Pasic 2002 Columbus, Ohio November 13–16
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
Biography-George-ROBERT.Pdf
George ROBERT Born on September 15, 1960 in Chambésy (Geneva), Switzerland, George Robert is internationally reCognized as one of the leading alto saxophonists in jazz today. He started piano at a very early age and at age 10 he began Clarinet lessons at the Geneva Conservatory with LuC Hoffmann. In 1980 he moved to Boston and studied alto saxophone with Joe Viola at the Berklee College of MusiC. In 1984 he earned a Bachelor of Arts in Jazz Composition & Arranging and moved to New York where he enrolled at the Manhattan SChool of MusiC. He studied with Bob Mintzer and earned a Master’s Degree in Jazz PerformanCe in 1987. He played lead alto in the Manhattan SChool of MusiC Big Band for 2 years, whiCh earned in 1985 the 1st Prize in the College Big Band Category in the Down Beat Magazine Jazz Awards In July 1984 he performed on the main stage of the Montreux Jazz Festival and earned an Outstanding PerformanCe Award from Down Beat Magazine. In 1985 & 1986 he toured Europe extensively. In 1987 he met Tom Harrell and together they founded the George Robert-Tom Harrell Quintet (with Dado Moroni, Reggie Johnson & Bill Goodwin). The group Completed 125 ConCerts worldwide between 1987 & 1992, and reCorded 5 albums. He remained in New York City and free-lanCed for 7 years, playing with Billy Hart, Buster Williams, the Lionel Hampton Big Band, the Toshiko Akiyoshi-Lew Tabackin Jazz OrChestra, Joe Lovano, and many others. He met Clark Terry and started touring with him extensively, Completing a 16- week, 65-ConCert world tour in 1991. -
That Persistently Funky Drummer
That Persistently Funky Drummer o say that well known drummer Zoro is a man with a vision is an understatement. TTo relegate his sizeable talents to just R&B drumming is a mistake. Zoro is more than just a musician who has been voted six times as the “#1 R&B Drummer” in Modern Drummer and Drum! magazines reader’s polls. He was also voted “Best Educator” for his drumming books and also “Best Clinician” for the hundreds of workshops he has taught. He is a motivational speaker as well as a guy who has been called to exhort the brethren now in church pulpits. Quite a lot going on for a guy whose unique name came from the guys in the band New Edition teasing him about the funky looking hat he always wore. Currently Zoro drums with Lenny Kravitz and Frankie Valli (quite a wide berth of styles just between those two artists alone) and he has played with Phillip Bailey, Jody Watley and Bobby Brown (among others) in his busy career. I’ve known Zoro for years now and what I like about him is his commitment level... first to the Lord and then to persistently following who he believes he is supposed to be. He is a one man dynamo... and yes he really is one funky drummer. 8 Christian Musician: You certainly have says, “faith is the substance of things hoped Undoubtedly, God’s favor was on my life and a lot to offer musically. You get to express for, the evidence of things not seen.” I simply through his grace my name and reputation yourself in a lot of different situations/styles. -
Did You Receive This Copy of Jazzweek As a Pass Along?
JazzWeek with airplay data powered by jazzweek.com • Feb. 6, 2006 Volume 2, Number 11 • $7.95 In This Issue: Surprises at Berklee 60th Anniversary Concert . 4 Classical Meets Jazz in JALC ‘Jazz Suite’ Debut . 5 ALJO Embarks On Tour . 8 News In Brief . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz Radio. 25 Industry Legend Radio Panels. 24, 29 BRUCE LUNDVALL News. 4 Part One of our Two-part Q&A: page 11 Charts: #1 Jazz Album – Jae Sinnett #1 Smooth Album – Richard Elliot #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger n part one of our two part interview with Bruce Lundvall, the MUSIC EDITOR Tad Hendrickson Blue Note president tells music editor Tad Hendrickson that Iin his opinion radio indeed does sell records. That’s the good CONTRIBUTING EDITORS news. Keith Zimmerman Kent Zimmerman But Lundvall points out something that many others have CONTRIBUTING WRITER/ pointed out in recent years: radio doesn’t make hits. As he tells Tad, PHOTOGRAPHER “When I was a kid I would hear a new release and they would play Tom Mallison it over and over again. Not like Top 40, but over a period of weeks PHOTOGRAPHY you’d hear a tune from the new Hank Mobley record. That’s not Barry Solof really happening much any more.” Lundvall understands the state Founding Publisher: Tony Gasparre of programming on mostly non-commercial jazz stations, and ac- ADVERTISING: Devon Murphy knowledges that kind of focused airplay doesn’t happen. Call (866) 453-6401 ext. 3 or This ties into my question of last week – does mainstream jazz email: [email protected] radio play too much music that’s only good, but not great? I’ve SUBSCRIPTIONS: received a few comments; please email me with your thoughts on Free to qualified applicants this at [email protected]. -
Write-Ins Race/Name Totals - General Election 11/03/20 11/10/2020
Write-Ins Race/Name Totals - General Election 11/03/20 11/10/2020 President/Vice President Phillip M Chesion / Cobie J Chesion 1 1 U/S. Gubbard 1 Adebude Eastman 1 Al Gore 1 Alexandria Cortez 2 Allan Roger Mulally former CEO Ford 1 Allen Bouska 1 Andrew Cuomo 2 Andrew Cuomo / Andrew Cuomo 1 Andrew Cuomo, NY / Dr. Anthony Fauci, Washington D.C. 1 Andrew Yang 14 Andrew Yang Morgan Freeman 1 Andrew Yang / Joe Biden 1 Andrew Yang/Amy Klobuchar 1 Andrew Yang/Jeremy Cohen 1 Anthony Fauci 3 Anyone/Else 1 AOC/Princess Nokia 1 Ashlie Kashl Adam Mathey 1 Barack Obama/Michelle Obama 1 Ben Carson Mitt Romney 1 Ben Carson Sr. 1 Ben Sass 1 Ben Sasse 6 Ben Sasse senator-Nebraska Laurel Cruse 1 Ben Sasse/Blank 1 Ben Shapiro 1 Bernard Sanders 1 Bernie Sanders 22 Bernie Sanders / Alexandria Ocasio Cortez 1 Bernie Sanders / Elizabeth Warren 2 Bernie Sanders / Kamala Harris 1 Bernie Sanders Joe Biden 1 Bernie Sanders Kamala D. Harris 1 Bernie Sanders/ Kamala Harris 1 Bernie Sanders/Andrew Yang 1 Bernie Sanders/Kamala D. Harris 2 Bernie Sanders/Kamala Harris 2 Blain Botsford Nick Honken 1 Blank 7 Blank/Blank 1 Bobby Estelle Bones 1 Bran Carroll 1 Brandon A Laetare 1 Brian Carroll Amar Patel 1 Page 1 of 142 President/Vice President Brian Bockenstedt 1 Brian Carol/Amar Patel 1 Brian Carrol Amar Patel 1 Brian Carroll 2 Brian carroll Ammor Patel 1 Brian Carroll Amor Patel 2 Brian Carroll / Amar Patel 3 Brian Carroll/Ama Patel 1 Brian Carroll/Amar Patel 25 Brian Carroll/Joshua Perkins 1 Brian T Carroll 1 Brian T. -
Pam 3 Post-Gazette 7-15-11.Pmd
VOL. 115 - NO. 28 BOSTON, MASSACHUSETTS, JULY 15, 2011 $.30 A COPY Betty Ford Dies at 93 The 86th Annual Saint Joseph Feast After Lifetime Promoting Treatment of JULY 29, 30 AND 31, 2011 Substance and Alcohol Abuse JOIN SAINT JOSEPH FOR THEIR HISTORIC UNITY CELEBRATION Less than five years after the death of Gerald Ford, his Join the St. Joseph DJ sounds of Giovanni th wife and former first lady Society at the 86 Annual LaVanga. 2:00 p.m. - Singing Betty Ford passed away at the St. Joseph Feast (Festa di Sensation GIAN FERRAONE age of 93. San Giuseppe) in Boston’s & Ray Cavicchio. From Two separate ceremonies North End. The annual 7:00 to 9:30 pm you will be were held to remember her. event draws thousands for entertained by U.S. AIR- The first ceremony on Tues- three days of great food, FORCE BAND OF LIBERTY, day was held in California, entertainment and fun in Special Guest Artist MARK where Ford lived, and eulo- honor of St. Joseph. ANTONELLI and STREET gies were read by former first This year the Society MAGIC in the PRADO. st lady Rosalynn Carter and invites all to celebrate with Sunday, July 31 A Non- journalist Cokie Roberts. them the Historic Unity Sectarian Service will be Both speakers had been cho- Celebration. held at 10:00 a.m. in the rd sen by Ford several years ago. On Friday, July 29 the PRADO (Paul Revere Mall) The speakers focused on blessing of St. Joseph will on Hanover St. (In case of Ford’s twin passions: politics take place in front of the rain Mass will be held at and her world famous Betty Ford Center for substance abuse chapel on Hanover Street fol- St. -
Lead Responsibly Morrison’S Philosophy Helps Guide Delta Connection VP Don Bornhorst Contents the Scroll Spring/Summer 2009 Volume CXXXII, Number 1
Spring/Summer 2009 05 ........A consultant’s journal 30 .........Coaching Millennials 37 .........Foundation Annual Report 54 .........Facebook Phi Dave Morin Lead Responsibly Morrison’s philosophy helps guide Delta Connection VP Don Bornhorst contents The Scroll Spring/Summer 2009 Volume CXXXII, Number 1 37 48 52 Foundation Annual Report Lead responsibly, Don Bornhorst Dr. Sigvard Hansen Celebrating 50 years of the Educational Using Robert Morrison as a guide, Delta Lives by the motto of “just fix it.” Hansen Foundation. Thank you for all your VP Don Bornhorst continues to lead by takes other doctor’s “no can do’s” and generous support. Here is to another doing what ought to be done. pushes the medical envelope by operating 50 years! when other professionals think the procedure is impossible. The Scroll (ISSN 0036-9799) is an educational journal Postmaster Editor General Council published continuously by the Phi Delta Theta International Rob Pasquinucci Fraternity since 1876. It is published three times annually Please send form 3579 for undeliverable copies to (Ashland ’93) President in Greenfield, Ohio. Third class postage paid at Greenfield, Phi Delta Theta General Headquarters, Mark Ochsenbein Editor Emeritus Ohio, and at additional offices. The Scroll is distributed free of 2 South Campus Ave., Oxford, Ohio 45056. (Eastern Kentucky ’77) Bill Dean charge to members of Phi Delta Theta. Subscription rates: $5 (Texas Tech ’60) Treasurer issue/$15 per year. Subscriptions must be sent to the editor at M. Scott Mietchen General Headquarters. Phi Delta Theta is not responsible for Deadlines Business Manager (Utah ’84) unsolicited material. Robert A. Biggs Spring: Feb. -
Faculty Biographies Division Coordinators and Educational Consultants
2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Country Airplay; Brooks and Shelton ‘Dive’ In
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 24, 2019 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Thomas Rhett’s Behind-The-Scenes Country Songwriters “Look” Cooks >page 4 Embracing Front-Of-Stage Artist Opportunities Midland’s “Lonely” Shoutout When Brett James sings “I Hold On” on the new Music City Puxico in 2017 and is working on an Elektra album as a member >page 9 Hit-Makers EP Songs & Symphony, there’s a ring of what-ifs of The Highwomen, featuring bandmates Maren Morris, about it. Brandi Carlile and Amanda Shires. Nominated for the Country Music Association’s song of Indeed, among the list of writers who have issued recent the year in 2014, “I Hold On” gets a new treatment in the projects are Liz Rose (“Cry Pretty”), Heather Morgan (“Love Tanya Tucker’s recording with lush orchestration atop its throbbing guitar- Someone”), and Jeff Hyde (“Some of It,” “We Were”), who Street Cred based arrangement. put out Norman >page 10 James sings it with Rockwell World an appropriate in 2018. gospel-/soul-tinged Others who tone. Had a few have enhanced Marty Party breaks happened their careers with In The Hall differently, one a lbu ms i nclude >page 10 could envision an f o r m e r L y r i c alternate world in Street artist Sarah JAMES HUMMON which James, rather HEMBY Buxton ( “ S u n Makin’ Tracks: than co-writer Daze”), who has Riley Green’s Dierks Bentley, was the singer who made “I Hold On” a hit. done some recording with fellow songwriters and musicians Sophomore Single James actually has recorded an entire album that’s expected under the band name Skyline Motel; Lori McKenna (“Humble >page 14 later this year, making him part of a wave of writers who are and Kind”), who counts a series of albums along with her stepping into the spotlight with their own multisong projects.