THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN, THE HARPSICHORD AND CHURCH MUSIC
Sixt),·E;gllth rt'tlI", .Yo. i - Whole No. Bll I SS~ 0012·23i8 JUNE, 19i7
THE HYMN SOCIETY OF AMERICA Annual Convocation A Report by Arthur Lawrence
The H"ntn Society of America held Us Sing to the Lord." \\as de\'otcd to The cnminj! was dC\'oted to a hymn and Hopkins Ps.liter ( 1576 ), Hymns its annnal con\'ocation ~Ja)' 15-17 in Jewi'ih contrihutions to h)·mnody. The restival at Holy Name Cathedral, and Spiritual SOllgS ( Isaac 'Vatts, Chicago, Illinois, with Fourth Prc5by children's choir or Grace Lutheran where the Wheaton College Concert 1741 ), and the fi rst Lutheran hymnal tcrian Church as center of activities Church, Ri\'er Forest, Illinois, sang Choir under the direction of Res D. printed in America. and the location for a majority of motets and anthcms, demonstrating Hicks sang a rine program. This group Tuesday's e\'('lUs began with a sec ('\"cnts, O\'('r 200 ,lCrsons aucnded and the quality dial such a group can at represents the best of the midwest ond address br Dr. SaJicrs, "Hymnody wcre generally enthusiastic, despite the tain. Paul 0011 man was the director, choral tradition, singing a cappella as an Expression or lVorship," which yc,u's first hal weather. and ?-.hrgaret Kemper, the organist. work-Ii with a lovely unrorced tone was followed 11)' a panel discussion 011 Events began Sunday night with a The large Aeolian-Skinner was ably which wa.o; enhanced by the acoustics "The ~rusic of \Vorship and Hymn choral festival and concluded Tues used on this occasion, both for accom of the building-. "'orks hy Gretchanin od),." The moderatol' was \ViJliam J. day 110011 wilh festival wor.;hip. The panillleru and 10 lead the hymns. off, Victoria, Palc.'itrina, Petrich, and Re)'nolds, president-elect of the soci lime between was filled with addresses, Addresses followed: Don E. Saliers Brahms made up the first haIr of the ety; he was joined by Sister Thco lectllres, reports, and several concert"; (Candler School or Theology, Emory program. Following this, three new phane Hytrek (Ah-erno College), Har music exhibits were open for perusal Uni\'ersity) spoke on "The Nature or hymns by John La Montaine were old M. Best (Wheaton College), and " .. eh day. Some of the highlights of " 'orship" and John H. Bo)'le (Lorenc sung by all. These works were COUl Thomas 'Villis (Chicago Tribu1Ie). the com'oc:l.tion, which had all o\'erall Replogle Counseling Center, Chicago) missioned br the con\"ocalion commit Trends were discussed and $uggesled Iht!l11c of "Hymnod)' in the Context spoke on "The Psychology of "'or Ice, which is to be commended for musical qualities or new hymns gi\'enj of "Torship," are mentioned in greater ship." After lunch, Avon Gillespie such acth·it),. Holy S/,iril, Br" thou, 0 some predictions were also made as detail below. (Capital Unh'ersity) gave a com·inc Christ, and This is the day had strong to which new hymns would rind last· TIle H)'mn Society of America is a ing lecture-demonstration on "l\.[usk melodies bUl, to me, were less telling ing usc. The prl'senlations continued than might have been the case, be national \'oluntary organization found il.nd the Black Experience. II Assisted with a report b), the president of the ed in 1922 to promote new hymns and by \Villiam Hamilton and the eight cause of the neutral style in which .society, L. Da\·id l\liller, on the ac tunes; to increase interest in wriling members of the Northwestern Commu they were composed. An anthem fol tivities of the groups and a projection texts and wnes; :md to encourage the nit)' I~nscmble of E\'anston, he showed lowed which was based on the same for ilO; growth, which is optimistic. melodic material as the hymns. The use of h)'llul" hy congregatiolls of all how \'ital the tradition or black hymn The com'oeation concluded with faiths. NumlJering o\'er 2000 mem singing reaU)' is, with its lise of sim choir also sang Heinz 'Verner Zim festi\'al worship which ccntered around mermann's [Jsal lll 148, which makes bcrs, the societ)' puhlishes Tile Hy"UI, ple chord structurc.Ii, repeating words, American hymns - the Shaker hymn usc or dbraphone and string bass to a quarterly, a semi-annual newsletler and infectious dri\'ing rhythm. ~lost 'Tis lI,e gill to be sim/lle sen'ed as The Stanza, reports, papers, and new or all, he showed how group singing give an effect not usually associated with church, three American hymns the focal poim. The Alice Millar hymns. National headquarters arc at can be joyful, ali\'e, and imbucd with Chapel Choir of Northwestern Uni well-arranged by Alice Parker (Sing \Viucnberg Uninrsity, Springfield, the spirit of the dance. \'ersity, under the direction of Grigg Ohio. Grade Grindal (Luther College) to Ihe Lnrd. When I call rcad PIl)' title clear, Hark, I hear the liar/IS cIerI/aI), Fountain, sang expertly, giving an ap lectured next on "The Language or propriate quality to the simple, sturdy and 'Villiam "'alton's Jubilate Dco. Hymnody and 'Vorship," emphasizing style of Billings and settings from the importance of a consistent lOne in The highlight was the usc of the Vaughan "'iIliams setting or I\li/CS Southern Harmony and The Sacrecl hymn texts, and showing how failure Harp. Simplicity, howe\'er, was not The oJlClling chornl festi val was de Lalle (All hail tire }lower ), with all \'oted to J. S. Bach's Calltata 80, "Eill' to achie\'e that tone will call attention the keyword for the brass accompani to the " 'ords themseh'es, rather than present joining choir and organ in a Icste Burg/' and Zoltan Kodal),'s Te mighty musical diadem. ments nur for the choral setting of the D ~ llm. :Morgan Simmons, organist and to thdr meaning. Shaker hymn, and here I found the chuinnaslcr at FOllrth Presh)'lerian, tone mentioned in an earlier lecture directed the choirs of the church and The concluding cvent of the after The concert was followed IJ)' a re to be incOitliistenl. The sen,ice closed orchestra; soloists were Diane Ragains, nooll "as an org.to recital by 'Vilbur ception at the Newberry Library, \\ ith various settings of Clap hauds soprano, Jane Askins, contralto, Eric Held (Ohio State University) devoted '\ here an impressh'e display of hymnic all people, after "hich Mr. Fountain Johnson, tenor, and 'V. Herbert "Titt_ played the Sowerby Toccata. to works of Leo Sowerby (I895-1968 ), treasures rrom the Chicago area had ges, baritone. Elliott Golub was con been asscmbled. Among the early certmaster, and l\bry Simmons was Illa)'ed at St. James Cathedral. Dr. prints and manuscripL'i to he viewed Held played such \'intage pieces as organist. :My chief regret about the were Etlich cristlicJt Lider (Martin I Comes Alltrww Time and the passa left this com'ocation with admira concert was that a train deJay prevented Luther and others, 1524) , Sternhold tion for the drdication the members me from hearing it, hut the indications caglia from Symphony ill G Afajor, as or this society ha\'e and for the on. arc that it was a splendid beginning well as Aleditatifm on "Luise," Prel going work they are doing. The convo for the convocation. ude 011 "The Killg's Alajest)'," Whim cation committee, under the chairman The events or ~{onday morning be sical Variations, Prelude on "Ad per ship of Dr. Simmons, did a fine job gan with a sen'ice or worship that ennis vitae lonlem/, Prelude on nCllar· with the organization and presentation could serve as a model for any festive of the varied eVents. 'Ve wish the occasion. I had wondered how Sunday teritorlSc," and Poslludiutn super "ne11- weary church musicians would respond edictus Es, Domine." It was appropri Hymn Society or ,\mcrica well in its whell the\' round themseh'es once ate to have a former student of the rejuvenation and continuation. again in church first thing the next composer play at the church which morning, but the response was im Sowerhy sen'ed man)' years, and the prcssive and the H)'mn Societ)· proved pla)'ing demonstrated Ihe organ as bcst itself wcll able to sing hymns, yielding it could. One wonders, though, how Or. Roberia Ifttood. pre.fde.. t of that thrill experienced only when a Sowerby was able to tolerate such an the American Guild of Organf.... hal large group sings with enthusiasm and ugly instrument for so longi perhaps recently been re-elected to that oHice conviction. 'Vorship was aided consid· the an.'m·er lies partially in the fact for a second term, according to Infor. erably by the inclusion or all the hymns motion Just recefved. Information Oft that many of his organ works were in the printed program, and they were, other results of the AGO electlo" will written for or inspired by the Skinner not surprisingl)', well-chosen ones. Rab ClUca!{O'J Fourth PresbyleriO\n Church. loa· follow. when deta1ls are made ayall. bi Edgar E. Siskin's sermon, "Come Let at Fourth Presbyterian. lion of Hymn Society meetinp. able. THE DIAPASON £.uabli.fhed in t~ A number of brief editorials in the coming months will endeavor to ex· plain the nature, contcnt, and general stance of THE DIAPASON, from An International Motllhl., Devoted to the Or«4n. the HnrfJJichord and Church Mw" the viewpoint of the prescnt editor. Such a series should logicnlly begin Offici,,' Journ,,1 01 the Amer;nln Itu'i/uU 01 Or,,,nbuildeTl with some background on the foundin~ of this journal nnd irs work through the years to the present. Instead, however, I wish to dC\'otc my initial atten JUNE, 1977 Eailor tion to what is frequently the ,:?;reatcst problem buth for the magazine staff ARTHUR LAWRINCI and for the renders: delivery. FEATURES The HymD Sodely of Amerl:a Bu.b,eu Man.. er Every month, hopefully, YOll receive the issue through the U.S. mail, at Annual COD'9'ocatiOD least partIy because we know of no better way to send it. \Ve slIspect that hy Artbur Lawrence DOROTHY ROSER the person who has not experienced difficulty with this imposing example Felix·Alexandre Gullmaal (eonclu.IOD) A•• i,'an' EtIi'or hy Calnrt Jobn.on .4-5 of American bureaucracy docs not exist, and certainly bulk mailers have Wl$LrY VOl the most trouble. Although each issue is in the mail no Intcr thnn the first The CarUlon Today of the month, delivery time varies wildly, even within the same locality. by Hud.on Ladd I, ID Con'ributlng Eaitors Contrary to occasional belief, all subscription copies for each month arc LARRY .ALMEII mailed at the same time. 'Ve spot-check the dates on which issues are re REVIEWS Harp.JeI,arel ceived in various cities and can conclude only that vagaries of delivery are A Bl"'lJa Recordin", 2 JAMES McCRAY. most often traceable to the local office or delivery person. Two Organ. Re.tored VICTOfl WEBER by Dale Carr 3 Any govenuncnt:.tl giant sitch as the Postal Service is bound to have dif Chtal Muslll ficulty keeping its working machinery operating efficiently, and occasional Sbnoa Pre.loa in LODdon by Larry '.aldn. 3 prohlerns arc IIIcv,tahle. At the 541me time. we waHt every reader to receive Fore;"n Correspomleft'. DALE CARR each issue as soon as possible. yet we are powerless to do anything once EDITORIAL 2 that issue is in the mail. 'VestlAAcst. therefore. th4lt readers who do experi Graft'nge" LEnERS TO THE mITeR 3 ence problems wHh delivery report such problems to their local postal LAIUtY JENKINS authorities. LlNlc'cnt NEWS Summer AcU.,IUe. 2 P,lce.: , , ".-$7.50 AmerlC'2ft In.titute 01 Orvallbul)de,.. 7 , ....-$J3 .00 Conle.t 3 ""If'e Copy-$J.OO Harp.ichord • •• c' Nulft"r-$'.75 'Vith this issue. we resume news and reports from our foreign corres (more '''_n 2 Yrl. oIJJ pondents. Infonnation on restored organs and a review have come from Appointment, • Dale Carr in Groningen and Larry Jenkins in London. 'Ve hope that such Here & There •• 12·14 THE nI,.P,.SON material will become of regular interest to many readers. It is entirely in Carillon 10 o /lIce 0' Publl J. S. Bach: the Six Organ.Concerto The sill(ollia Iu Cillltata 169 was orig Sin(onia! (rom the c::anbtas. E. Power inally the first mon,'Pu:nt of the [ -ma tictiuililld Biggs. organist. whit the Gcwandhaus jor hnrpsichonJ couceno; that 10 can. Orchestm of Lcipug, H :UI~)oochim lala 1-16 was first the opening of the D· Rotl.5ch. conductor. Sinfonias to Can minur hnrpsichord concerto (which wa! Composer Knystfof Penderedi will be Saratoga.Potsdam Choral Institute, Pots. tatas 29. '5 (2). ·m, "'6, 169; Sonata to prohahly dcrh-ed in llIrIt from a 'iotin in residence for tf,. A.spen Conference dam, New York , July 31 -Au9ust 18. Btock ComlalOl 31; Chorale frotu C.. mi.ntn 147. concerto now lost). To thnsc who know on Contemporary Music. which will te~e Mc8heron will be the director end will Columbia SQ 3427!!. Iht"Se piect's in their otJler \'f.. csions, piece from July II through August i. The tooch chorel mesferworks; veriod electives thesc settings bring new light and show U.S. premiere of his "Vtrenia, PllIrt 11: The will be available from a lorge staff. Choral The h:gacy of the late E. I'owcr Biggs diffcn:nt a s pcc~ of 50mc of Hach's most Resurrection of Christ" will tOke piece, works by Beethoven and Coplond will be rests in his m::my rcconlings, somc of wonderful instrumcllt:l1 music. end a number of concerts wiH be devoted performed with the Philadelphia O tches the most rccent of which wcrc still to the general theme of "The Slavic Ex. fro , under the direction of Eu gene Or bcing proccsscd at the time of his death. The performances nrc all that one pression." mondy, Aoron Copland, ond Robert Show. Such an cxilmple is at band in his per. might hope for, anu more. I suspect For further informotion. conto ct The Di formance, with orchcstra, of thc six that lUggs had recorded all tht'ic works rector, Saratoga-Potsdam Choral Inditute, prc\iollsJ),. but thcse \'ersions exhibit organ·concerto sinfonias from Bach can The Evergr•• n Conference will hold two State University College, Potsdam, New btas, rccorded in the Thomasldrche of SOIllC of his rinc..'st pl-aying, with the ad. summer sessions on church music in C olo· Yo,l t3676. ":l lItagc o( up·tn,date sOllnd. Although LcipzilJ by VEn Deutsche Schallpbucn redo. from July 25·30 end August I·b. for tlus 1976 Columbia rccording. Also Ihis music is IIOt at ;all like the solo or· Dovid Britton will teoch argon. lester Flint Hills Choral Symposium, Manhat includcd are the familiar extendcd cho. gan works. it is he:lUtiful and exuber Groom will teech improvisotion, end louis fan, Kansas, June 18-26. John Alldis will rale from C.,n13 t.a 14'1 ("JUII, Joy of ant. COllph:d with o rc hc..'s trn, the result H. Diercks will be in charge of vocal and direct the symposium chorus end a chern. Man's Dcsiring") and the sonata to is a music,lI ullity lhat will gh'c pkas· choral wort The Rev. A. Oidenon SlIl· ber choir. Rod Welker will teech chorl!ll lire to any listener. I can (ault nnl)' the conducting and pedagoqy, John Lilley will Easter Cantata 31. The chambcr orches. rnon serves liS chllplain. end Wilber Held tn is conducted by the pn..'Scllt.day kap slightly thin sound of the positi\' (one is dean. Further info rmation may be ob. leach choral literl!lture, Choppel White will pclmcisler of the Thomas Chnrch iu manllal. fh'c dh-i(h.>d stops, built for the toined by writing Evergr.en Conference, instruct chorel musicology, Clnd Hanley performances which :u e both compch:nt church by Alc"amJc:r Sc:huke of Pots P.O. Box 366, Ev.rgrnn. Colorado 80439. Jackson will be in cherge of the electronic .lUd st) Hsh . A nice tonch is the usc of (jam) and the npparcnt treble emphasis music studio. Credit is avoileble; emphasis harpsichord continllo, in addition to in cngi neering. The stert'O sound, how. will be given to the MOUJrt Requjem, the the solo organ. c\'cr, is \'cry plcasing and lhe surface! Vaughan Williems Mess. and contemporary o[ the disc are acceptably quiet. A Church Music Wor~,hop , under American music. Fo r informotion . write As Mr. Biggs pointcd olll in the inter. United Methodist sponsorship but open fo esting progmm notcs which accompany I would hesitate to say tho'll Mr. Biggs Rod Walker. Symposi um Director, MUlic participants from 011 den ami notions. will Department, Kansa. Sfafe University, Man. thc altr.lcU\,ely-pack:lgt·d rccording. these knew this would be among his last re be held July 10·14 of Olmsted Manor, hattan, Ks. 66506. picces arc a bit tllIlI:lllal among thc conlings, but I do know that he was ludlow. Pa. Robert P. Anderson of Syre canon of Bach works. The Obbligato both plcascd and honored to be able to cuse wi ll teoch organ techniques, reper Flanders Fastivall.uven. Belgium, Sep. organ part is a single melodic line, treat· rccord in the Bach church. As he wrote toire, service playing and hymnody; fember 6·10. A course in baroque on d cd in much the way that an oboe or in the jacket notes, "The privilege of George E. Tutwiler of Pittsburgh will leod rococo music will be given. with Robert \'ioli1l might ha\'c been trcated in simi. making music with such dIStinguished choral techniques, repertoire and hand. Kohnen teoching harpsichord end con lar works. The ,infonias are largely artists, and in sllch august surroundings, bells: ond Jeon F. Wilmouth Jr. of Pitts tinuo. Concerts will feature unus ual 85- reworkings of other pieces: the sinfonia was for mc a most mO\'ing and treas burgh will deol with Orff in struments and pech of music from the period. Further to Cantata 29. for instance, is an elabo· ured experience." This record, then, is eurythmics. Further information moy be information is eVl!li lable fro m Flanders Fes rale redoing of the initial movcmcnt one 10 be treasured by any admirer of obtoined by writing the director, JlInet M. fivel. August Re.,.rslaan 52, 8-1040 Stus of the E·major partiu for solo ,'ioHn. either BlIch or Biggs. Co rison, Ib Chednut St.. Kane, PA Ib735. sels, Belgium. 2 THE DIAPASON Two Organs Restored Simon Preston in London by Dale Carr by Larry Jenkins The £irst phase of the restoration of 16' Razuin One or thc most revcred and Jeast one could ever wish to hear it played. the organ in the M:utinikerk in Gron S'Trompet heard organists these days is Simon The toccata almost metronomic in its ingen, the Netherlands, has recently oJ ' Conlct Prt.oston. Since becoming organist at Ox steadiness and solidity, although sound heeD finished. The pipes of the Tllgwerk 2' Cornet Cord's Christ Church (a job which in ing tr.LDsparent aud light by virtue of \'olves being flot only a cathedral org:m and tlu: boucnuoerk :iTC regulated (24 2 trcmulanten cle\'cr registration; the fugue \Vas reeled registers). the case is bcatltiflllly fe I coupler ist but also college organist and maSler out in all its inherent grandeur, ending sioted. and a1l of the fmnt pipes arc in uf the: chapel choir, since the church is with an outburst of glory from the play hoth cathedral and college chapel) place. TIle JU:JOftluJn/c and ~dnffl pipes 'I rinil)" College Ch:tpel, Cambridge, Eng cr, nOI the registration, which had hc~n :md action atc to IJc undertaken as land l'rC51ul1 has (a\,ored doing his job to the full plenum throughout. public appearances as a recitalist. When soon as the federal suhsidies arc COII Restoration and rebuilding of the or To prove what I said abollt thc Fes firmed. The work is heing donc by gan were completcd in 1976 by Metzler one hears his choir one does not won th'al Halt organ in the preceding aside, JOrge" Ahrcnd of Leer (in West Ger of Ziirich, Switzerland. The old pipe eler at such a prcferenl1:, ror he has or I ... ther to dispw\'e what is thought, many. about 40 miles from Croningcn). work (e) and lhe original parts of the furgccl in Oxrord a truly magniricent the hanck Cantnbile was as ":tl1thentic under the supervision of Cor Edskcs. cases (hallptwerk 1708, rQckpositiv cU5cmbl! whose many rNordings Oiliest solllu.ling" as if it wcre being heard 31 adviser for the church. IG94) arc by Father Smith. The in 10 thcir excellence. Ste. Clothilde, and wannty and caress When finished, the organ should ap strulllent is being inaugur.l.tcd by a Hut it was as organist that be ap ingly played, too. proach its condition of 1740, following series of 24 weekly recitals of the organ peared in the Royal l:esti\,al Hall on One sometimes groans inwardly when the rebuild by A. A. Hinsch. Older work works of Bach, performed by Dr. Rich Wcdncsday. MilTch 9, aud to judge by olle SCt.'S that an organist has program remains from F. C. Schnilger (1729). artl Marlow, organist and director of thc s;zc of his (ollowing, he is sorely mcd the Reubke So"al6 on ti,e 9411, Atp Schnitger (1692). and A. de Mare music at Trinity Collt."ge and conductor misS'l"d. Choosing a \"aried progt':lm, Psn/lli. if only because of t.he Ie:ngth (1542): the oldest partj of the instru or the Cambridge University Choir. rathcr than the nearly all-Hach format of the piece, Simon J'reslon pro\'ed, ment date from 1481. uSllall), sCf\cd up at these Festival Hall howc\'cr, that it only sounds lung be. Some features of the rcstoration may Hnllplwerlt rcdtals, (a hango\'er rrom thc days cause it is morc orten than nOt played sct\'e to whet the rcader's appetite for 16' Principal- whcll the Festival Hall organ was in SHch a manner as 10 seem intcrmin able. 1'\0{ 50 this performance. Such 3 :L fuller report when the work is COni- 8' Octave- Ihought to be a neo classic instrument letcd: The fcet of the 32' Pr.l.cstant 8' Hohlflotc and tit ouly ror tlle performance of Ger ultilr as I never illlagillcd possilJlc was brought out in this enigmatic piece r.lad sagged badly under the wei~ht of 4' Oclave- mall baroque music). J'rcston un\'eiled the pipes. They were repaired m the 4' Spiuflote a steady procession of musical pleasures through the perfonner's thorough un church I'3thcr than in the builder's 2,2/ 3' Quintc- in a well choscn list. derstanding of its structure and the shop: in the wall of the church there 2' Superocla\'e- harmonic influences on its composer. is still a large hole where Schnitger III Sc$quialtcr Begiuning with :L sul>dued and inllo l'rl'SIOII may be onc of lhc \'c ry few !i(tCclh'e Ciacond in E Minor by Buxte placed the mandrels for these pipe.!, IV Cornett organists cquipIK:d with the: neccssary and the repairs were carried out after IV-V Mixtur hude, Simon }'reston then progreSiCd tcchnique and scnsitivity 10 play this the fashion of the original manu{:tc 8' Trompete 10 the Bach Toccala dtld Fugue in F sonata. In any case, it was a ll'uly mag I' ture, 8' Vox Humana (8 II' 540), played a.! iJcautifully as nilicel1t pel'fOrlllalu.:e. The Q5e presents :t spectacular ap pearance: the woodwork is painted a Rucltpcnj,iv dark olive-green, the elaborate carvings 8' ('rincipal- (statues, pipcshades) arc richly gilt, and 8' Gedackt the case pipes covered wilh tm foil. -t' Octave The orgall had been electrified in 4' Rohrflate 1939, but the old keydesk from the 2' Octavc hands of F. C, Schnitger was prcserved. 2' Gcmshorn This has been repaired, along with the 1-1/3' Larigot Letters to the Editor remaining old windchests, The keys, II Sesquiaher which were sawed off in 1939, and the III Scharf key action, are new. 8' Dulcian The pitch is about a half tone above Trcmulant Duke Uni,ersity Flelllrop (again) a Hook, lIuI is either of Ute two eX· A-440; the temperament, following al11ples a demonstration of authenticity? Hinsch, is nearly equal. Schwellwerh May 10, 1977 Sincerely, The disposition quoted below is taken 8' Viol ... To the Editor, David Snyder from Joachim Hess: Disllositien der 8' Su:t\'ial Since the appea.rance of the: Fenner Buffalo, NY merlr.wnnrdigste Kerk'Mgeten (Gollda. 8' Rohrflote Douglass article on hiSloriClI perspec· 1774); H«:!S's source: was J. W. Lustig, 4' Principal tive, I ha.ve been watching the letters .. organist or the Martinikerk at the time 4' Gcd. Flote col ullin with great interest, as I kne:w Finney Fantasies nf Hinsch's work. 2-2/3' Nasard Ihat there would be an angry response. 2' Doublctte I have: opinions about action and To the Editor: RlIgTlttTTt 1-3/5' Ten lonal design myself, but don't want 10 Many thanks for the informative arti 16' Ql1intadcena IV Pt(ixtur iu\'Oh'c mysclf lotally by stating them. cle 011 Ihe "'inney fa.ntasies. I am glad 8' Praestant IG' Fagott I would JUSt like to ask a qucstion, 10 sec these masterpieces gi\'e11 front S'Rourdon 8' Trompetc At the close of his anicle, Prof. Doug page space. 8' Roernllit Trcl11ulant lass attacks eclectic organs. implying In the author's list of erTntn in the 4' Octaav that they cannot be great works of art. published edition, she has omitted an 4' Sp ..lflult Pedal What are his comments on Ihe fact that incorrect metronome mark in "Advice 2' Octaav IG' Principal- the new Duke Uuiversit}' instrument which thc hoUl'S or darkness give." On 2' Flnit 16' Subbass conlaius (classic) North-'Vest German, p, 7, second score, the mark should be 9' Ged, Quint 8' Oclavbass Dutch (both ancient and modcm). 60=quarter-l1ote, not the eighth, as 3' Nazat 8' Bourdon French and Spanish clements? printcd. I have this in{onnation in a 25L Scxqllialtra 4' Octave 1 might also ask: why playa work by letter from Dr. Finney. 3st. Cimhcl V Mixtu.- Franck on an instrument not designed Sincerely, fist, MlxtUUT 16' Posaune with that music in mind, as Mr, Doug John David Peterson 16' nasson 8' Trompete lass did at the dedication? 1 know that Associate l'rof~S5or of Music 8' Schalmey 4' Trompete the music will "work." so will Bach on Ohio Northem Uuiversity 8' Hautbois 2 couplen to Hauptwcrk, 3 couplers to Hooldw~k I'l!dal 8' Pr.l.CS1allt 8' Gedact 8' Quintadeen 4' Octaav 2' Oclaav 2sl. Tcrtiaan American Institute of Organbuilders ~h t. Comct "n. Scharp 4-6sl. Mixtllur Contest 8' Trompet Th& Board of Dir.ctors of the AIO held 8' Viola di Camba on e/l-day business meeting on April 30 et tha Royal Court Inn, near Chicago's R(wenwerk O'Hare field. All boerd memb.rs were 8' Pracslant A Choral Music Composition Confest present, having come from Utah, Pennsyl 8' Hoinuit has been announced by Alpha Omega vania, Teras, Kanses. end Ohio to discuss 4' Oclaa. chapter of Phi Mu Alpha Sinionia fra and conduct the business of the institute. 3' Nazat ternity, in conjunction with the Carnegie 2st. Sexquiaitra Mellon University music department. Prizes The Fiffh Annual Convention of the 4st. Mixtuur of $100, $5f.' and $25 will be given for American Institute of Orgon builders has 16' Trompet an original work of any style for SATB been announced for October 2-S, end will 8' Voxhllm:tlla chorus. with or without accompaniment take place in Pitnburgh, P,,_ Preliminary (l4rge instrumental ensembles e.eluded). plans eall for " numb"r of concerts, lec Pedanl The work may ha ... e one or mOre n:Jove· tures, demonstrations, end exhibits, taking 32' Praest:tnt menh but should not exceed 12 minutes place Sunday e ... ening through Wodnesday. 16' Praestant length, end must be postmarked no later Registration end ch.d-in at the Remeda 8' Octaav them November I, 1977. Further informa Inn will take place Sundl!!lY afternoon. I!!Ind 8' Grdact tion is available from Mr. Paul K. Fox, the eVQnh will conclude with 4 Wednes "'. Octaav Contest Director, Alpha Omega Chapter, day· ....ening banquet. Harry Ebert is choir· 2' Octaav Phi Mu Alpha Sinionia, c/o Carnegie-Mel· men of the conv.ntion committee, Com 2' Nagtboom Ion University, ColI.ge of Fine Arts, De plete d.tails will be announced in a forth- 4st. Mixtuur partm.nt of Music, Pittsburgh, PA 15213. coming issue of THE DIAPASON. JUNE, 1977 3 Felix Alexandre Guilmant by Calvert Johnson ( conclusion) Guilmant's dc\ clOpllH.'l1ts \'aT)' a gn-a t Altllough no ;)th'3J1CeS in structure or deal; the longer 0114.'5 include fugal 01' "c\'elopmental tcchniqul'S can be fOlllld imilati\'e sectifltl!li. Theme ) is empha. in Guihn:mt's classical sonala.alkgro sizcd, although other malcrial is in· 1Il00·emenlo;. Ihe better mm l! lIIenlS exem cluded.'T Countcrpoint is important in plify thc 1x.'S1 of Beetho\'en's techllhJllcs. many dc\'elopments, Although true mo The least interesting arc Ihe result of th ic de\'clo\)ment dnes appear. Guil. merely filling standard forms with unin· mant's nsna procedure is restatement spired makri:!I, hut wilh carefully de. nf all or larger pariS of the Ihemes in taikd construcliUl I. a \'ariet)' of keys, nccasionally with al. tetl'd textures, A great \'arict)· of h :.n . The ):ugal MOl ernents monies may bc strung OUI iu this st.'C As all integral part or :1 multi· move. liou, but basic tonal ccnters arc nearly ment French S) IIlphUllic org.m composi· always clon'ly rcI;ltcd 10 Ihe Ionic. His tion, the fugue is trcated h4.'Sl hy Cuil famrite method of modulation is by mant, and the hut tum'cillents in his enharmonic COI1l1ll01l·toU4.'5 ill which olle Sonatas arc the fugues. The extent and or two notes will he retaincd cnhar (lualilY of cOlllrdpulital cumposition is lIIouicallr , while other chord ton4."S illdicath'c of Guilmant's imcrt'st in the ch:mge. past, especiall)' lIach's music. Fh'c Souat;:Js hale [ugu<.'S, (111)' (Jlle uf Due to extcnsi\'e de\'clupments in hoth which (VII:" ) is lint a (i1l;:J1 1II()\·CIII4.'UI. CXI)05ition and dc\c)npmcut, thc recapi The middle st't:lion uf ternar)' VlIl:2 is tulations are short. Theme I is lIonnally also a fuguc. In alitlition, Ihere arc fll cul1ailet.l and sJil?htl)' altered, Thcme l,"3to sections in m;:JII)' other 1II00'CIII::lIls II is usually identl(:".d to ils first exposi. so that e\'cry Sonata contains sUllie fugal tiOll, but stated in the tonic. An unusual writing, Th4.'Sc fugues fairl), consistcntl), kcy. re);ltionship appc-.us in 1:3 - thcme follow the outline of thc sclmlaslic II IS on Ihe submcdianl in the exposi· fugue ducribcd by Andre Gcdalgc·· :lnd Ihn hut 011 Ihc major touic in the re. others. There are t)'pically four mices, C:lpitulation (E'\:amplc ·1). Only two a subject with its answer, and a counter cascs of further cl e\'elnpmcnt occur - subject wilh its answer (except in VII:·I 1:3 :11111 VIII:1. aud VIIl:!i theme I). The baSIC structure E\'err sonata'alll'gro 11I00'crnent has a is exposition, episode. countcrexposi· coda following the recapitulation. In liou, a serics of alternating cpisod4.'S and some there is merely a repetition of parts recurrcnces of the suhjecl or answcr ill of thcmatic matcrial (1:3, 11:1, and VU:6). \'arious keys, :1 pedal point and strello, III ulhers a full sC;:Jle dc\'clo(nnl'nt is aud a closing or coda. il1l'iutil'd (1:1. 11:3. IV:I, and VIII:I). The exposition consists of entrics hy Thellle I is ah\,;:J\'s inclUded. Other ilia· each \'oice in succession, altcrnating teri;11 is ()ccasiuIIOIlty found. snbject aud answer, accompanied h)' cn· Cuihnant tuuk the muSl libcrtit's with trk'S or the coulltcrsubject in the prc th{' cbssiC".I1 SUIl;:Jla in the usc of transi ceding mice, if- a cOlllltcrsubjcet is uscd. Ibus helwl'tu thclIIl'S or between major J\ numher of aUrilmt<.'5 of ;:J Ccdalge sl'ctiuIIS. The trausition IJctWCCII Ihem4.'S "school fugue" subject and coulltcTSuh.. in both exposition and recapitulation ject uta)' be obscn·4.'tl in Example 5. Thc i~ alwa),s lillkl'ti or mergj,!d With Ihcme sUhjl'i:t is fh'e measllt\.'S long; thc r.lltge 1 allli lII()dul:tte~ 10 the 10llal center of io; limill"d (to a minur ninth); thl'rc arc thune II. 1'h4."5e "dcpendent" transitions on 1)' a few rhythmic figures. Alt.llough bctween Ihelllcs in these 5l'(tions arc this subject modulatl'S to the dominant similar or identical exccpt for tonality. most stay in the tunic. Thc counter The transitiolls between major scclions SUbjlCl is deri\'ed :IS a development of se\'cr.11 motivcs of Ihe subject. J\lthuugh are tfl':ltcd in a great mall)' ways, in· the Hlice entril'S follow \'arious pallcrns, duding the lISe of new llIaterial ("inde· such as S·I\·T·U, or ,\·S,T·n. cach IICW Felix-Alexandre Gullmant at the consol. of S.e-TriniI6 Ilcntll'nt" transition). scales. afJltgbrios, \'Ilice is an outside micc which pro\'idcs thematic fragmcnts, or nonc at all. more diitinct audihility.tll TABLE OF MOVEMENTS THE ORCAN SONATAS always in the tonic. Additional move SOllal:1 :\1\'1. Mvt, 2 ~h' t. 3 ~hl. !i l\I\'t, Ii ments use the tonic, dominant, or a third GuilmanCs eight organ SOlaatas l)Ortray relationship. Son ala R. llilla.)· Souata well his classical tcndcncil'5. More than There is no true cyclic material, as ~ SUU:U.l R. Uinary Sonata Franck. Widor, or Vicml', Guihn:l.nt's ill the works of neethoven, Fr.lIlCk, or ~ SUllat" a1'c: 1I 'J cruar)' I:ugllc sc1cclion of movements, key relation· Vierne, The closest is the par.l.dc of -I Sonata Ternary' Routlo Scmala ; lihips. and suhstructures of I1\m"CIUCnls them4.'S from pre\'ions mo\'emenlS in V:4 SUllat" Ternaf)' Rondo Free Fugue fonow da§sical prolclices. It is lIoL with· am} the re·inlroduclion in the Third of Ii SUliata TCnlary Fugue out reason that the one son31:1 (the themc I of the first mo\' ~ment in the 7 Rmulu Ternar), Rondo Fugue Ternary Sonata Seventh) to dC\'iale slightly is slIbtilled coda I)f thc Ihird mO\'emelll. Sc\'cr.ll Sonata·fugue Tcruaq' Rondo nina!')' Fugue "Suite," themes in different mO\'emenls of Ihe Following wl'll,csublishcd sonata can· sallie sonata b~gin with similar or iden LIST OF ORGAN WORKS \'CnUOIlS, Cnilm.mt's sonatas contai." tiC".I1 melodic paltcrns, but in different three or fout mo\,ements;" the haslc rhytluns (Example I}. Organ Solo structures of these mon'menls follow Guilmant's themallc matcrial is pri· traditiun. The first mo\'ement of ali but marilY mcJodic. Most themcs iuclude Allegro, op, 81; Schott the unique Sc\'ctllh is in sonata·allegro repetition of all or parts or the melody. Cllant tIu Matin, /U,u:lte, no opus known; SchOll form. The ~c(ontl mnn.'mClIl is lcmary Occasiou:llIy, this repetitioll is ill a dif Chorale tUld lI'eUlllflchtsgellltlge. op. 93 (Choral et Noifh) ; Schott or (olluded hillary. The last mo\'ement ferent key or modulates to anolher tonal Final alia Schumaml, op. 8.3; Schott is either a sonata·allcgro structure (often c{'uler, Restatements of smallcr sectious Grarlll choellr en form tic ",arche, op. Sol; Schirmer hl"Cly dc\'el0red) or a [llgue, The third may he sefluential. transpositions, or al. (,0 bllcrludes, op, 68; Schott movcmcnt 0 longcr sOllatas is a rondo, tered by modulation (Example 2) . KOII:ert (Fug/.eHn) , op. 29; Schou :llId of the four stich examples, one is For the sake of lIre\ ity, only the son· Mblitaticm .sur Ie .\Ia"(lt Mater, nil. (,3; Schott :l scherzo with two trins and onc is a at" altl'gro 1Il00'cments aud fugues will Ol/ertoire sllr utJ therne gregorie'l, no opus known; Schola Cantonllll milllll't with trins, Additional mo\'cmenu he discll$5ed helow. Mmt details nf Guil. Noels (Offerto;res r:t 1~ /(,~mti(JIu) • 0)1. C,O; SchOll arc in \'arious designs, including a free Ill:lnl's cOlUpoJitioll:a1 st)'h.' ilia), llc nh· // Organ;.stc Ulurgj.sl c, op. 65, to mlumcs: Schott I11m'eml'lIl in the Fihh, a frt."C binary $en l'ti in these mO\'l'IIICllts , particularly L'Orgm.;.ste pratiqlle, (JP , 39. 41. 4C" --Ii, '19, !iO, 52, 55·59. 12 \'o)ulUes; Scholt plan in the Eighth, and :I fugue and an· with regard to hannullY, t4.'xture. :1I1t1 .3 Ora;.solls, op. 94: Schott other ternary structure In the Seventh den.:lopfUent. Pieces dans dil/ert!lItl .styles, op. 15·20,24.25,33,40, ..... 4:;. (j!J·i2, i4. 75, 18 \'uhnllcs (st.'e table of mo\'cmcnls). Schott The sck-<:tiol1 of tempi and keys for The Sonata.Alk-gro Mfl\'ellleuts 18 Pj~ces nouvellc,f, op. 90; Schott Ihe 1II00'CUlents also foUows definile Guilmant's treatment of the S(l1l:1Ia· Eig/.t Sonatnl, op, 42. 50. 56, fil , SO. SG, 89. 91 ; Schott classical patlerns, The sequence of "fan · allegro structure is ahnost entirc1 )' clas· Sept i\lorceallx, op. 77; No\'cllo slow, fast" is used in c\'ery Sonata ex· sical. Thus, by ddinilion, there arc two Premieres J' rJ pres tiel AJlljtres, no opus knnwlI; SchOll cept the Fourth. which has "fast-slow contI'".lsting Iheml'S in "opposing" kc)'s, Fallta lie .sllr tlellx mclorliel "tlglni.H'!.f, op, ·13; Nu\'cllo fasler.fast." The Sc\'cnth consists of the presented in an exposition. de\'eloped pattern used twice. In c\'ery case, Ihe partiall}' or entirely in a \:Iriety of kcys, Orgal! allli Orchl'stl'a first and last mo\'cments arc in the and both recapilulatJ,:d in the tonic." tontc key, Howe\er, three of the [h'e The exposition is normally treated in Adoration, op, +1 (Siring orche5tl'a) , Schott Sonatas in minor lonality cnd on the a straight-fon\'ard mallller, but certain Allegro, op. 81, Schott tonic major, of which two rinal mO\'e 1Il0\'emenls contain cxtcnsi\'e de\'clop· n'lal alia Sc'lUmmm, 0p. 83, SchOll ments begin minor and end major. The ments wilhin Ihe cxposition. If :111)' Marcile eUgiaquc, op. 7-1, Schott greatest \'aricty of key relationships oc· exist, thcy arc mostly 011 theme I :lIId Marcile fallla;.sje, op, "·1. Schott CUIS in the second mO\'ements, with pre are often rugal. The most de\'cloped cx_ ,uarch ~ ',webre. op. 41. Schott ference gil'en 10 ke)'s a major or minor mnple is theme J of \':1 which is pre Mblilation sur Ie Stflba' Matu, op. li;J, SchoU third abQ\'c or below the tonic. For sented in a long fugato after an already SympliOlIY I ~ op. ·12, Schott longl'r sonatas, the third IIIf1\'emcnt is extensive dc\ clopment (Example 3) . SympllO"), 2. op. 91, Scllott 4 TH E DI"P"SON The countcrcxpositions foUow Ged· fint tn raise popular interest in the or Example t: Vr:l Theme 1 alRe's rules o( containing only two en gan and in orKan music. Thanks 10 his tries which rc\'crsc the order of the historical editions, old mllsic became n---:r d'~ exposition (now answer.subject) and the generally available. As professor of or· - --- order of the ,'oieL'S. A \'Oice prc\'iously bran at the Paris Consen'atoire and pri. willI the subject now has thc answer, "a(ely to countless forcib'll students, he 1~~II~ :mc.l \'icc ,'ena. influenced rising standards of pcr£orm. Guihnanl's episodes im'ariably afC alice and technique considcmbly. The r~~rf~ imit:llh'c or have sequential passages well-developed and highly controlled hased 011 maleria) of thc subject, amwcr, playing uf so man)' }-"rellch, English, and • -t;: ~F :F= - ~ g FI wUlllcnmbjcct. or free parts of the ex J\merican urganisl~ stems from Guil. rr= ,~ ~ position. orten the same material re mant's rnle as a leacher, appcan in episodes throughout the Guilmant was equally influential as fugue, bUl in different forms. Duc to ;, composer. The exceptionally 10lV Ihe nature uf the Irc;llIl1c01 of m:llcriaJ. standards of organ composition, impro :!M ;1 great tll';ll of harmonic mu\ClIlcnl can \'isatiou. and pcr£orm:mce demantll'tl a LV] ~ ~ -iJ=l - f= ~d ~ he CXPI.'ttl..t in these St.'t:liollS. Guilmanl new strict discipline. This is well 'pro most of len uses the circle of fifths, a "itlcd hy Cuilmant's worl:.s, l'SpcclaUy pt..'lIuular motion oclwccn two rebtt.·" his eight S ~",ple .5: V.S SUbject. and c!,unt.lm~~~j~h_ _ _ ::: ..: _ Ex""'ple 2~-,j~ 1 ~ - If~~~m~~f1~~4.D _ 1 ~:=pf*l r= ~gl1==E1L~rnm -=~I "J ~ " O , • :c_o. _ __,-)J. _ ~~i~_dl-' ~ J . W--r: i~~*J~l4.J'-~II===_ === ~~~~~~r-~ _~~ _-':oJ_ - _=.. , - -- _. I.:: . ,,~ "e ... c ~Gr:a'_.T~tm$eu. ;7-/~"; - - =t;:l= =-~~ ;I ~¥7:-,~-i:- --~ ,~~.: =- C- , 1 =0:J~". - i:)ca:mplo J: V:l Thome" 'l ~ Example 6: VlI:4 Subject ~',c,ro "f"lU:J;c rh;.":k Alie!Jro c::.oO br",o r .~:~,~~~ ~-mIF~-=r= g-g~§~..§J~I'F~ ~ :r:J ~ I m¥1r-=~IIH¥f-tEtIk13:=EI~@f=F=¥f~ fuga to on theme 1 1F~ = I=e±C=~;~-k--- :~g- '· §~~ f. - .. / I~:~ -::=,... '!of--= t-·- -d - ~---u- I r ~ i a' - 'cr-r" - i~ F=r-=r-=r=fFl€f§F=t=lr ,.-- - stretto ~~kCIj r erF~1¥~~ ~~=~I @x~_ -~== !:l)' ill -- Examp ~-:I:J -Tn."'. - Z ' Ei -- CtiO ~ . F~i ~it~~~ : ~$;I"-~~~~~~J.~teb:. _ P-~1= or fH §@tr=§f= =:0 - -=-= -~ P'il...... -'...... =rr J A"d'(l(li~ MAot'<;,.tc.~,· (Theme 2 Hecapilulation) - -- ~ ",";",l'\ ••2t;C. ~ __ -:- ...--. -~ .. - _ _ ~.=;;:I=-j,/~ ~- F-B~=§i=~a~L~~~:1-f~JP "t.c_ -- ~H I= 1- , -- - 1:_ .-- - . I -·r==W- ~§FFr= r=~ -~~~ ~ j=' - - JUNE, 19n 5 docs indeed allow the performer with Bells hne played an important part out 3U)' electrical or pncllm3tic assist· of many cultures for centuries, even to The Carillon Today ance, 10 perfonn on an instrument often the degree of being imbued with apo wcighiug man)' tells of tons with great tropaic powen. Before the advent of !ellsitivit)', articulation and virtuosity. clocks, bells were widely used to control The consolc and the action to which it the daily time scheduling of villages is connectoo offer the carillonneur me· and cities. ]n urlain parts of the world. chanjcal assistance such as leverage ad· before the development of modem com· \'antage. counterwcights and b3ck ten munication technology, the carillon was sion springs, Contrary 10 what might the most commonly heard musical in· Withill Ihe broad Spt.'clrum of CUll' Iikcn In that of an argall, for a pedal· ha\'e recently becn read in the New strument. Even in this century in lhe panology (the study of bells) there is a board is ilt\'Oh'cd. Indeed, thcre is evi }'ork Times and the Wall S,rtiet j01.lnlal, Uniled States, the pUblic nature of the Ihin ~t.'glllcnt 1'c1c\'ant to the musical dence that the carillon console was dc carillon technique is not the pounding carillon was recognized when the larg IIses of bells in the'Vestem Hemisphere. ri"ed from thc organ console of early of fists and the banging of knees, The est carillons in the world were installed Whereas the study of hells includes sitch I6th,cclltury Europe. Hun-e\'cr, 3 musi truth is that the carillon does reqUire here immediately before, during or disciplines as hislory. biography, archae· cian, upon closer examination, would a more physical perfonnancc Ihan any after, the depreSSion of the 1950's. The ology, architecture. :llllhropology. mctal quickly see that carillon performance is other instrument but that does not, in bell is a part of, and has made notic lutgy. mililary and social sciences, com milch closer related to th:tt o( the piano, itself, lessen its musical possibilities. Thc ahle contributions to, our dvilization. parative religions and, of course, music, for a touch is hl\'oh'ed that permits a actual technique required is Clllco an The bells of all c:r.riJIons :lrc .haped the musical uses of bells in our culture wide range or dynamic control, which "enlarged technique" for. rJ.thcr than similar to the Gothic profile developed arc but three. namely the haudbcll. the in tllrn allows ror musical imerpreta. using fingers to depress the keys, a re in the 13th and 14th centuries and fur chime and the carillon, tbe latter being tioll. The console, consisting of :t key laxed and dosed hand is employed and ther impro\"Cd in the 16th century. Car the most l11usicall)' sophisticated. This board and pcdalboard, oHers the per rapid ami and leg movements are often illon bells are cast of bronze (approxi article dcals with the Clrilloll alld its fonller direct mechanic:tl control o( the nccessary. mately 20% tin and 80% copper) and rclcnance to iUl surroundings. 'I he sodo clappers by means of mctal trackers. Bct..... L'C1l the consolc and the bells is arc still manufactured today with indi musical rcsponsibiliti(."S and, ultimately. This connection-from the performer, a ,"cry simple action, abo c:r.Ued il "trans vidual and skilled aa(15mamhip. After the wide reaching possibilitk-s of the through (he comolc, to lhc trackers and mission s),stem," The action described the bell is cast and cleaned, it is the carillon stem (rom the b.ct that it is a the simplistic action, to the dappers and is the most common in the United delic:r.te tnning which permits it to be (Jublie musical instrument which speaks hellce to the sound procluccrs them StalL'S; howc\'cr there are other s),stems come part of a Clrillon. The tuninJ 1I0t to a cOllcen 11311 or church hut scl\'C.·s, the lJclls-lnust be kept as short function is two· fold and highly comph rather to a locale, rC3ching all persons which slightly modify this adion :md and 35 intimale as possible. A close re are gh'cn other names. Abo\'e c3ch key cated. Most carillon manufacturing firms whhin that area. It is for this reason lationship l>cLween the performer and there is a lurnbucklc which :tllows the today tune the bells only on the inside that Ihe carillon performer (carillon his sound producers illlows for 3fticu· perronner to make minute 3djustments surface, by machining metal from the neur) must accept not only full musical late, sensili\'e and iOierprclath·e per in tracker lengths so that the bell will inside with a lathe. The functions arc rcsponsibility for Ihe perrormance but formance which in turn leads to public sound dear and unhampered when called interior tuning. whidl is the tun also a vel)' definite social responsibility. awareness and musical ilpprec13tion. the key is fully depressed. From these, ing of Ihe five or six lowest partials .$0 The arlicJ~ of incorporation of The Thcrerore, it is a rare 0pp0l'lunity to thc straight, stainless·steel rod tracken that the bell is in tune with itself, and Cuild of CarjJ)onneurs in North Ameri witness carillon performance, since the ascend through the roof of the playing cxlt"rior liming. so that the bell is in GI, an acth'c and viable galhering of carillonneur is often high in the tower cabin on which a weather protective tUlle with the other belh of the caril· pcrrormers, studen,ts and enthusiasts among the bells. The carHlon cOlISole is umbrella rack is installed, Ascending Ion. Both functions are accomplished who promotc thc carillon art, de ~ cribc always placed ill a sound·controllcd roOIn furthcr, the trackers arc connected to simultaneously. Thcre are only a hand a carillon as ". , .. a Illusic:tl instrument callcd a "playiug cabin" which rarely an ann extending out from a horizon ful of bell£oundrics in the world that consisting of at least two octaves of a£fords adequate space for visiton. (Be tal transmission bar. whid. laterally can tune bells expertly enough to man· carillon bclls arranged ill chromatic calise of this ami other special considcr lram'erscs the action. At the other end ufacture carillons. Inherent in each bell serics and pla}'cd from a kcyboard per ations necessary ror .. successful c:r.rtUon of the transmission bar is another arm, is a predominant minor tllird o\-ertone mitting control of expression through installation, it is imperative: that the from whidl the clapper hi connected by which, while adding an idiomatic tim· carillon purchaser and the tower archi· \ ariation of touch. A carillon bell is :t another tracker. The action could not bre to the bell, may present a slight cast bronze cup.sh:tped bell whose p:tr tect closely consult with a trained per interior discordance. Once the bells arc tial tones are in such hannoniolls re· former who ulu..lerstands the character be more simple, yet it hi oben misun tuned they will remain so for the IHe of laliollllhip (0 e:tch other as (0 permit istics of the instrument,) derstood. This docs, however, bring us thc instrument which, as often is the many such oclls to be sounded together Whereas the console: provides tin: to the object of much further misun casc in Europe. may be hundreds of ill \'aricd chords with hannonious and carillonneur with a kcyboard and ptdal, uerstanding, the bell iuelt }'c;ns. concord;mt c((«t:' ~fd ha\'ing the same ocla.\'e distribu (Continued, page 10) This definition limits only the mini tion as any other kc)'bo3rd inslfumenl, mum number of bells for a Clrillon, the physical similarities end there. The yet the most common rangc of the ap keys, machined from kiln dried ash, are proximatcly 180 North American in rounded at the: perfomling end and are strumcnts is four or more octaves. The long to provide lc\'eragc advantage. c.ltillon is ohen a transposing instru They resemble batons and h3\'e often ment, caused hy e3rlier thinking that been called same. The pedals, of kiln transposition down would add more dried oak, are abo much larger .than the Shoulder "weight" and hence more beauty to its pedals of tbe organ, Olnd there IS a \'ery IIllnic; transposition ur is sometimes impol'lant reason for all lhis. It has to ~ Nominal (Oet, ve) necessitated by fjn:tnci3 considerations. do with performance techniques and, Currently thcre 3re strong feelings tlmt whereas there will be a future article a carillon should be o( 3t least four conceming techniques and interpreta octa\'es range and in coltcert pitch, with tions, it is important th3t the readers Waist Fifth IQulnt1 understand that the console has been de the po~ihility o( b:lss and/ nr treble ex signed to fulfill one function, namely tensions, to permit musical interpretation by di The carillon is pedormed from a rect control of the clappers. Thi.!! rather console which the Glsual obscner would large console, often described as clumsy, Fundamen1al (Prime, Hum·tone Clapper Arm len pro(iI., with ar.a. important fDr tuni_. marit.d on right. Recent discoveries of improved cast belh; is electrical, making musiCll con ing and tuning techniques which allow trol and interpretation impossible. A Vertical Arm more weight for the treble bells ha\'e carillon bell is never an amplified rod prompted several established carillons or metal tube. A future article will C0111· to have their treble range replaced, to pare thc carillon to its many imi1ations beller acoustic:tlly balance the lower on the markct today. Bar range. fiy connecting well-tuned bell.!! WhereilS tuned bells werc imported to a tonch·sensitive console, the result into the United States in the 19th cen Horizontal Arm is a magnificent musical instrument tury. to the then-Holy Trinity Church called the c:r.rillon. in ]'hiladelphia (25 bells in 18~5), There arc three very important pre Church of thc Sacred Heart at Notre rl.'qui!';ites which must be fully met b~ Dame Univcrsity (23 bells in 1856), Sl. (nrc a carillon installation will be ulh Joseph'!,; Cathedral in Burralo and ]o,ya Umbrella m:t.lcly success(ul , enjoyed and support State Unh'ersity in Ames, it is generally ed hy its appreciating audience. First, 3ccep1etl that the beginning of the North the carillon i15elf IUtlSt be a well·tuned J\mcrican carillon art d:ttes from 1922, instrument playable from an expressive with the two installations 3t the Melfo, console, Second, the site of the towcr politan Church in Toronto and thc must be located to give advantage to Church of ollr Lady of Good VO)'3g'C proper listening. as far. removed as. pos in Gloucester, Mass. With thcse dates sihle from ambient nOises, And thirdly, in mind it is easy to understand that, a well·trained performer must be en to the AmcriCln audience, thc C3rlllon Turnbuckle b~gcd and allowed musical freedom. ]t is a relath'ely new musical cxpression. is only by meeting these prerequisites The cariIJon art reached unhe3rd of that the large financial in\'estment of a heights of maturity in the 1950's, when carillon, be it a gift or an acquisition, fresh thoughts were given to pcr£orm· will pay for itself in public support :tnd ance and composition. The c:trlllon art Pivot Wooden Baton Key musical appreciation, thereby reilching continues to de\elop and grow on bolll its fullest potential. tides o[ the ,\tlantic, with technic:tl im ,\ carillon is never performed from pro\'elllents to the instrumcnt, flew ap Carillan IItClion (r.print." with p.rmiulon from Research N.w., Vol. XXIV, No, 9. pub an h'ot)' ke)board, for then the con proaches to technique, and innovative, lished by th. Univ.,.ity of Mlcihsan). IIcction between the performer and the idiomatic additions to the repertoire. 6 THE DIAPASON INSTALLATIONS FOR 1977 -1978 St. John the Baptist R. C. Church Baden, Pennsylvania 2 manuals 17 ranks First United Methodist Church Bennettsville, S.C. 3 manuals 35 ranks SS. Simon & Jude Church Bethlehem, Pennsylvania 2 manuals 23 ranks First Presbyterian Church Boulder, Colorado 3 manuals 44 ranks -M- The Bristol Congregational Church Bristol, Connecticut 2 manuals 25 ranks Cathedral of the Immaculate Conception Burlington, Vennont 1 manual 13 ranks -M- First Baptist Church Camilla, Georgia 2 manuals 32 ranks Zion Lutheran Church Carlinville, Illinois 1 manual 10 ranks -M- First United Methodist Church Casper, Wyoming 3 manuals 40 ranks -M- Norwood Park Lutheran Church Chicago, Illinois 2 manuals 23 ranks Colfax Lutheran Church Colfax, Wisconsin 2 manuals 13 ranks CapiIla Madres Franciscanas Colonia Mixcoac, Mexico 2 manuals 13 ranks University of Alberta Edmonton, Alberta 3 manuals 51 ranks -M- Cathedral of St. Peter Erie, Pennsylvania 3 manuals 81 ranks St. Matthew's Episcopal Church Evanston, Illinois 2 manuals 37 ranks -M- Calvary Lutheran Church Grand Forks, N. Dakota 2 manuals 23 ranks Faith Lutheran Church Grande Prairie, Alherta 2 manuals 9 ranks Our Redeemer Lutheran Church Iowa City, Iowa 2 manuals 12 ranks -M- Our Savior's Lutheran Church Jackson, Minnesota 2 manuals 13 ranks Our Savior's Lutheran Church Kiester, Minnesota 2 manuals 13 ranks University SDA Church Lorna Linda, California 58 ranks -A- First Lutheran Church Mabel, Minnesota 2 manuals 12 ranks -M- Messiah Lutheran Church Marquette, Michigan 3 manuals 34 ranks Basilica Santa Maria de Guadalupe Mexico City, Mexico 2 manuals 22 ranks Basilica Santa Maria de Guadalupe Mexico City, Mexico 5 manuals 187 ranks Our Lady of the Holy Souls Church Nassau, Bahamas 2 manuals 17 ranks Bethesda Lutheran Church New Haven, Connecticut 2 manuals 25 ranks SS. Peter & Paul Church Omaha, Nebraska 2 manuals 21 ranks -M- St. Peter's Lutheran Church Ottawa, Ontario 2 manuals 19 ranks -M- First United Presbyterian Church Pennington, New Jersey 2 manuals 17 ranks Trinity United Church Peterborough, Ontario 3 manuals 39 ranks Church of the Holy Cross Pittshurgh, Pennsylvania 2 manuals 23 ranks Trinity Church Princeton, New Jersey 4 manuals 64 ranks -M · First Mennonite Church Reedley, California 2 manuals 23 ranks Bethany Lutheran Church Rice Lake, \Visconsin 2 manuals 23 ranks Memorial University St. John's Newfoundland 2 manuals 7 ranks -M- Ferguson Presbyterian Church st. Louis, Missouri 2 manuals 20 ranks -M- Gethsemane Lutheran Church St. Paul, Minnesota 2 manuals 28 ranks Maternity of the Blessed Virgin Church st. Paul, Minnesota 2 manuals 22 ranks -M· Trinity Anglican Church St. Thomas, Ontario 2 manuals 23 ranks Westminster College Salt Lake City, Utah 1 manual 4 ranks -M· Green Lake Seventh.Day Adventists Ch. Seattle, Washington 3 manuals 39 ranks Dordt College Sioux Center, Iowa !1 manuals 56 ranks -M- Friendship Lutheran Church Taylorsville, N.C. 2 manuals 17 ranks SS. Peter & Paul Church Three Rivers, Massachusetts 2 manuals 22 ranks St. Matthew's Episcopal Church Toledo, Ohio 2 manuals 16 ranks Festival Singers of Canada Toronto, Ontario I manual 4 ranks -M- First Baptist Church Truro, Nova Scotia 3 manuals 26 ranks St. Barnabas Episcopal Church Tullahoma. Tennessee 2 manuals 17 ranks First Presbyterian Church Tuscaloosa, Alabama 3 manuals 48 ranks Central Presbyterian Church Vancouver, B.C. 2 manuals 13 ranks Redeemer Lutheran Church Waverly, Iowa ~ manuals 23 ranks Northminster United Church 'WilIowdale, Ontario 2 manuals 23 ranks Mount Tabor United Methodist Winston·Salem, N.C. ~ manuals 23 ranks -M· Mechanical action organs A- Additions ~asauanrf~ ST. HYACINTHE, QUEBEC, CANADA l eonard Raver played this program at Victor Wolfram, University of OHahoma, Bowdoin College on March 16: Suite in Stillwater, p'ayed this recital at the uni F. Handel: Eclogue (1965) for flute. harp versity on AprilS: La Forqueray, Cha sicllord and off·stage handbells, Pin~ham: conne, Duphly; English Suite in G minor, Pwludes and Fugues in 0 and F, WTC Bach; The Insectarium, FrancaiK; Sonatina II. Bach: Musete de Choisi, Musete de Lyle Hecklinger was harpsichordist for Naomi Rowley presented an evening of ad usum infllntis, Busoni; Chromatic Fan Taverni (flute end harpsichord). Couperin; the premiere performllnce of Commission music honoring the lIrrival of the French tasy and Fugue, Bach. The instrument: his Sonatas. K. 219. 220. 0402, 403. Scarlatti; for Oboe, Harpsichord and Strings on the double harpsichord (opus 355) built for 1971 Dowd. The program was repeated on Lovers (1964) for harpsichord, oboe. cello. program by the little Orchestra Society her by William D~wd of Boston. The pro· April IB at the University of OHahoma. and percussion. Ned Rorem. The instru of Toledo at St. Michael's in the Hills, gram, lilt her home in Kingston. Illinois , Norman, using their Rut~ows~i and Robin ment was a 1970 William Dowd harpsi. Toledo, March 27. The composer of the was given on April 23: Chaconne in F. etle harpsichord. chord, loaned by the Music Deportment new wo rk is Dave J ex, a Toledo composer. louis Couperin: Les Barcades t"i s t 8 rieu ~ e s , of Bates College. le Tic-toc-choc, Francois Couperin: Pa Michael C oldewey played these harpsi Robert Conant, d irector of the Foun vane in F·sharp minor, L. Couperin; An · chord works lilt North Texas State U niver Douglas Reed was harpsic hordist for dation for Baroque Music, has announced dante from ·'ltalian" Concerto. Bach : The iity, Denton, on April 29: Prelude and this program of chamber music at the New pillins for the 15th annual Festival at Sara Mortally III lind Then· Restored Heze~iah Fugue in F.sharp minor, WTC, II, Ba e; h: Hormol'lY Inn Entry House. New Harmony, toga Springs and G reenfield Center, New IBiblical Sonata 4). Kuhnau: My lady Sonata in C (Prussian), C.P.E. Bach; l 'En Indiana. March 24: Two Preludes and AI· Yor~. from July 3 to 17. A marathon con Carey's Dompe: l ord Willobie's Welcome harmonique. Les Cyclopes, Rameau. lemande. L'art de toucher, Couperin; Four cert will t a~ e pltlce on July 3 from 4 to Home, Byrd: Gigue peur deux davecins, Fragments from the Canterbury Tales, Les 8 p.m" lind will feature trumpet virtuoso Le Roux; The Suffering ~ of the Queen of John Herr played J .5. Bach's Well · ter Trim ble: Three Pieces from the Bauyn Edward Tarr of Ba sel, Switzerland. Su bse France. opus 23. Dussek. Following the Tempered Clavier, BOOk I. for the Rie· Ma nuscript. Chambonnieres; Sonata in G quent festival concerts will he held in musical program there was a buffet: sal menschneider Bach Institute, Baldwin Wal · minor for G amba and Harpsichord. Bach. Conant's studio on W ilton Road , Green ade verte, legumes crus, crepes "Couper lace College, Berea, Ohio, on, April 30. The ha rpsichord was the University of fi eld Center on July 8, 10, 14, and 17. in ," ratatouille " R.omellu," petit pain. vin Dr. Elinore Barber gave commentary on Evansville's 1974 Dowd. For further information lind tidets, write Grenache rose. tarte maison ... "Ah, that the wor~, lind her lecture was illustrated The Aston- Magno Foundation for M u ~ i e, the Foundation lit RD No. I, W ilton Road , we, too, were there ..." with slides of selected pages from Bach's Albert Fuller, artistic director, announce, Greenfield Center, N.Y. 12833. autogrllph of the wor~ and the H. N. Gerber 1725 student copy of the score, performances of the complete Branden Music for organ and harpsichord was burg Concertos of J. S. Bach in three Linda Hoffer played this recital at Per presented by Bruce Gustafson and Arthur owned by the Riemenschneider Bach In public concerts at st. James' Church, Hns Chapel, Southern Methodist Univer lawrence at St. Paul's Episcopal Church. stitute l ' brllry. Great Barrington, Massachusetts, on June sity, Dallas, on May I: Prelude and Fugue LaPorte, Ind iana, on April 24: Concerto Arthur Lawrence pillyed this faculty ra 25, July 2. and July 9 beginning at 6 p.m. in C, WTC, I, Ba ch; Fantllsy, Giles FarM in A minor, Krebs; Sonatll in C, Graun; dtal at St. Mary's College, Notre Dome. For tid et information, contact the Foun by; Ralph's Pavllne (Howells' Clavichord), Ordre in A Major, Francois Couperin: datioD at 27 West 67 Street, New York Howells; Mein iunges Le ben hat ein End , Concerto in G Major, Soler. Harpsichord on April 17: Partita in C minor, Gottlieb 10023 (212.873.2191). Sweelind ; Les Baricades Misterieuses, Cou by W illiam Dowd, 1970; organ by Steer Muffat; la Berryer, l" d'Hericourt, Ba l perin: "Italian" Concerto, Bach. Her harp. Md Turner, 1872. bastre; Capricdo on the Departure of sichord was built in 1976 by Richa rd Kings the Beloved Brother, Bach; Variations on ton; it is bllsed on the 1745 Dulden in Folia da Espagnll, Pasquini; Ballo dell' In the Smithsonian Institution. Robert Edward Smith pillyed this pro· torcia, La Romanesca, Valente; The Gold gram at Christ l uth eran Church, Yor~, finch, Cosyn; The Nightingale, anonymous Larry Palmer played this program for Pennsylvania, on April 22 : Concerto in English; Le Coucou, Dlilquin; la Poule, the Van Cliburn Foundation of Fort Worth 0, Vivaldi·Bach; O,dte 18 , Couperin' se· Rameau; French Suite in E·flat Major, at the Fort Worth Museum of Modern lections from Pil3ces de Clavecin, Ramellu: Bach. The instrument: his 1970 William Art on April 28: French Suite in G Mllijor, Suite in E Major, Handel; Chromatic FlIn Dowd. Bach; La Forqueray, Duphly: Sonata for tasy and Fugue, Bach. He repeated the Yes, we do know how to spell HARPSI. Harpsichord, Vincent Persichetti. On May some program at the North Christian CHORD. The very common typo which 8 he was joined by members of the Divi Church, Columbus. Indiana. occurred in the heading for last month's sion of Dance. Southern Methodist Uni DIAPASON column was unfortunate; for versity for this program in Caruth Audi a complete discussion of all possible mis' torium: Le Tombeau de Sfravins~y (1971/ Anthony Newman and Friends I Edward spellings of the word, (including refer 1976), Rudy Shackelford; Prelude and Brewer, Mary Jane Newman, Judith No ence to a "2-manure" harpsichord) . we Fugue in A minor, S. 894, BlIch: Trio rell} played Ihe Boch concerti for 2, 3. refer our rellders to W. J . Zudermann's (1958) for flute, oboe, hllrpsichord, Gor and 4 harpsichords at Alice Tully Hall. The Modern Harpsichord (Odober House, don Jacob; Concerto in C minor for oboe New Yor~ . on April 24. New York, 1969). and harpsichord. Alessandro MlIrcelio. For both programs he played his 1968 Wil The English Harpsichord Magazine for lia m Dowd harpsichord. James Strand played this f.,culty recital at Southwe5fern College, Winfield, Kan· October 1976 (which copy just arrived sas, on April 26: Gavotte Variee, le Rap· to your editor) includes articles on th. Eiji Hashimoto, harpsichordist-in.resi pel des Oiseaux, La Poule, Rameau; Son harpsichord "t the Courlauld Institute dence at the University of Cincinnati, Col ata. Hob. XVI/2, Haydn (played on the Ilondon I by Michael Thomas, the lisbon lege.Conservatory of Music, gllve one re o clavichord); Sonata, Hob. XVI/19, Haydn: instrumental museum (l. S, Esteves Pere· cital in luxembourg and seven in various La Fileuse, Les Baricades, Coupedn: Sona· ira), on interesting early forte piano (C. cities in Spain during MlIrch. In May he tas, K. 113, 259, 119, Scarlatti. The pro· F. Colt). tuning and temperament IEdgar travelled to Hong Kong to give a recital, gram was repeated for the Ponca City Hunt}. and "notes lind corredions to and then on to J apan. where his activities C hapter, AGO, at Grace Episcopal former articles plus new information" by included recitals. moster-classes. lectures, Church. Ponca City, O~lohoma, on May t-A ichael Thomas. and orchestral appearances. I. Mr. Strand performed Sonlltinll for Violin and Harpsichord, Wliliter Piston and Early Music (April 1977) as usual glad· June 19-25 are the dates for a harpsi Brandenburg Concerto V, Bach, with the dens the eye, lind contains feature articles Carl Smith, Sf. Louis, was rresented in chord worh hop at St. lawrence Univer Chamber Orchestra of Southwestern Col dealing with "Some Instrument Colledions harpsichord and organ recita at McKen sity, Canton, New Yor ~. The fllcu lty in . lege on May 2. of the Ars Nova Period" (Joscelyn God· dree College, Lehanon, III " on April 17. clud es Daniel Pin~ham, Helen Keaney, lind win). the 17th·century French Courante At the harpsichord he played: Suite in ~ames Nicolson. Topics for the wor~shop (Wendy Hilton). the baroqu:: trumpet F, Boehm; DueHo in G Major, Bach; and Include performance practices (including Charles Gunn played his 1929 Pleye! after 1721 (Don l. Smithers), the perform· Preludes and Fugues in F minor and 0 the construction of a sonllta for two hllrp harpsichord at St. Paul lutheran Church, ance of troubadour and Irouvsre songs Major, WTC II, Bach. The harpsichord. sichords from the figured basses of Bern Denton, Texas, on April 27, presented by lion Par~er). and 16th·century German McKendree's 2·manual Dowd . ardo Pasquini I; fundamentals of basso North TeKas State University School of pla'l.'ing cards. 1I little ~nown source of c.ontinuo. t~ning and temperoment, harp Music. His program: Toccata 7, Michel Germon songs IClifford Armstrong}. Julian Orbon's T res Cantigas del Rey Sichord maintenance, and the virginol mu ongelo Rossi . Prelude and Fugues in E· for soprano, string q ua rtet and harpsichord sic of William Byrd. For further informll' flat Major, B·f1at minor, WTC I, Bach; Features and new items for these pages was heard at Southern Methodist Univer tion, please contact Marthll N. Johnson, Tombeau Blancrocher, Louis Couperin; are alw"ys welcome. Please address t hem sily on April 17. Barb",a Moore waS" the clo Office of Summer Sessions, St. Law Preludes and Fugues in 0 Major and A to Dr. Larry Palmer, Division of Music. soloist; Larry Palmer played the Univer rence University, Canton. New Yor~ 13 6 17 minor, WTC, II, Bach; Sonatas in D.f1at Southern Methodist University, Dallas, sity's Schuetze, built in 1969. {3 15.379·5570). Major, G Major, 0 Major, Soler, Texas 75275. RICHARD KINGSTON SAinT mARY'S HARPSICHORD WEEHEnD September 23-25. 1977 Pellelope Crawford WORKSHOPS CONCERTS Dm)id Fuller LECTURES Bruce Gustafson FOR INFORJUATION: Martin H aselboeck DEI'ARTMENT OF MUSIC Moreau Hull~ Arthur Lawrellce SAINT MARY'S COLLEGE }O addition ., the French lW 8 THE DIAPASON Appointments Here & There Daniel Pinlham wos the guest of St. lu~e ' s Episcopor Church. DllIllos. IlInd the Dollas C hapter, Americllln G uild of Or Handbell Music gonists, on April 2. and 25. Or. Pin1:hom conduct.td the southwestern premie re per fo rm llinces of his Passion of Judas during For Choir and Handbells the morning choral Eucharist IlIt St. luke's ond for 0 Mond.,y-evening performllince Bender, Jan- PRELUDE, TEN EASTER CHORAlE SETllNGS, AND sponsored by th e AGO. The reoctions to POSTlUDE FOR UNISON CHOIR AND HANDBEUS this 30.min ute wo rk , sto!lg ed in the round, Score, No. 97AA!J387 $7.SO o!Ind employing five in struments, chorus. HandOOll Parts, No. 97AA5388 \.70 M rrllltor, and five solo voices, were to· Choir Part, No.98AA2308 .SO folly positive. On April 26 the com poser wos Ihe guest -tI-PRElUDE, TEN CHRISTMAS HYMNS, AND POSTlUDE of North Tex,n Siale University's School FOR UNISON CHOIR AND HANDBEUS of Music. 'There he ledured on electronic Sco re, No. 97AA5401 $5.75 music (demonstrating with 0 synthesizer) HandbeU Parts, No. 97AA5402 3.40 ond wos present for 0 concert of his mu sic which included these worh: Suite for Choir Part, No. 98AA2319 .50 Orgon (Stephen Fey, orgonisl); Portito for Ho!Irpsichord I Chorles Brown); Aspects of Martens, EdmUnd-tl- FOUR INTROITS WITH HANDBEllS FOR the Apocelypse for Electronic Tope: Can EASTER, ASCENSION, PENTECOST, TRINIlY tilena ond Copriccio for Violin and Harp. No. 97 AA5384 $ .60 i ichord (Jomes lerch and Dare Peters); Three Songs from Ecclesiost. s (JUl!Inito Beck, Theodore-tl- CHRISTMAS EVE PROCESSIONAL Peten and Dale Peters): Whe n the MoO rn. Score, No. 97 AA5395 $3.25 Wilma Jen,.n, formerly on the orglln ing Ston SllIng Together (Chiules Brown , Handbell Parts, No. 97 AA5411 \.00 orgonist ). fa culty of Oklahoma City University lind Equal Voic:eslChoir Part, No. 98AA2325 .50 or90nist of the First Presbyterian Church in the sarno city. has been oppointed Warren E. Norden, Philo delphia orgo!ln associ.,te professor of organ at Indiana For Organ and Handbells ist ond composer, was honored in February University, Bloomington. Indiano. She will by Temple Zion upon completion of 13 begin her new duties in I.ete August. after yeors service there. The occasion, which Beck, Theodore- lWELVE SEASONAL AND FESTIVAL HYMNS concerts in Englllnd, Scotlllnd, the Nether coincided with the temple's 20th onniver FOR HANDBEllS AND ORGAN londs, lind France. , ary, wos a part of bicentennial activities. Score, No. 97 AA5312 $4.00 HandOOll Parts, No. 97 AA5361 .75 Jon Oic~san Bailey ...n been nam. d di recta... of the Yale Institute of Soc red Mu Kurt lueders, Americltn orga nid cur rently resident in Poris. is the llIuthor of sic. effeelive July I. He is currently as For H.ndbell. sociote professor of choral music at Yale IlIn "rtielo on the 1878 argon built by Philipp Furlwi ngler & Sohne for t he Evllln end succeeds Robert Be~ er, who hes served Beck, Theodore-CHRISTMAS SONGS FOR HANDBEllS as direcfor of the institute since its C1o gelicllli Church in Ml!In delsloh, near Han teblishment at Yale in 1973 . nover, Germony. This article, which in No. 97AA5151 $\.25 Mr. Bailey roceived his B.A. degree at cludes the specificotion llIn d 0 photogrlllph Northwestern University, his Mester of of the Clllse, eppellirs in the current issue oil Divinity degree from Drew University of Ars Organi, journal of t he Gesellschoff Theological School, 0 M.A. degree in der O rgelfrcunde. The some issue con mu sic history ond literoture from the Uni toins III survey of tro!lde r orglllns built in versity of C lllifornio lit Be rkeley, ond the the U.S. by Uwe Pape. The 193. Aeolion ~ OMA degree from Ston ford University. Skin ne r IlIt Westminster Choir College ~" Chlll pel ond t he 1933 Holtkomp additions ..... _A"''''''''...... _ He $tudied orglln with Michllel Schneider ,.._-_ _ in Cologne on 11 Fulbright grllnt ond hos to the 1922 E. M. Skin ner in the Cleve 11150 studied lit the University of Mel lo nd Museum of Art ore given as bod bourne ond thll University of Bosel. Before ground ; mechonicol·action instruments going to Yole in 1975, he wos deon of given prominent mention and/or pictured the SlIn Frllncisco Conservlltory of Music. ore the '956 Ho/monn in Albany, Texas. the 1961 Andover in Baltimore. the 1971 Colby Institutc of CltUl'CIt Music Fisk of Old West Church in Basion, the Richa rd W ayne Ohlsen has resumed hi' 1974 Noad. in Glenn Ellyn, Illinois, the former post as precenlor of the Washing 1975 Noock in Rome. New York, the 1972 Twcnty-sccond year August 21·27, 1977 ton Cathedral, effeclive May I. He has Brombaugh in Toledo. ond the more re also been named acling organist and cent Brombough in Oberlin, Ohio. A list choirmasler upon the relirement of Paul ing of hoder builders in the US con The Staff, Thomas Richne" (Director) Organ & Piano Collaway, September I. cludes the odicl". A second instollment, Pierce Getz, Choir and Vocal Technique. Mr. Dirhen has been associated with de"ring w.th Europellin imports, the Org"n George Faxon: Organ workshops the cathedral in various copocities since Hido ricllli Society. ond the Organ Cle"r Jack Grove: Youth Choirs & Handbells 1942. Noled as a composer, he has writ Ing House. is promised for the next issue. Samuel Walle" Conducting ten major worh for organ and choir, .,s Adel Heinrich: Organ for advanced beginners well os such lorge-scole works .,s "The Fiery Furnoce" ond "Jonah." He is 0 Morilyn Moson, professor o ( o rgan at groduete of the Peobody Conservotory. the University of Michigon, hillS been A most fulfilling week of study and rela.ation on the beautiful Colby aworded the Cortificlllte of Distinguished Campus, Haytlower Hill, Waterville, Maine, Elliott W_ Galkin hos been n.,med di Service by the Institute of Internllltionllli rector of the Peabody Institute in BaHi Educotion, for "outstonding porticipotion Demonstrations. Workshops, Exhibits, Practice opportunities, Conduct more, Md .. effective July I. He succeeds on the Notional Screening CommiHee for ing, Repertory and fun, Richard Franko Goldm.,n, who is retiring. Gronfs for Groduate Study Abroad" un Or. GalHn, a musicologist ond music critic, der the Fulbright HllIYs program. i$ currently professor .,nd ch.,irmon of For informatIon: Thelma McInnis the music deportment at Goucher Col Colby College Joseph Michaud will retire on June 30 lege. He is til grtlldutllte of Brooklyn Col· Waterville, Maine 04901 logo, the Ecole Normole da Musique illS music director o( the Ntlltional Shrine (Poris), ond Cornell University. He stud of the Immeculete Conception in Wesh. 'od in Europe on a Fulbriqht gront. ington, D.C., o!I position he hillS held since 196ft. During his tenure, he hillS brought many fomous orgllln recitalists to the shrine Keith McNabb has been oppointed to ond hos produced (our recordings on the the faculty of Ph~lips County Community IllIrqe Mol/er argon there. His "coup of College, Helena Ar .. where he teoches Iho century" was bringing Olivier Mes piono ond organ. He received his masters siaen for tho premiere of the French or degree from the University of Michigllln ganist·composer·s Meditotions sur Ie mys ond recently performed both the Poulenc tore do 10 Seinle Trinito on Morch 20. Concerto ond the Copllllnd Symphony 1972. o!In event which ottrocted 3000 per with the Arkl!lnt llls Syhphony Orcheslro. sc ns from across the notion. THE TEMPLE Cleveland, OhiD 44106 RUTH NURMI Harpsichordist • DAVID Author, A. Plain & Etuy Inlroduction o....4SUUwfWr_ ~ GOODING 10 Ihe Harp.ichord '.'." ...... ANDERSON H. DUPREE Ofll'oAN MlSIC harpsichord maker mE CLEVElAND ORCHESTRA Mount Union College AlUDnec. Ohio 44601 S,ICJ!f1l ClIOIW. MtSIC 7 Comstock Street MUSICAL HERITAGE ill II r. _.,...... all.... nil .. soclm ' ~ ~r. Germantown, OhIo 45327 l'-O... .Ilwtbf. WU11C1ta\'Ja.S W or""hop. Recital. !!olD .."~ .... RECORDINGS to~ " ..ea 110 ... .,...,.I.,..,.....1'IobIio/Iom (513) 855-7379 -..... ' ''n11. _ _ ._,...... '.IIIID. m-..na...,.- JUNE, 19n 9 Carillon News Larry Weinstein became the second American t o win the Netherlands Govern ment highest prize for corillon. the Prix d'Excellence. on April 27 . 1977. He pre sented his prize-winning recital lit the City HoI! of Rotterdam on May 18th. Mr. Weinsten studied ctuillon with Arie Ab benes ~t IndieM University, Hudson l~dd ~t the University of Michig~n ~nd leen 't Hert, Director of the Netherlands C.uillon School in Amersfoort, The Netherl~nds. The other Prix winnors ere Dirk Donter BernCird Winsemius, J~cques M~Cl5Sen ~II of the NetherlMds Clnd Hudson lCidd Cit the University of Michig~n. Mr. Weinstein hCls performed the Pe p ~ i C o l~ Tr~ velling CCirillon for sever~1 ye~rs touring the United St~tes. The 3 oc t~ve trClvelling c~rillon is under leCise from the I. T. Verd in Co. of CincinnClti. The "St. l~wrence, ~ romCintic symphony in four movements" by emeritus Univer sity of MichigCln Corillonneur Percival Price received its United St~tes premiere Hudson Ladd, editor of carillon newl ap MClY Bth ~t Hill Auditorium in Ann Arbor. pearing on th.s. pag... Michig~n with the Ann Arbor Symphony under the direction of Edw~rd Sl~bo. Pro fessor Price, the de~n of the North Amer ican carillon Clrt, won ~ Puliner Prize for Maximus Eijsbouh, director of the Eijs Pampa, Texas this work in 1934. bouts Bellfoundry in Asten. the Nether lands, died November 28. 1976. The Eijs 3 Manuals The de~th of dominion c~rillonneur bout Bellfoundry h~s inst~lIed severel caril 34 Ranks 29 Stops Emilien AII~rd I~st November left the c~ril lons in the United Stetes. including the Electropneumatic Ion in the PeCice Tower on P~rli~ment Hill, two instruments ~t Indilln~ University. Ott~w~, C~n~da, silent until April when Robert A. Geisler Gordon Slater WllS ~ppointed interim do The ennu~1 Congress of The Guild of minion cCirillonneur. The Peace Tower caril ClIrillonneurs in North America will be Fort Worth, Texas lon is celebrClting its 50th tmniversary as held in Chicogo, June 23-26, 1977, at Area Sales Representative ., C.,n~d i~n I~ndm~rk this summer. the co!!lrillons of the University of Chico!!lgo o!!Ind St. Chrysostom's Episcoplll Church. The University of Michig~n School of Music h ~s ennounced its 1917 Summer st. Thomo!!ls' Church in Whitemarsh, Penn Series of Corillon Recitals, every MondClY sylvoni~ , h~s ~nnounced its recit~1 series evening from 7-8 p.m., June 6 through every Tuesd~y evening Cit 8 p.m., July 5- September 26. August 30, with speci~l concerts Au g u ~ t TliE REUTER ORGAN COMPANY. BOX 486 Af 9th o!!Ind 30th with br~ss ensembles. For TELEPHONE (913) 843-2622 June 6 Hudson ladd further informo!!ltion, conto!!lct Mrs. Jo!!Inet LAWRENCE. I The Carillon Today instrument to new heights of musical (Conlinued from I', 6) expression and excellence, the challenge Generally speaki ng, the carillonneur per is stimulating and exciting to both the forms three repertoires: (I) original performer and the listener. RODGE:RS composi tions, 2) transcriptions and ar If those who possess, or someday will rangements, and (3) popular works, in ha\'e, the beautiful public musical in PIPE ORGANS cluding seasonal selections. strument called the carillon would just The North American carillon art is n'alize that it is the performance of still young, capable of touching people their instrument which allows its beau Augmented in varied ways; it offers great oppor ties to be enjoyed and their investment tlmity for new thought and innovation, realized and appreciated, the future of and is generally a very exciting musical the carillon as a vehicle of musical ex The perfect solutton for expression. The carillon can relate to plession would be greatly enhanced. churches where space or a community, or a teaching or religious 0111)' then will the day be past that financial limitations are a factor institution, to such a high degree so (d uring one of my out-of-town guest but where pipes are still that it is actually a p'art of its way of recitals) a woman was overheard speak desirable. life. Ito; fullest capabilities of being an ing 10 her hmband saying "My, isn't inlregal part of the overall American the carillon beautiful!" and he replied, A complete line of RODGERS culture have yet to be realized, and, "I can't hear it. The darn bells are too Pipe Organs, Augmented and as carillonneurs strive to develop the loudl" standard Rodgers Organs is available from Altenburg Piano House, authorized Rodgers WENDHACK representalives. Since 1780 W ALCKER For further information ~ organs call calfeet, or write (SpecifICation 250 shown) Walcker Ol'gaus 2tIOO South Patrick Drive Indfan Harbour Seach, Florida 32937 D·7157 Murrhardt Telephone: (305) 773-1225 10 THE DIAPASON Frituche Organ Co., Allentown, Pa.: New built for St. John's United Church of Christ, lansdale, Pa. 3 manual and pedal, University 01 Wisconsln 34 ranks. Robert Wuesthoff of the firm, Extension Organs Donna Fluke Osborne, organist of the church, and Theodore Streeper, committee chairman, collaborated on the tonal de· sign. Installed spring 1977. Wm. D. Miller, Inc., Cleveland, Mis. SSLL \ Solid State Logic Limited The Capture System with the flawless reputation. Post Office Box 200 Milan, Michigan 48160 (The only one we know!) (313) 663-6444 JUNE, 1977 n Twelve Welte organ rolls, ap parently undisturbed for SO years, were lort to Yale University in the Meyer estate in -Here & There Mount Kisco, New York, which is now operated as (I conference center. Perform. ances include ones by Edwin H. lomare, Henry Goss·Custard, and lynnwood far nam, and the seledions appear to be dif ferent from ones by the same porformers which have been transcribed and re·record ad on discs. The estate also included a ). manual Welte organ, currently undergoing repairs. The player mechanism, however. has deteriorated beyond repair. and the DESIGNED FOR THE CHURCH SER\'ICE '\;\0 THE ORGAN LlTER'\TURE rolls have been loaned to the Historical Sound Recordings Colledion of the Yalo University library. Since there is an intor SIM I'LlCITI' est in recording the origin.,1 performances IlELItIUII.ITY from the roll s, any reader with knowledge ,fCCESSIIIILiTY of a Welte organ with player attachment in wor~ing condition or who knows a meens whereby the rolls can be heerd. please write to Gordon Clark Ramsey, c/o His Since 1893 Memb.r APO!A toriclli Sound Recordings Collection, Yale University library, New Haven. Conn. 156 Woodland SI,.. t 00520, Hartford, Connecticut 061Q5 lindsay l aflord. of Hobart and Williem Smilh CoUeges, Goneva, NY. played th Elgar Sonato in G, Op. 28 at St. Paul's C&thadral, Syracuse. The program too~ place April 19 os part Dr a series of noon Thomas C. Crawford, a ~Iudont in organ recitals. SCHLICKER ORGANS and composition ot the Eastman School of Music, has been awarded the 1977 Broadcast Music Inc. awerd for dudont composers. The BMI award was made for the composer's new orgon work "Fontasia," which will be performed ond discussod by Responsible Organ Building Robert Andenon ot the forthcoming Con temporory OrgGn Music Festivol at Hertt C ollege, It is available from Hinshaw Mu Since 1932 sic Co. Mr. Crawford, a native of Harrisburg, Pennsylvania. holds the Scrnoffsky Prize in composition at Eastman, where he studies orglln with Russell Saunders and composi tion with Samuel Adler. 1330 Alilitory lIoo~1 A program of Motets and Chorales by Johannes Brahrm was performed on April nlliio/o. Ne.", Yorli 14217 1 "s a musical vespen al the First United Methodist Church or EI Dorado, Arkansas. Calvert Johnson ployed the Fuguo in A· Member A.P.O.B.A. Inquiries Invited flat Minor and four of tho organ chorales, Op. 122. Dr. Johnson olso pleyed piono with string playe r5 in a movement from the Trio, Op. -10. and directod II mote t choir in the three parts of Psalm 5 I, lei Howard B. Kelsey was honorod upon Nothing Ever Grieve Thoe. Op. )0. end retirement from his positio n as univenity A prerequl.it. to operating Ales, Poor W orld, O p. 11 0 no. 2. orgllnist at Washin gton Univenity. St. a compl.,. pipe shop is an l c uis, Mo., with a series of o rgan recitllis ampl. supply of properly Gale Reseo rch Co" Detroit. Michigon. played during the academic yea r by dis aged pipe metal. The alloy has announced the availability of th e new ting uished fo rmer stude nts. Frllnklin Per is CDst on a .tone 'oble; then 8th edition of t he Int.rnation.1 Who's Who kins Rudolph Kremer. Cerl Sta plin, Thomas the sheets or. rolled and in Music and Musicians' Directory. Pub. Harmon, David Wegner, David Hunsberg slored until they acquir. the lished in England, this work gives bioI er, Carl Saith. Robert Danes, Stephen Mc prope, charoderi.tk. fa, grophicol details for mll ny cltlu ical mu Kenie, Paul Andersen, Marie Kremer. and building slobl., permanent sicians. Information '5 also included on William Maul performed varie d works pipes. This ... Iew of port of performing groups, libraries, fostivals. com· from ell periods in the course of six pro Wick. pipe shop shows rolls petitions. ek. grams. of various a Uoys aging prior to being mod. lip into pipes. Attention to delail, artistic .Ilcellt",ce, and a com~et • STEINER • hop, cUdam·bullding the en· lir. instrument. charatterize Wich approach 10 organ ORGANS building. Writ. for more in tncorporilled formation. ~ WICKS ORGAN COMP~NY Highland, IlinoR 62249 1138 GIMn Placa Pipe Organ Craftsmen Since 1906 louisville, Kentucky 40203 ORGAN KITS Builders of Fine Tracker and The ulUm.teln delign & sound QUALITY PIPE ORGAN Electro·Pneumatic Pipe Organs DEMO RECORD & BROCHURE' $1.00 RESERVOIRS Inquiries are Cordially Invited 32' - 16' Electronk: pedals for pipes 1365 So. Delroll Ave. W. Zimmer & Sons • IC Capture comblnaUon actkJn Toledo. Ohio 43614 INCORPORATED Member APOBA ~ ~~ 5812 Amapo!a Of, 419-382-6761 ~~...:;M:7- San JaM. CA 95129 Mailing Address: P. O. Box 520, Pineville, N. C. 28134 NATIONS FORD ROAD' CHARLOTTE, N. C. CHESTER A. RAYMOND, INC. McMANIS ORGANS PIPE ORGAN BUILDERS Incorporated Rebuilding, Malnlenanee and Additions 10th & Garfeld P.O. Box 55 Prlneelon, N.J. 08540 KANSAS CITY. KANSAS 66104 Phone: 609·924-0935 THE DIAPASON The Fifth Annual Baeh Festival spon sored by the Chamber Singers of Iowa City, lowe. will tske plsce on June 10 and THE DIAPASON A MUST FOR EVERY ORGANIST t I in Clepp Hell st the University of Iowa. Performing with tho 45·member ($7.5D Q y.ar-$13.00 fo, two YlOn) group will be sn orchestra of 35 pl!!lyers. Do not ••nd cash as well as vocal and instrumental soloists. The evening programs will include Or· Send THE DIAPASON for _____ chestral Suite 4: Cantatas Ib, 21, and 50; yeorls) to Motet 2: Violin Concerto in E: Double Violin Concedo: snd 5010 ari!!ls. The fes Name Enclosed Is $, ____ , tivol is m!!lde possible in port through !!I grant from tho Iowa Arts Council and is under the direction of Dr. Rosella Duerk· Street THE DIAPASON " n. The Panion According to Saint Mst City 434 South Wabash Ave. thew by J. S. Boch hos received anum· Chicago, III. 60605 ber of recent pedormonces. ,A.mong those Slale Zlp ___ whic.h have como to our attention were H·.os e et St. Paul's Cathedrtll, Buffelo, N.Y. (Frederick Burgomaster, conduc· tor) and st All Sainls Church, Pasadena, Ca. (David Farr. condudor), both on RAYMOND H. CHENAULT March 27. Walter O. lah~o conduded it on April 24 st the Csdet Chopel, Wesl M. Mus. FCM Recitalist Point. N.Y .. end Daniel G. Reu ning was Marie·Louisa Jaquat. professor at the Organist - Choirmaster the conductor for a Msy I performance MsrseillO\ ConservatOtY in France. will be sl St. Paul's lutheran Church, Ft. Wayne, All Saints Episcopal Church, AUanta, Georgia in residence at t ho Cleveland Museum of Art from June 20 through June 24. Dur Ind. Other performances have been on ing that time, she will give seminors end April 6 !!It St. Bartholomew's Church, New York City (Jack Ossewaarde, conductor). masterdassos on the music of Franck end Margaret Melvin Langlais., a nd , he will perform a recital on April 8 at Bushnell Hall Hortford. Ct. there on June 22, at 8:30 pm. Furiher (John Holtz, conductor), and the some date ot St. Giles Church. Cripplegate. DICKINSON inrormation may be obtained hom the Depsrtment of Music,,1 Arts, Cleveland London (Christopher Connett, conductor). Unlvontty of loui .... m. Museum of Art, 111 50 East Boulevard, The same composer's Saint John Passion louIsville Bach Society olso received a london performance on Cleveland, Ohio 44 10b. Colvary Episcopal St. Francis·ln.th.fl.lds Episcopal April 8, when Stephen Lloyd conducted it at Southgato Parish Church. David Hew. lett directed the wor~ on ,A.pril 3 ot the Yu~o HClyashi played worts by Bude· Conservatory or Music in Ke. ne N.H. DAVID HEWLETT hude, ScheIdt, J. S. Bach, ond Gunther A memorial redtsl waS p1oyt! d for the Schuller's ',riplych" on March I I of the le te English organist C. H. Trevor in the Memorial Church of Horvard University. chapel of lincoln's Inn. London, on May MARSHALL BUSH Ms. Hayashi prem'ered the Schuller wor~ 20. Recitalists were Steuort Bedford, Hazel The Conservatory of Music: WInchester, New Hampshire for the AGO national convention in Basion Dayies. Christopher Regan, David Robin· Central Squan H.G.C.S.A. last June. son, and Roger Wibberley. a!'.· A maslarclass on the racent organ worls of Anton Heiller wos given by Thome, F. E Froehlieh on 10 ,A.pril ot Southern Meth· C" .JOHN HOLTZ . , odist University in 001105. The 3-hour le(. 1 T ture fet.tured performances by SMU slu· A Faculty: HARTT COLLEGE, University of Hartford denls. all from the studio of Robert An· L derlon: those organists who periicipl:lted S Organist: CENTER CONGREGATIONAL CHURCH, Hartford ware Norman Cas Gappa (In Festo Cor poris Chrid); Charles Moore (Ecce :iq· num crucis): Bob Bates (Salve Regina): Paul lee (Tonz Toccata); and Jonet Hunt (Victimae Pascal). Mr. Froehlich ended the session with a performance of the GEORGE MARKEY newly published Orei ChoMles. On April 18, Mr. Froehlich played a re Records Markey Enterprises 201-762-7674 citol on the new Sipe organ at the First Recitals 42 Maplewood Avenue Presbylerisn Church, Dallss. His program included Mtlrchand, Grend Dialogue in C Instruction Maplewood, N.J. 07040 Major; Bach, Fantasis$ in C Minor snd G Major, S. 562 tlnd 572: Bach, Partito on "Sei Gegriisset:" Aloin, Deux Fantasies: MARILYN MASON Heiller, Tsnz Toccata. CHAIRMAN, DEPARTMENT OF ORGAN UNIVERSITY OF MICHIGAN DOllglas Butler ployed the west·cosst premiere of Poul Sifler's "Contemplations ANN ARBOR Oft the Seven Words of Christ on the "Mi•• Mason played with ou,'.r;fy and reHNe, d~monsfratjnl anew Cross" st Herrick Chapel, Occidentsl Col. Edwin D. Northrup, former assistant Iter extraordinory lacm,y ..... Des Moin .. R,gister, Odober 5, 1964 lege, cn April 4. The Holy Week devotion· vice-president at Cesavant Freres, has re 01 concert included other works, contrad tired from the firm to return to ", clive ing contemporary with bsroque. Gnd consultant wQ r~ in the Cleveland, Ohio. Christian with Jewish tt!!lditions. The per· ares. Mr. Northrup graduated in history formance was donated to benefil the at the University of Toronlo and esrned 5cholership fund of the Pas!!Idena AGO a doctorste in law at Western Reserve chapter. The seven.movement Sifler work University before entering the field of THOMAS MURRAY was first performed by the composer in organ work. Prior to his association with Yugoslavia last year snd was the subiect Casavant, ho worked with the lote Char ST. PAUL'S CATHEDRAL BOSTON 02111 of a feature anslysis in the January 1977 les Viner, who hsd been a voicer st the is~ue of lHE D1APASON. William Johnson firm. WANT A PRACTICE ORGAN? Build your own - PEMBROKE PIPE ORGAN (in lIit form) Send .ramp lor b,ochure pocol2O BDq SlooeRS THE OR G A N LOFT STATE COLLEGE, fAST STlIOUOsaURG, PENNSYLVANIA 18301 t EPSOM, N.H. D3234 Tel. 603·736-4716 Remember: If if doe. NOT hav. pipes, it i. NOT gn orgon K. BERNARD SCHADE. FOUNDER AND MUSICAL DIRECTOR MARTHA FOLTS LARRY PALMER -; Traditional HarpsIchord - Organ f- Southern Methodist Unlversltv ~~~~ ~~?~~ ~~!:~~~ Ilecitals: Organlst-Claolrmaster 645 WEST 32NO STREI!T • P. O . BOX 1165 • ~RJE . PA. 1651.:i! Avant-garde 5atnt Luke's Episcopal CII.rela QUALITY PIPE ORGAN SUPPLIES 6337 Jockson Str.et Dallas. Texas Piltsburgh, Pa. 15206 JUNE, 19n J3 Here There Nunc Richard & DimiHis SARA ELIZABETH ALVATER Recent events of the Ottawa Centre 0'5an QulnteHo ANDERSON RCCO have included a workshop on rato.lo Accompanist hymn playing lind chant accomptlniment Director of Madrllal Siniers Bonno" Colleso by David Davis, a baroque performance Woodstock, Vermont 05091 OrHnsbarD. N. C. practice seminar and recital by John O'Donnell, a lecture on "The Ideal Church Musician" by Carman Milliglln, and a demonstrlltion of the new Glibriel Kney robert anderson HEINZ ARNOLD two.manual trader at St. John's Anglican Church. Ewen McCullig pillyed worh by SMD fAnO F.A.G.O. D.Mus. Couperin, Clerambault, lind Blich for the South.,n M.th.di" U"I.,en'ly 1607 A WESTWINDS DRIVE I"tter progr"m, which too~ place on "pril COLUMBIA, MO. 65201 lb. Dalla., Texa. 75275 Compositions by Robert Edward Smith RECITALS WORKSHOPS were fe"tured et the Musicians' Confer ence of the Episcopal Diocese of "thmta, held in St. Philip's Cathedral on M"y 21. CHARLOTTE AND WILUAM The composer wes present for the perform Thomas L. Bailey "nces, which included his "Festive liturgy" and "Partitll for Orqlln." ATKINSON Chrillt EpilM'opul QUlM!'h Englllnd's Royal Schocl of Church Music FIRST PRESBYTERIAN CHURCH Itnolluke. VA. is calebrating its 50th lInnivers"ry this 2001 EI Camino Rool ye"r. The "pril issue of Musical Opinion Onan,iele, Californkt 92054 Recilal. mlllrh this golden jubilea of the RSCM with speciel "rticles titled "A symposium of writings on Church Music." Among the Workshops Recitals "uthors tIre lionel D,,~ers, Ger"ld Knight. Arthur Wills, ond others. Word h"s been received of the death of Jean Pasquet, well·known composer of Peter Basch Leona rd Rner was guest org"nis' at a ROBERTR BI1600D orglln "nd cnor,,1 music. He died ot the J. spring convocotion held ot Hanover Col· S.M.D., F.A.G.O., Ch. M. age of 80 in Winchester, Ya .• on Jan. 24. Wildwood Road lege, Indiona, on M"V 1 and 4. Under Before moving to Yirginia in 1952, he 13 Best View Road the title of "The New Mood in Theology had served "s dean of the Long Island Califon, New Jersey 07830 Quaker Hili, Connoclicut 06315 and Music," three progr"ms included per. formances of worh by Oan;el Pinkham, AGO ch"pter and h"d oper"ted his own studio in Garden City, N.Y. An lIccount Ned Rorem, William Bolcom, Yincent Per. - of his building his own 4-m"nual organ sichetti. and Eliott Schw"rtz. Additional from various parts was reported in the present"tions were made by Kenneth Noveml-er 1950 issue of THE DIAPASON. CHARLES BOEHM JOHN BULLOUGH Gearhart on vorious ospects of rock music. Helen Margaret Hewitt, professor emeri· TRINITY LUTHERAN CHURCH A.B. M.s.M. Ch.M. Forleieh Dickinson Unlvenlty tus at North Tex"s St"te University, died Hlcknlll •• N.Y. The Hymn Society of America h"s on .... t her home in Denton, Textls, on March NASSAU COMMUNITY COLLEGE Teaneelr. New Janey Memorial Methocn" Chwrch nounced a competition for 1977: N.w 19. She w"s 77. Garda" Clty. N.Y. White Ploint. New York Psalms for Today. Teds submitted may Dr. Hewitt taught organ and musicology closely parollel 0 pSllllm liS in a strict metri· lit the university from 1942-1969 lind co cal version, may be somewhat freer portIo founded the doctorlll program there. Sh e phrases of 0 psalm, or may be simply teds received her PhD in musico logy at Rad· ARTHUR CARKEEK more gener"lIy inspired by a ps"lm or cl iffe in 1938 and was best· known fo r M.S.M. A.A.G.O. WILL CARTER psalm portion . All teds submitted should her edition of the " Odhecllton" (1503) indic"te the pselm or ps"lm portion on lind her ed itorship of listings of Americ"n DePauw University Organist which the subm itted ted is based. An or· Church of Saint John the EVGnCJeUst doctoral disserilltions in music. She WtlS Gobin Memorial Church iginal tune for 0 specific text is olso wa l· also the lI uthor of four books and mo re New York City come. Alternatively, existi ng tunes m"y be than thirty lI rticies. In 1947, she received Gr DAVIDSON DELBERT DlSSELHORST EDWIN D. NORTHRUP mim :ijtmfl! Jtl(l; F. s.._L. OM" B.A., .JUR .. D .. PIPE ORGANS "S". """ 0 CkM MSM. ClaW Uniwersity of lowo 2475 LEE BOULEVARD Ralontiou. Daip. Seniee Harp., Col1 89'1 n.. " •• byt... laa ChlirU CLEVELAND. OHIO 44118 '.'atlno. 1111..01. ",,'n;ton. IIUIlOI. Iowa Chy 10"'0 TEL. (216) 9324712 105! Roanoke Road (216) 382·9396 Oenb .... lleichls, Ohio 44121 EUGENIA EARLE KATHRYN ESKEY Teachon Coll.go, Columbia Unlvonfty Tho University of G. F. ADAMS Harp1ichord Recilal. North Carolina Performance Pracllce Workshaps Organ Builders, Inc. 15 Wad 14th Str ..t. New Yorl:. N.Y. 10024 at Greensboro DELAWARE ORGAN COMPANY, INC 252 Allmor. An. Tanowando. New York 14150 204 West Houston Street EARL EYRICH (716) 692·7791 GEORGE ESTEVEZ New Yark, New Yark 10014 51. Stephen's Church ch.m. (Episcopal) Chic ••• Cha_ Chall Rhode Island Colleae MEMU. "".O.BA Providence 14 THE DIAPASON Honors and Ch.,I•• H. Ph. D. f.A.G.O. Competitions GEORGE FAXON TRINITY CHURCH FINNEY Chairman, Divf.lon of Music & Art BOSTON Houghton Colleg_, Houghton, N.Y. Ivan Battle, student of Rich"rd Andor· Houghton Wnleyan Methodl.t Church son at the University of North Colltoline at Greensboro hal won the fifth annual or gon competition of the Fint Presbyterian Church, Ottumwa, lowe. The second·place prize went to Carla Edwards, student of Robert Finster WAYNE FISHER James Moeser at the University of Kllns.,s. DMA and honorillble mention went to Joseph College Con.ervalory of Music St. Luke', Chuu,h Kimbel, student of Jomes Beoringer at Susq ueh8nnll University. Judge for the Son Antonio University of Cincinnati 45221 competition was DtllVid Craighead. Janet Dollins, student of Paul Hesselin~. and Donald Tr.slt, student of William Stokes, won fitd I!Ind second place respec HENRY FUSNER Job" g. ~tarbart III tively in the organ playing competition Bedy Brauer, IlIn orgon student of loo S.M.D •• AA.G.O. B.A .• M.Mus. sponsored by the Richmond Chapt~r Garrett ot lewis and Clork College in First Pr ••byt.rton Church Grace Presbyterian Church AGO. The event took placo February 8 Portland, Oregon, hos been oworded 0 Jenkinlown. P•. 19046 in Covenant Presbyterien Church. Rich Fulbright scholorship for dudy in Europe Nalkvllle, T.,,""... 37220 mond. Vo. during the coming yeor. She will be 0 887-6111 pupil of Anton Hoiller in Vienna. Three full tuition scholorships were tlworded April 16 in the nationol compe Robert Glasgow tition for 1977-78 Stroder Scholarships in School of Music Antone Godding orgllln of the College·Conservatory of Mu School .f Music sic, University of Cincinnati. Winner of University of Michigan the graduate category is louis A. Wil. Bishop W. Anll. Smith Cho," Iiams Jr., Concord, N.C., a student of Ann Arbor Oklahoma City Unlv."lty MireiUe Lagace at the New England Con servatory, where he earned the MMus degree in 1966. His performance included Bach Prelude and Fugue in B Minor. Reger LESTER GROOM Fantasia in C Minor. IlInd Hindemith Son. Seattle BRUCE GUSTAFSON ata 3. Mr. WiIIilllms also received III $500 prize. Seuntc l'udOe Olurch DC ahe ~l Mary'. CoUcge Runner-up in the graduate finals was Cullege AlM:cn.ion David A. Billings, Montrose, Po., 0 gradu 98119 98199 Notre Dame, Indiana ating 5enior from Pennsylvanilll State Uni. versity, where his teacher is June Miller. He played Budehude Prelude and Fugue in 0 Mojor. Fronck Chorllll 2. and Mes si"en Meditation VIII. E. LYLE HAGERT Winner of the undergraduote competi STEPHEN HAMILTON David Petrash, music instructor ~t Gray tion was Richard L Elliott III, of Towson, Geducmane Epb DO IT YOURSElf PIPE ORGAN KITS Harry H. Huber Cttttom lpKlOutJou for d;urQ ., Yow, peno"" wi"... d. deane ,.sld.nu, eompl.t. or JMIm, full I,.,. .,. ,,. good Itand. M.Mus. I structlonl by .stablflh.d OrQaft bulld.n. Kansas Wesleyan University hutchison I COLKIT MFG. CO. '.0. lOX 112 Stln.~. ZEin University Methodist Church HiI ... S,atlo., fluffala, N.Y. 14221 _all.,. I.V. _"" SAliNA, KANSAS portland, oregon Slider seals for slider chests. FRANK IACINO £LL!N KURTZ Ven.hueren B.V. Organ Virtuoso Recording Artist JACOBSON Pipe Organ Bullden for redtol boolelnSl', writ. tol Jieythuysen (L.) Frank Vlncen' M.Ntv •• A.A.G.O. The Netherlands 161 Oalcwood A.... Apt. 304 Concord. Collfonda ttA~~~~Mechanial Action Speci.lists Toronto, Ont.,la, Conoela BRinn JOnES BERKSHIRE ORGAN COMPANY INC. CHARLES D. JENKS Boston 02181 68 SO. BOULEVARD, WEST SPRINGFIELD, MASSACHUSETTS Fir!!l Congrcl;Dtionul Chu~h Wellesley Congregational Chun:h Member: Intemo.ional Society or Orgn" 811ildcMI Dea Plaines, JL 60016 Nobll & Graenoulh Dedham Choral + School Society JUNE, 19n 15 . .. KIM R. KASLING James Kibbie CALENDAR D.M.A. 21 JUNE W•• tem Michigan Unlunlty Holy Family Church The deadline for this calendar Is the 10th Bernard lagace, Buxtehude lecture; Choate First Congregational Church Fort Worth, Texas of 1M preceding month (June 10 for July Chapel, WI1l1ingford. CT 8 pm Kalamazoo, Michigan. issue}. All events are assumed to be organ recitals, ",n'ess otherwise Indicated, and are 22 JU NE grouped from east to west and north to Calvin Hampton; Music Ha ll, Methuen, south wllhin each date. Calendar Informa MA 8;30 pm SHARON KLECKNER GEORGE E. KLUMP tion should includ i!!l artist na",e or event, Bernard lagace, Orgelb uchl ein leclure)' . dote. location, and hour; incomplete infor· MellOI' Arts Center, Wallingford, CT a pm House of Hope DIVISION OF THE ARTS malion win not be accepted. THE DIAPA Harold Wills; St John" Church, Washing. ..~ . Presbyterian Church SON regrets that it cannot assume responsi· te n, DC 12,10 pm St. Paul, MN 55105 DALLAS BAPTIST CoLLEOB bility for the accuracy of entries In the Marie-Louise Jaquet; Museum of Art • ~:s. calendar. . : :- Recitals DALLAS, TEXAS 75211 Cleveland, OH 8:30 pm 23 JUNE UNITED STATES Roberta Gary, Franck lecture; Choate Eqst of the Mississippi River Chopel. Walli ngford, CT 8 pm t [. JU;'E" Roger W Lokin l: St Thomas Ch -..rch, N.ew fWILLIAM KUHLMAN Arthur LaMirande John W fettOif"O, first Congregational, Ya rk, NY 12.10 pm Luther College Waterbury, CT 4 pm Church of the Holy Name of Jesus RSCM 50th anniversary festival; Cathedral 24 JUNE Decorah, Iowa 52101 of Sf John the Divine, New York, NY 4 pm Bernard lagace, all-Bach; Choate Chapel. New York, N.Y. 10025 John Gearhart; Groce Presbyterian, Jan· Wallingford, CT 8 pm kintown, PA 8:15 pm Paul Bouman. Fourth Presbyterian. Ch i - ' Music for soloish, chorus, organ; Emman· cago, IL 12;) 0 pm uel Episcopal, 8altimare. MD 4:30 pm RICHARD W. L1TTERST frederick Swann; flogler Mem Church, 5t 25 JU NE HUW LEWIS Augustine, fL 4:30 pm Mark Adams; Cathedral of 51 John Divine, Recitals M. S. M. Herbert L While, Jr; hi Church of Christ New York. NY 4 pm SECOND CDNUEGATIONAL CHURCH Scienlist, Oak Park, Il 5 pm Saint John's Church Donald 5 Wtighl; 5he1" man Po rk l lol th t ron, 26 JUNE ROCKFORD, ILLINOIS M1rwaukee, Wt 3 flrn John Rose; Chautauqua Institute, NY 3:15 50 East Fish.r. De'ro;" MI 41201 pm 8 JUNE Robert Kline; National Shrine, Washing. David Gallagher; Music Hall, Methuen, ton, DC 7 pm MA 8:30 pm Regional AGO winner; St Aloysius Church, David Lowry Handbell concert; First Presbyterian, Red Detroit, MI 3 pm William MacGowan Bank. NJ 8 pm School of l\lu.,ic 27 JUNE Bethesda.by-the-Sea Da:e Krider; 51 Johns Church, Washing. Winthrop Colll-'!1l' ton, DC 12:10 pm Huw lewis; St Johns Episcopo:, Detroi', Palm Beach, Florida MI 8 pm Hock Hill. Smuh Carolina 2tJ7:G 10 JUNE Kirsten Synnestvedti Fourth Presbyterian, 28 JUNE Chicago, It 12:10 pm David Craighead; 51 Joseph Cathedral, Hartford, CT 12 JUNE Robert Clark, Italian music; Mariners FREDERICK L. MARRIOTT JAMES R. METZLER Bernard & Mireille lagace, argon & harp Church, Detroit, MI 4 pm ORGANIST - CARILLONNEUR sichord; Mellon Arts Center. Wallingford. Thomas M Kuras; 51 Josephs RC, Delroit, TRINITY CHURCH CT B pm MI8pm KIRK·IN·THE·HILLS Arthur A Phillips; 5t Philip Episcopal, New TOLEDO, OHIO 29 JUNE BLOOMFIELD HILLS, MICH. 48013 York, NY 3 pm 5ilver Jubilee service for Queen Eliza· David Craighead, maslerclass; St Josephs beth; Cathedral of 5t John the Divine. New College, Hartford, CT York, NY 4 pm John Weaver; Christ Church, Avon, CT Alvin lunde. St Thomas Church. New York, Barbara Bruns; Music Hall, Methuen, MA HAROLD MUELLER WILLIAM H. MURRAY NY 4 pm 8:30 pm Albert Russell; St Jahns Church, Washing· F.A.G.O. Mu •• M F.A.G.O. Gwen Gould, with percussion; Immanuel ~utheran , New York. NY 5 pm lon, DC 12:10 pm Trinity Episcopal Church Music for harp, organ, vi ola; Downtown Rheinberget Grosse Messe; 5t Annes RC, Temple Sherith Israel Church of the Mediator united Presbyterian, Rochester, NY 3,30 pm Detroit. MI 10:30 am San FnlDcisco Chicago, III. Mozart Solemn Vespers, B lynn Hebert. Robert Glasgow, Marilyn Mason, master dir; 51. Jamal Cothedra l. Ch fcaga, ,L 5:30 closses, U of Michigan, Ann Arbor, MI pm pm 1 JULY CARLENE 13 J UN E Richard Morris. with Marlin Berfnbaum. frank a. novak 8ernard Lagace, articulation lecture: Mel. trumpet; Chaulauqua Inslitute. NY 8;30 pm Ion Arts Center, Wallingford. CT 8 pm NEIHART HOLY TRINITY LUTHERAN 2 JULY Central Presbyterian Church CHUR,CH 1'.4 JU NE Richard Elliott; Christ Church. Alexandria. Armour and Campbell IOBQ.,Maln Bernard & Mireille lagace. Buxtehude lec VA 5 pm Kansa. City, Missouri 64109 Buffalo, 'N.Y. 14209 ture; Mellon Arts Center, Wallingford, CT B pm 4 JULY Joan lippincott; Westminste r Choir Col I S JU NE lege organ week for H5 sl udEmh. Prince- RICHARD M. PEEK FRANKLIN E. PERKINS Will Headlee; Music Ha ll, Methuen, MA ton, NJ a pm 8:30 pm Sac. Mus. Doc. Ph.D. Roberta Gary, contemporary music lecture; " 5 JULY Mellon Arts Cenler, Wallingford, CT a pm Covenant Presbyterian Church Th. -Ladue Chapel Gerald M.:Jrton; Riverside Ch urc.h. New Th. John Burroughs School Helen Penn; St Johns Church, Washington, York, NY 7 pm 1000 E. Morehead Charlone, N. C. 51. louts, Milsourl DC 12:10 pm 16 JUNE 6 JULY RECITALS Bernard lagace, Orgelbuchlein lecture; Earl Eyrich, all.french Music Ha ll , Meth· , Mellon Arts Center, Wallingford, CT 8 pm uen, MA 8:30 pm MYRTLE REGIER Corliss Arnold; St Thomas Church, New Patricia & Arthur Neal, soprano & bor;· York, NY 12:10 pm tone; St Jahns Church, Washington, DC 12;10 pm Mount Holyoke Colleg. btl~ , DaVid Craighead; U of Kentucky, Lexing· ton, KY . South Hadley, MalSachu ••H, 9 JULY Peggy Kelley Reinburg; Chrisl Church, SUneDastttl ConcertI llU"et Mgmt. & Producllons,lnc. 17 JUNE P.O.6374 • Clearwater' Florida • 3351. Roberta Gary; Choate Chapel. Walling Alexandria, VA 5 pm ford, CT 8 pm K. BERNARD SCHADE Randy Casey; fourth Presbyterian, Chi· 10 JULY ALEXANDER BOGGS cago,lll2:10pm S.M.M. Choir concert; Independent Presbyterian, Birmingham, At 4 pm STATE COUEGE 19 JUNE R ·YAN EAST STROUDSBURG, PA. Mireille Lagace, all·Buxtehude; Choate 11 JULY Chapel, Wallingford, CT 8 pm : Cathedral Church of Chris. the King Workshop. and Lecture. Joan lippincott, mastercloss; Westminsler Kalamazoo, Michigan 49007 John F Schuder; St Thomas Church, New Choir College, Princeton, NJ 8 pm Th. Kadal, Choral Method York, NY 4 pm Marie-louise Jaquet, all·French; Presby. terian Church, Madison, NJ 7:30 pm 12 JULY ROBERT L. Robert Kline; 51 Thomas More Cathedral, Robert Glasgow; Rlv. rside Church, New Robert Shepfer Arlington, VA 4 pm York, NY 7 pm O,gonl.t • Choirmaster Frederick Hohman; Mess'ah Evangelical : . ~ E.COND PRESBYTERIAN CHURCH Lutheran, Chicago, Il 4:30 pm 13 July SIMPSON Henry lowe; Music Ha tt, Methuen, MA , ': .. . l~ianopoH., Indiana 46260 CATHEDRAL CHURCH Of ST. LUKE 20 JUNE MA 8:30 pm ·... i ~ Recital. P.O. BOX 2328, ORLANDO, fL 32802 Bernard & Mireille Lagace, Bohm lecture; Eileen Guenther; St Jahns Church, Wash. Mellon Arts Center, Walli ngford, CT 8 pm ington, DC 12:10 pm 16 THE DIAPASON UNITED STATES 11 JUNE Welt or the Mississippi River Harrison Oxley; St Edmundsbury Cathedral. Suffolk. Eng'and 7:45 pm L. ROBERT SLUSSER Bobert '1,1. Smith ~ JUNE Musica mundana et muslea instrumentalis. MUS. M., A.A.G.O. Frederick Hohmen; Cethedrel of the Boxhill Music: festival, Dorking. Surrey, Eng Uniuirsii" Baplisl"Chtlrch Risen Christ. linc:oln, NE 4 pm land 8 pm LA JOLLA PRESBYTERIAN CHURCH CharloHesvilie ' , ~ , "Music For an English Summer," St Bedes 12 JUNE LA JOLLA, CALIFORNIA Virginia 22901 Episcopal. Menlo Park, CA 8 pm Baroque vocal & instrumental music; B; x Harpsichord recital; First Congregatbnal. hill Music Festival. Dorkmg. Surrey, Eng!a ld bs Angeles. CA 8 pm 8 pm 16 JUNE 6 JUNE Jane Parker.Smilh; All S:>u's. la- g!1al1 Carl Staplin AGO fe~ lival service; SI Francis Chu (h Ploce, london. England 8 pm ROLLIN SMITH Ph.D., A.A.G.O. Palos Verdes hlalet. CA 8dS pm Drake University 18 JUNE University Christian Church 7 JUNE Christopher Robinson, 51 Edmunds!>ury RECITALS Il SO Forl,-fint Slrltf'l. BrvokJ,D. NY 11211 Ron Ostlund, Ch,i~1 United M~ lhod ;l t. Calhedral, Suffolk. Eng'and 7145 pm OES MOINES, IOWA Rc:chester. MN 12:20 pm John Bishop; Wells Cathedral. So-n~f$~I. 80ch Muskal Offering; ~irsl Cangrega'ior. England B pm at Las Angeles. CA 8 pm Richard Birney Smllh. harpsichxd, wi:h orchestra; St Raphaels ruins, Ontario pm ~~~,~~v~ l111ffll NORMA STEVLlNGSO-1li 10 JUNE D.M.A. Bach Festival; Cantatas 16, 50, Mot t 2, n JUNE l!niveuily Wisconsin-Sup.rior Suite A; Clapp Ha:1. U of Iowa, Iowa City, IA Te Oeum Consort; St Raphaels ruins, Oa 0' Pilgrim hlla.ron Church B pm Iorio am '~ttbtntS Sup.rior. Wisconsin .54880 Sunca,ut Concert Mlmt. &. Productions, Inc. 11 JUNE 20 JUNE P.O. '374 • Clearwater · Flo n d l • 33518 Bach Festival: Cantata 21, arias; C,app Ian Curror; St Anne & St Agnes, lon· Hall. U of Iowa. Iowa City. IA 8 pm d.)n, England 1110 pm Bach B·Minor Mall, louns Jones. cond; ADOLPH STEUTERMAN maurice thompson First Congregational. las Angeles. CA 7.30 21 JUNE Mus. Do,-, F.A.G.O. pm Orchestral works; St Bartholomew the Southw.sl.rn ot Memphis, Retired St. Ignatius Catholic Church Great, london, England 7,30 pm Calvary Episcopal Church, Emeritus 12 JUNE Fronds Jackson; Sheffi. ld Calhedral. Eng Austin, Texas 7B704 Calhanne Crozier; U of Kansas, lawrence, land 8 pm Memphl., T... n ..... KS 8 pm George H Pro: Groce Calhed 0 1. Sa, 23 JUNE Frand sco. CA 5 pm loomos F Froehlich; Auguslinerkanvcnl, F81hval of ChOIrs; Gorden Grove Com· Vienna JOHN TUTTLE, FAGO munilyChurch, CA 9:30 & 11:15 am Roy MaueYl St Micho! b . Btl ktmere. Eng· FREDERICK SWANN Iond 7.30 pm Saini Paul's Anglican Church The Riverside Churd, 227 Bloor 5fr"1 EOII IJ JUNE 2~ JUNE raranlo,Onl.rio James MoeJer; U of Kansas, lawrence. KS Francis Jackson; 51 Edmundsbury Cathe New York Cily Ml.W le8 B pm dral Suffolk. England 7·45 pm recitals Instruction U JUNE 26 JUNE Robert E Scoggin; Chtisl Uniled Melho James Mooser; p( urn Ba Soi lka. West Ger George Norman Tucker dist. Rochester, MN 12120 pm many Charles Benbow; AGO. Dallas, TX NUL Bach. sally slade wamer 29 JUNE ST. LUKE'S CHORISTERS •.• •g .o. eh.m. 19 JUNE Albert Bolliger; St ludgeri Church. Nor Mary Ellen Sutton; All Foilh. Chapel, Kon· den Kalamazoo CHURCH OF $O~ Stato U, Manhallan, KS 8 pm ST. JOHN THE EVANGELIST BOY CHOIRS Beacon Basion 3D JUNE Hill 21 JUNE ThornOi F Froehlich: Pfarr k"che. Igls, Inns Sue Fortney-Walby: Christ Uniled Melho bruck. Austria disl, Rochester, MN 12:20 pm C. GORDON 1 JULY WA-Ll-RO Handel Coro:JOlion Anth ~ ms, David Will 26 JUNE BOY CHOIR Mozart Requiem. John Alldis. dir. McCain coc: ks. dir. Welb Ca:hedral. Somersel. Eng. land 8 pm WEDERTZ Aud. Kansm Stale U. MonhaUa:'I. KS 3 pm WARRlN C. MILLER - DIRECTOR 25!4 We'SI 118th 5(. John Kuzma. all·Reger; la Sierra U Church. 3 JULY Chriat Church, Shaker He.ht. 22, Oltto CHICAGO ijOG55 CA 3:30 pm Trudy Faber; Solingen. Germany 8 pm James Moe)!!r; We!lerwald Abby. Marien· 28 JUNE stadl, West Germany Byron l B ackTl ore; Chmt Uni led Metho· dl~t , Roches!cr. MN 12,20 pm S JULY CLARENCE WATTERS HARRY ARTHUR WELLS Robert And ~ rso'1 j Garden G rove Com· James Moeser; Munslerkirche. Freiburg. Trinity Luth.,an Church munity Church. CA 8 pm Wesl Germany RECITALS Taverner Western Wind MolS, Brillen Hymn The Chapel, Trinity College Wa.hlngton Sla'e Univ.rslty 29 JUNE to Sf Cedllo; Sf Bartholomew Ihe Great, Hartford, Connecticut Pullman 99163 Bcrnste in Chichesler Psalms; Gat d ~ n Grove l ondon, Eng'ond 7130 pm Community Church, CA Sd 5 pm 6 JULY 3D JUNE Trudy Faber; SI Marienkirche, Rendsburg, DAVID A. Mendel»ohn Sf Pau', Garden Grove Com Cermany B pm Charles W. Whittaker munily Church, CA 8:15 pm T Wollard Harris; Aeolian Town Hall. Land:>n. ontario 8;30 pm Recitals ~ JULY WEHR Fairfax United Methodist Church 9 JULY Bill Willan. Chrisl United Methodist, Re Ealttm Kmluc.k,. Unlnnhy DaVid Palmer: Church of St Mary the Vir· P.O. Box 170 Fairfax Vlralnl. 22D30 cheSler. MN 12120 pm Rlehm.ad, K... ,ud 10 JUNE VIR GINIA COMMONWEALTH UNIVERSln ZEIGLER-DICKSON DMA '''liO Organist Charles Benbow; Cologne. West Germany Eastern Iw.;ol. Univeralty Sfr James Jeans' favourite music; Boxhill RICHMOND, VIR&INIA D.partment of Music Music: Festival, Oorking. Surrey, Eng:ond 8 IOWA STAT< UNIVERSITY Charl ••ton pm Ames,lowa JUNE, 1977 17 Ck.... r .. d aclverti,r... rat": ,., word, $.20; RIIinTRllum chor,., $2.50; box num"" additional $1.00. CLASSIFIED ADVERTISEMENTS R..,II" to box numbe,s Mould be lent c/ o The DIapason. 434 S. Wo_,h Avltnu., Chka,o, III. 60605. POSITIONS WANTED pOSITIONS AVAIlABlE WANTED-MISCEUANfOUS HAIU'SICHOIIDS NATIONALLY KNOWN ORGANIST. CHOIR EXPERIENCED SERYICE MAN WANTED FOR AMERICAN TRACKERS. THE ROMAN CATH FINE HARPSICHORDS, CLAYICHORDS MADE mast.r, tueher, DMA, IS ,un e.perience, well Pacific· Northwest area. Excellent opportunity olic Diocese of Son DieQo it see.ing informa· to individuGI prerequisites: French, Flemish, versed in coneerted, chureh, litufgkel end for semi·retired man. Please send resume. etc., tion about American h ader or9ans of all Italian, contemporary conligurations. Also a orgon music is seeking employment be9inning to Balcom & Vaughan, 5413 Meridian North, lizes for possible relocation and sympathetic spectrum of kits. E. O. Witt. Rl, Three Riven, foil, 1m. Will consider private sehool, ehurch Seattle, WA 9810]. restorafon. Or9ans mus! be substllntiolly in MI -4'1093. (6111) 2044·SI28. or college. Location is open. Tapes and eIcel· original condition. Please send askin9 price, lent referencet tupplied upon request. Address M/SCEUANfOUS stoplid. dimensions, present location, namo of FLOWER YOUR HARPSIC HORD SOUHD· 1·1. THE DIAPASON. builder and dale (il .nown), ,"onual and board with authentic Rucken birds. beu, now· pedal compan. picture of 1.:eydest and caw, erl. FuII·size layout, instruction manual, S15. DIRECTOR OF MUSIC, FULL-TIME, DESIRES PROSRAlrot ...... LE ELECTRO NIC D 00 It and a 7'11 ipli or tanette tape demonstrating chimal ploys 1st 16 beah of aoch's T&F in Shirlev Malhews, P.O. BOll 16204. BallimOl'e, MD chon;e. PrelOnt position 14 yeo". Ovar 25 each slop, choruses, elc. (if playable at all) to d or any other tune you wish. Simple hookup 21210. yeors e~pefionco all pha~s chureh mulic and R. Harold Clark, 204B Third Ave., #J, San to eIistin9 16v doorbell syslem. $69.95 plus religious drama. Multiple choirs: adult choin Diego. CA 9210t . All tapes returned if J1I. RICHARD ALEXANDEl, HARPSICHORD {amateur/ professional); large choral societies SIJ5 freight. Send check, m.o. or Master quested. Charge or SankAmericard ecct. no. plus eI' Maker, Ruckers, Talkin. D",Ickin, Couchet cop· wIth orchestra; competent of9onilf/recit.lid, iel. Custom built. P.O. BOll S41 . Ashland. Ore· piration dato and in terbank no. to: HIS Spe. WURLITZER B'HORN DIAPASON, 61 NOTES. Fine preIS noticet and references. Married, ge n 97520. family. Write F.l, THE DIAPASON. cialties, BOI 3n, Streamwood, IL 60103. Illinois good condition. Don Bel,haw, #240, l60l South res. add 51.. t a~. Clorhon. En91ewoocl CO MilO. IlOl) 78IMBI. HARPSICHORD OWNERS: A fULL LINE Of EXPEltENCED, ENTHUSIASTIC HUSIAND· THE NEW 7· 0CT"'VE PETERSON CHROM ... - USED SPOTTED METAL AND OLD SPOTTED lIudio end visual Chromatic Tunon is now wife tum SHU cltoirmasler.of9onisf patHion tic Tuner modal 320, is now available from melal pipes. 90 CIInts per pound. Contact Trivo ava'lable to help you with you, tuning require. in chu,ch desirln9 tine mUlic Pf09,am. Loca· slock. Continuoudy variable Vernier cOfl trol al· Company Incorporated, Manulacturers at Qual. mel'lh. for more informatiol'l write Peterson tion Opell. Relumo, tapes, reference, on re· lows you to compenlata for tomperaturo or ity Reed Pipes, 1101 101, Hagerstown, MD 11740. Ele tlro·Mu,:cal ProdllC is. DC':p t. 20. Worth, IL q",est. Dired lnquirlos to Lowrence Sisk, lID tune cehule ranh with ease. For more details: 100-482. Granville, Chicago, ILl:D66O. Peterson Electro·Musical Prod",ch, Dapt. 31, 410.4 DRAW KNOS CONSOLE WITH WORKING Worth, IL 604S2. combination action and coupler mechanisms HARPSICHORDS, CLAYICHORDS. MOZART ORC;;ANIST CHOIRMASTER, SMfr04 : UTS/NYC, (preferably all electric), for home uso. Must Pia nos by Neupert. sales o r rental. Fiftlncin9 polfQraduate study abroad. Experience: Protes· REED ORGAN REPAIRING-REEDS . RE- accommodate 13 Gr, 14 Ch, IB Sw, 14 POI, and availeble. Write or cell Welly Pollee, 1955 WI st tant.Catholic Iitur9Y; multiple, handbell, con· tongued. J ohn While, 2-416 Irvin9 South, Mlnne· 17 Ped stops plUI couplan. Dr. E. H. Blad· J ohn Beers Rd., Stevensville. MI -49127. cert choir; studio teaching in of9an-piano apolis, MN S5~. (612) 377·1950. slone, 1364 Stercrou Drive, Birmingham. ilL voice: recitel: college cansorvotory professor 352111. Office (205) 93.·-4144. home (105) 9n· HARPSICHORDS, CLAVICHORDS BY NEU competent in teaching, administration, church QUALITY SRASS ORGAN SHALLOT MAN U 5594. perl, world 's finest, oIdesl maker. Catalogs on music. Regard, church music es vil~1 enrich· fachner. W . P. Williams & Co. (R. Stannard), requet.!, Magnllmusic, Shoron, CT 0606'. ment af Christien faith e.pteued Within "'Of'. 68a 6oKombe Road, Southand·on·SeIl, Essel, ship. Will con,ider cbarch Of ccMllQe. Reply HAIU'SICHOIIDS HARPSICHORDS, CLAVICHORDS BY NEU· E.l, TH E DI APASO N. Engla:.."".:.... ------:=~ pert. RECORDERS by Ma ed, Adler. and olhen. TWO THan AND FOUR.MANUAL AUSTIN CANADI AN MUSICIANS - ZUCKERMANN Also historic inshuments. Write or (:411 Gordon Wildman, 2223 E. 7-460 S., Salt La.e City. UT pOSITIONS AVAIlABlE console's bouQht and sold. Factory trained tech harpsichords, virginals, clavichords, kits or com. nician f ~ r your alterations. Auchindo$1 Service, pleted imtrumenh. now availoble from C.ana. B4121. (BOI) 942·4751. PIPE ORGAN MECHANICS IN SEVERAL Milbrook, NY 12545. (914) 671-1IXI1. dian agent. Free colour brochure. John Br l9ht, areas eleven Western Stlltes as own independ RR 1. IIderlon, Ontario NOM 2AO, Canada. SPERRHAKE HARPSICHORDS AND CLAYI ent contracton associated with Moller repre· RECOYERING ANY TYPE OF POUCHES, chords. acellent, dependable. beautiful, Robert lentotlon In salet and service. Preference to pneumillics end primaries leather or po}y. BURTON HARPSICHORDS. SPINETS, AND S. Taylor, B710 Garfield St., 8ethesda, MD 1003 •• established men of good reputation. Write: urethane. Reservoirs releathered also. Write d avichords-Profel1ional instruments in kit form, EUgena E. Poole, 165 Lokewood Rd., Walnut Eric Brugger Relealhering Service, 1034 East from SI'15. For brochure write Burton Harpsi. chords, 711 " R" 51 ., P.O. 801 80222D, lincoln, Creek. CA 1~!M. 29lh St., Erie, PA 16SG-t. PIPE ORGANS Neb. 68501 . FOR SAlE ORGANIUILDElS, SAN FRANCISCO SEVERAL SALES FRANCHISES AYAILABLE 100.year old firm with tine factory under n~w at this lime. Contact Wid.s Or9an Company, SAIIATHIL HARPSICHORDS, PEDAL HARP ONE LARGE AND GLORIOUS WUR.LlTZER financially sound. professional managlmant With 1100 Fifth Slreel, Hi9hland. IL 62249 and 1I,Il> sichords and Clovichordt: mod reliable and looking to basl in u,efut retiremenl. Played by highest quality standards Sleks thoroughly ~1I' mit qualifications. beautifully sounding from SI , I95.oo. Broch",ra who's who list of organists, this very special perienced, mechanically skilled penon, of. In_ SI.OO. Stereo LP S5 from Dept. D, 1084 Homer, instrument once enlertained thronQs of people Vancouver, B.C., Canada. in the entertainment capitol of the world. 15 tegrity end intelligence for factory and field METRONOMES: GERMAN PRECISION KEY jobs inc.ludin9 supervisory. Good pay.and en ranh I t couplers, 9 Ijjenerous trems, 2 sos· wound (not toys). SUPER.MINI, I.I/S"W lC -4 " H HARPSICHORDS, PEDAL HARPSICHORDS, tenut~s, su ilolble bass, and all kinds of fancy arti.tically rewarding future. Reply 1ft con· SIB ea POCKET 2W'W I 6"H SIB. ea. FINE fidence to Schoenstein & Co., JIOI 10th St., Sen clavichords custom made. Jan H. Albardll, 14 percussion ilems-aU original, of coune- ELECTRIC FRANZ all cube shape S"W It 4"H Pri ncess Slreet. Elora, ant., Canada NOB ISO. Francisco, CA 94110. lookin9 for resloration and choice home as fo1tow: Plastic $18. flash·beat plaslic S3O. Genu· complete instrumenl. Reosonably priced al ine Walnut S33. Genuine Walnut wilh flo,h·beet HARPSICHORD SCHOOL AUGUST 14-20 AT fIUT.ST. ANDtEW'S UNITED CHURC~, US 000 clln be neatly delivered to your door S)5. Prep4id "UPS" to you 1G-14 days, ~nd Pul.in.Bay 1,land, lah Erie. David Schule~. London. Ontario, ~quire1 Orgonist and Chol, il'l 'al'l; 01 the 48 for modesl 1hipping fee. order with chack to: John Frank, )]6 He~,ng ber9. DireclOf" . W,ile Dr. Theron McClure, OhiO Director commencing September I. 1977. l Ad drltSl E,5. THE DIAPASON. Rd., Fair Haven, NJ 07101. New merchendlse, State Unive~ity Se t-ool of Music, Columb1ls, man",al hader action CaSlilvant organ (1969) in church; 2·manual tracker action Canvont OH -43210. 1951 HILLGREEN·LANE PIPE ORGAN, PRES ently used by Minnesota church. l·manual, Hill organ (197-4) in chapel. Duties to include play. ORGAN SERVICEMEN: WE WILL REC?YER STEVEN SORlI, ELEVE d'HUBIIARD, OFFERS ing Of9an and conducting -4>-voica Senior Casavant and Skinner pouchboards. pr,mary ranh 25 stops. Available immediately. SIOM a French double tastefully decorated with a o r b~sI offer. Call Ted Derurik (612) 772·1130. choir, coordinating music minislry of chureh and offset actions. Write Burnell Anociales, sound unlikely to fatigue the listener. Copied incl",ding Youth choir, odult and teenage hand 1907 Susquehanna Rd ., Abington, PA 19OD1. aller the fake Hens Ruckers by Jean·Claude bell choin and "Church and Iho Arts" pro-- 2. MANUAL, 12.RANK TRACKER ORGAN, .RE Gouion, Paris Con~rvaloire, Frank Hubbard cently c.ompleled. Fully cased, free standing, 9ramme of special events. Teaching privileges. NOEL MANDER OFFERS - fAITHFUL COpy Salary ne90tiable. ApplicaUo n to Chairman, q.ality in wor.menship with close altenlion to inc. swell box. B'S" H, 7 9 'W, 52 '0. Cherry of Haase 11611~) Reqal Organ S, -4 , 1, Portabl.e aulhentic detail. $6,OIXI.oo. Delivery within .il cue. IMmediately available. FOil Mid·&I,t MUlic Committee, Finl.St. Andrew's United fu ll compass trader (in kit form B, -4, 2.) Medi Church, 350 Queens A\'lInue, london. Olliario. months. Write for brochure; Sleven W. Sorli, USA. Al.ing ~1 .0l). Send fo, speclliclltion. eval POftetivo iliOO. Period Chllmber O,gan. harpsichord me.er, Roule 3. Mineral Point, WI Address E--4, THE DIAPASON. bea",tiful instrument, superbly restored, [12,000. 51565. SKILLED WOODWORKER WITH TRACKER St. PIII,I I'. Calhedral, new Ed of booklet on re 2.MANUAl, 5-RANK MIDMER.LOSH, EXCEL· e.perience wanted. Must be able to dir-oct own buifd . FCl' details plea,e send two doll a". Noel FRENCH DOUBlE-MANUAL HARPSICHORD, I, nt condi tion , Can be played. Call (SID) FR work, and supervise work of otben. Contact: Mander, St. Peter't Organ Worb, Ll'J ndott, E2 2.8' 1.-4' o p.tionol peau de buffle, $5,5OO.Q). 9.0956. Ronald Wahl, Organ Builder. 804 East South England. Penelope Crawford, 1158 Baldwin, Ann Arbor, St., Appleton WI 54911. (-414) n4·S2l8 or 73 .... MI 48104 . (313 ) 99>-0324. & 7117. CABINET ORGANS NEW USED DIRECT QUALITY REED ORGAN REPAIRING, RE· electric ' ''ests, pipes 'and pIpit or9an supplies. buildin9 and tuning. David McCain, 1529 West CONCERT HARPSICHORD MADE BY AP Omaha Pipe Or9an Supply Co., P.O. BOlC 00494, CHURCH ORGANIST AND CHOIR DIREC Touhy, ChicoQo, IL 60626. (311) 7004·6708. prentice to Flank Hubbard. Available for im· Elmwood Parl: Station, Omaha. NE 611106. tor, also teach olemontary music In Catholic mediate inspection /lnd sale. For detan.: Post 9rade school in Northee51 Milwaukee. Wrile BOll 295, Concord, Massachusetts 01741. 1617} HOOK & HASTINGS "n, 2·MANUAL, ID PO 801 17402, Milwaukee, WI 53211. WANTED-M/SCEUANEOUS 369·9429 (evc:ninljjs) . ranh Available immediately. Hi9hest bidder. I'tayable. Contact John GunlUlrlOn, Trinity CHURCH ORGAN SALES: SOUTHERN CALI· Church, Elm St., Concord, MA 01741. fornia', leed'ng church keyboard IalesA.dalia. RETIRING 7 I AM INTERESTED IN PURCHAS PRECISION FULL SIZE PATTERNS OF HIS. tion orQaniration is ,eekin9 qualified sales ing your old organ music, books, and memoro· toric French, Flemish and Italian harpsichord,. person for Los Angeles area. Etclusive repre· bilia. Send list to F·3, THE DIAPASON. from S1S in paper. Send S2 for illustrated cata· 21·RANK 191 I AUSTIN ORGAN R.E.UILT Jentative for Allen Digital Computer Ol"9ans. log to R. K. Lee, lS3D School St., Watertown, "41 with three·manuGiI cottsole. Seven (7) ranh 66-year.old company with outstanding reputa· REED PIPES; a' TRUMPET OR OBOE, ,,' MA Olin. added 1972. Now in Uil!. Available January, 1978. Be$t Offer. For specilications wrile Ken· tion, salary and benefit programs. Send short pedal reed, S' flute, -4' principal, )·rank miI neth E. Williams, Firsl Prelbyterian Church, history outlinin9 eIperience and earnings to ture. Would prefer Johnson pipework but will FLEMISH HARPSICHORDS, 4Yl OR FULL Gould Music, 1296 East Colorado, Pasadena CA consider anylhing built around or beforo the 5 octaves, in kit fotm. Write for free bro 50S South Dewey, Barllesville, OK 7400J. 91106. Attn: Tom Gould. turn of Ihe century. Write J. Kvale, long chure from ellperienced maken of cllI"ical Prairie, MN 56l47. E. M. SKINNER ORGAN (1927) PREYIOUSLY instrumenl kih. Zuckermann Harpsichord,. BOI owned by Vir9il For. II chests with off·sels for 121·D, Stonin9ton, CT 06378. TIIIlED OF THE COLD7 MOVE TO SUNNY lrotUSIC ROLLS FOl AEOllAN.DUO-AIT, 66 ranh of pipes, regulators for chests plus HOlldo_, whe,. the economic climela it even Welte, and Skinner Automatic Pipe Organ wind liael. Two sels 01 swelt sltades wilh ac· batter Ihan the weal her! We neod skilled wood. CLAYICHORDS - ".NOTE. EIIONY NAT tionl, and junctiolt boards. One 20 hp blower workers, especially trainee to loarn keyboard Players. J. V. Macartney, -406 Haverford Ave., Nerbeth, PA ItOn. urals, bone or ivory covered Iharps, cherry, with new motor, one ]11l hp blower. Two tre· manufacture. Other positions possible, too. walnut or mople cese, paneled lid. All air dried molos 10 ranh of pipe, plus 32' bourdon. Ex· Solaria, commensurate wilh ability, Benefits, WANT TO BUY USED PIPE ORGAN' TO 10 WASHINGTON ROAD R G A NCO M PAN Y, INC. o PRINCETON, NEW .JERSEY 08540 lB THE DIAPASON Classified advertising rat•• : p.r word, $.20; minimum charge, $2.50; box number, additional $1.00. CLASSIFIED ADVERTISEMENTS Replies to box numbers should b ••ent cIa The Diapason, 434 S. Wabash Avenue, Chicago, III. 60605. FOR SALE - PIPE OIlGANS fOR SALE - ELECTRONIC ORGANS FOR SALE - MISC. FOR SALE - MISC. 2/9 MO LLER , BUILT FOR CHURCH 1925, RODGERS 2.CANUAL, MO DEL IIOE, CHURCH 8' CORNOPEAN, SALICIONAl, VOX CEL KLA NN CONSOLE, BLOW ER AND RECTI· adllDted for residence, in playing condition. or home instrument. " edernal speaker cab· este, aeoline, 4' principal and others. Send fier, United Methodist Church, 80. "B, Edger· AVlliiable immediately for buyer removal, inets. Practice pllnel, transposer. SIl( months for list. L.T.O.A., 1135 East Chestnut St.. ton, WI 53534. (608) 884·6931. $3.000. James Madie, 1440 Cllmbridge, Jackson, old, mint condition. Buying theatre model. Lebanon, PA 17042. (717) 274·tn7 MI ,m{\). (SI7) 78"·3237. Purchaser must remove. SII,750.oo firm. Call KIMBALL 2.MANUAL, CHURCH, STOPKEY (201) 366· 9041. WAREHOUSE CLEARA NCE SALE: LARGE IN· console $350.00. Assorted chests and pipework WURLITZER THEATRE ORGAN, l-t.tANUAL, ventory of pipes and various other compo· by Hall, Moller, Roosevelt. For list send SASE S ranks with traps and percussions. Now play. nents, some new, S'Jme old. Various mll~es. to OrgOnl 241 South ShU. St., Lebanon. PA VICTO R SUYS AND SELLS PI ANOS AND OR· Send SASE for list. W. J. Froehlich, 0446 Grove ing in theatre. Mint condition. $10.000. Serious gans worldwide. largest selection in USA. Over 17042. (717) 272·6426. inquirias only. SASE. No phone calls. Brantley 1000, all makes 200 grands. Conn and Allen Sf.. Westfield, NJ 07090. Duddy, Stump Hall Road, Cedars, PA 19423. CONSOLES, REEDS, CHESTS, BLOWERS, church and theatre organs 30% off. 300 N.W. 32' OPEN WOOD, '.12, WITH CHESTS. 54th St., Miami, FL 33127. (305) 751·7502. misc. parts, send SASE to Gary Sylvester, 28612 4M/26R WURLITZER ORIGINAL 3 CHAMBER Good condit;on. Scale ccce 26"x24". Address F-4, THE DI APASON. Aline Dr., Warren. MI "11093. 1926 factory installation unchanged. good condi· HAMMO ND R13 CONCERTMASTER WITH tion and now playing. Std. Console w/combons, 22 H Leslie speaker. 32·nole concave peda1board, suitable bass, Obi. Tch. R/!nks incl. 32' Bdn and FOUR CONSOLES, ALL 2.MANUAL; MANY 50 RANKS OF PIPES AND PARTS. MOST 2 manuals presets. bcellen! co nd i ti ~ . li ght ranks used pipes. Send SASE for lid. Julian pipework is Moller. Also chests, tremolos, res· 9 16·s. Chrys. and Chimes 'only percus. Available oak. $2,650.00. Offer. (312) 544-5661. immediately for buyer removal. Will no t divide. Bu tley. 1376 Harvard Blvd ., Dayton, OH 45406. ervoirs, rectifier, etc. Send SASE for price list and description. Fl oyd Watson, 1245 Palomar Minimum bid $40,IXD. Serious inquiries contact RO DGERS 3]0 (l MANUALS), SEPARATE ANTIQUE PUMP ORGAN. ENGRAVED, NA Delaware Organ Company, Inc., Tonawanda. PI., #30. Vista, CA 92083. speakers, e.eellent condition, 3 years o ld. $16" tural f'n ish oak cabinet. in work ing order. NY I4ISO. 000.00. 1213) 666·2368 (evenings). (2 13) "78· Truly a st.ow pRce. 48" high , 14" long , 25" OOS3 (days). deep. Label reads " Clough & Warren O rgan WOOD PIPES, NEW UNVOICED, B' STOPPED FINE 4! 1" LINK THEATRE PIPE ORGAN, AN· woods, 41/4 x 5'1:", 61 pipes, mahogany, lacquer Ion Gottfried pipework. Beauhful "·ma nual Company, Detroit, Patented IB76 , 18B4, 1885, ARTISAN ORGAN, l-MANUAL CONCERT 1987. No. 71304." Write or call: Dale and Sandy finish. Caps screwed on, footholes bored, with d ouble bolster console. Entire g rgan recently Iro:lel. bui lt to AGO spec. 3 years old with pipe feet. Voicing lIvaiiable. 6 sets remaining, refeathered. Outstanding value at $16,500.00. Franz 1133 N. Hearl La~e Road, Rte. 3, Gay. 25·note Maas·Rowe chimes, orcheslra bells, 32· lord, MI 49735. (S I7) 132·")9S. $500.00 each set, or $2,700.00 for aU 6 sets. For information call Theodore C. Wood at note pedals, setterboard, 75 stops, 22 thumb American Organ Supply Co., 1121 South Sixth ISIS) 954·3 199. RD 2, Salem, NY 12865. St" Milwaukee. WI 53221. (41'" 48)·3046. pillons. 7 loe pistons , sfonando, crescendo, 20 ".NOTE KEYBOARD WITH NEW KEYSTOPS, ESTEY, TUBULAR PNEUMATIC, ".STOP OR. spc"akers including I l esl ie. Will move and cheeks, and slip of unfinished solid birch, $35. gan. Extensive:( overhauled 9 years ago. Besl ins\all with olle year free mllintenance. J . P. Moller components: 24" x4B" reservoir, $75; ORGAN CASLE. NEW GROUPED, PAIRED o fferl Contact: United C"..ommun ity Church, PO W" tel"1 . 143 57 Mulberry Dri ve, Whittier, CA 18"x24" reservoir, $45: IS".24" concussion bel· and all ce nd uclors, color coded. 24 gauge 9:1604. 80. 717, T ' pper la~e NY t2m. lows, $15; 12"xI2" concussion bellows with cone copper. 100 conduclor 9S¢. per ft.; &4 eo nduc· vilive. $1 5. B' slopped diaplloson. big scale, tor 7~ per ft .: 50 conductor SO¢ per ft. White GULBRANSEN AND 2 LESLIES AND SEt 2I).STOP, 2·MANUAL AND PEDAL UNIT $125; 30 note offset chest, $60. (312) 52'1·7901. Organ Company, 2540 Webster Road, Lllnsing, lect· a. Rhythm Rialto. CYrt Haessner. 12" Schley MI "9917. (517) 323·)174. Wids organ. For inkJrmGliOn write Msgr. J o. St., Garfield, NJ 07026. (201) "78·4S3O. seph P. Waclausky, St. James Chu ~ h . "96 Te r· MOVING - STUFF'S GOTTA GOI E. M. race Blvd., DePew, NY 11043 . S~ i nner console, Moller chest, pipework of BlOWERS, NEW, VERY QUIET OPERA· FOR SALE - MISC. Skinner, Moller, Pi lcher and Hutchings. Send tion with cabinet $600.00; without cabinet II).STOP, I".RANK, 2. MANUAL AND PEDAL SASE to 76 laurel Drive. Atlanta, GA 30342. $490.00. 5·year warranty, I hp, 3400 RPM, 1957 E. S. Wald er tracker o rglln. Will be MOLLER REMOTE COMBINATION ACTION single phase, 110·220 volt. White Organ Com. removed and re$ l or~d fo r new location by for " mllnuals, 130 stops. Grt: 8 pidons con· pany, 2540 Webster Road, Lllnslng, MI "9917. ESTEY REED ORGAN, 2M/lOR AND PEDAL, (517) 323·3174. Cavelier. Contll cl Cavelier Organ Builders, ttalling 22 stops : Sw: 10 pistons controlling w. blower. Oak case. $800.00. (414) 7]1·7966 eve· Inc .• 252 Amheut, I!uffafo. NY 14207. 29 sto ps; Ch: 8 pistons contra-l l,ng 27 slops' nings. Barry Havens, 501 112 W. AtlanHc , Apple. Solo: 6 pistons controlling 17 stops ; Ped : 9 ton, WI 54911. NEW ORGAN PIPES, EXCELLENT WORK· 2.MANUAL, 7·RANK MOLLER, OPUS S,,,, pistons controll'ng 35 stops; 12 pistons con· mansh ip and expertly voiced. Formerly super· Installed 1'731. Purchaser to remove. Contact trolling full organ; 8 toe studs controifng visor of Aeolian·Skinner pipesho p. Hans Rother, ONE 4-RANK ESTEY CHEST, NOTES, C . P. Little or Lois Booth, Pittman Memorial fu ll org ll n. Action is lae new with hltle use. n German O rgan Pipecraft, 34 Standard St., Church of God in C nr' st, 2353 East Grand $800.00. Shipping edra. Century Pipe Org an modern electro.pneumatic primary ; one 4· rllnk Mattapan MA 02126. Blvd .. Delro it, ... 1 4:!211. (313) 874·2330 or (313) Company. 31B Anderson Blvd., Geneva, IL Estey chest, 61 notes, modern electro.pneu· 601lt. (312) 232-n91. matic primary. $300.00 each. Humpe Organ B73-2795. Company. R.D. #1, Richmond, OH 43941. (6104) USED PIPES AND MISC. EQUIPMENT, WRITE for specilic needs. Bor 2061, Knorville, TN SOLID OAK ORGAN CASE 20' WIDE BY 2/, THEATRE - ROMANTIC ORGAN WITH 765·"835. 37901 . many per: uuions and toys. Hone$hoe console. 14' high. 5 symmetrical arches hold display Flrd $'I,COJ : a ~e s it. Fe r information call Theo pipes with sq. flu ted columns between arches. "·RANK WURLITZER CHEST COMPLETELY METAL ORGAN PIPES. FIRST CLASS WORK· d o re C. \'load . RD 2. '!:Ia leoTl . NY 12865. (SIS) Outstand' ng ela mple of 191h century case rePellthered, with Ki 'g en horseshoe console plus manship. Helmut Hem pel Organ Pipes, 41<44 e 5~·119 7 . work. Dissassembled professionally and in sta r· 5 additional ranks and more. $3,500. For more West 50th St., Cleveland, OH -«144. age. Elccellent for restaurant or large home. information contact Ernest Fagrell, 1219 North 1914 ,·RA NK, 2·MAN UAL TR ACK ER. STEN. $1,000.00. Century Pipe Organ Company, 319 19th. Kllnsas City, KS 66102. B' PRINZIPAL, LOWER 12 PIPES. GERMAN Anderson Blvd., Geneva, lL 60134. (3121 232· l en pi~ $ . Contact (30 1) 249-9671. Rt. 2. Bo. ma~e in tin, open toes, low wind pressure. 7291. Send $UXl for photo. 2.55 Upper Marlboro, MD 20070. DIAPASON B' SPOTTED METAL, 61 PIPES, Some damage in shipment. Medium scale. S. 6 MOLLER SWELL FRAMES COMPLETE $40.00. Pedal re lay, 32 notes, 3 rllnks, 7 stops, H. Dembin$ky, 612 Broadview, S.E., Grand fOR SALE - ELECTRONIC ORGANS with IS shades and pneumatic engines. Shade$ $35.00. Manual relay, 3 ranks, 7 stops, $25.00. Rapids, MI 49507. (616) 241·"918. are 1'10" • 8" . Eng'nes need releathering. Relay for I rank, $15.00. Reisner 601 mags liS HAMMOND NOVACHORD, PERFECT CON· $400.00. Reply to Purchasing Office, Albion p rice $175.00. Pedal Bourdon 16', 32 notes and HARP AND MISC. MOLLER PARTS, BALD· d ition. (317) 563·3531. Warren North, R.R. 2, College, Albion, MI 49224. (517) 629.SSII , ext. chest, $50.00. Two 4·rank mixture starts on 2', win Model S. SASE. Bill Kohut, 30t Norlh Crest, Brookston, IN 47923. 206. $250.00. Call (216) 896·1040. Cary, Il 60013. Sherwood Organ Company Inc. WALTERS ORGAN CO., INC. 85 Longdale Avenue 2027 Palmrldp Way Orlanda, Fla. 32809 White Plains, New York 10607 (305) 857·1481 Custom Built (914) 946-7990 (212) 582-4240 PITMAN and UNIT CHESTS Service - Mechanical and Tonal Rebuilding - New Organs CREATIVE gRGAN BUILDING FOR ARTISTIC MUSICAL RESULTS ORGAN LEATHERS Greenwood Organ Company WHITE, SON COMPANY CHARLonE, NORTH CAROLINA 28205 "THREE GENERATIONS OF OIlGAN BUIlDING" 592 East Pint Strerl South Boslon, Massachusetts 02127 ~ LOUIS F. MOHR & COMPANY JULIAN E BULLEY ORGAN SERVICE -J. E. Lee, Jr. ;burl.am & Company ORGAN New Organs - Rebuilding KNOXYIW!, TENNESSEI! 37901 BUILDING AND SERVICE Box 2061 MAINTENANCE Service P.O. Box 2125 SINCE 1906 Tuning. Malntenanc. • Rebuilding Tallahassee, Fla. 323CU 2899 Valentine A?c. 1376 Harvard Blvd.-Dayton. Ohio .(5.4()6 Consultants (_) 575·2001 • N .... York 58, N. Y. "3·276-24Bl Telephone: SEdgwlrk 5-5628 FOR SALE: U,ed organ part.. Many of Emel'leRCY Service Yearly Contracts antique value. Send $1.00 for complete MULLER PIPE ORGAN CO. Harps - Chima - Blowen ~j~~i%1!~l ~ t (!). II,•• 1365 So. Detroi. A'n. Expert Overbaulinl if c-.EST. 1877--0 ,.-, WIcIcs Organ Company Toledo, Ohio 43614 Highland, IDlnok 62249 "A. Or,.. mini, J/';"';"l II.... • 419-382-6761 B"'n MIlIk"' SAN FRANCISCO 1618) 154-2191 Organ Builders and Inc. • Rebuilding FRANK J. SAUTER SONS • Repairing * Phones: 388·3355 * • Contractural Servicing 4232 West 12-4th Place PO 7·1203 Alsip, illinois 60658 For Unexcelled Service I JUNE, 1977 19 Murtagh -McFarlane 99 CLAREMONT AVENUE NEW YORK, NEW YORK 10027 212-864-0850 , I ~ Rabert Anderson Rabert Baker Q) George Baker Charles Benbow Hermon 8erlinski E Q) t)JJ CO David Craighead Ray Ferguson Susan Ingrid Ferre Jerald Hamilton ~ CO ~ Marilyn Keiser Clyde Holloway Wilma Jensen Joan LippincoH Marilyn Mason tn I ' James Moeser Wolfgang RObsam Donald Sutherlond Frederick Swann ladd Thomas tn ---I ' EUROPEAN ARTISTS I.. AVAILABLE 1977-78 ,It. FALL o ~{ Martin Neary N.', · c::c Jahn Weaver ... Gordon & Grady Wilson Rene Saorain WINTER Daniel Roth (February 1978) Peter Hurford (Feb.-Mar. 15, 1978) Lionel Rogg (March 1978) Richard Woods Ronald Wyatt