the naysayers. -
The Bodyguard-North Shore Music Theatre! Wednesday, November 6, 2019
Bank of New Hampshire Presents The Bodyguard-North Shore Music Theatre! Wednesday, November 6, 2019 Join Bank of New Hampshire for a new musical based on the smash hit 1992 film! Don’t miss out as we return to one of our favorite show venues, the North Shore Music Theatre for this exciting new musical, topped off with one of our favorite places for lunch, The Beverly Depot! The Bodyguard is based on the beloved movie from 1992 which starred Kevin Costner and Whitney Houston. Former Secret Service agent turned bodyguard, Frank Farmer, is hired to protect superstar Rachel Marron from an unknown stalker. Each expects to be in charge; what they don’t expect is to fall in love. A breathtaking romantic thriller,The Bodyguard features the irresistible Whitney Houston classics includingQueen of the Night, One Moment in Time, Saving all my Love, Run to You, I Have Nothing, and one of the biggest selling songs of all time – I Will Always Love You! BankNH.com 1.800.832.0912 Member FDIC The Beverly Depot is a historic working train station housing one of our favorite restaurants. On the menu will be Surf and Turf with a choice of Prime Rib; Scallops and Sirloin; Shrimp and Sirloin or Grilled Salmon! We will meet at 7:45 a.m. for refreshments at Bank of New Hampshire’s Winnipesaukee Room (located at our Operation’s Center, 10 Mutual Way, Gilford, NH). We’ll depart for Beverly, MA at 8:15 a.m. We have allowed extra time for traffic. Pricing and Sign-up Procedure Trip costs are $185.00 per-person and include: *Pre-departure bank reception *Inner Circle tickets to The Bodyguard *Round trip transportation *Lunch at The Beverly Depot *All gratuities and taxes *Snack en-route home If you would like to participate in the event, please call Cindy Salta at 603.527.3901 or toll free at 1.800.832.0912, extension 3901. -
Download Cast and Crew Here
I - !!! I* CAST T WHOgS-, WHO IN THN SItrlIS (Errse*rl:le' u/S Bill ALEJAI{DRA }IATOS tEnsexzble} From Caracas, JAQUEZ ANDBf Broadway: ri{otow'n {Swing)' Venezuela. She is thrilled to be part of this ireau- Devuuey, Irtn-r' SciJ:elli) (Rudolpho). Broadrvayl titul east. Starting her training in her country Natianal Tour l\atilda OfY I (Trip Allen), Apollo Ct*h Hulent $ and continuing herJance career in LA aad NY' NYC: Spanrle,r I ''?he (Featnred Beats By TY credlts inelude "Americas Got Talent-" Dancer). Nationai Commelcial: T playing LeBron Best Time Ever" (F{BCi- Theater cledils include Dre l'eaturing Pharrell. Lasl seen , Chicago flative and Crtrmen An Afro-Cubart Musical. Special James in Le\roil: The Mltsittrl- '{ati and Moill tharks to my lamily. merto.rs and the Universe' Tisch graduate. Much iove to CTC. Brick @alekitty @justiaquez DEQUINA fr'IOOBE (Backup Vocolisr, College FIICOLE SPENCER (Eizseatble) AfBr traiilhg at in Dance Gitl, Ensemble, ulS Nicki Mnrron, Rachel Marrot) Tampa Ballet Center, she earned her BFA f cretiits include: Broadrvay: Legallr* Btoncle (Pilar). Ii*/e Shop of frcm Florida Stati Unive$it)'. Far-orite g Tour Capair/Swing). fJorrors {Chiffon), Two Gentlemen o! Ve rona, flapp -t Ditl' Dancittg National {Dance $ Inaugural Royal kincess, g Da1's {Joyce}" ffnir. Nat'l Touts: Fluslatlarlce (Kiiri)' The Potal Off-Broadrvay, 4 i$adea's Big Hoppy F**riJ-r" (Rose)' Film: Jo;'f,rl Andrea Bocelii. ard SNL. Nicole sends all her love to ; ldoi.re (Devonne), Mcdea's Big llappy Family. Ghast Mom, Dad, andChris! Tov,* Rachet Gettiag Married, Cttnp- TY: "Lz'N & Order: SVU" {guest star), "Racirtg For Time" LAU*EN TANNER (.luj*s) is delighted to be patt {: {Tsnya}, "Third Watch" iTania Manroe), "Al1 Falls ol The Bodlgu* tll Lauren is a graduale of Oklahoma Down" (Nycole). -
ISPA International Society for the Performing Arts
International Society for the ISPA Performing Arts TODAY’S FUTURE FOR THE ARTS NEW YORK CONGRESS JANUARY 8–10, 2019 Theatre buildings by theatre people for theatre people. Clockwise from top left: Linbury Theatre, Royal Opera House; The Yard at Chicago Shakespeare Theater; Hudson Theatre, Broadway; Studio Theatre, Bristol Old Vic. MESSAGE FROM THE CHAIR OF ISPA Dear Friends, ransitions. We all think about them. Some of us worry about them. But we are all impacted by them. As much as we may try to be present each moment of our days, it is the rare person who does not ponder what comes next. Transitions can be as exhilarating as they are scary. In these times of rapid-fire change and volatility (mostly beyond our personal control), it is Teasy to default to a position of wanting to hang on to what we know. Stay the course. Be steady. Reduce risk. WELCOME Yet continuing to do the same thing that works for us today may be the very act that fails us tomorrow. Our Congress Co-chairs Collette Brennan and Steinunn Ragnarsdóttir have given us a brilliantly provocative theme to consider with an array of thought-leaders from within our field and beyond offering varied perspectives on how we might navigate the inevitability of the transitions we encounter. For me, transitions is a particularly apt theme as I prepare to pass on the chairmanship of ISPA to our colleague Tisa Ho. As an ISPA member for 20 years and board member for most of that time, I have been fortunate to work with so many gifted members who have given selflessly in leading ISPA through incredible Transitions. -
Andrew Lloyd Webber's Olivier Award
ANDREW LLOYD WEBBER’S OLIVIER AWARD-WINNING S C H O O L O F R O C K - T H E M U S I C A L WELCOMES NEW ADULT CAST WWW.SCHOOLOFROCKTHEMUSICAL.COM Today, 23 October 2017, rehearsals begin for the new West End cast of Andrew Lloyd Webber’s Olivier award-winning production of School of Rock - The Musical. Stephen Leask, having played the role of alternate Dewey since May this year, will now lead the cast as Dewey Finn from 15 November 2017, as the show enters its second year in the West End. Joining Leask at the New London Theatre will be Alan Pearson as Ned Schneebly, Michelle Francis as Patty Di Marco, currently a member of the ensemble, and Craig Gallivan as the alternate Dewey Finn. Florence Andrews will continue as Rosalie Mullins alongside the three teams of thirteen kids who make up Dewey’s band. The ‘grown up’ cast is completed by ensemble members Nick Butcher, Cassandra McCowan, Jessica Louise Parkinson, Andy Rees, Cameron Sharp, Jake Sharp, James Smoker, Wendy Somerville, Andrew Spillett, Hannah Stratton and Alex Tomkins with swings, Paul Kemble, Laura Medforth, Billy Mitchell, Tasha Sheridan and Joshua St. Clair. To vote for School of Rock - The Musical which has been nominated for the 2017 Evening Standard Radio 2 Audience Award for Best Musical visit bbc.co.uk/radio 2. Voting closes on 29 October 2017 at 11.59pm and the winner will be announced at the Evening Standard Awards on 3 December 2017. On 6 November 2017 School of Rock - The Musical will host this year’s BBC Radio 2’s BBC Children in Need Gala. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
Critical Injuries in Crash Draws Racism Charge City Rewrites Job Description in Public Works
1A SUNDAY, MAY 11, 2014 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $1.50 Lake City Reporter LAKECITYREPORTER.COM Eagle Scouts County records SUNDAY EDITION do anything are going but give up. 3A online. 1C Teachers won’t be charged For failing to report girl’s Todd and at least two have faced felony charges, he said. other school employ- According to the arrest report, on allegations of sex abuse. ees knew of the 8-year- April 11 the victim told two students on Punishments old girl’s claims but did a school bus that she had been raped By ROBERT BRIDGES not report them to the by her stepfather. The students told being kept [email protected] state Department of district employee Ashley Hargrove, who Children and Families told fellow employee Yvonne Melgaard. Administrators and other personnel as required by law, Melgaard reported it to Gassett, who at Pinemount Elementary School are according to an arrest Lyles contacted Todd. under wraps unlikely to face criminal charges for fail- report of the girl’s Gassett and Todd met with the vic- ure to report a student’s claims of sexual alleged abuser. tim’s mother, who told them she kept a District to delay report abuse, Third Circuit State Attorney Jeff “Based on what I’ve been told I’m not close eye on her daughter and could not Siegmeister said Saturday. inclined to file on them,” Siegmeister believe she had been sexually abused. on punitive measures. Pinemount assistant principal Marilyn said, though he declined to elaborate. In Gassett, guidance counselor Amanda all, four or more district employees could TEACHERS continued on 3A STORY, PAGE 3A.