Interview Mit Sami Hinkka
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Artikel Rockharz.Cdr
Rockharz – Schwitzen am Gegenstein Wer glaubt, zu einen richtig gutem Rockfestival gehört unbedingt Tony Kakko wieder wett. Gespielt wurden: „Flag In The Ground“, Auch der letzte Tag hatte heißes Wetter zubieten. Manchen Leuten Nach ihrem Auftritt hatte ich die Gelegenheit ein Interview mit Regen, der wurde beim diesjährigen „Rockharz“ eines Besseren „The Last Amazing Grays“, „Last Drop Falls“, „Full Moon“, „Juliet“, auf dem Festivalgelände sah man dies auch an. Die meisten hatten ihrem Bassisten Sami Hinkka zuführen. belehrt. Das 17. „Rockharz“ fand nun schon zum zweiten Mal in „Black And White“ und „Don´t Say A Word”. Tonys gute Laune sich in den kaum vorhandenen Schatten verzogen und kamen Asmusstedt bei Ballenstedt statt. An allen drei Festivaltagen, vom drückte sich vor allem darin aus, dass er vor dem gesamten meiste nur zur Bühne, wenn die Bands spielten. Aber zum Glück Den Abschluss des Festivals machten „Subway to Sally“. Zuvor 08.07. bis 10.07.2010, heizten nicht nur die Bands den Musikfans Publikum anfing zu Jodel und er, wie für „Sonata Arctica”-Konzerte für alle Musikwütigen war, wie auch schon am Vortag, die spielten noch „Doro“ und brachten das Publikum zum Kochen. ein, nein auch die Sonne trug einen sehr großen Teil zum üblich, den Auftritt mit dem kurzen aber mitreißendem Lied Feuerwehr vor Ort um für die eine oder andere Abkühlung zu Woher nimmt Doro Pesch nur ihre Stimme? Sie war eine der vielen „Saunafeeling“ bei. „Vodka“ beendete. Wer jemals auf einem „Sonata Arctica”-Konzert sorgen. Dafür waren das Publikum, die Veranstalter und die Bands weiblichen Stimmwunder, die Gelegenheit hatten ihr Können beim Nachdem letztes Jahr „Korpiklaani“ auf dem „Rockharz“ aufgetreten oder beim Festival dabei war, wird verstehen was ich meine. -
D VD-Co Ver Zum Selberbasteln! Einfach an Den Markierungen
DVD-Cover zum Selberbasteln! Einfach an den Markierungen ausschneiden und in eine DVD-Blanko-Hülle schieben. Fertig! 1. MACHINE HEAD - Aesthetics Of Hate 5:28 (Robert Flynn/Robert Flynn, Adam Duce) POWERED BY & Notting Dale Songs Inc. o/b/o itself and Imperium Publishing (ASCAP)* Roadrunner/Warner 2. MEGADETH-Interview: Dave Mustaine im Gespräch mit Holger über das neue Album, Amerika und Politik. 3. MEGADETH - A Tout Le Monde 4:10 (Dave Mustaine) EMI Blackwood Music Inc./Mustaine Music (BMI)* Roadrunner/Warner 4. TYPE 0 NEGATIVE-Interview: Pete Steele und Johnny Kelly plauschen mit unserem Fleurop-Boten Frank Albrecht. 5. DEW-SCENTED - That´s Why I Despise You 3:50 (Bache, Müller, Werning/Jensen) Prophecies Publishing* Nuclear Blast/Warner 6. CELTIC FROST-Interview: 21 Jahre nach ihrer ersten Headlinertour sind Tom Warrior und Martin Ain zurück - und mittlerweile sogar bereit dazu, mit Götz über das Thema Hellhammer zu sprechen. 7. AMON AMARTH - Cry Of The Blackbirds 3:49 (Mikkonen, Hegg, Söderberg, Lundström, Andersson) Under The Blade Publishing* Metal Blade/SPV 8. THRESHOLD - Pilot In The Sky Of Dreams 3:50 (Richard West) Copyright Control* Nuclear Blast/Warner 9. DARK TRANQUILLITY-Interview: Videodrehs sind blöd, Filmegucken ist es nicht - Mikael Stanne und Martin Henriksson erklären Katharina Pfeifle, warum. 10. DARK TRANQUILLITY - Focus Shift 3:40 (Henriksson/Stanne) Coypright Control* Century Media/EMI 11. WATAIN-Interview: Eine der besten, aber auch kontroversesten Black-Metal-Bands der Szene bezieht im Gespräch mit Götz Stellung. 12. IN EXTREMO-Special: Das letzte Einhorn & Co. mit einem visuellen Eindruck ihrer letzten Südamerika-Tournee. Mit im Reisegepäck: ein gewisser Wolf-Rüdiger Mühlmann. -
Metaldata: Heavy Metal Scholarship in the Music Department and The
Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s . -
Running Head: NATIONAL IMAGERY in FINNISH FOLK METAL 1
Running head: NATIONAL IMAGERY IN FINNISH FOLK METAL 1 NATIONAL IMAGERY IN FINNISH FOLK METAL: Lyrics, Facebook and Beyond Renée Barbosa Moura Master‟s thesis Digital Culture University of Jyväskylä Department of Art and Culture Studies Jyväskylä 2014 NATIONAL IMAGERY IN FINNISH FOLK METAL 2 UNIVERSITY OF JYVÄSKYLÄ Faculty Department Humanities Art and Culture Studies Author Renée Barbosa Moura Title National Imagery in FFM: Lyrics, Facebook and Beyond Subject Level Digital Culture MA Thesis Month and year Number of pages June 2014 90 pages Abstract Folk metal is a music genre originated from heavy metal music. For many artists and fans, folk metal is more than just music: it is a way of revitalising tradition. Folk metal is then a genre which is closely related to individual‟s cultural identities. As part of popular culture, heavy metal has been investigated for instance in the fields of cultural studies and psychology. Andrew Brown investigates how heavy metal emerged as subject for academic research. Deena Weinstein approaches heavy metal as culture and behaviour that is shared by individuals from different cultural backgrounds. However, subgenres like folk metal have not yet been explored in depth by academics. Analysing folk metal‟s nuances in specific national contexts would provide further knowledge on national cultures and identities. One example of folk metal reflecting elements of national culture is Finnish folk metal. The bands whose works belong to this genre usually draw from Finnish culture to compose their works, which usually feature stories from a variety of traditional sources such as the epic book Kalevala. Such stories are then transposed into new media, disseminating the artists‟ concept of Finnishness. -
December 2020 New Releases
December 2020 New Releases SEE PAGE 15 what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately 59 Music [MUSIC] Vinyl 3 CD 12 FEATURED RELEASES Video WALTER LURE’S L.A.M.F. THE DAVE BRUBECK THE RESIDENTS - 35 FEATURING MICK ROSSI - QUARTET - IN BETWEEN DREAMS: Film LIVE IN TOKYO TIME OUTTAKES LIVE IN SAN FRANCISCO Films & Docs 36 Faith & Family 56 MVD Distribution Independent Releases 57 Order Form 69 Deletions & Price Changes 65 TREMORS MANIAC A NIGHT IN CASABLANCA 800.888.0486 (2-DISC SPECIAL EDITION) 203 Windsor Rd., Pottstown, PA 19464 www.MVDb2b.com WALTER LURE’S L.A.M.F. BERT JANSCH - SUPERSUCKERS - FEATURING MICK ROSSI - BEST OF LIVE MOTHER FUCKERS BE TRIPPIN’ TIME OUT AND TAKE FIVE! LIVE IN TOKYO We could use a breather from what has been a most turbulent year, and with our December releases, we provide a respite with fantastic discoveries in the annals of cool jazz. THE DAVE BRUBECK QUARTET “TIME OUTTAKES” is an alternate version of the masterful TIME OUT 1959 LP, with the seven tracks heard for the first time in crisp, different versions with a bonus track and studio banter. The album’s “Take Five” is the biggest selling jazz single ever, and hearing this in different form is downright thrilling. On LP and CD. Also smooth jazz reigns supreme with a CD release of a newly discovered live performance from sax legend GEORGE COLEMAN. “IN BALTIMORE” is culled from a 1971 performance with detailed liner notes and rare photos. Kick Out the Jazz! Something else we could use is a release from oddball novelty song collector DR. -
Master Henrik Pagan Forside
Emnekode: MUV450_1 Navn på kandidat: Henrik Straumsnes Myrbakken “Under Bergets Rot”: Identitetskonstruksjoner i Pagan Metal Dato: 31.05.2017 Totalt antall sider: 89 Innholdsfortegnelse Innholdsfortegnelse…………………………………………………………………….…… s.1 Motivasjon og bakgrunn for oppgaven…………………………………………………..….s.4 1.0 Innledning…………………………………………………………………………..……s.6 1.1 Metal og identitet……………………………………………………………..…s.6 1.2 Pagan Metal…………………………………………………………………..…s.8 1.3 Begrepsavklaring………………………………………………………….……s.10 1.3.1 Pagan…………………………………………………………..….…s.10 1.3.2 Pagan Metal………………………………………………………….s.11 1.4 Kultur og miljø……………………………………………………………..…..s.12 1.5 Identitet……………………………………………………………………..…..s.13 1.6 Hva er folk i ´Folk´ Metal?……………………………………………….……s.15 1.7 Hvordan avgrense sjangeren?……………………………………………..……s.17 1.8 Sentrale tema…………………………………………………………….…..…s.19 2.0 Teori og metode…………………………………………………………………………s.21 2.1 Prosjektets metodiske forankring………………………………………………s.22 2.2 Subkultur, neo-stamme og milieu………………………………………………s.23 2.3 Tolkning………………………………………………………………….….…s.26 2.4 Bourdieu……………………………………………………………..…………s.27 2.4.1 Habitus…………………………………………………………..…..s.27 2.4.2 Felt………………………………………………………………..…s.28 2.4.3 Kapital…………………………………………………………..…..s.29 2.5 Habitus, felt og kapital i Pagan Metal……………………………………..…..s.30 !1 3.0 Kvinner i Metal……………………………………………………………………..…..s.37 3.1 Fravær av kvinnelige instrumentalister…………………………………..…….s.38 3.2 Kvinnelige tilhengere………………………………………………………..…s.40 3.3 Kjønnsrelaterte restriksjoner…………………………………….………..……s.42 3.4 Problemer -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Identity, Cosmopolitanism and Education in Extreme Metal Bands: the Case of Finland
Historia y Memoria de la Educación 12 (2020): 303-332 Sociedad Española de Historia de la Educación ISSN: 2444-0043 DOI: 10.5944/hme.12.2020.26507 IDENTITY, COSMOPOLITANISM AND EDUCATION IN EXTREME METAL BANDS: THE CASE OF FINLAND Identidad, cosmopolitismo y educación en las bandas de metal extremo: el caso de Finlandia Eugenio Otero Urtazaα Reception date: 22/01/2020 • Acceptation date: 08/03/2020 Abstract. Music is an art that often defines the education and values of peo- ple. Extreme Metal is a controversial musical genre that at times, in some of its subgenres, has caused episodes of exceptional violence. Metalheads make up a cultural movement that is present on all conti- nents. Metal movements are difficult to dissolve in the magma of social acceptance: they create a consciousness of transnational solidarity, of response to waste and ostentation that destroys the planet, while claim- ing the place in which it is lived. Extreme Metal is not an artistic fashion, it is profoundly changing the mentality of many young people who reject the social organisation of the capitalist and Christian world and try to find alternatives for the future. In this article we ask how their convic- tions are formed and in what way the school’s teachings influence them. One of the ways of studying the phenomenon is by analysing the lyrics of the songs. Not all subgenres can be covered and three Melodic Death Metal bands from Finland have been chosen for study, especially in rela- tion to their feelings about nature and the cosmos. It is evident that their songs are often based on classical and popular poems learned at school, by the legacy left by the great Finnish poets, and even by the literary cre- ations of musicians for that school resonance. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
#'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym -
Härter 16659 Titel, 46:02:34:48 Gesamtlaufzeit, 84,64 GB
Härter 16659 Titel, 46:02:34:48 Gesamtlaufzeit, 84,64 GB Interpret Album # Objekte Gesamtzeit Aaskereia ...Mit Dem Eid Unserer Ahnen Begann Der Sturm... 2 11:51 Mit Raben und Wölfen 9 31:47 Zwischen den Welten 5 22:09 Abigail Williams In The Shadow Of A Thousand Su 10 46:39 Abigor Channeling the Quintessence of Satan 8 41:21 Opus 4 8 42:41 Orgio Regium 1993 - 1994 8 38:36 Orkblut - The Retaliation 11 24:33 Supreme Immortal Art 8 41:07 Vewüstung & Invoke The Dark Age 9 42:46 Aborted The Archaic Abattoir 10 36:30 Engineering The Dead 8 37:03 Goremageddon: The Saw And The Carnage Done 10 34:11 The Haematobic EP 4 14:30 The Purity Of Perversion 9 31:28 Abruptum Casus Luciferi 4 39:22 Evil Genius 11 37:45 Absurd Grimmige Volksmusik 5 18:13 Thuringian Pagan Madness Demo 5 15:05 Totenlieder 1 2:44 Abysmal Torment Incised Wound Suicide 5 23:08 The Abyss The other side and Summon the beast 16 57:31 Abyssic Hate Eternal Damnation 6 21:01 Suicidal Emotions 4 49:19 Ad Hominem Climax Of Hatred 10 36:23 A New Race For A New World 9 32:11 Planet Zog - The End 8 31:13 Adorned Brood Asgard 11 50:04 Erdenkraft 10 40:17 Aeba Im Schattenreich... 7 41:45 The Rising 7 30:16 Aeon Bleeding The False 15 48:08 An Extravagance of Norm 10 44:11 Rise to Dominate 12 45:09 Agenda Of Swine Waves Of Human Suffering 13 34:26 Agiel Dark Pantheons Again Will Reign 11 37:09 Agnostic Front Another Voice 14 27:45 Warriors 14 32:31 The Agony Scene Get damned 11 36:39 Agoraphobic Nosebleed Altered States of America 98 19:57 Frozen Corpse Stuffed With Dope 38 33:43 Akercocke -
One Man Army Spielzeit: 53:10 VÖ: 11.02.2015
Band: Ensiferum (FIN) Genre: Epic Folk Metal Label: Metal Blade Records Album Titel: One Man Army Spielzeit: 53:10 VÖ: 11.02.2015 Nach dem obligatorischen, atmosphärischen Folk Intro geht das sechste Album der finnischen Folk Metal Dampfwalze Ensiferum, "One Man Army", direkt mit dem Opener "Axe Of Judgement" in die Vollen. Eine brachiale Metal Granate, mit extrem gefärbtem Gesang und den typischen Folk Elementen. Sofort erkennt man den inzwischen irgendwie ganz eigenen Sound der Band und wird im letzten Drittel mit einem netten Chor zum fröhlichen mitsingen animiert. Klingt nach einem guten Opener!? Ist es auch, aber es ist bei weitem nicht das Beste, was dieses neue Meisterwerk zu bieten hat! Ich persönlich war ja von Kindesbeinen an schon immer jemand, der nicht viel mit extremen Metal und vor allem dessen "Gesang", anfangen konnte. Aber inzwischen sind es Bands wie Ensiferum und ähnliche Genre Vertreter, die mir dennoch einfach richtig gut rein gehen (mancher Death Metaller mag nun mit einem Aufschrei sagen, ja ! beim Slaine ist doch noch nicht alle Hoffnung verloren). Auf dem neuen Album der, meines Erachtens, tatsächlich besten Folk Metal Band im gesamten Genre (wohl gemerkt meine ich hier die extremere Ausrichtung), befinden sich dermaßen viele Volltreffer, dass ich den Opener fast als schwächste Nummer deklarieren muss, was aber nicht bedeutet, dass dieser schlecht ist. Die Qualität von "One Man Army" ist einfach großartig und es war eine gute Entscheidung der Band, die Instrumente überwiegend analog einzuspielen und dadurch wie eine professionelle Live Band zu klingen. Man hört deutlich wie sehr hier jeder einzelne Recke sein Instrument einfach bestens beherrscht.