Gary Meek Gary Meek Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Gary Meek Gary Meek Mp3, Flac, Wma Gary Meek Gary Meek mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Gary Meek Country: US Released: 1993 MP3 version RAR size: 1218 mb FLAC version RAR size: 1464 mb WMA version RAR size: 1729 mb Rating: 4.1 Votes: 603 Other Formats: WMA TTA AUD MP4 MPC MP1 AC3 Tracklist 1. Shuffle 4:27 2. My Song For Donna 5:37 3. Struck By Lightning 4:36 4. Cats 5:20 5. Passage 6:17 6. I'll Be Here 8:12 7. Triple Play 5:01 8. Bingo Bango Bongo 5:22 9. Tours From Hell 7:10 10. Hey You 3:18 11. Fun In The D.D.R. 4:56 Companies, etc. Phonographic Copyright (p) – Alex Merck Music Inc. Copyright (c) – Alex Merck Music Inc. Credits Acoustic Bass – Bob Harrison (tracks: 6, 9, 11) Alto Saxophone, Tenor Saxophone, Soprano Saxophone, Keyboards – Gary Meek Bass – Jerry Watts (tracks: 1 to 5, 8, 10) Drums – Airto Moreira (tracks: 6), Mike Shapiro (tracks: 1 to 5, 8, 10, 11) Guitar – Buzzy Feiten (tracks: 7) Keyboards – Jeff Lorber (tracks: 7) Percussion – Brad Dutz (tracks: 1, 3, 5, 8, 9) Piano, Accordion – Steve Bach (tracks: 6, 11) Programmed By – Oliver Lieber (tracks: 7) Vocals – Flora Purim (tracks: 1, 3, 5) Notes MADE N USA Barcode and Other Identifiers Barcode: 7 50645 89032 9 Matrix / Runout: LIP 89003 2 U.S. OPTICAL DISC SPARS Code: ADD Related Music albums to Gary Meek by Gary Meek Steve Williamson - Rhyme Time (That Fuss Was Us!) Mike Gibbs - Nonsequence Airto Moreira - Struck By Lightning Tristan Des Pres - World Affair The Drastics - Outlaw Tracks Toshiki Kadomatsu - Reasons For Thousand Lovers Gary Thomas - The Kold Kage Alex Merck & Painted Birds With Special Guest Raoul De Souza - Minds And Bodies Steve Ferrone's Farm Fur - More Head The Dave Weckl Acoustic Band Featuring Makoto Ozone, Tom Kennedy , Gary Meek - Of The Same Mind.
Recommended publications
  • Did You Receive This Copy of Jazzweek As a Pass Along?
    JazzWeek with airplay data powered by jazzweek.com • Feb. 6, 2006 Volume 2, Number 11 • $7.95 In This Issue: Surprises at Berklee 60th Anniversary Concert . 4 Classical Meets Jazz in JALC ‘Jazz Suite’ Debut . 5 ALJO Embarks On Tour . 8 News In Brief . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz Radio. 25 Industry Legend Radio Panels. 24, 29 BRUCE LUNDVALL News. 4 Part One of our Two-part Q&A: page 11 Charts: #1 Jazz Album – Jae Sinnett #1 Smooth Album – Richard Elliot #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger n part one of our two part interview with Bruce Lundvall, the MUSIC EDITOR Tad Hendrickson Blue Note president tells music editor Tad Hendrickson that Iin his opinion radio indeed does sell records. That’s the good CONTRIBUTING EDITORS news. Keith Zimmerman Kent Zimmerman But Lundvall points out something that many others have CONTRIBUTING WRITER/ pointed out in recent years: radio doesn’t make hits. As he tells Tad, PHOTOGRAPHER “When I was a kid I would hear a new release and they would play Tom Mallison it over and over again. Not like Top 40, but over a period of weeks PHOTOGRAPHY you’d hear a tune from the new Hank Mobley record. That’s not Barry Solof really happening much any more.” Lundvall understands the state Founding Publisher: Tony Gasparre of programming on mostly non-commercial jazz stations, and ac- ADVERTISING: Devon Murphy knowledges that kind of focused airplay doesn’t happen. Call (866) 453-6401 ext. 3 or This ties into my question of last week – does mainstream jazz email: [email protected] radio play too much music that’s only good, but not great? I’ve SUBSCRIPTIONS: received a few comments; please email me with your thoughts on Free to qualified applicants this at [email protected].
    [Show full text]
  • October 1, 1992 Cal Poly Report
    CAL POLY REPORT California Polytechnic State University, San Luis Obispo Vol. 48, No. 4, Oct. 1, 1882 State budget includes The Golden Handshake gives Arts Center funds faculty employees who retire bet­ ween Aug. 15 and Oct. 3 an addi­ After decades of hopes, dreams tional four years of service credit. and dedicated work, a San Luis Staff and administrative employees Obispo Performing Arts Center is must retire between Aug. 27 and now really going to happen: Cal Oct. 31 to be eligible for an addi­ Poly's $14-million share of con­ tional two years of credit. struction funds is included in the two-month-late state budget. Groundbreaking for the $25­ Retirees can volunteer to teach million center is expected next Reversing a previously an­ spring, with an anticipated nounced restriction, legislation has mid-1995 opening. been passed to allow newly retir­ Inclusion of the money in the ing faculty members to teach vol­ untarily after retirement without state budget removed the last ma­ Vic Buccola jor obstacle between planning and losing the extra service credit. reality for the state-of-the-arts Faculty members taking the 1992 Buccola recognized facility, a joint project of Cal Poly, Golden Handshake still may be the city of San Luis Obispo, and paid only if their employment is for 30 years' service the private Foundation for the Per­ necessary to preserve tli.e academic (One in a series of articles recognizing forming Arts Center. The founda­ integrity of a department or pro­ longtime employees) gram; otherwise the extra benefits tion is well on its way to raising Vic Buccola came to Cal Poly as a $7.2 million for construction plus will be forfeited.
    [Show full text]
  • Jazzandmore-1993-2017.Qxp Layout 1
    JAZZ AND MORE Ein fotografischer Rückblick von Reinhard Dorn & Christian Pacher IMPRESSUM Diese Publikation erscheint zum 25-jährigen Jubiläum der Reihe „Jazz and More“ im Bürgerhaus/diagonal., Ingolstadt © 2017 Reinhard Dorn Satz und Gestaltung: Reinhard Dorn Fotografie: Christian Pacher: S. 6: (1,2,3,4) • S. 10: (2) • S. 12: (3,4) • S.13 S. 18 (2) • S. 21 (1) • S. 22 (2) • S. 24 (1,2) • S. 25 • S. 27 • S. 34 (1,2,3) S. 35 • S. 37 • S. 48 (2) • S. 50 (2) • S. 52 (3) • S. 53 • S. 54 (2) S. 56 (2) • S. 57 • S. 58 (1,2) • S. 62 (1,2,3) • S. 63 • S.64 (1) • S. 68 (1,2) Reinhard Dorn: alle anderen Aufnahmen Kontaktadressen: Bürgerhaus Ingolstadt Kreuzstraße 12, 85049 Ingolstadt Tel. 08 41/305 28 00, Fax 08 41/305 28 09 [email protected] www.buergerhaus-ingolstadt.de Jan Rottau/KaRo Music Rankestraße 9, 85049 Ingolstadt [email protected] Christian Pacher Münchener Str. 99, 85051 Ingolstadt Tel. 08 41/7 21 90 [email protected] Reinhard Dorn Gymnasiumstraße 6, 85049 Ingolstadt Tel. 08 41/3 70 76 37 [email protected] Veranstalter Kreuzstr. 12 • Ingolstadt • Tel. 08 41/3052800 Die Reihe wird gefördert von: Unterstützt durch: 2 1993 – 2017 JAZZ AND MORE Bürgerhaus|diagonal. Club Concerts Einleitung ............................................................ 4 1993 ................................................................ 6 1994 ................................................................ 10 John Scofield im Interview – März 1994 ................................ 14 Joe Zawinul im Interview – November 1994 ...........................
    [Show full text]
  • November 1995
    Features BILL BRUFORD & PAT MASTELOTTO Bruford & Mastelotto's respective gigs may have headed down different musical paths in the past, but as King Crimson's navigating duo, their sights are set on the same goal—highly challenging and creative modern music. We catch up with the pair as they embark on the second leg of Crimson's international Thrak 42 tour this month. • William F. Miller JAMIE OLDAKER The Tractors are one of the newer country acts pulling in plat- inum records, but drummer Jamie Oldaker is no stranger to the big time. Heavyweights like Clapton, Stills, and Frampton have relied on his solid feel for decades. • Rick Mattingly 70 MIKE SHAPIRO "What's a nice boy like you doing in a groove like this?" He doesn't look like your typical Latin drummer—and he doesn't play like one, either. So how come Mike Shapiro is one of the most in-demand non-Brazilian "Brazilian" drummers around? • Robyn Flans 92 Volume 19, Number 11 Cover photo by Ebet Roberts Columns EDUCATION EQUIPMENT NEWS 106 ROCK'N' 10 UPDATE 22 NEW AND JAZZ CLINIC Danny Gottlieb, NOTABLE Changuito' s Groov e Jimmy DeGrasso of BY DAVID GARIBALDI Suicidal Tendencies, 26 PRODUCT AND REBECA Ian Wallace, and CLOSE-UP Tim McGraw's Billy MAULEON-SANTANA Camber 25th Mason, plus News Anniversary Series And 108 STRICTLY C6000 Cymbals TECHNIQUE 139 INDUSTRY BY RICK VAN HORN Mirror Exercises HAPPENINGS BY JOHN MARTINEZ Zildjian Day In Prague, and more 110 JAZZ DRUMMERS' DEPARTMENTS WORKSHOP Making The African- 4 EDITOR'S Swing Connection OVERVIEW BY WOODY THOMPSON 110 ARTIST ON 8 READERS' 28 Axis Pro Hi-Hat TRACK PLATFORM And Extra Hat Steve Gadd BY CHAP OSTRANDER BY MARK GRIFFITH 14 ASK A PRO 31 1995 Consumers 120 IN THE STUDIO Chad Smith and Poll Results Carlos Vega BY RICK VAN HORN The Drummer's Studio Survival Guide: Part 8, Drum 20 IT'S 34 ELECTRONIC Microphones QUESTIONABLE REVIEW BY MARK PARSONS K&K CSM 4 Snare Mic' And CTM 3 Tom Mic' 112 CRITIQUE BY MARK PARSONS 130 CONCEPTS Django Bates, Tana Reid, Starting Over and Duffy Jackson CDs, 37 D.C.
    [Show full text]
  • Carmel Valley
    Fake Fab Four He didn’t Oprah flirted excel at just shoot with me! recreating ’64 mountains — INSIDE THIS WEEK BULK RATE U.S. POSTAGE PAID CARMEL, CA Permit No. 149 Volume 95 No. 12 On the Internet: www.carmelpinecone.com March 20-26, 2009 Y OUR S OURCE F OR L OCAL N EWS, ARTS AND O PINION S INCE 1915 Maldonado calls for From the Stone Age to the New Age limit on sex offenders’ ■ ‘Spirit nests’ turn heads access to IDs By KELLY NIX By CHRIS COUNTS STATE SEN. Abel Maldonado said he’ll consider EVEN IN Big Sur, proposing a bill that would prevent registered sex offenders where the abundance and from working in liquor stores and other businesses where variety of nature creates a they can check IDs and have access to customers’ personal constant visual spectacle, information. Jayson Fann’s eye-catching “Allowing registered sex “spirit nests” stand out. offenders to view a person’s Constructed almost driver’s license, thereby entirely from the branches allowing them to obtain left over from local tree-trim- important contact informa- ming projects, Fann creates tion like the person’s small structures that are easy address, is extremely dan- to appreciate but difficult to gerous,” Maldonado said. categorize. Are they Stone Maldonado made the Age dwellings, or are they comments to The Pine Cone fine-art installations? Fann, Above are two of Jayson Fann’s after learning that registered who owns the Big Sur Spirit sex offender and liquor store Garden, leaves their defini- distinctive “spirit nests.” At the right, Fann enjoys the view from worker Thomas Pollacci, 49, tion open to interpretation.
    [Show full text]
  • COMPLETEDISCOGRAPHY DISCOGRAPHY Last
    COMPLETE DISCOGRAPHY DISCOGRAPHY FOURTH WORLD Last updated: October 30, 2006 Compiled by Giancarlo Mei 1992) Fourth World - Live At Ronnie Scott's Club (Ronnie Scott's Jazz House) 1992) Fourth World (B&W) The discography that follows indicates every LP or CD Flora 1995) Encounters Of The Fourth World (B&W) Purim performed as solo artist, as a duo or as member of the 1996) The Meaning Of Live - Live In South Africa 1993 (B&W) group Forth World. You will also find every collaboration she 1998) Last Journey (M.E.L.T. 2000) made on record with other artists, in chronological order. 1999) Return Journey (Electric Melt) FLORA PURIM ANTHOLOGIES AND REISSUES 1964) Flora É M.P.M. (RCA/Victor) 1976) The Essencial… Airto featuring Flora Purim & Special 1974) Butterfly Dreams (Milestone) Friends (Buddah) 1974) 500 Miles High (Milestone) 1978) Deodato/Airto, The Best Of Deodato/Airto (CTI) 1974) Stories To Tell (Milestone) 1980) Airto, Return To Forever (CTI) 1976) Open Your Eyes You Can Fly (Milestone) 1980) Flora Purim, Love Reborn (Milestone, M 9095) 1976) Encounter (Milestone) 1982) Airto featuring Flora Purim, Brazilian Heathwave (Accord 1977) Nothing Will Be As It Was…Tomorrow (Warner Bros.) Record Corp.) 1978) Everyday, Everynight (Warner Bros.) 1988) Flora Purim, Milestone Memories (BGP) 1978) That's What She Said (Milestone) 1994) Airto Moreira, Jump (West Wind Latino) 1979) Carry On (Warner Bros.) 1994) Airto, The Best Of Airto (Columbia/Legacy) 1988) The Midnight Sun (Virgin) 1994) Airto, The Essential (Unidisc Music) 1992) Queen Of The Night (Sound Wave Records) 1994) Flora Purim, The Flight (B&W) 1995) Speed Of Light (B&W, BW044) 1999) Airto Moreira, Assential/The Very Best Of Airto Moreira 2000) Flora Purim Sings Milton Nascimento (Narada Jazz) 2001) Flora Purim and Airto Moreira, Wings Of Imagination 2001) Perpetual Emotion (Narada Jazz) (Concord) 2003) Speak No Evil (Narada Jazz) 2006) Flora Purim, Nós Dois (M.E.L.T.
    [Show full text]
  • Good Times Roll
    AUGUST 2014—ISSUE 148 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM CHARLIE HUNTER GOOD TIMES ROLL VICTOR • JIM • FREDA • J.C. • EVENT LEWIS HOBBS PAYNE MOSES CALENDAR SMOKE ts) • www.smokejazz.com • ts) stree 106th & 105th (Between NYC Broadway 2751 • 212-864-6662 ofa date: ofa contact: bus. rel.: bus. artist: . R S .S COM ECORDS ESSIONS MOKE WWW acct mgr: acct Doug Weiss (b) • Al Foster (d) Foster Al • (b) Weiss Doug sales order: sales prod master: prod Dayne Stephens (as) • Adam Birnbaum (p) Birnbaum Adam • (as) Stephens Dayne AVAILABLE ON COMPACT DISC & AS DIGITAL DOWNLOAD DIGITAL AS & DISC COMPACT ON AVAILABLE “PLAYS THE MUSIC OF BIRD” OF MUSIC THE “PLAYS For Complete Music Schedule Music Complete For AL FOSTER QUARTET FOSTER AL Visit www.smokejazz.com Visit O WWW.SMOKESESSIONSRECORDS.COM USA. THE IN PRINTED LAWS. APPLICABLE No Music Charge (Sunday to Thursday) to (Sunday Charge Music No Peace, Peace, CHARLIE PARKER BIRTHDAY CELEBRATION BIRTHDAY PARKER CHARLIE WARNING ALL RIGHTS RESERVED. UNAUTHORIZED DUPLICATION IS A VIOLATION OF OF VIOLATION A IS DUPLICATION UNAUTHORIZED RESERVED. RIGHTS ALL WARNING Executive Producers: Frank Christopher & Paul Stache Paul & Christopher Frank Producers: Executive ℗ © 2014 SMOKE SESSIONS RECORDS 2751 BROADWAY, NEW YORK, NEW YORK 10025 10025 YORK NEW YORK, NEW BROADWAY, 2751 RECORDS SESSIONS SMOKE 2014 © ℗ I dedicate this record to Dwayne Burno with much love to Quinn and Wendy Burno. Wendy and Quinn to love much with Burno Dwayne to record this dedicate I Music 7 Nights a Week + Sunday Brunch Sunday + Week a Nights 7 Music Fri & Sat, August 29 & 30 & 29 August Sat, & Fri For more information about Orrin visit orrinevansmusic.com orrinevansmusic.com visit Orrin about information more For record this spectacular ensemble.
    [Show full text]
  • Download Flora's Biography
    BIOGRAPHY For those who know Flora, an introduction is unnecessary. Her music has interwoven the life fabric of anyone with a passing interest in Latin and American jazz music for over 25 years. Her once-in-a-generation six-octave voice has earned her two Grammy nominations for Best Female Jazz Performance and Downbeat magazines Best Female Singer accolade on four occasions. Her musical partners have included Gil Evans, Stan Getz, Chick Corea, Dizzy Gillespie and Airto Moreira, with whom she has collaborated on over 30 albums since moving with him from her native Rio to New York in 1967. Her musical genius was inbred thanks to a Russian émigré father who played violin and a mother who was a tal- ented pianist in her own right. Before leaving Brazil to escape the repressive military regime of the time, she had mastered piano and guitar and liberated an exhilarating vocal talent. In New York, she and Airto became central to the period of musical expression and creativity, which produced the first commercially successful Electric Jazz groups of the 70s. Blue Note artist Duke Pearson was the first American musician to invite Flora to sing alongside him on stage and on record. She then toured with Gil Evans about whom she says, this guy has changed my life. He gave us a lot of support to do the craziest stuff. This was the beginning for me. Her reputation as an outstanding performer gained her work with Chick Corea and Stan Getz as part of the New Jazz movement that also contained the nurturing influence of sax man Cannonball Adderley.
    [Show full text]
  • Pasic 2002 Columbus, Ohio November 13–16
    PASIC 2002 COLUMBUS, OHIO NOVEMBER 13–16 TTHEHE DDRUMMERSRUMMERS OFOF WWOODYOODY HHERMANERMAN FFRIDAYRIDAY EEVENINGVENING SCHEDULE OF EVENTS WEDNESDAY, NOVEMBER 13 • PAGE 30 PERCUSSIVE ARTS SOCIETY HISTORY THURSDAY, NOVEMBER 14 • PAGE 34 • PAGE 90 FRIDAY, NOVEMBER 15 • PAGE 42 SATURDAY, NOVEMBER 16 • PAGE 50 SPONSORS • PAGE 6 EXHIBITORS PASIC 2002 PLANNING BY NAME • PAGE 8 PASIC 2002 COMMITTEE • PAGE 4 ADVERTISERS • PAGE 95 BY BOOTH NUMBER • PAGE 8 BY CATEGORY • PAGE 10 COMPANY DESCRIPTIONS • PAGE 14 MAPS GREATER COLUMBUS CONVENTION CENTER & HYATT REGENCY MAP • PAGE 26 AREA MAP & RESTAURANTS • PAGE 28 EXHIBIT HALL • PAGE 12 ARTISTS AND CLINICIANS BIOS • PAGE 58 WELCOME MESSAGES • PAGE 3 PAS PRESIDENT’S WELCOME lar lineup of clinicians, artists, support that brings this conven- people, products, and perfor- workshops, and concerts for the tion together. Please take a mo- mances. members of PAS. Please take a ment to thank these exhibitors Please enjoy PASIC 2002 moment to thank Susan and her for providing opportunities for and all that it does to enhance committee for their work before your enrichment. our lives. and during the convention to Finally, be sure to thank our bring this world-class event to Executive Director, Michael Columbus and to make it run Kenyon, and the PAS Staff for like clockwork. Our society is their outstanding job to produce richer for their vision and volun- PASIC. It takes years of planning elcome to Columbus, teer efforts. by the PAS office to administer W Ohio and to the 2002 This vision can only be real- and run this event. Our society Percussive Arts Society Inter- ized with the support of our Sus- is lucky to have such a talented national Convention.
    [Show full text]