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BWTB Nov. 13Th Dukes 2016
1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53. -
Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Download Press Release As PDF File
For Immediate Release MUSIC ICONS: THE BEATLES IN LIVERPOOL THURSDAY, MAY 9, 2019 THE RAREST BEATLES RECORD IN THE WORLD-JOHN LENNON’S PERSONAL “YESTERDAY AND TODAY” BUTCHER ALBUM PROTOTYPE, A BEATLES SIGNED BASEBALL FROM THEIR FINAL U.S. CONCERT, JOHN LENNON’S AND RINGO STARR’S TITTENHURST PARK DOOR, JOHN LENNON’S SIGNED GUITAR STRAP AND MORE WILL ROCK THE BEATLES MEMORABILIA AUCTION EVENT OF THE SEASON Julien’s Auctions and The Beatles Story Bring Back “Memorabilia Day” Friday, May 10 in Spectacular Two-Day Beatlemania Event Los Angeles, California – (March 21, 2019) – Julien’s Auctions, the world-record breaking auction house, has announced that MUSIC ICONS: THE BEATLES IN LIVERPOOL, their annual auction extravaganza of the Fab Four’s most iconic and historic memorabilia to take place on Thursday, May 9 live for the first time at The Beatles Story Museum in Liverpool, UK, the birthplace of The Beatles and online at juliensauctions.com. (photo left to right: John Lennon’s guitar strap, John Lennon’s Yesterday and Today butcher album prototype and a baseball signed by The Beatles). In addition Julien’s Auctions will partner once again with The Beatles Story to bring their Beatles and Merseybeat “Memorabilia Day” back home to Liverpool on Friday, May 10th 2019 (12-8pm GMT) for a spectacular two-day Beatlemania event. Fans and collectors are invited to bring in their Beatles memorabilia to have appraised by the experts for free at The Beatles Story’s Fab4 Cafe on the Royal Albert Dock. The Beatles are the foremost and most influential music band of all time that were a phenomenon upon their arrival on the music scene in Liverpool in 1960 and changed pop culture forever with their music, style and innovations which continue to reverberate within millions of artists and fans worldwide today. -
The Apple Label with the Capitol Logo
The Apple Label With the Capitol Logo When Apple label introduced itself to the world in 1968, the brand featured a label design from the Gene Mahon agency. Reportedly, Neil Aspinall of Apple contacted Gene Mahon personally and told him that they would like for Mahon to shoot photographs of apples. His idea was to have a full apple on one side with no writing whatsoever, and a sliced apple on the other side containing all of the information about the record. With the way that the laws were written, EMI were reluctant to cram all of the information onto one label (which might also pose logistical problems on an album label). Mahon selected Paul Castell to take the photographs. Some apple photos later, and the famous Apple record label was born. The rim area around the label was left blank, to allow each EMI affiliate the ability to print whatever manufacturing information they desired (or what might be required by law). The art department at Capitol Records decided to keep the print to a minimum. At the bottom of the sliced side, they placed the words “Mfd. by Apple Records, Inc.” That was all that needed to be said. A few months later, Capitol decided to mark the labels differently for artists who had contracts with Capitol. At the time, this basically meant the Beatles themselves, whose singles were numbered as part of the Capitol series (in the 2000s). Records that were from artists whose discs were in the Apple series (the 1800s) and who had contracts through Apple alone would continue to be marked with “Mfd. -
Jerry Williams Jr. Discography
SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968. -
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
Super Bowl Singles Sunday 2017
1 TH PLAYLIST FEB. 5 2017 SUPER SINGLES SUNDAY As we feature the Beatles 1 PLUS LP 2 9AM The entire NEW Beatles 1 PLUS (including bonus highlights) The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 3 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland. On U.S. albums: Introducing… The Beatles (Version 1) - Vee-Jay LP The Early Beatles - Capitol LP The Beatles - From Me To You - A Collection of Beatles Oldies `66 (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ third single release for EMI’s Parlophone label. -
Free Downloads Beatles for Sale on Parlophone Records
Free Downloads Beatles For Sale On Parlophone Records Beatles For Sale on Parlophone Records covers all of the singles, albums and extended play discs issued by the Beatles in the U.K. from 1962 through 1970. Each record is given a separate chapter, which tells the stories behind how the songs appearing on the disc were written and recorded. The chapters also detail how the records were marketed and contain sales and chart information. The book has chapters on the history of EMI and Parlophone Records, how records are mastered and manufactured, how EMI contracted with other record companies to press Beatles singles and albums to help meet demand, British radio and record charts in the sixties and other record-related topics. The book has over 700 illustrations, all in either color or original black and white. Hardcover: 444 pages Publisher: 498 Productions, LLC; 1 edition (October 5, 2011) Language: English ISBN-10: 0983295700 ISBN-13: 978-0983295709 Product Dimensions: 9.2 x 1.4 x 12.1 inches Shipping Weight: 5.8 pounds (View shipping rates and policies) Average Customer Review: 4.4 out of 5 stars  See all reviews (18 customer reviews) Best Sellers Rank: #586,242 in Books (See Top 100 in Books) #29 in Books > Crafts, Hobbies & Home > Antiques & Collectibles > Records #112 in Books > Humor & Entertainment > Pop Culture > Beatles #1924 in Books > Arts & Photography > Music > History & Criticism Leave it to Bruce Spizer and Frank Daniels to find another huge record collecting need and fill it beautifully. Their latest offering is nothing short of a world class publication offering comprehensive and stunning visual insight to an area of collecting that is really considered the "mother of all Beatles records". -
Für Sonntag, 21
GEORGE HARRISON-Box THE APPLE YEARS Um zu bestellen, einfach Abbildung anklicken Abbildungen: Box; Kollage mit Box, Booklet und CDs. Freitag, 19. September 2014: Box (7 CDs & 1 DVD) GEORGE HARRISON - THE APPLE YEARS. 84,90 € inkl. Versand und gut verpackt Inhalt der Box: CD WONDERWALL MUSIC, CD ELECTRONIC SOUND, Doppel-CD ALL THINGS MUST PASS, CD LIVING IN THE MATERIAL WORLD, CD DARK HORSE, CD EXTRA TEXTURE (READ ALL ABOUT IT), DVD, Booklet. Die CDs sind auch einzeln erhältlich jeweils mit den 20-Seiten-Booklet. Die DVD und das zusätzliche Büchlein gibt es nicht einzeln sondern nur in der Box. Freitag, 19. September 2014: CD (remastert) mit 20-Seiten-Booklet WONDERWALL MUSIC BY GEORGE HARRISON. Apple / Universal, Europa. Freitag, 1. November 1968: Vinyl-LP WONDERWALL MUSIC BY GEORGE HARRISON. Apple TCSAPCOR 1 (geplant STAP 1), Großbritannien. *Dezember 1967: EMI Abbey Road Studios, London, Großbritannien und **Dienstag, 9. - Montag, 15. Januar 1968: EMI Recording Studios, Universal Insurance Building, Phirozeshah Mehta Road, Fort, Bombay 400001, Indien: Track 1: Microbes (George Harrison) (3:39). Track 2: Red Lady Too (George Harrison) (1:53). Track 3: Table And Pakavaj (George Harrison) (1:04). Track 4: In The Park (George Harrison) (4:08). Track 5: Drilling A Home (George Harrison) (3:07). Track 6: Guru Vandana (George Harrison) (1:04). Track 7: Greasy Legs (George Harrison) (1:27). Track 8: Ski-ing And Gat Kirwani (George Harrison) (3:06). Track 9: Dream Scene (George Harrison) (5:27). Track 10: Party Seacombe (George Harrison) (4:34): Track 11: Love Scene (George Harrison) (4:16). Track 12: Crying (George Harrison) (1:14). -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. •>- I The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrougb, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. -
Billboard 1970-06-06-OCR-Page-0081
ABRAHAM, MARTIN AND JOHN I TAKE A LOT OF PRIDE IN WHAT I AM RUBY, DONT TAKE YOUR LOVE Roznique Music, Inc. Blue Book Music TO TOWN Dick Holler Merle Haggard Cedarwood Publishing Co., Inc. AND WHEN I DIE I'M A DRIFTER Mel Tillis Laura Nyro Detail Music, Inc. RUNNING BEAR BAD MOON RISING Bobby Goldsboro Big Bopper Music Co. Jondora Music IN THE GHETTO J. P. Richardson John Fogerty B -n -B Music, Inc. SCARBOROUGH FAIR BORN FREE Elvis Presley Music, Inc. Charing Cross Music Screen Gems- Columbia Music, Inc. Mac Davis s John Barry IN THE YEAR 2525 Arthur Garfunkel Don Black Zerlud Music Enterprises Ltd. SINCE I MET YOU, BABY BOTH SIDES NOW Richard S. Evans Progressive Music PublishingCO., Inc. Siquomb Publishing Corp. IT'S GETTING BETTER Ivory Joe Hunter Joni Mitchell Screen Gems -Columbia Music, Inc. SMILE A LITTLE SMILE FOR ME THE BOXER Barry Mann Janua Charing Music Cynthia Weil Tony Macaulay Simoose JOHNNY ONE TIME Geoff Stephens A BOY NAMED SUE Blue Crest Music, Inc. SOMEDAY WELL BE TOGETHER Evil Eye Publishing Co., Inc. Hill and Range Songs, Inc. Fuqua Publishing Co. Sher Silverstein Dallas Harvey Fuqua Leo Owens Bristol BUT YOU KNOW I LOVE YOU Johnny First Edition Productions. Inc. THE LETTER Robert L. Beavers Mike Settle Earl Barton Music, Inc. SON OF A PREACHER MAN Wayne Carson Thompson Tree Publishing Co., Inc. BY THE TIME I GET TO PHOENIX Rivers Music Co. LITTLE ARROWS John Hurley Jimmy Webb Duchess Music Corp. Ronnie Wilkins Albert Hammond STRUT. CANT TAKE MY EYES OFF OF YOU Mike Hazelwood SOULFUL Seasons Four Music Corp.