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Conductor, Composer and Violinist Jaakko Kuusisto Enjoys An
Conductor, composer and violinist Jaakko Kuusisto enjoys an extensive career that was launched by a series of successes in international violin competitions in the 1990s. Having recorded concertos by some of the most prominent Finnish contemporary composers, such as Rautavaara, Aho, Sallinen and Pulkkis, he is one of the most frequently recorded Finnish instrumentalists. When BIS Records launched a project of complete Sibelius recordings, Kuusisto had a major role in the violin works and string chamber music. Moreover, his discography contains several albums outside the classical genre. Kuusisto’s conducting repertoire is equally versatile and ranges from baroque to the latest new works, regardless of genre. He has worked with many leading orchestras, including Minnesota Orchestra; Sydney, Melbourne and Adelaide Symphony Orchestras; NDR Hannover, DeFilharmonie in Belgium; Chamber Orchestras of Tallinn and Lausanne; Helsinki, Turku and Tampere Philharmonic Orchestras; Oulu Symphony Orchestra as well as the Avanti! Chamber Orchestra. Kuusisto recently conducted his debut performances with the Krakow Sinfonietta and Ottawa’s National Arts Center Orchestra, as well as at the Finnish National Opera’s major production Indigo, an opera by heavy metal cello group Apocalyptica’s Eicca Toppinen and Perttu Kivilaakso. The score of the opera is also arranged and orchestrated by Kuusisto. Kuusisto performs regularly as soloist and chamber musician and has held the position of artistic director at several festivals. Currently he is the artistic director of the Oulu Music Festival with a commitment presently until 2017. Kuusisto also enjoys a longstanding relationship with the Lahti Symphony Orchestra: having served as concertmaster during 1999-2012, his collaboration with the orchestra now continues with frequent guest conducting and recordings, to name a few. -
Metaldata: Heavy Metal Scholarship in the Music Department and The
Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s . -
Running Head: NATIONAL IMAGERY in FINNISH FOLK METAL 1
Running head: NATIONAL IMAGERY IN FINNISH FOLK METAL 1 NATIONAL IMAGERY IN FINNISH FOLK METAL: Lyrics, Facebook and Beyond Renée Barbosa Moura Master‟s thesis Digital Culture University of Jyväskylä Department of Art and Culture Studies Jyväskylä 2014 NATIONAL IMAGERY IN FINNISH FOLK METAL 2 UNIVERSITY OF JYVÄSKYLÄ Faculty Department Humanities Art and Culture Studies Author Renée Barbosa Moura Title National Imagery in FFM: Lyrics, Facebook and Beyond Subject Level Digital Culture MA Thesis Month and year Number of pages June 2014 90 pages Abstract Folk metal is a music genre originated from heavy metal music. For many artists and fans, folk metal is more than just music: it is a way of revitalising tradition. Folk metal is then a genre which is closely related to individual‟s cultural identities. As part of popular culture, heavy metal has been investigated for instance in the fields of cultural studies and psychology. Andrew Brown investigates how heavy metal emerged as subject for academic research. Deena Weinstein approaches heavy metal as culture and behaviour that is shared by individuals from different cultural backgrounds. However, subgenres like folk metal have not yet been explored in depth by academics. Analysing folk metal‟s nuances in specific national contexts would provide further knowledge on national cultures and identities. One example of folk metal reflecting elements of national culture is Finnish folk metal. The bands whose works belong to this genre usually draw from Finnish culture to compose their works, which usually feature stories from a variety of traditional sources such as the epic book Kalevala. Such stories are then transposed into new media, disseminating the artists‟ concept of Finnishness. -
December 2020 New Releases
December 2020 New Releases SEE PAGE 15 what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately 59 Music [MUSIC] Vinyl 3 CD 12 FEATURED RELEASES Video WALTER LURE’S L.A.M.F. THE DAVE BRUBECK THE RESIDENTS - 35 FEATURING MICK ROSSI - QUARTET - IN BETWEEN DREAMS: Film LIVE IN TOKYO TIME OUTTAKES LIVE IN SAN FRANCISCO Films & Docs 36 Faith & Family 56 MVD Distribution Independent Releases 57 Order Form 69 Deletions & Price Changes 65 TREMORS MANIAC A NIGHT IN CASABLANCA 800.888.0486 (2-DISC SPECIAL EDITION) 203 Windsor Rd., Pottstown, PA 19464 www.MVDb2b.com WALTER LURE’S L.A.M.F. BERT JANSCH - SUPERSUCKERS - FEATURING MICK ROSSI - BEST OF LIVE MOTHER FUCKERS BE TRIPPIN’ TIME OUT AND TAKE FIVE! LIVE IN TOKYO We could use a breather from what has been a most turbulent year, and with our December releases, we provide a respite with fantastic discoveries in the annals of cool jazz. THE DAVE BRUBECK QUARTET “TIME OUTTAKES” is an alternate version of the masterful TIME OUT 1959 LP, with the seven tracks heard for the first time in crisp, different versions with a bonus track and studio banter. The album’s “Take Five” is the biggest selling jazz single ever, and hearing this in different form is downright thrilling. On LP and CD. Also smooth jazz reigns supreme with a CD release of a newly discovered live performance from sax legend GEORGE COLEMAN. “IN BALTIMORE” is culled from a 1971 performance with detailed liner notes and rare photos. Kick Out the Jazz! Something else we could use is a release from oddball novelty song collector DR. -
257 Alexi Laiho
SÁBADO 9 de enero de 2021 Alexi Laiho, uno de los guitarristas más Año 6 | Núm. 257 DISEÑO: JAVIER SÁNCHEZ virtuosos de su generación falleció a los 41 | ROBERTO BERMÚDEZ TEXTOS: LORD JASC años de edad en su casa de Helsinki, Finlandia. WEB: ELIEZER USCANGA barraca26.com barraca 26 Su legado permanecerá eternamente y su Barraca_26 inegable influencia siempre será reconocida Barraca 26 POR: LORD JASC BARRACA 26 / SÍNTESIS arkku Uula Aleksi Laiho conocido como Mi primer amor verdadero, compañero de banda y mejor amigo. durante cuatro años antes de casarse. Sin Me diste tranquilidad y no me dejaste arrepentimientos por todas esas ‘Wildchild’ nació el 8 de abril de semanas y meses hasta el momento en que tu cuerpo mortal no pudo embargo, se separaron en 2004, pero si- 1979 en Espoo, Finlandia. Fue un soportarlo. Te estoy muy agradecida y siempre te amaré. Siempre per- guieron siendo amigos cercanos. cantante, compositor y sobre to- manecerás en nuestros corazones amorosos y tu legado musical, que Berserkers, nos entristece el desafortunado fallecimiento de El ‘Wildchild’ apareció en la portada de has enriquecido este mundo, vivirá para siempre. Ahora cierra los ojos, nuestro hermano Alexi Laiho. Hemos compartido escenario M do un virtuoso guitarrista. Según querido, y duerme tranquilo para siempre. Te amo, Alegator”. la revista Young Guitar varias veces y ha es- muchas veces juntos y siempre lo hemos pasado bien con él y la historia tras escuchar una cinta en vi- Kimberly Goss el resto del equipo de Children of Bodom. Un verdadero héroe tado en la portada de Guitar World jun- vo de Steve Vai y la canción ‘For the Lo- Frontwoman de Sinergy de la guitarra se fue demasiado pronto, RIP Alexi”. -
Thematic Patterns in Millennial Heavy Metal: a Lyrical Analysis
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis Evan Chabot University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Chabot, Evan, "Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis" (2012). Electronic Theses and Dissertations, 2004-2019. 2277. https://stars.library.ucf.edu/etd/2277 THEMATIC PATTERNS IN MILLENNIAL HEAVY METAL: A LYRICAL ANALYSIS by EVAN CHABOT B.A. University of Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2012 ABSTRACT Research on heavy metal music has traditionally been framed by deviant characterizations, effects on audiences, and the validity of criticism. More recently, studies have neglected content analysis due to perceived homogeneity in themes, despite evidence that the modern genre is distinct from its past. As lyrical patterns are strong markers of genre, this study attempts to characterize heavy metal in the 21st century by analyzing lyrics for specific themes and perspectives. Citing evidence that the “Millennial” generation confers significant developments to popular culture, the contemporary genre is termed “Millennial heavy metal” throughout, and the study is framed accordingly. -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Identity, Cosmopolitanism and Education in Extreme Metal Bands: the Case of Finland
Historia y Memoria de la Educación 12 (2020): 303-332 Sociedad Española de Historia de la Educación ISSN: 2444-0043 DOI: 10.5944/hme.12.2020.26507 IDENTITY, COSMOPOLITANISM AND EDUCATION IN EXTREME METAL BANDS: THE CASE OF FINLAND Identidad, cosmopolitismo y educación en las bandas de metal extremo: el caso de Finlandia Eugenio Otero Urtazaα Reception date: 22/01/2020 • Acceptation date: 08/03/2020 Abstract. Music is an art that often defines the education and values of peo- ple. Extreme Metal is a controversial musical genre that at times, in some of its subgenres, has caused episodes of exceptional violence. Metalheads make up a cultural movement that is present on all conti- nents. Metal movements are difficult to dissolve in the magma of social acceptance: they create a consciousness of transnational solidarity, of response to waste and ostentation that destroys the planet, while claim- ing the place in which it is lived. Extreme Metal is not an artistic fashion, it is profoundly changing the mentality of many young people who reject the social organisation of the capitalist and Christian world and try to find alternatives for the future. In this article we ask how their convic- tions are formed and in what way the school’s teachings influence them. One of the ways of studying the phenomenon is by analysing the lyrics of the songs. Not all subgenres can be covered and three Melodic Death Metal bands from Finland have been chosen for study, especially in rela- tion to their feelings about nature and the cosmos. It is evident that their songs are often based on classical and popular poems learned at school, by the legacy left by the great Finnish poets, and even by the literary cre- ations of musicians for that school resonance. -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
OFFICIAL RULES Summitmedia, LLC Contesting Apocalyptica Plays Metallica Concert Tickets WBPT-FM
OFFICIAL RULES SummitMedia, LLC Contesting Apocalyptica plays Metallica Concert Tickets WBPT-FM The following are the official rules of SummitMedia, LLC (“Sponsor”) for the Apocalyptica plays Metallica Concert Ticket Contest (“Contest”). By participating, each participant agrees as follows: 1. NO PURCHASE IS NECESSARY. Void where prohibited by law. All federal, state, and local regulations apply. 2. ELIGIBILITY. Unless otherwise specified, the Contest is open only to legal U.S. residents age eighteen (18) years or older at the time of entry with a valid Social Security number and who reside in the WBPT-FM listening area. Unless otherwise specified, employees of SummitMedia, LLC , its parent company, affiliates, related entities and subsidiaries, promotional sponsors, prize providers, advertising agencies, other radio stations serving the SummitMedia, LLC radio station’s listening area, and the immediate family members and household members of all such employees are not eligible to participate. The term “immediate family members” includes spouses, parents and step-parents, siblings and step-siblings, and children and stepchildren. The term “household members” refers to people who share the same residence at least three (3) months out of the year. Only one winner per household or family is permitted. There is no limit to the number of times an individual may attempt to enter, but each individual may qualify only once per Contest. An individual who has won more than $500 in a SummitMedia, LLC Contest or Sweepstakes in a particular calendar quarter is not eligible to participate in another SummitMedia, LLC Contest or Sweepstakes in that quarter unless otherwise specifically stated. Entrants may not use an assumed name or alias (other than a screen name where a contest involves use of a social media site). -
Complete Catalog
Complete Catalog NOTA SOBRE ATACADO A BlackMetalStore.com disponibilizou uma área especial de vendas para lojistas. Sigam as instruções abaixo: - Faça seu cadastro em: https://blackmetalstore.com/minha-conta/ - Envie um email para [email protected] solicitando alteração da conta para lojista. - Após alteração, com sua conta de lojista acesse o link abaixo: https://blackmetalstore.com/categoria-produto/exclusives/ Condições para compras no atacado (Leia com atenção): – Valor mínimo para cada compra: R$500.00 – Sem quantidade mínima! – Frete incluso – É possível misturar itens de atacado com itens de varejo ATENÇÃO: O pedido deve ser realizado somente pelo site sem exceção, não serão aceitos pedido por outros meios, pois o pedido realizado é integrado ao sistema dos Correios, onde automaticamente será gerado o seu código de rastreamento e o seguro do valor total do seu pedido. Dúvidas não mencionadas nas instruções acima, contate-nos em: Email: [email protected] Whatsapp: (11) 99463-6786 Agradecemos seu contato, equipe BMS Complete Catalog 10”MLPS Produto Preço MANZER / HEXECUTOR – Pictavian Hexecution (Gatefold 10″MLP) R$75,00 HELGEDOM – Svartkonst R$100,00 BANDEIRAS Produto Preço ABSURD - Death from the Forest (flag) R$80,00 Complete Catalog BATUSHKA STORE Produto Preço BATUSHKA - Hospodi (Deluxe Digibook CD) R$50,00 BATUSHKA - Litourgiya (Digipack CD) R$35,00 BATUSHKA - Litourgiya (Digipack CD) (Witching R$60,00 Hour) BATUSHKA - Litourgiya (Witching Hour) R$60,00 BATUSHKA - Pilgrim (cinza) R$85,00 BATUSHKA - Pilgrim (preta)