Pasic 2002 Columbus, Ohio November 13–16

Home , Adam Nussbaum, Chris McHugh, Dave Lombardo, Drum Corps Associates, Frank Arsenault, Fred Sanford (musician)

PASIC 2002 COLUMBUS, OHIO NOVEMBER 13–16

TTHEHE DDRUMMERSRUMMERS OFOF WWOODYOODY HHERMANERMAN FFRIDAYRIDAY EEVENINGVENING

SCHEDULE OF EVENTS

WEDNESDAY, NOVEMBER 13 • PAGE 30 PERCUSSIVE ARTS SOCIETY HISTORY

THURSDAY, NOVEMBER 14 • PAGE 34 • PAGE 90

FRIDAY, NOVEMBER 15 • PAGE 42

SATURDAY, NOVEMBER 16 • PAGE 50

SPONSORS • PAGE 6 EXHIBITORS

PASIC 2002 PLANNING BY NAME • PAGE 8 PASIC 2002 COMMITTEE • PAGE 4 ADVERTISERS • PAGE 95 BY BOOTH NUMBER • PAGE 8

BY CATEGORY • PAGE 10

COMPANY DESCRIPTIONS • PAGE 14 MAPS

GREATER COLUMBUS CONVENTION CENTER & HYATT REGENCY MAP • PAGE 26

AREA MAP & RESTAURANTS • PAGE 28

EXHIBIT HALL • PAGE 12

ARTISTS AND CLINICIANS BIOS • PAGE 58

WELCOME MESSAGES • PAGE 3 PAS PRESIDENT’S WELCOME

lar lineup of clinicians, artists, support that brings this conven- people, products, and perfor- workshops, and concerts for the tion together. Please take a mo- mances. members of PAS. Please take a ment to thank these exhibitors Please enjoy PASIC 2002 moment to thank Susan and her for providing opportunities for and all that it does to enhance committee for their work before your enrichment. our lives. and during the convention to Finally, be sure to thank our bring this world-class event to Executive Director, Michael Columbus and to make it run Kenyon, and the PAS Staff for like clockwork. Our society is their outstanding job to produce richer for their vision and volun- PASIC. It takes years of planning elcome to Columbus, teer efforts. by the PAS office to administer W Ohio and to the 2002 This vision can only be real- and run this event. Our society Percussive Arts Society Inter- ized with the support of our Sus- is lucky to have such a talented national Convention. This is taining Members. In the Exhibit and dedicated team of profes- the third time that Columbus Hall you will find a dedicated sionals in Lawton, Oklahoma has hosted our unique music music industry that devotes a working on our behalf. convention, and the city and large portion of their resources There is no place like PASIC event facilities have always to invest in the percussive arts on this earth. It is a place to re- proven to be first rate. I appre- and PAS. On behalf of the Board charge your batteries, to access ciate the tireless efforts of Su- of Directors and our entire mem- new information, to renew old san Powell and her planning bership, I say thank you to our friendships and make new ones. committee in providing a stel- Sustaining Members for their PASIC is a unique connection to

PASIC HOST’S WELCOME

the program take note of the PAS conventions offer the PRESIDENT’S CIRCLE wide array of genres repre- unique gathering of individu- The Percussive Arts Society wishes to sented: drumset, world, key- als from all sides of percus- express its deepest gratitude to the board, orchestral, and marching sion: performers, students, following businesses and individuals who percussion, as well as education educators, composers, manu- have given generous gifts and contributions to PAS over the years. sessions and concert events. facturers and percussion en- Within each of these areas there thusiasts. This is the $500,000 or more are clinics, master classes, per- seventeenth convention I have MCMAHON FOUNDATION formances and panel discus- personally attended, and I $100,000 or more sions, as well as a diverse can honestly say that I have FRED GRUBER n behalf of the city of Co- lineup of evening concerts. You grown up in, with and through ZILDJIAN FAMILY O lumbus and the PASIC can plan your PASIC experience the Percussive Arts Society. $50,000 or more 2002 planning committee, I’d around your particular points of The yearly conventions have GORDON B. PETERS like to welcome you to what I interest, all while sampling the been integral to my develop- EMIL RICHARDS know will be a stimulating and varied offerings of other areas. ment as both performer and MICKEY TOPERZER enriching four days. Twenty Also, be sure and budget time educator, and I, like many oth- $25,000 or more seven years ago, the first Per- in your daily schedule to visit the ers, look forward to renewing CAROLL BRATMAN cussive Arts Society Interna- PASIC 2002 Exhibit Hall. The ex- old friendships as well as NANCY & PERRY D. PREUSCH tional Convention was held in hibits offer the opportunity to making new ones each time REMO, INC. Rochester, New York at the browse through music, view the PASIC takes place. Whether SABIAN, LTD. Eastman School of Music. latest instrument innovations, this is your first PAS conven- THOMAS SIWE Since then, PASIC has visited and try out products not avail- tion or your twentieth, you will twenty different cities across able anywhere else in one loca- most certainly leave inspired. the United States and brought tion. Enjoy your stay! PASIC 2002 the world of percussion to An event such as this could thousands of individuals. not take place without the col- SPECIAL THANKS This is the third trip that laboration of countless individu- Eugene Novotney PASIC has made to Columbus; als and organizations. Organization of PASIC Bob Breithaupt hosted the Numerous contributors have 2002 Focus Day convention in 1993 and Jim helped make this convention Robin Engelman Rupp was host in 1999. Due to come to life: the PAS committee Organization of The the accessible location, great members, the many logistics Drummer’s Heritage facilities, and the successful volunteers, the corporate spon- Jim Rupp previous conventions, the pre- sors, and especially the PAS cedent has been set for yet staff in Lawton. I would like to Organization of another memorable Columbus thank in particular PAS Adminis- Drummers of Woody gathering. trative Manager Rebecca Herman The artist roster for PASIC Kinslow and PASIC Production Todd Lacy 2002 features some of the Manager Todd Lacy, who have Production Manager greatest names in percussion, been key in the planning pro- Bryan Stone and as you browse through cess of this event. Photography

WELCOME MESSAGES 3 PASIC 2002 PLANNING COMMITTEE PERCUSSIVE ARTS SOCIETY BOARD OF DIRECTORS EXECUTIVE COMMITTEE James Campbell, President Mark Ford, President-elect Richard Holly, Vice President Kristen Shiner McGuire, Secretary Mike Balter, Treasurer Robert Breithaupt, Immediate Past President Michael Kenyon, Executive Director

DIRECTORS

SUSAN POWELL JEREMY BRADSTREET ROGER BRAUN CARY DACHTYL Timothy K. Adams, Pittsburgh, PA PASIC 2002 Host Assistant Band Director, Grove City High Director of Percussion Studies Ohio Percussion Instructor, Kenyon College; Anders Åstrand, Stockholm, Sweden Music Director, Welsh Hills Symphony; Director of Percussion Studies, The Ohio School University, Athens, Ohio Steve Beck, Pro-Mark Corp., Houston, TX State University School of Music Timpanist, Opera Columbus Gregg Bissonette, Westlake Village, CA Michael Burritt, Northwestern University, Evanston, IL Jim Catalano, Ludwig/Musser Industries, Elkhart, IN Ndugu Chancler, Los Angeles, CA Gary Cook, University of Arizona, Tucson, AZ Peter Erskine, Santa Monica, CA David Eyler, Concordia College, Minnesota State University–Moorhead, MN Steve Houghton, Glendale, CA Dana Kimble, West Point Band, West Point, NY Frederic Macarez, Orchestre de Paris, Conservatoire Superieur de Paris - CNR. Paris, France William Moersch, University of Illinois,

JEFF JONES SCOTT KITCHEN JOSEPH KRYGIER JIM LESLIE Urbana, IL Arts Impact School, Columbus Beginning Band teacher, Parkersburg Percussionist/The Ohio State University University of Dayton; President of the Emil Richards, Toluca Lake, CA WV; Adjunct Professor, Marietta College Department of Dance PAS Ohio Chapter (Ohio) Lisa Rogers, Texas Tech University School of Music, Lubbock, TX Ney Rosauro, University of Miami, Coral Gables, FL/ Santa Maria, Brazil Ed Shaughnessy, Calabasas, CA Ed Soph, University of North Texas, Denton, TX Kay Stonefelt, College at Fredonia—SUNY, Fredonia, NY Ed Thigpen, Action Reaction, Copenhagen, Denmark Norman Weinberg, University of Arizona, Tucson, AZ Andy Zildjian, Sabian, Ltd., Meductic, NB Canada

COUNCIL OF PAST PRESIDENTS Robert Breithaupt, 1999–2000 JIM MOORE LENNARD MOSES ERIC PATON BEN RAMIREZ Genaro Gonzalez, 1997–98 Percussion Instructor, OSU Marching Associate Professor of Perucssion and Capital University Conservatory of Music Principal Timpanist, Columbus Garwood Whaley, 1993–96 Band; Editor/Owner of Per-Mus World Music, Central State University, Symphony; faculty member Boston Publications, Inc. Wilberforce, OH University–Tanglewood Institute Robert Schietroma, 1991–92 John Beck, 1987–90 Thomas Siwe, 1984–86 Larry Vanlandingham, 1982–84 James Petercsak, 1978–81 Gary Olmstead, 1973–77 Saul Feldstein, 1968–72 Gordon Peters, 1964–67 Donald Canedy, 1960–63

PERCUSSIVE ARTS SOCIETY STAFF Matt Elliott Catherine Flynn Jeff Hartsough TED ROUNDS JIM RUPP ROGER SCHUPP GLENN SCHAFT Hillary Henry Professor of Percussion, Kent State President of Columbus Pro Percussion, Associate Professor of Percussion, Associate Professor, Coordinator of University Inc.; Chair of the PAS Drumset College of Musical Arts, Bowling Green Percussion Studies, Dana School of Music Michael Kenyon Committee State University Rebecca Kinslow Rick Mattingly Danny Mendonsa Teresa Peterson Christa Riley Otice Sircy ADDITIONAL PLANNING COMMITTEE MEMBERS: KIM BURDETT, REGGIE JACKSON, MICHAEL LAMATTINA, JOHN MERRITT

4 PASIC 2002 PLANNING COMMITTEE

Billy Ward University of North Texas SPONSORS Paul Wertico Drumline Zoro Latin Percussion, Inc. A.F.A.A. (Action Française Richard Weiner East Kentwood and Caledonia Lenny Castro d’Action Artistique) Nebojsa Jovan Zivkovic & High School Kakraba Lobi, Valerie Naranjo Percussion Ensemble of Jovan Percussion Group Strike Percussion Ensemble and Barry Olsen Conservatoire Supérieur de Avedis Zildjian Drumsticks Encore Mallets, Inc. Aldo Mazza Paris–CNR Gary Chaffee Nancy Zeltsman Pan Ramajay Alfred Publishing Co., Inc. Steve Houghton Evans Drumheads Percussion Ensemble of Steve Houghton Russ Miller Tim Adams Conservatoire Supérieur de Kalani Gary Novak Lalo Davila Paris–CNR American Drum Manufacturing Adam Nussbaum Kalani Bobby Sanabria Company John Riley Frederic Macarez Zoro John Tafoya Ed Soph Mitch Markovich Lefima Percussion Aquarian Accessories Batterie Music Aldo Mazza Percussionists of the Boston Joe La Barbera Raynor Carroll Adam Nussbaum Pops Esplanade Orchestra Arizona State University School Berklee College of Music Percussion Ensemble of Lone Star Percussion of Music/Herberger College of Percussionists of the Boston Conservatoire Supérieur de Oak Village Middle School Fine Arts Pops Esplanade Orchestra Paris–CNR Ludwig/Musser Industries Arizona State University Black Swamp Jeff Queen Ian Finkel Contemporary Percussion Patsy Dash & Doug Waddell Ed Soph Stefon Harris Ensemble with Chicago Symphony University of Kentucky Arthur Lipner Aspen Music Festival and School Percussion Scholarship Group Percussion Ensemble Gary Olmstead and Indiana Jonathan Haas William Platt Billy Ward University of Pennsylvania Association des Amis de Maurice Bosphorus Cymbals Zoro Percussion Ensemble Ohana Jeff Hamilton Fall Creek Marimbas Répercussion Percussion Ensemble of Boston Conservatory Steve Chavez Rich Thompson Conservatoire Supérieur de Percussionists of the Boston Franklin Central High School Mairie de Paris Paris–CNR Pops Esplanade Orchestra Franklin Central Percussion Percussion Ensemble of Audix Corporation Brevard College Symphony Conservatoire Supérieur de Luis Conte Laura Franklin Gibraltar Hardware Paris–CNR Julio Figueroa The Canada Arts Council Hip Pickles Kp3 LLC/Malletech Instruments Zoro Ganesh Anandan Kalani Patsy Dash & Doug Waddell Avedis Zildjian Cymbal Company Cadeson Gretsch Drums with Chicago Symphony Anders Åstrand and Global Percussion Ensemble of Joe La Barbera Percussion Scholarship Group Percussion Network Conservatoire Supérieur de Grip Peddler Scott Herring Arizona State University Paris–CNR Aldo Mazza Northwestern University Contemporary Percussion Cameron’s Drumming Studio Grover Pro Percussion, Inc. Percussion Ensemble Ensemble Peel Regional Police Pipe Raynor Carroll Percussion Ensemble of Tom Aungst Band Drum Line Scott Herring Conservatoire Supérieur de James Campbell Cantus Stanley Leonard Paris–CNR Gary Chaffee Ivana Bilic Robert McCormick Eric Sammut Patsy Dash, Doug Waddell & Capital University Conservatory Percussionists of the Boston Gordon Stout the Chicago Symphony of Music Pops Esplanade Orchestra Malletech Mallets Percussion Scholarship Group Capital University World Music William Platt Eric Sammut Lalo Davila Lab Ensemble Jim Royle Gordon Stout Drummers of Woody Herman Eric Paton Michael Sgouros She-e Wu Mark Ford Carl Fischer John Tafoya MalletWorks Music Jonathan Haas Nick Petrella Hal Leonard Corp. Arthur Lipner Steve Houghton cdstreet.com Nancy Zeltsman Ney Rosauro Elvin Jones Drummers of Woody Herman HoneyRock Publishing University of Miami Percussion Hilary Jones Colleyville-Heritage High School B. Michael Williams Ensemble Joe La Barbera Colleyville–Heritage High H. Selmer–Paris Manhattan School of Music Gene Lake School Percussion Ensemble Percussion Ensemble of John Riley Neil Larrivee Columbus Pro Percussion, Inc. Conservatoire Supérieur de Marimba One Kakraba Lobi, Valerie Naranjo Drummers of Woody Herman Paris–CNR Ivana Bilic and Barry Olsen Cooperman Company Innovative Percussion, Inc. Patsy Dash & Doug Waddell Robert McCormick Ganesh Anandan Anders Åstrand and Global with The Chicago Symphony Colin McNutt Colonial Williamsburg Fife & Percussion Network Scholarship Group Russ Miller Drum Corps Lalo Davila Kakraba Lobi, Valerie Naranjo Gary Novak Patrick Cooperman Chris Deviney and Barry Olsen Adam Nussbaum Nick Petrella Mark Ford Gary Olmestead and Indiana Percussionists of the Boston Croatian Composers Society Scott Herring University of Pennsylvania Pops Esplanade Orchestra Ivana Bilic Chris Lamb Percussion Ensemble William Platt DeMorrow Instruments, Ltd. Colin McNutt Nancy Zeltsman John Riley Rick Dimond Ney Rosauro Meinl USA L.C. Michael Rosen DrumFrame Michael Sgouros Luis Conte Ed Soph Zoro Tempus Fugit Julio Figueroa Gordon Stout Drum Workshop, Inc. Ben Toth Thomas Lang Tempus Fugit Julio Figueroa Truman State University Russ Miller University of North Texas Hilary Jones Percussion Ensemble Clyde Stubblefield and Jabo Drumline Gary Novak University of Miami Percussion Starks Billy Ward Paul Wertico Trio Ensemble Orestes Vilato

6 SPONSORS Paul Wertico Pops Esplanade Orchestra Bobby Sanabria University of Buffalo Miami University Department of Kim Plainfield Matt Savage Jonathan Haas Music Jeff Queen Clyde Stubblefield and Jabo University of Miami School of Miami University Steel Band Bobby Sanabria Starks Music Mike Balter Mallets Matt Savage John Tafoya Ney Rosauro Arizona State University Truman State University Rich Thompson University of Miami Percussion Contemporary Percussion Percussion Ensemble Glen Velez Ensemble Ensemble University of North Texas Orestes Vilato University of New Mexico Ian Finkel Drumline Paul Wertico University of New Mexico Jonathan Haas The Peel Regional Police Pipe Rhythm Tech Percussion Ensemble Arthur Lipner Band Drum Line Julio Figueroa Vater Percussion, Inc. Aldo Mazza Peel Regional Police Pipe Ross Mallet Instruments, Inc. Virgil Donati Ministère des Affaires Band Drum Line Stephen Crawford Thomas Lang Etrangères, (French Premier Percussion Row-Loff Productions Kim Plainfield Government) Franklin Central Percussion Lalo Davila Vic Firth, Inc. Percussion Ensemble of Symphony Sabian, Ltd. Tom Aungst Conservatoire Supérieur de Jim Kilpatrick Alan Abel Lenny Castro Paris–CNR Gene Lake Ruth Cahn Dave Weckl Band Modern Drummer Publications Percussion Ensemble of Raynor Carroll Giff Howarth Jake Hanna Conservatoire Supérieur de Dave Weckl Band Kalani Don Lamond Paris–CNR Dennis DeLucia Joe La Barbera Mountain Rythym The Piano Gallery of Dublin Ohio Chris Deviney Gene Lake Ryan Goldin Peabody Percussion Virgil Donati Neil Larrivee Aldo Mazza Ensemble The Drummer’s Heritage Tom Miller Noble & Cooley Pro-Mark Corporation Terreon Gully Percussion Ensemble of Chris McHugh Terreon Gully Hip Pickles Conservatoire Supérieur de Northwestern University Jonathan Haas Giff Howarth Paris–CNR Northwestern University Stefon Harris Chris Lamb Percussionists of the Boston Percussion Ensemble Hip Pickles Aldo Mazza Pops Esplanade Orchestra Oberlin Conservatory of Music Elvin Jones Chris McHugh Jeff Queen Oberlin Percussion Group Hilary Jones Pan Ramajay Bobby Sanabria Michael Rosen Jeff Jones Percussion Ensemble of Michael Spiro Paiste America, Inc. Mitch Markovich Conservatoire Supérieur de Clyde Stubblefield and Jabo Lenny Castro Oak Village Middle School Paris–CNR Starks Andrea Centazzo Paul Wertico Trio Nick Petrella Orestes Vilato Kim Plainfield Matt Savage Ney Rosauro Dave Weckl Paul Van Wageningen University of New Mexico Jim Royle Zoro Paul Wertico Trio Paul Wertico Bobby Sanabria Warner Bros. Publications Paul Wertico PureSound Percussion Matt Savage Matt Savage Pan Ramajay Productions Julio Figueroa Michael Sgouros Wendy’s International Miami University Steel Band Charlie Rath Michael Spiro Drummers of Woody Herman Tom Miller Drummers of Woody Herman University of Miami Percussion Yamaha Band & Orchestral Pan Ramajay Regal Tip Ensemble Anders Åstrand and Global Peabody Conservatory of Music Julio Figueroa Orestes Vilato Percussion Network Jonathan Haas Jeff Hamilton Dave Weckl Tom Aungst Peabody Percussion Jake Hanna Zoro The Drummer’s Heritage Ensemble Aldo Mazza Sandy St. James Pipe Band Outfitter Giff Howarth Pearl Corporation and Adams Rich Thompson Peel Regional Police Pipe Stanley Leonard Musical Instruments Remo, Inc. Band Drum Line Peabody Percussion Arizona State University Dean Anderson Shure Incorporated Ensemble Contemporary Percussion Tom Aungst Dave Weckl Band Nick Petrella Ensemble Capital University World Music Russ Miller Ney Rosauro Lalo Davila Lab Ensemble Paul Wertico Trio Symphonic Percussion Patsy Dash & Doug Waddell Raynor Carroll Billy Ward Emeritus with The Chicago Symphony Lenny Castro Paul Wertico Tempus Fugit Scholarship Group Andrea Centazzo Silver Fox Percussion University of Miami Percussion Chris Deviney Gary Chaffee Jim Royle Ensemble Virgil Donati Luis Conte Sonor/HSS, Inc. Nebojsa Jovan Zivkovic & Mark Ford Dave Weckl Band Thomas Lang Jovan Percussion Group Jonathan Haas Virgil Donati Adam Nussbaum Yamaha Drumset Hip Pickles Julio Figueroa Stanley Leonard Percussion Gary Chaffee Steve Houghton Jonathan Haas Music Dave Weckl Band Marty Hurley Jeff Hamilton Stanley Leonard Terreon Gully Don Lamond Hip Pickles Steve Weiss Music Elvin Jones Neil Larrivee Steve Houghton William Platt Russ Miller Mitch Markovich Thomas Lang Tap Space Publications John Riley Colin McNutt Russ Miller Giff Howarth Ed Soph Nexus Colin McNutt Tama Clyde Stubblefield and Jabo Gary Olmestead and Indiana Gary Novak Dave Lombardo Starks University of Pennsylvania Neil Larrivee Temple University Dave Weckl Percussion Ensemble Eric Paton Nancy Zeltsman Pan Ramajay Paul Wertico Trio Toca Percussion Percussionists of the Boston John Riley Kalani

SPONSORS 7 EXHIBITORS BY NAME EXHIBITORS BY BOOTH NUMBER A. Putnam Mallets ...... 78 Mostly Marimba ...... 3 1 ...... Percussive Arts Society 238 ...... Cymco, Inc. ACG Percussion ...... 635 Mountain Rythym ...... 109 3 ...... Mostly Marimba Yamaha Corporation of America– Alfred Publishing Co., Inc...... 9 MRP Custom Drums/ 9 ...... Alfred Publishing Co., Inc. Drumset & Electronic Alternate Mode, Inc...... 87 MRP Edgeworks ...... 537 11 ...... Innovative Percussion, Inc. 314 ...... Percussion Aquarian Accessories ...... 535 Musictime, Inc...... 86 17 ...... Pro-Mark Corporation 322 ...... Regal Tip Arbiter North America ...... 339 Newman Vintage Percussion ...... 802 20 ...... Fall Creek Marimbas 326 ...... Lefima Percussion Audix Corporation ...... 77 Oberlin Conservatory of Music .... 810 21 ...... Modern Drummer Publications 334 ...... On the Wall Productions, Inc. August Percussion ...... 808 On the Wall Productions, Inc...... 334 24 ...... California Percussion Drums In the Wind Avedis Zildjian Company ...... 202 Paiste America, Inc...... 626 25 ...... Row-Loff Productions 335 ...... (Woodwind & Brasswind) Batterie Music ...... 72 Pan Caribe Inc/Steel Island ...... 48 28 ...... SKB Corporation 336 ...... GMS Drum Co., Inc. Bergerault USA— Pan Press, Inc...... 84 29 ...... Hal Leonard Corp. 337 ..... Ross Mallet Instruments, Inc. Professional Division of Peripole- P-Bag ...... 82 29 ...... Meredith Music Publications 338 ...... Pintech USA, Inc. Bergerault ...... 103 Pearl Corporation and Adams 32 ...... Coe Percussion 339 ...... Arbiter North America Berklee College of Music ...... 46 Musical Instruments ...... 302 33 ...... Drummers Collective 402 ...... Sabian, Ltd. Black Swamp Percussion LLC ..... 435 Percussion Construction ...... 68 36 ...... Carl Fischer LLC Yamaha Corporation of America— Bosphorus Cymbals ...... 124 Percussion Events Registry 37 ...... Encore Mallets, Inc. 412 ...... Band & Orchestral Division C. Alan Publications ...... 47 Company ...... 76 40 ...... Marimba One 420 ...... Meinl USA L.C. California Percussion ...... 24 Percussive Arts Society ...... 1 46 ...... Berklee College of Music 421 ...... Hohner HSS, Inc./Sonor Drums Carl Fischer LLC ...... 36 Per-Mus Publications, Inc...... 74 47 ...... C. Alan Publications 425 ...... Sam Ash Music Corp. Clarion Associates, Inc...... 66 Pintech USA, Inc...... 338 48 ...... Pan Caribe Inc/Steel Island 428 ...... Drum Workshop, Inc. Clevelander Drum Company ...... 627 Planet Marimba ...... 70 49 ...... Grip Peddler 434 ...... Coyle Drums Coe Percussion ...... 32 Premier Percussion ...... 610 Trinidad & Tobago 435 ..... Black Swamp Percussion LLC Columbus Pro Percussion, Inc. .... 223 Pro-Mark Corporation ...... 17 50 ...... Instruments Limited 435 ...... Iñaki Sebastián Mallets S.L. Cooperman Company ...... 716 PureSound Percussion ...... 115 51, 53 .... DeMorrow Instruments, Ltd. 438 ...... Spanway Imports Coyle Drums ...... 434 RAWI Percussion Publications ...... 85 52, 54 ...... HydroSteel LLC 502 ...... Vic Firth, Inc. C.S. Records (Val Eddy) ...... 805 Rebeats Vintage 52, 54 ...... Mallet Works Music 510 ...... Roland Corporation US C-Shirtz, LLC ...... 634, 636, 638 Drum Products ...... 71 55 ...... Lone Star Percussion 518 ...... Evans Drumheads Cymco, Inc...... 238 Regal Tip ...... 322 Kori Percussion/ 524 ...... Shure Incorporated DeMorrow Instruments, Ltd. .... 51, 53 Remo, Inc...... 214 56, 58 ...... Custom Music Co. 528 ...... Guitar Center Doc’s Proplugs, Inc...... 800 Rhythm Fusion, Inc...... 130 57 ...... U.S. Navy Music Program 534 ...... Universal Percussion, Inc. drop6 media, Inc...... 67 Roland Corporation US ...... 510 59 ...... XL Specialty Percussion, Inc. 535 ...... Aquarian Accessories Drum Workshop, Inc...... 428 Ross Mallet Instruments, Inc...... 337 60 ...... Winter Guard International 536 ...... Vaughncraft Drummers Collective ...... 33 Row-Loff Productions ...... 25 66 ...... Clarion Associates, Inc. MRP Custom Drums/ Drums In the Wind Sabian, Ltd...... 402 67 ...... drop6 media, Inc. 537 ...... MRP Edgeworks (Woodwind & Brasswind) ...... 335 Sam Ash Music Corp...... 425 68 ...... Percussion Construction 539 ...... Touch the Earth Dynasty USA/ Shure Incorporated ...... 524 70 ...... Planet Marimba 602 ...... Kaman Music Corporation DEG Music Products, Inc...... 226 Silver Fox Percussion ...... 809 Rebeats Vintage 610 ...... Premier Percussion Encore Mallets, Inc...... 37 SKB Corporation ...... 28 71 ...... Drum Products 618 ...... Taye Drum Company Equilibrium ...... 75 Smith Publications ...... 81 72 ...... Batterie Music 623 ...... Vater Percussion, Inc. Evans Drumheads ...... 518 Spanway Imports ...... 438 73 ...... GP Percussion 626 ...... Paiste America, Inc. Explorers Percussion ...... 816 Steve Weiss Music ...... 123 74 ...... Per-Mus Publications, Inc. 627 ...... Clevelander Drum Company Fall Creek Marimbas ...... 20 Tap Space Publications ...... 83 75 ...... Equilibrium 634, 636, 638 ...... C-Shirtz, LLC Falls Music Company ...... 803 Taye Drum Company ...... 618 75 ...... Media Press 635 ...... ACG Percussion Fork’s Drum Closet ...... 234,236 The Percussion Source ...... 708 Percussion Events Registry 637 ...... Istanbul Agop Cymbals GMS Drum Co., Inc...... 336 Touch the Earth ...... 539 76 ...... Company 639 ...... Lang Percussion, Inc. GP Percussion ...... 73 Trinidad & Tobago 77 ...... Audix Corporation 700 ...... Warner Bros. Publications Grip Peddler ...... 49 Instruments Limited ...... 50 78 ...... A. Putnam Mallets 708 ...... The Percussion Source Grover Pro Percussion, Inc...... 724 Unigrip Drumsticks ...... 811 University of Miami School 716 ...... Cooperman Company Guitar Center ...... 528 Universal Percussion, Inc...... 534 79 ...... of Music 724 ...... Grover Pro Percussion, Inc. Hal Leonard Corp...... 29 University of Miami School 80 ...... Marcat Machining Co., L.L.C. 800 ...... Doc’s Proplugs, Inc. Hohner HSS, Inc./Sonor Drums ... 421 of Music ...... 79 81 ...... Smith Publications 801 ...... Interstate Music Supply Humes & Berg U.S. Navy Music Program ...... 57 82 ...... P-Bag 802 ...... Newman Vintage Percussion Mfg. Co., Inc...... 119 & 223 Vater Percussion, Inc...... 623 83 ...... Tap Space Publications 803 ...... Falls Music Company HydroSteel LLC ...... 52, 54 Vaughncraft ...... 536 84 ...... Pan Press, Inc. 804 ...... JiWi Drums and Restoration Iñaki Sebastián Mallets S.L...... 435 Vic Firth, Inc...... 502 85 ...... RAWI Percussion Publications 805 ...... C.S. Records (Val Eddy) Innovative Percussion, Inc...... 11 Warner Bros. Publications ...... 700 86 ...... Musictime, Inc. 806 ...... JC’S Drummin Music Shop Interstate Music Supply ...... 801 Winter Guard International ...... 60 87 ...... Alternate Mode, Inc. 807 ...... Morgan Marketing Partners Istanbul Agop Cymbals ...... 637 XL Specialty Percussion, Inc...... 59 100 ...... Ludwig Drum Co. 808 ...... August Percussion JC’S Drummin Music Shop ...... 806 Yamaha Corporation of America– Bergerault USA—Professional 809 ...... Silver Fox Percussion JiWi Drums and Restoration ...... 804 Drumset & Electronic 103 ..... Division of Peripole-Bergerault 810 .... Oberlin Conservatory of Music Kaman Music Corporation ...... 602 Percussion ...... 314 109 ...... Mountain Rythym 811 ...... Unigrip Drumsticks Kori Percussion/ Yamaha Corporation of America— 110 ...... Latin Percussion, Inc. 816 ...... Explorers Percussion Custom Music Co...... 56, 58 Band & Orchestral Division ...... 412 115 ...... PureSound Percussion Lang Percussion, Inc...... 639 118 ...... Mike Balter Mallets Latin Percussion, Inc...... 110 119 ...... Humes & Berg Mfg. Co., Inc. Lefima Percussion ...... 326 123 ...... Steve Weiss Music Lone Star Percussion ...... 55 124 ...... Bosphorus Cymbals Ludwig Drum Co...... 100 130 ...... Rhythm Fusion, Inc. MalletWorks Music ...... 52, 54 LITERATURE BINS 202 ...... Avedis Zildjian Company Marcat Machining Co., L.L.C...... 80 214 ...... Remo, Inc. Marimba One ...... 40 Avedis Zildjian Company 223 .... Columbus Pro Percussion, Inc. Media Press ...... 75 Drum! Magazine 223 ...... Humes & Berg Mfg. Co., Inc. Meinl USA L.C...... 420 JazzTimes, Inc. Dynasty USA/ Meredith Music Publications ...... 29 Modern Drummer Publications 226 ...... DEG Music Products, Inc. Mike Balter Mallets ...... 118 Musical Alchemy Incorporated– Pearl Corporation and Adams Modern Drummer Publications ...... 21 Concussion Media 302 ...... Musical Instruments Morgan Marketing Partners ...... 807 Warner Bros. Publications 234,236 ...... Fork’s Drum Closet

8 EXHIBITORS BY NAME AND BOOTH NUMBER

Guitar Center ...... 528 XL Specialty Percussion, Inc...... 59 EXHIBITORS BY CATEGORY Pintech USA, Inc...... 338 Yamaha Corporation of America— Roland Corporation US ...... 510 Band & Orchestral Division ..... 412 Yamaha Corporation of America— Drumset & Electronic PERCUSSION RETAIL ACCESSORIES Spanway Imports ...... 438 Percussion ...... 314 ACG Percusssion ...... 635 ACG Percusssion ...... 635 Steve Weiss Music ...... 123 Explorers Percussion ...... 816 California Percussion ...... 24 Vaughncraft ...... 536 HARDWARE & CASES Guitar Center ...... 528 Columbus Pro Percussion, Inc. .... 223 Yamaha Corporation of America— ACG Percusssion ...... 635 On the Wall Productions, Inc...... 334 Coyle Drums ...... 434 Band & Orchestral Division ..... 412 Columbus Pro Percussion, Inc. .... 223 Sam Ash Music Corp...... 425 C-Shirtz, LLC ...... 634, 636, 638 Coyle Drums ...... 434 Steve Weiss Music ...... 123 Cymco, Inc...... 238 CYMBALS Cymco, Inc...... 238 The Percussion Source ...... 708 Doc’s Proplugs Inc...... 800 Avedis Zildjian Company ...... 202 Drum Workshop, Inc...... 428 Drums In the Wind Bosphorus Cymbals ...... 124 Equilibrium ...... 75 PRINT PUBLISHERS (Woodwind & Brasswind) ...... 335 Columbus Pro Percussion, Inc. .... 223 Falls Music Company ...... 803 ACG Percusssion ...... 635 Evans Drumheads ...... 518 Cymco, Inc...... 238 Fork’s Drum Closet ...... 234, 236 Alfred Publishing Co., Inc...... 9 Falls Music Company ...... 803 Drums In the Wind Guitar Center ...... 528 Batterie Music ...... 72 Grip Peddler ...... 49 (Woodwind & Brasswind) ...... 335 Hohner HSS, Inc./Sonor Drums ... 421 Bill Holcombe's Musicians Grover Pro Percussion, Inc...... 724 Guitar Center ...... 528 Humes & Berg Publications ...... 807 Guitar Center ...... 528 Hohner HSS, Inc./Sonor Drums ... 421 Mfg. Co., Inc...... 119 & 223 C. Alan Publications ...... 47 Humes & Berg Istanbul Agop Cymbals ...... 637 Kaman Music Corporation ...... 602 Carl Fischer LLC ...... 36 Mfg. Co., Inc...... 119 & 223 JC’S Drummin Music Shop ...... 806 Latin Percussion, Inc...... 110 C.S. Records (Val Eddy) ...... 805 JC’S Drummin Music Shop ...... 806 Meinl USA L.C...... 420 Ludwig Drum Co...... 100 drop6 media, Inc...... 67 JiWi Drums and Restoration ...... 804 Paiste America, Inc...... 626 Morgan Marketing Partners ...... 807 Drummers Collective ...... 33 Latin Percussion, Inc...... 110 Sabian, Ltd...... 402 Media Press ...... 75 Equilibrium ...... 75 Lefima Percussion ...... 326 Sam Ash Music Corp...... 425 P-Bag ...... 82 GP Percussion ...... 73 Lone Star Percussion ...... 55 Steve Weiss Music ...... 123 SKB Corporation ...... 28 Hal Leonard Corp...... 29 Ludwig Drum Co...... 100 Universal Percussion, Inc...... 534 Spanway Imports ...... 438 Innovative Percussion, Inc...... 11 Marcat Machining Co., L.L.C...... 80 Taye Drum Company ...... 618 Interstate Music Supply ...... 801 On the Wall Productions, Inc...... 334 DRUM HEADS The Percussion Source ...... 708 MalletWorks Music ...... 52, 54 P-Bag ...... 82 Aquarian Accessories ...... 535 Touch the Earth ...... 539 Mostly Marimba ...... 3 Pro-Mark Corporation ...... 17 Columbus Pro Percussion, Inc. .... 223 Vaughncraft ...... 536 Media Press ...... 75 PureSound Percussion ...... 115 Drums In the Wind XL Specialty Percussion, Inc...... 59 Meredith Music Publications ...... 29 Sabian, Ltd...... 402 (Woodwind & Brasswind) ...... 335 Yamaha Corporation of America— Modern Drummer Publications ...... 21 Sam Ash Music Corp...... 425 Evans Drumheads ...... 518 Drumset & Electronic Musictime, Inc...... 86 Spanway Imports ...... 438 Guitar Center ...... 528 Percussion ...... 314 Newman Vintage Percussion ...... 802 Steve Weiss Music ...... 123 JC’S Drummin Music Shop ...... 806 Pan Press, Inc...... 84 The Percussion Source ...... 708 Ludwig Drum Co...... 100 KEYBOARD PERCUSSION Per-Mus Publications, Inc...... 74 Touch the Earth ...... 539 Remo, Inc...... 214 Bergerault USA—Professional RAWI Percussion Publications ...... 85 Trinidad & Tobago Sam Ash Music Corp...... 425 Division of Peripole– Row-Loff Productions ...... 25 Instruments Limited ...... 50 Spanway Imports ...... 438 Bergerault ...... 103 Smith Publications ...... 81 XL Specialty Percussion, Inc...... 59 Taye Drum Company ...... 618 Coe Percussion ...... 32 Tap Space Publications ...... 83 Yamaha Corporation of America— Touch the Earth ...... 539 DeMorrow Instruments, Ltd. .... 51, 53 Universal Percussion, Inc...... 534 Band & Orchestral Division ..... 412 Universal Percussion, Inc...... 534 Dynasty USA/ Warner Bros. Publications ...... 700 DEG Music Products, Inc...... 226 AUDIO & VISUAL PUBLISHERS DRUMSETS Fall Creek Marimbas ...... 20 SCHOOLS, ORGANIZATIONS AND SERVICES Carl Fischer LLC ...... 36 Aquarian Accessories ...... 535 Grover Pro Percussion, Inc...... 724 Berklee College of Music ...... 46 C.S. Records (Val Eddy) ...... 805 Arbiter North America ...... 339 Kori Percussion/ Clarion Associates, Inc...... 66 Equilibrium ...... 75 Columbus Pro Percussion, Inc. .... 223 Custom Music Co...... 56, 58 Drummers Collective ...... 33 GP Percussion ...... 73 C-Shirtz, LLC ...... 634, 636, 638 Ludwig Drum Co...... 100 Fall Creek Marimbas ...... 20 Guitar Center ...... 528 Cymco, Inc...... 238 Marimba One ...... 40 JiWi Drums and Restoration ...... 804 Hal Leonard Corp...... 29 Drum Workshop, Inc...... 428 Mostly Marimba ...... 3 Oberlin Conservatory of Music .... 810 MalletWorks Music ...... 52, 54 GMS Drum Co., Inc...... 336 Newman Vintage Percussion ...... 802 Percussion Events Registry Media Press ...... 75 Guitar Center ...... 528 Planet Marimba ...... 70 Company ...... 76 Warner Bros. Publications ...... 700 Hohner HSS, Inc./Sonor Drums ... 421 Premier Percussion ...... 610 University of Miami JC’S Drummin Music Shop ...... 806 Ross Mallet Instruments, Inc...... 337 School of Music ...... 79 BAND & ORCHESTRAL PERCUSSION Kaman Music Corporation ...... 602 U.S. Navy Music Program ...... 57 ACG Percusssion ...... 635 Ludwig Drum Co...... 100 MARCHING PERCUSSION Black Swamp Percussion LLC ..... 435 MRP Custom Drums/ Columbus Pro Percussion, Inc...... 223 SOUND EQUIPMENT Clevelander Drum Company ...... 627 MRP Edgeworks ...... 537 Cooperman Company ...... 716 Audix Corporation ...... 77 Columbus Pro Percussion, Inc. .... 223 Paiste America, Inc...... 626 Dynasty USA/ Shure Incorporated ...... 524 Dynasty USA/ Pearl Corporation and DEG Music Products, Inc...... 226 DEG Music Products, Inc...... 226 Adams Musical Instruments .... 302 Grover Pro Percussion, Inc...... 724 STEEL DRUMS Falls Music Company ...... 803 Premier Percussion ...... 610 Humes & Berg Coyle Drums ...... 434 GMS Drum Co., Inc...... 336 Remo, Inc...... 214 Mfg. Co., Inc...... 119 & 223 HydroSteel LLC ...... 52, 54 Grover Pro Percussion, Inc...... 724 Roland Corporation US ...... 510 Istanbul Agop Cymbals ...... 637 Pan Caribe, Inc./Steel Island ...... 48 Humes & Berg Spanway Imports ...... 438 JiWi Drums and Restoration ...... 804 Trinidad & Tobago Mfg. Co., Inc...... 119 & 223 Taye Drum Company ...... 618 Lefima Percussion ...... 326 Instruments Limited ...... 50 Istanbul Agop Cymbals ...... 637 Yamaha Corporation of America— Ludwig Drum Co...... 100 Lang Percussion, Inc...... 639 Drumset & Electronic Pearl Corporation and STICKS & MALLETS Ludwig Drum Co...... 100 Percussion ...... 314 Adams Musical Instruments .... 302 A. Putnam Mallets ...... 78 Pearl Corporation and Premier Percussion ...... 610 ACG Percusssion ...... 635 Adams Musical Instruments .... 302 ELECTRONIC PERCUSSION Remo, Inc...... 214 August Percussion ...... 808 Premier Percussion ...... 610 Alternate Mode, Inc...... 87 Vater Percussion, Inc...... 623 Avedis Zildjian Company ...... 202 Remo, Inc...... 214 Columbus Pro Percussion, Inc. .... 223 Vaughncraft ...... 536 Black Swamp Percussion LLC ..... 435

10 EXHIBITORS BY CATEGORY California Percussion ...... 24 Ludwig Drum Co...... 100 Columbus Pro Percussion, Inc. .... 223 Premier Percussion ...... 610 Cooperman Company ...... 716 Yamaha Corporation of America— Coyle Drums ...... 434 Band & Orchestral Division ..... 412 Drums In the Wind (Woodwind & Brasswind) ...... 335 WORLD PERCUSSION Encore Mallets, Inc...... 37 Columbus Pro Percussion, Inc. .... 223 Fork’s Drum Closet ...... 234, 236 Cooperman Company ...... 716 Grover Pro Percussion, Inc...... 724 Coyle Drums ...... 434 Guitar Center ...... 528 Drums In the Wind Hohner HSS, Inc./Sonor Drums ... 421 (Woodwind & Brasswind) ...... 335 Iñaki Sebastián Mallets S.L...... 435 Explorers Percussion ...... 816 Innovative Percussion, Inc...... 11 Guitar Center ...... 528 Lefima Percussion ...... 326 Kaman Music Corporation ...... 602 Lone Star Percussion ...... 55 Latin Percussion, Inc...... 110 Ludwig Drum Co...... 100 Meinl USA L.C...... 420 Mike Balter Mallets ...... 118 Mountain Rythym ...... 109 Percussion Construction ...... 68 Pan Caribe, Inc./Steel Island ...... 48 Pro-Mark Corporation ...... 17 Remo, Inc...... 214 Regal Tip ...... 322 Rhythm Fusion, Inc...... 130 Sam Ash Music Corp...... 425 Sam Ash Music Corp...... 425 Silver Fox Percussion ...... 809 Steve Weiss Music ...... 123 Spanway Imports ...... 438 Touch the Earth ...... 539 Steve Weiss Music ...... 123 Trinidad & Tobago Unigrip Drumsticks ...... 811 Instruments Limited ...... 50 Vater Percussion, Inc...... 623 Vaughncraft ...... 536 Vaughncraft ...... 536 Vic Firth, Inc...... 502 OTHER Yamaha Corporation of America— Doc’s Proplugs. Inc...... 800 Band & Orchestral Division ..... 412 Earplugs Kaman Music Corporation ...... 602 TIMPANI Hardware, Educational Percussion Dynasty USA/ Winter Guard International ...... 60 DEG Music Products, Inc...... 226 WGI Percussion Falls Music Company ...... 803 Grover Pro Percussion, Inc...... 724 Lefima Percussion ...... 326

EXHIBITORS BY CATEGORY 11 EXHIBIT HALL

EXHIBIT HALL HOURS

9:00 A.M. – 5:00 P.M. THURSDAY THRU SATURDAY

12 EXHIBIT HALL

EXHIBITORS

A. Putnam Mallets 78 August Percussion 808 Bosphorus Cymbals 124 1300 SW Campus Drive #49-2 4127 Washburn Avenue North 5910 Shiloh East, Suite 102 Federal Way, WA 98023 Minneapolis, MN 55412 Alpharetta, GA 30005 Phone: 253-661-5715 Fax: 253-661-5715 Phone: 612-588-3864 Fax: 612-287-4212 Phone: 770-205-0552 Fax: 770-886-7980 E-mail: [email protected] E-mail: [email protected] E-mail: [email protected] Web: www.aputnammallets.com Marimba mallets—new spine matched shafts, Web: www.bosphoruscymbal.com Mallets of quality and distinction for marimba, wool/mohair 2-step wrapping process intro- Hand hammered cymbals from Turkey. timpani, bass drum, gong and vibes. ducing new line of graduated mallets. 100% hand-crafted. C. Alan Publications 47 ACG Percussion 337 P.O. Box 29323 1530 E. Chevy Chase Drive #205 Avedis Zildjian Company 202 Greensboro, NC 27429 Glendale, CA 91206 Literature Bin Phone: 336-272-3920 Fax: 336-272-3988 Phone: 713-501-5543 Fax: 818-243-1318 22 Longwater Drive E-mail: [email protected] E-mail: [email protected] Norwell, MA 02061 Web: www.c-alanpublications.com Web: www.acg.la Phone: 781-871-2200 Fax: 781-871-3984 Publisher. Grand Opening! Internet and mail order Web: www.zildjian.com based company featuring percussion instru- A complete range of cymbals—plus drum- California Percussion 24 ments and accessories from all genres. We sticks, accessories and educational literature. 2366 9th Avenue specialize in equipment for advanced stu- San Francisco, CA 94116 dents. Batterie Music 72 Phone: 800-865-7933 Fax: 510-523-3786 P.O. Box 90014 E-mail: [email protected] Alfred Publishing Co., Inc. 9 Pasadena, CA 91109 Web: www.californiapercussion.com 16320 Roscoe Boulevard Phone: 626-798-7144 Fax: 626-798-7144 Professional model Herbert timpani mallets Van Nuys, CA 91406-1216 E-mail: [email protected] and professional quality triangle holders, ac- Phone: 818-891-5999 Fax: 818-830-6249 Web: www.batteriemusic.com cessories and practice tools. E-mail: [email protected] Music for the orchestral percussionist pub- Web: www.alfred.com lished by Raynor Carroll, Principal Percus- Carl Fischer LLC 36 Educational music publisher of instrumental sionist, Los Angeles Philharmonic. 65 Bleecker Street materials including percussion methods, solo New York, NY 10012 and ensemble literature and the exclusive Bergerault USA—Professional 103 Phone: 212-777-0900 Fax: 212-477-6996 distribution of Studio 4 music. Division of Peripole–Bergerault E-mail: [email protected] P.O. Box 12909 Web: www.carlfischer.com Alternate Mode, Inc. 87 Salem, OR 97309-0909 Publishers of percussion videos, books and 53 First Avenue Phone: 800-443-3592 Fax: 888-724-6733 performance material, including "Killer Chicopee, MA 01020 E-mail: [email protected] Grooves" and "Vodou Drumset," plus the mu- Phone: 413-594-5190 Fax: 413-592-7987 Web: www.BergeraultUSA.com sic of Dave Weckl, Ignacio Berroa, Vic Firth E-mail: [email protected] Manufacturers and sole distributor of and Sandy Feldstein. Web: www.AlternateMode.com Bergerault keyboard mallet percussion instru- The complete line of KAT midi mallet and per- ments, including vibraphones, marimbas, Clarion Associates, Inc. 66 cussion controllers. bass marimbas, xylophones, glockenspiels 1711 New York Avenue and concert chimes. Huntington Station, NY 11746 Aquarian Accessories 535 Phone: 631-423-2990 Fax: 631-423-2821 1140 N. Tustin Avenue Berklee College of Music 46 E-mail: [email protected] Anaheim, CA 92807 1140 Boylston Street Web: www.clarionins.com Phone: 714-632-0230 Fax: 714-632-3905 Boston, MA 02215-3693 Clarion is an insurance firm dedicated solely E-mail: [email protected] Phone: 800-Berklee (US/Canada) to the needs of musicians worldwide. Web: www.aquariandrumheads.com or 617-747-2222 (Int) Aquarian drumheads, precision corps drum- Fax: 617-747-2047 Clevelander Drum Company 627 heads, studio rings, cymbal rings, port holes. E-mail: [email protected] 3800 Kelley Avenue Web: www.berklee.edu Cleveland, OH 44114 Arbiter North America 339 Berklee College of Music provides profes- Phone: 216-391-1234 Ext. 130 P.O. Box 360 sional career preparation for the challenges Fax: 216-391-8999 Cobourg ON K9A 4K8 Canada facing today's percussionist, drummer, vibra- E-mail: [email protected] Phone: 877-553-5596 Fax: 877-553-5598 phonist and hand percussionist. Web: www.clevelanderdrum.com Email: [email protected] Manufacturer of professional percussion Web: www.arbiterdrums.com Black Swamp Percussion LLC 435 products, specializing in snare drums, tim- Arbiter Flats: Pro & lite portable drum kits. 13493 New Holland Street pani and timpani mallets. Holland, MI 49424 USA Audix Corporation 77 Phone: 616-738-3190 Fax: 616-738-3105 Coe Percussion 32 9400 SW Barber Street E-mail: [email protected] 682 McDonnell Drive Wilsonville, OR 97070 Web: www.blackswamp.com Tallahassee, FL 32310-4808 Phone: 503-682-6933 Fax: 503-682-7114 Snare drums, field drums, tambourines, Iñaki Phone: 850-228-6960 Fax: 850-942-6380 E-mail: [email protected] Sebastian keyboard mallets, castanets, tim- E-mail: [email protected] Web: www.audixusa.com pani mallets, triangles, woodblocks, cases, Web: www.coepercussion.com Audix is a leading manufacturer of high qual- accessories. Custom built five octave and smaller marim- ity microphones and monitor speakers for the bas, and four octave and smaller xylophones. live sound and recording markets.

14 EXHIBITORS Columbus Pro Percussion, Inc. 223 Doc’s Proplugs, Inc. 800 5052 North High Street 719 Swift Street, Suite 56 Columbus, OH 43214 Santa Cruz, CA 95060 Phone: 614-885-7372 or 800-775-7372 Phone: 831-425-5920 Fax: 831-425-0178 Fax: 614-885-4761 E-mail: [email protected] E-mail: [email protected] Web: www.proplugs.com Web: www.columbuspercussion.com Ready-to-wear preformed protective earplugs Pro shop carrying all major brands of combo, in 8 sizes vented and non-vented. Ready-to- concert, marching, world and electronic per- wear earmolds with adaptor to hold budstyle cussion. Also offering custom work, repairs earphones in the ear securely and Handsfree and lessons. bud headsets hold in ear securely without headband. Cooperman Company 716 P.O. Box 276 drop6 media, Inc. 67 Centerbrook, CT 06409-0276 P.O. Box 81 Phone: 860-767-1779 Fax: 860-767-7017 Denton, TX 76202 E-mail: [email protected] Phone: 877-77drop6 Fax: 413-638-7564 Web: www.cooperman.com E-mail: [email protected] Makers of drumsticks, concert/marching, Web: www.drop6.com handcrafted matched pairs; rope tension Percussion ensemble publications, classical, drums, contemporary and historical, custom pop, marching, steel band and originals. crafted; frame drums including Velez signature drums, bodhran drums and jingled Drum Workshop, Inc. 428 drums. 3450 Lunar Court Oxnard, CA 93030 Coyle Drums 434 Phone: 805-485-6999 Fax: 805-485-1334 8800 Sharon Lane E-mail: [email protected] Pensacola, FL 32534 Web: www.dwdrums.com Phone: 866-355-DRUM Fax: 850-471-9222 American manufacturer of drums, pedals, E-mail: [email protected] hardware, snare drums, and drum accesso- Web: www.coyledrums.com ries. DW is also the exclusive worldwide dis- Performance quality pans, professional tuning tributor for Pacific Drums and Percussion. and repair service and a variety of accessories including stands, cases, mallets, bags, DRUM! Magazine Literature Bin apparel, CD's, arrangements and adhesive 773 North 9th Street Suite 253 letters. San Jose, CA 95112-9897 Phone: 408-971-9794 Fax: 408-971-0382 C.S. Records (Val Eddy) 805 E-mail: [email protected] 3341 Central Avenue Web: www.drumlink.com Spring Valley, CA 91977 DRUM! covers the drumming scene with a fo- Phone: 619-463-0303 Fax: 619-463-0303 cus on youth culture. Every issue features Email: [email protected] drum set, hand drumming, and electronics, Xylophone/marimba solos - C.D.’s, cassettes and emphasizes fun and education. and sheet music. Drummers Collective 33 C-Shirtz, LLC 634, 636, 638 541 Avenue of the Americas P.O. Box 17941 New York, NY 10011 Memphis, TN 38134 Phone: 212-241-0091 Fax: 212-604-0760 Phone: 901-373-6612 Fax: 901-379-0903 E-mail: [email protected] E-mail: [email protected] Web: www.thecoll.com Web: www.cshirtz.com Current course catalog, faculty books and Cymbal covers. videos. The collective's admission director Michael Krashes will be available for ques- Cymco, Inc. 238 tions and interviews. 91 Airport Drive, P.O. Box 762 Houlton, ME 04730 Drums In the Wind 335 Phone: 207-532-3152 Fax: 207-532-5947 (Woodwind & Brasswind) E-mail: [email protected] 4004 Technology Drive Camber Cymbals and percussion accesso- South Bend, IN 46628 ries manufacturer. Phone: 574-251-3500 Fax: 574-251-3501 E-mail: [email protected] DeMorrow Instruments, Ltd. 51, 53 Web: www.woodwindbrasswind.com 1318 Center Street Full line percussion dealer handling march- Arkadelphia, AR 71923 ing, concert, combo and accessories. A divi- Phone: 870-246-4010 sion of the band instrument company, The Email: [email protected] Woodwind and Brasswind. Handmade keyboard percussion instruments, services include keyboard retuning, bar re- placement and refinishing and keyboard re- placement. Ask about auxillary percussion instruments.

EXHIBITORS 15 Dynasty USA/DEG Music Products 226 Evans Drumheads 518 GP Percussion 73 P.O. Box 968 595 Smith Street 43325 Lost Corner Road Lake Geneva, WI 53147 Farmingdale, NY 11735 Leesburg, VA 20176 Phone: 262-248-8314 or 800-558-9416 Phone: 631-439-3300 Fax: 631-439-3333 Phone: 703-669-2963 Fax: 703-669-2685 Fax: 262-248-7953 Web: www.evansdrumheads.com E-mail: [email protected] E-mail: [email protected] Drumheads for drumsets, afro-Cuban, march- Web: www.gppercussion.com Web: www.degmusic.com ing and orchestral instruments as well as a Quality marimba music and method books Marching, concert percussion including tim- line of percussion accessories including drum by: Nebjosha Zivcovic, Ney Rosauro, pani, keyboards, practice pads and accesso- keys and sound enhancement devices. Keiko Abe, Rebecca Kite, Valerie Naranjo, ries. Bruce Hamilton, Evan Hause, Japanese com- Explorers Percussion posers, six mallet pieces and more! Encore Mallets, Inc. 37 816 438 Southfork Drive, Suite 101 8050 Wornall Road Grip Peddler 49 Lewisville, TX 75057 Kansas City, MO 64114 1100 Calle Cordiilera Phone: 972-436-6963 Fax: 972-436-6963 Phone: 816-361-1195 Fax: 816-523-7867 San Clemente, CA 92673 E-mail: [email protected] E-mail: [email protected] Phone: 949-361-9999 Fax: 949-361-9998 Web: www.encoremallets.com Web: www.explorersdrums.com E-mail: info @grippeddler.com Nancy Zeltsman mallets, Nanae Mimura ma- Specializing in all major brands of drumsets, Web: www.grippeddler.com rimba mallets and Doug Walter vibes mallets, marching and symphonic percussion and Traction pads for bass drum and hi-hat ped- xylophone mallets, latex mallets, rubber ball hand percussion from around the world. Re- als. mallets, bell mallets, Payson timpani mallets, pairs all percussion and specializes in recov- Payson concert bass drum mallets, Nick ering drums. Grover Pro Percussion, Inc. 724 Petrella xylophone mallets, and Nick Petrella 22 Prospect Street, Unit 7 suspended cymbal mallets. Fall Creek Marimbas 20 Woburn, MA 01801 1445 Upper Hill Road; P.O. Box 118 Phone: 781-935-6200 Fax: 781-935-5522 Equilibrium 75 Middlesex, NY 14507 E-mail: [email protected] P.O. Box 305 Phone: 518-554-4011 Fax: 518-554-4017 Web: www.groverpro.com Dexter, MI 48130 E-mail: [email protected] World class tambourines, triangles, snare Phone: 734-426-5814 Fax: 734-426-5834 Web: www.marimbas.com drums, snares, mallets, wood blocks, concert E-mail: [email protected] Mallet percussion instrument tuning and re- bass drums, triangle beaters, timpani mallets, Web: www.equilibri.com pair since 1972. Maker of the K-100 Series and pro concert percussion. Distributors of Professional glockenspiel stand, CD's, log Glockenspiels since 1985. Vancore timpani, marimbas, xylophones and drums, etc. vibes. Falls Music Company 1275 Bloomfield Avenue, Building 3 Guitar Center 528 Fairfield, NJ 07004 5795 Lindero Canyon Road Phone: 973-882-8122 Fax: 973-244-9915 Westlake Village, CA 91362 Email: [email protected] Phone: 818-735-8888 Fax: 818-889-8475 Web: www.fallspercussion.com Web: www.guitarcenter.com Percussion instruments, accessories, Planet Drums, percussion, accessories, electronic Gauge, EZ Wheel for Timpani, repair parts. percussion and world percussion from top manufacturers. Fork’s Drum Closet 234, 236 2701 12th Avenue South Hal Leonard Corp. 29 Nashville, TN 37204 7777 W. Bluemound Road Phone: 615-383-8343 Fax: 615-269-0245 Milwaukee, WI 53213 Email: [email protected] Phone: 414-774-3630 Fax: 414-774-3259 Web: www.forksdrumcloset.com E-mail: [email protected] Retail drum accessories. Web: www.halleonard.com Publisher of printed music including GMS Drum Co., Inc. 336 songbooks, instructional materials, perfor- 855-C Conklin Street mance works, videos and DVDs. Farmingdale, NY 11735 Phone: 631-293-4235 Fax: 631-293-4246 Hohner HSS, Inc./Sonor Drums 421 E-mail: [email protected] P.O. Box 9167 Web: www.gmsdrums.com Richmond, VA 23227 dK3 concert snare drums, Grandmaster se- Phone: 804-515-1900 Fax: 804-515-0347 ries, Road series, CL series, Special Edition E-mail: [email protected] series, GMS concert bass drum. Web: www.hohnerusa.com Sonor drums, Sabian cymbals, HSS bags, johnnyraBB drumsticks, Pro-Mark drumsticks, Rockwood Drums by Hohner, Drumat by MAPA, Metropad.

Humes & Berg Mfg. Co., Inc. 119 & 223 4801 Railroad Avenue East Chicago, IN 46312 Phone: 219-397-1980 Fax: 219-397-4534 E-mail: [email protected] Web: www.humes-berg.com Percussion cases—bags and accessories.

16 EXHIBITORS HydroSteel LLC 52, 54 JiWi Drums and Restoration 804 2708 Baynard Boulevard 4023 17 Mile Wilmington, DE 19802 Kent City, MI 49330 Phone: 302-429-5812 Phone: 616-675-4266 Fax: 616-675-4266 E-mail: [email protected] E-mail: [email protected] Web: www.steelpans.com Web: www.jiwidrums.com The manufacturing and selling of the first pat- Specializing in school percussion and ented stainless steel pan. drumset restoration. Offering over 100 shell finishes, powder coating, repair and mainte- Iñaki Sebastián Mallets S.L. 435 nance, and custom percussion products. Okendotegi 40 20115 Astigarraga Gipuzkoa Spain Kaman Music Corporation 602 Phone: 34-943-331241 P.O. Box 507 Fax: 34-948-142718 Bloomfield, CT 06002-0507 E-mail: [email protected] Phone: 860-509-8888 Fax: 860-509-8891 Web: www.cin.es/mallets/ E-mail: [email protected] Keyboard mallets. Web: www.kamanmusic.com Presenting Gretsch drums, Toca hand per- Innovative Percussion, Inc. 11 cussion, Gibraltar Hardware, DrumFrame, CB 470 Metroplex Drive, Suite 214 and Vic Firth educational percussion. Nashville, TN 37211 Phone: 615-333-9388 Fax: 615-333-9354 Kori Percussion/Custom Music Co. 56, 58 E-mail: [email protected] 1930 Hilton Road Web: www.innovativepercussion.com Ferndale, MI 48220 Mallets, drumsticks and publications. Phone: 248-546-4135 Fax: 248-546-8296 Email: [email protected] Interstate Music Supply 801 Web: www.custommusiccorp.com 13819 West National Avenue Using only the finest Hondurian rosewood New Berlin, WI 53151 and rosewood lite, Kori marimbas and xylo- Phone: 262-789-7600 Fax: 262-786-6840 phones offer the bestsounding mallet instru- E-mail: [email protected] ments, with the widest variety of styles. Web: www.interstatemusic.com Catalogs. Lang Percussion, Inc. 639 325 Gold Street Istanbul Agop Cymbals 637 Brooklyn, NY 11201 7 Palisade Avenue Phone: 718-624-1825 Fax: 718-624-5004 Emerson, NJ 07630 Gladstone Snare Drums and Drum Sets, Phone: 201-599-0100 Fax: 201-599-0404 Goodman Timpani; new “Animal” metal shell Email: [email protected] snares. Web: www.instanbulcymbals.com The most diversity in styles and sounds in Latin Percussion, Inc. 110 handmade Turkish cymbals. Offering tradi- 160 Belmont Avenue tional, alchemy, student/budget, signature Garfield, NJ 07026 and orchestral series. Phone: 973-478-6903 Fax: 973-772-3568 Web: www.lpmusic.com JazzTimes, Inc. Literature Bin Manufacturer of hand percussion for over 35 8737 Colesville Road years, features a vast selection of wood and Silver Spring, MD 20910 fiberglass congas and bongos, timbales, Phone: 301-588-4114 Fax: 301-588-5531 community drums, udu drums, cowbells, E-mail: [email protected] blocks, chimes, tambourines, shakers and Web: www.jazztimes.com more. lpmusic.com/congahead.com Publisher of 32 year old JazzTimes Magazine and the annual Jazz Education Guide—the Lefima Percussion 326 largest circulated publication addressing the Barbaraweg 3 jazz education marketplace. 93413 Cham Germany Phone: 49-9971-32081 JC’S Drummin Music Shop 806 Fax: 49-9971-31122 933 East Auburn Road E-mail: [email protected] Rochester Hills, MI 48307 Web: www.lefima.de Phone: 248-852-3660 Fax: 248-852-3723 U.S. distributor: Everett Beale Web: www.jcdrums.com Email: [email protected] Affordable custom drums. Huge stock of used Web: www.lefima-usa.com and vintage drums and cymbals. Profes- Drums, timpani, sticks, keyboard instruments, sional teachers. Pro repair department with mallets, tambourines, marimbas, xylophones, tons of new and used parts. Rentals. glockenspiels, and triangles. Distributor for Kalfo Calfskin Heads.

EXHIBITORS 17 Lone Star Percussion 55 Meinl USA L.C. 420 Mostly Marimba 3 10611 Control Place 8300 N.W. 30th Terrace P.O. Box 467 Dallas, TX 75238 Miami, FL 33122 Asbury Park, NJ 07712 Phone: 214-340-0835 Fax: 214-340-0861 Phone: 877-886-3465 Fax: 305-418-4771 Phone: 732-774-0011 Fax: 732-774-0033 Email: [email protected] E-mail: [email protected] E-mail: [email protected] Web: www.lonestarpercussion.com Web: www.meinl.de Web: www.mostlymarimba.com Over 6,000 percussion items in stock. 24+ Meinl congas, bongos, djembes, timbales. Malletech instruments, Keyboard Percussion years experience. Friendly, professional Byzance cymbals, Amun cymbals, classic Publications, Resonator Records, Marimba people are waiting to take your call. cymbals, marathon cymbals, Generation X Productions, Inc. and KP3 L.L.C. cymbals. Ludwig Drum Co. 100 Mountain Rythym 109 P.O. Box 310 Meredith Music Publications 29 P.O. Box 1356 Elkhart, IN 46515 P.O. Box 344 Lakefield, ONT Canada KOL 2H0 Phone: 574-522-1675 Fax: 574-295-5405 Galesville, MD 20765 Phone: 905-764-6543 Fax: 905-764-6685 Web: www.ludwig-drums.com Phone: 301-261-5015 Fax: 301-261-5015 E-mail: [email protected] Manufacturer of percussion instruments and E-mail: [email protected] Web: www.mountainrythym.com accessories. Web: www.meredithmusic.com Manufacturers of percussion instruments— Publisher. featuring our patented, easy-to-use 'simple MalletWorks Music 52, 54 twist' tuning system—djembes, ashikos, P.O. Box 302 Mike Balter Mallets 118 snares, congas, bata, ethnic drumkit and Wilton, CT 06897 15 E. Palatine Road, Suite 116 djembe cajons. Phone: 203-762-8083 Fax: 203-762-8079 Prospect Heights, IL 60070 E-mail: [email protected] Phone: 847-541-5777 Fax: 847-541-5785 MRP Custom Drums/MRP 537 Web: www.malletworks.com E-mail: [email protected] 514 West Valley Stream Boulevard Specializing in the music of Arthur Lipner, Web: www.mikebalter.com Valley Stream, NY 11580-5127 Ney Rosauro, Double Image, David Friedman, Custom and semi-custom percussion mallets Phone: 516-568-2820 Fax: 516-825-4485 Dave Samuels, Mike Mainieri and more. for keyboard percussion, concert percussion, E-mail: [email protected] CD's, mallets and accessories. marching percussion and more. Web: www.mrpdrums.com and www.mrpedgeworks.com Marcat Machining Co., L.L.C. 80 Modern Drummer Publications 21 Literature Bin MRP EdgeWorks is the service division of 34 Franklin Street 12 Old Bridge Road MRP Custom Drums where we significantly Nashua, NH 03064 Cedar Grove, NJ 07009 improve the sound of any drum from any Phone: 603-578-0493 Fax: 603-578-0493 Phone: 973-239-4140 Fax: 973-239-7139 company by modifying the drums' bearing Web: www.qwikstix.com E-mail: [email protected] edges to increase the resonance, tone, and Qwikstix, professional drumstick holder. Web: www.moderndrummer.com overall sound of the drum. Call for an esti- Publisher. mate. Marimba One 40 P.O. Box 786 Morgan Marketing Partners 807 Musical Alchemy, Inc. Literature Bin Arcata, CA 95518 6205 Davenport Drive Concussion Media Phone: 707-822-9570 Fax: 707-822-6256 Madison, WI 53711-2447 2525 Arapahoe Avenue, Suite E4-206 E-mail: [email protected] Phone: 608-277-9518 Fax: 608-277-9612 Boulder, CO 80302 Web: www.marimba1.com E-mail: [email protected] Email: [email protected] Concert marimbas. “Mallet Jack” —a new device to raise fixed Web: www.musical-alchemy.com height mallet percussion instruments to the Visit our literature bin for information about Media Press 75 qoptimum performance height; perfect for our latest works for percussion, our call P.O. Box 3937 universities, schools and studio situations. scores, and our new call recordings. Champaign, IL 61826 Phone: 217-359-0162 Musictime, Inc. 86 E-mail: [email protected] P.O. Box 405 Publisher of contemporary music, books and Haddonfield, NJ 08033 reference material. Phone: 856-627-9611 Fax: 856-346-4264 E-mail: [email protected] Web: www.musictime.com Printed music distributor for all publishers in all categories.

Newman Vintage Percussion 802 4214 Hunters Trace Evansville, IN 47715 Phone: 888-961-1469 E-mail: [email protected] Manufacturer and distributor of keyboard instruments. 3 octave padouk xylophone with height adjustable x-stand. “Joia Tubes” pentatonic/chromatic tube instruments.

18 EXHIBITORS Oberlin Conservatory of Music 810 Pearl Corporation and 302 39 West College Street Adams Musical Instruments Oberlin, OH 44074 549 Metroplex Drive Phone: 440-775-8413 Fax: 440-775-6972 Nashville, TN 37211-3140 E-mail: [email protected] Phone: 615-833-4477 Fax: 615-833-6242 Web: www.oberlin.edu E-mail: [email protected] School/University. or [email protected] Web: www.pearldrum.com On the Wall Productions, Inc. 334 All areas of percussion equipment. 8312 Olive Boulevard St Louis, MO 63132 Percussion Construction 68 Phone: 314-692-2900 Fax: 314-213-3194 P.O. Box 6116 E-mail: [email protected] Kingwood, TX 77325 Web: www.zydecotie.com Phone: 800-3MALLET Fax: 281-360-4104 Novelty sound effects and percussion: Thun- E-mail: [email protected] der Tubes, Zydeco Steel Ties, Bonego’s (skull Web: www.percussionconstruction.com bongos), Giant Twirl drums, BeadBrain, skoll Full line of keyboard and timpani mallets. shakers and more! Percussion Events Registry 76 Paiste America, Inc. 626 3815 Comanche Trail 460 Atlas Street Bedford, TX 76021 Brea, CA 92821 Phone: 817-354-3815 Fax: 817-354-7080 Phone: 800-472-4783 Fax: 714-671-5869 E-mail: [email protected] E-mail: [email protected] Your one-stop source for scheduling percus- Web: www.paiste.com sion events (clinics, master classes, concerts, Traditional, Signature, Dimensions, 2002 festivals, days of percussion, etc). Classic, Rude Classic, Innovations, Alpha 802, 502, 402, 302, Gongs, Exotic/Percus- Percussive Arts Society 1 sion, Cast Bronze Drums. 701 NW Ferris Avenue Lawton, OK 73507 Pan Caribe, Inc./Steel Island 48 Phone: 580-353-1455 Fax: 580-353-1456 14103 Panorama Drive E-mail: [email protected] Austin, TX 78732 Web: www.pas.org Phone: 800-525-6896 (USA and Canada) The Percussive Arts Society is a music ser- or 512-266-7995 vice organization promoting percussion edu- Fax: 512-266-7986 cation, research, performance and E-mail: [email protected] appreciation throughout the world. or [email protected] Web: www.pancaribetours.com or Per-Mus Publications, Inc. 74 www.steelisland.com P.O. Box 218333 Tour packages for Trinidad & Tobago. Steel Columbus, OH 43221 pans. Phone: 614-529-0085 Fax: 614-529-0085, ext. 51 Pan Press, Inc. 84 E-mail: [email protected] P.O. Box 1126 Offering over 200 items for percussion (solos, Elgin, IL 60121-1126 ensembles, books.) Publications for instruc- Phone: 630-587-3473 tion, recitals and contest use at elementary E-mail: [email protected] through high school and college levels. Web: www.panpress.com Steel band music for beginning and ad- Pintech USA, Inc. 338 vanced ensembles. Solos for steel pan. Steel P.O. Box 3869 pan recordings. Greenville, SC 26908 Phone: 800-445-0506 Fax: 866-445-0506 P-Bag 82 E-mail: [email protected] 1806 Wayne Circle Web: www.edrums.com San Jose, CA 95131 Manufacturer of woven head electronic drum Phone: 408-434-1118 Fax: 630-604-3539 kits. Professional grade. Made in USA. E-mail: [email protected] Web: www.p-bag.com Planet Marimba 70 Innovative and functional stick bags. P.O. Box 6072 Plymouth, MI 48170 Phone: 734-223-1125 Email: [email protected] Web: www.planetmarimba.com Custom-built marimbas and xylophones. In- novative and aesthetic designs. Keyboard retuning\renovation.

EXHIBITORS 19 Premier Percussion 610 Regal Tip 322 Roland Corporation US 510 915 North Lenola Road 4501 Hyde Park Boulevard 5100 South Eastern Avenue Moorestown, NJ 08057-1042 Niagara Falls, NY 14305 Los Angeles, CA 90040 Phone: 856-231-8825 Fax: 856-231-8829 Phone: 716-285-3546 Fax: 716-285-2710 Phone: 323-890-3700 E-mail: [email protected] E-mail: [email protected] Fax: 323-890-3701 Web: www.premier-percussion.com Web: www.regaltip.com Web: www.rolandus.com Drumsets, marching percussion, mallet instru- Regal Tip drumsticks, brushes, mallets and Electronic drumkits, drum machines, sound ments, timpani, snare drums. specialty sticks. modules, pad controllers and electronic drum accessories. Pro-Mark Corporation 17 Remo, Inc. 214 11550 Old Main Street Loop Road 28101 Industry Drive Row-Loff Productions 25 Houston, TX 77025-5901 Valencia, CA 91355 P.O. Box 292671 Phone: 713-314-1100 Fax: 713-669-8000 Phone: 805-294-5600 Fax: 805-294-5714 Nashville, TN 37229 E-mail: [email protected] Web: www.remo.com Phone: 800-624-8001 Fax: 615-885-0370 Web: www.promark-stix.com Drumheads, drums, world percussion, kids E-mail: [email protected] Drumsticks, mallets and percussion accesso- percussion, marching percussion and acces- Web: www.rowloff.com ries. sory products. Advanced acousticon. Music publisher. Weatherking, Fiberskyn, NuSkyn, Renais- PureSound Percussion 115 sance, Suede and PowerStroke drumheads. Sabian, Ltd. 402 2050 Cotner Avenue Sound shapes. 219 Main Street Los Angeles, CA 90025 Meductic NB Canada E6H 2L5 Phone: 310-966-1176 Fax: 310-473-4255 Rhythm Fusion, Inc. 130 Phone: 506-272-2019 Fax: 506-272-1265 E-mail: [email protected] 1541C Pacific Avenue E-mail: [email protected] Web: www.puresoundpercussion.com Santa Cruz, CA 95060 Web: www.sabian.com Hand crafted snare wires dramatically im- Phone: 831-423-2048 Fax: 831-423-2073 Manufacturer of cymbals, gongs, crotales prove the sound and performance of E-mail: [email protected] and metallic percussion instruments and per- drumset, marching and concert snare drums. Web: www.rhythmfusion.com cussion accessories. Collection of musical instruments from around RAWI Percussion Publications 85 the world: drums, winds and strings from Af- Sam Ash Music Corp. 425 Casa Triangolo rica, Middle East, Caribbean, North and P.O. Box 9047 6596 Gordemo Switzerland South America and more: darbuka, doumbek, Hicksville, NY 11802 Phone: 41-91-745-6316 doff, riq, djembe, congas, bongos, bendir, Phone: 516-932-6400 Fax: 516-931-3881 Fax: 41-91-745-3781 shakers, bells, rattles and whistles. E-mail: [email protected] E-mail: [email protected] Web: www.samashmusic.com Web: www.percussion-rawi.com Ross Mallet Instruments, Inc. 337 78 year old chain featuring a large selection Music books and compact discs. P.O. Box 90249 of instruments, recording and sound equip- Austin, TX 78709-0249 ment, publications and a catalog/web ser- Rebeats Vintage Drum Products 71 Phone: 512-288-7400 Fax: 521-288-6445 vice. 219 Prospect Street; P.O. Box 6 Email: [email protected] Alma, MI 48801 Web: www.rossmallet.com Shure Incorporated 524 Phone: 517-463-4757 Fax: 517-463-6545 Ross Mallet Instruments, Inc. is a provider of 222 Hartrey Avenue E-mail: [email protected] a full line of mallet percussion instruments Evanston, IL 60202 Web: www.rebeats.com from student to professional models including Phone: 847-866-2200 Fax: 847-866-2279 Vintage drum books, videos, shirts and other marimba, xylophone, chimes, vibraphone and E-mail: [email protected] products. bells. Web: www.shure.com Microphones and microphone accessories.

Silver Fox Percussion 809 22 Prospect Street, Unit 7 Woburn, MA 01801 Phone: 781-935-6200 Email: [email protected] Web: www.silverfoxpercussion.com Silverfox hand finished drum sticks, Qwicksilver mallets, Feild Series keyboard mallets, Foxsticks, marching sticks, tenor and bass mallets.

SKB Corporation 28 1607 North O’Donnell Way Orange, CA 92867 Phone: 800-410-2024 Fax: 714-283-0425 E-mail: [email protected] Web: www.skbcases.com Manufacturer of musical instrument cases. SKB recently introduced the Roto X series drum cases. Heavy-duty molded cases with fabric foam-lined interiors.

20 EXHIBITORS EXHIBITORS 21 Smith Publications 81 Tap Space Publications 83 Touch the Earth 539 2617 Gwynndale Avenue P.O. Box 55753 88 Dobyns Church Road Baltimore, MD 21207 Portland, OR 97238 Stuart, VA 24171 Phone: 410-298-6509 Fax: 410-944-5113 Phone: 888-628-1899 Fax: 503-288-6085 Phone: 276-694-5910 Fax: 276-694-5432 Web: www.smith-publications.com E-mail: [email protected] E-mail: [email protected] Display of serious contemporary music for Web: www.tapspace.com Web: www.touchtheearth.com percussion. CDs of Smith, Brun and Carter Tap Space Publications is the producer of Middle Eastern, Central Asian and West Afri- timpani pieces. books that specialize in forefront marching can folk percussion instruments, audio and and concert percussion literature. video products, instructional materials and Spanway Imports 438 one-on-one instruction. P.O. Box 726 Taye Drum Company 618 Sanger, TX 76266 4881 Chino Avenue Trinidad & Tobago Instruments 50 Phone: 940-458-7267 Fax: 940-458-7367 Chino, CA 91710 Limited E-mail: [email protected] Phone: 909-628-9589 Fax: 909-628-1799 Corner Eastern Main Road & Dorata Street Web: www.brazildrums.com E-mail: [email protected] Laventille Trinidad “Contemporanea” Brazilian drums and acces- Web: www.taye.com Phone: 868-627-0185 Fax: 868-623-1634 sories. Drumsets, hardware, drumheads, drumsticks. E-mail: steelpan@tstt.net.tt Web: www.steelpansttil.com Steve Weiss Music 123 The Percussion Source 708 Musical instrument—steel pan. 2324 Wyandotte Road 1212 West 5th Street Willow Grove, PA 19090 Coralville, IA 52241 Unigrip Drumsticks 811 Phone: 215-659-0100 Fax: 215-659-1170 Phone: 866-849-4387 Fax: 888-470-3942 1646 North Lincoln Street Web: www.steveweissmusic.com E-mail: [email protected] Burbank, CA 91506 Percussion instrument and music specialists Web: www.percussionsource.com Phone: 818-840-0280 Fax: 818-841-5088 handling all major lines and imports from Concert percussion instruments and acces- E-mail: [email protected] around the world. Of particular interest: wind sories for the serious player from beginner to Web: www.ungrip2000.com gongs, tam tams, Chinese cymbals mallets pro. Unique drumstick grips that help drummers and a new line of bags. with control and stamina. Specialty sticks and accessories.

22 EXHIBITORS

Universal Percussion, Inc. 534 Vaughncraft 536 Yamaha Corporation of America— 314 Drumset 1431 Heck Road 1451 Stafford Rd. & Electronic Percussion Columbiana, OH 44408 Ottawa, KS 66067 6600 Orangethorpe Avenue Phone: 800-282-0110 Fax: 800-979-3786 Phone: 785-255-4500 Fax: 785-255-4573 Buena Park, CA 90620 E-mail: [email protected] E-mail: [email protected] Phone: 714-522-9011 Fax: 714-739-2680 Web: www.universalpercussion.com Web: www.vaughncraft.com Web: www.yamahadrums.com Wuhan cymbals and gongs, Attack drum- Tambourines, mallets, wood blocks, hardware heads and Joe Maroni lesson books. mounting systems, solid maple drum shells, Yamaha Corporation of America— 412 log drums, K-6 instruments and materials. Band & Orchestral Division University of Miami School of Music 79 P.O. Box 899 P.O. Box 248165 Vic Firth, Inc. 502 Grand Rapids, MI 49512-0899 Coral Gables, FL 33124 65 Commerce Way Phone: 616-940-4900 Fax: 616-949-7721 Phone: 305-284-2241 Fax: 305-284-6475 Dedham, MA 02026 Web: www.yamaha.com/band E-mail: [email protected] Phone: 781-326-3455 Fax: 781-326-1273 Keyboard percussion instruments, sticks, Web: www.music.miami.edu E-mail: [email protected] mallets, timpani. Information on the degree programs and Web: www.vicfirth.com scholarships offered a the University of Miami Complete line of drumsticks and mallets for School of Music. every percussive need.

U.S. Navy Music Program 57 Warner Bros. Publications 700 5720 Integrity Literature Bin Millington, TN 38055-6400 15800 N.W. 48th Avenue Phone: 901-874-4316 Fax: 901-874-2614 Miami, FL 33014 E-mail: [email protected] Phone: 305-620-1500 Fax: 305-621-1094 Web: www.buper.navy.mil\navymusic E-mail: [email protected] The U.S. Navy Music Program is hiring wood- Web: www.warnerbrospublications.com wind, brass, percussionists and vocalists for Your total percussion music publisher. Solo duty with one of our official U.S. Navy Bands and ensemble music, methods, and instruc- located worldwide. These are full time posi- tional music videos and DVD's from Warner tions and require enlistment in the U.S. Navy. New Media. Featuring DCI, Interworld, and Audition required. CPP Media.

Vater Percussion, Inc. 623 Winter Guard International 60 270 Centre Street Unit D 4010 Youngfield Street Holbrook, MA 02343 Wheat Ridge, CO 80033 Phone: 781-767-1877 Fax: 781-767-0010 Phone: 303-424-1927 Fax: 303-431-7267 E-mail: [email protected] E-mail: [email protected] Web: www.vater.com Web: www.wgi.org Vater drumsticks, Vater timbale sticks, Vater Indoor Percussion for Young People. multi-tone mallets, Vater timpani mallets, brushes, specialty sticks, and Victory Corps XL Specialty Percussion, Inc. 59 marching sticks and mallets. 16335-5 Lima Road Huntertown, IN 46748 Phone: 219-637-5684 Fax: 219-637-6354 E-mail: [email protected] Web: www.xlspec.com Protector Cases™, XL-Lite Marching Carriers, Stik Stands, Accessory Cases, Marching accessories.

24 EXHIBITORS EXHIBITORS 25 PASIC 2002 MAP CONVENTION CENTER LEVEL I

PASIC SHOW ONVENTION ENTER OFFICE C C E LEVEL II 170–172 EXHIBIT HALL E E 160–162

E151 E150

D 140-143

D 130–132

C120– 122

C EXHIBIT 210-212 HALL C

BALLROOM 1–3

TERRACE CONCERTS

REGISTRATION HYATT LEVEL II ROOM 150 GRANT HARDING UNION GARFIELD FRANKLIN LOGISTICS ROOM 151

REGENCY HYATT LEVEL III BALLROOM

HAYES HYATT LEVEL I

26 PASIC 2002 MAP

A CONVENTION CENTER

B HYATT REGENCY COLUMBUS N

C CROWNE PLAZA BY HOLIDAY INN H H

D RED ROOF INN

E HAMPTON INN HUBBARD AVE. 9 23 23

W E . 8 T

F OHIO THEATER 7 S

. T 6 OUTHERN HEATER S G S T UMMIT

5 S ARK 4 H SHORT NORTH DISTRICT P S 3 I BREWERY DISTRICT G OODALE S J GERMAN VILLAGE T. SWAN ST. 670 SPRUCE LOCATED ON HIGH STREET ST.E 12 1 Martini Italian Bistro 445 N. High St. • (614) 224-8259

11 . Eclectic and International, Italian, and Pizza Restaurant. A T Average Meal Price: $21–$30 16 2 15 1

2 Barley’s Alehouse No. 1 467 N. High St. • (614) 228-2537 S

T American (Traditional), English, Hamburgers, and Irish Restaurant. B T

. NATIONWIDE BLVD. Average Meal Price: $20 and under

T LVD C 13 14 3 K2U Bar & Grill 641 N. High St. • (614) 461-4766 B S D Eclectic and International and Seafood Restaurant. S

S Average Meal Price: $21–$30 TH

ARCONI

M 4 Brian Boru’s Pub 647 N. High St. • (614) 221-1250 RONT E. SPRING ST. 5 Dagwoodz 660 N. High St. • (614) 228-5004

RD IGH 3 Coffee Shops and Diners and Delis Restaurant. E. LONG ST. Average Meal Price: $20 and under

6 Betty’s 680 N. High St. • (614) 228-6191 N. 4 N. F E. GAY ST. A contemporary diner featuring sandwiches, pastas, and salads. Average Meal Price: $8–$11 3

N. H 7 Basso Bean Coffee House 691 N. High St. • (614) 221-2326 N. 3 E. BROAD ST.

Coffee Shops and Diners, Desserts, and Coffeehouse Restaurant. .

State 23 VE 8 Rigsby’s Cuisine Volatile 698 N. High St. • (614) 461-7888 House American (New), Eastern European, Eclectic & International, Greek, and 40 STATE ST. A

. Italian Restaurant. Average Meal Price: $41 and up .

T F 33 T 9 RJ Snapper's 700 N. High St • (614) 280-1070 E. TOWN ST. Seafood Restaurant. Average Meal Price: $21–$30 15

10 Barrister Hall 560 S. High St. • (614) 621-1213 S E. RICH ST. Jazz Bar/Club

TH LOCATED ON PARK STREET T 62

S E. M S AIN ST. 11 Tapatio 491 N. Park St. • (614) 221-1085 33

Eclectic and International, Mexican, Seafood, South American, S G

RANT

Southwestern, and Spanish Restaurant. Average Meal Price: $21–$30 2 MOUND ST. G 12 5:01 Jazz Bar 501 N. Park St. • (614) 464-0882

S. 4 IGH 23 EXIT Voted Best Live Jazz in Columbus. RONT 100B FULTON ST. LOCATED ON NATIONWIDE BOULEVARD 13 Max and Erma’s 55 E. Nationwide Blvd. • (614) 228-5555 Casual dining featuring a classic American menu of gourmet burgers EXIT 100B along with a traditional breakfast menu. Average Meal Price: $7-11

S. F 14 Damon’s 89 E. Nationwide Blvd. • (614) 228-7427 S. H S. 3 American (Traditional) and Barbecue Restaurant. I Average Meal Price: $20 and under 10 LOCATED ON FRONT STREET 15 Buca Di Beppo 343 N. Front St. • Phone: (614) 621-3287 23 Italian and Pizza Restaurant. Average Meal Price: $20 and under 16 Frog, Bear & Wild Boar Bar 343 Front St. • (614) 621-WILD Featuring food, drink and live entertainment. The menu includes J List compiled by overstuffed specialty sandwiches, soups, salads, and appetizers. Jeremy Bradstreet 28 PASIC 2002 AREA MAP

WEDNESDAY, NOVEMBER 13, 2002

7:30 A.M. • Registration Opens [Convention Center Level One]

AFKA

K Focus Day VAN “Retrospective of Percussion Ensemble Literature of the 20th Century” hosted by Eugene Novotney © 1999 E presented by the PAS New Music/Research Committee Eugene Novotney Paul D. Lehrman Welcome by Susan Powell, PASIC 2002 Host

9:00–9:45 A.M. [Franklin Room, Hyatt Regency, Level Two]

Keynote Address: Dr. Eugene Novotney, Humboldt State University

Introduction: William Sallak In addition, throughout the day, Mr. Sallak will provide introductions of the literature performed from a historical perspective.

1924 Louisiana State University George Antheil “Ballet Mecanique” with film and presentation by Paul D. Lehrman Peabody Percussion Ensemble, Julian Pellicano, director; Sponsors: Peabody Conservatory of Music, The Piano Gallery of Dublin Ohio, Yamaha Band & Orchestral.

10:00–11:00 A.M. [Regency Ballroom, Hyatt Regency, Level Three]

1928 Dimitri Shostakovich “The Nose” Louisiana State University, Michael Kingan, director Jim Nelson Kay Stonefelt 1930 Amadeo Roldan “Ritmicas #5 and #6” Louisiana State University, Michael Kingan, director 1931 Edgard Varese “Ionisation” Indiana University/Gaber Alumni Ensemble, Stuart Marrs, director featuring Dave Sander, Jim Nelson, Kay Stonefelt, Judy Moonert, Ben Miller, Steve Hanna, Rebecca Kite, Eric Batterman, Mike Sanders, John Crocken, Janet Pemberton and Jim Baker.

Judy Moonert Ben Miller

Steve Hanna Rebecca Kite Janet Pemberton Eric Batterman

Oberlin Percussion Group Kathleen Kastner Lisa Rogers Alison Shaw

30 SCHEDULE OF EVENTS–WEDNESDAY, NOVEMBER 13 1933 Jose Ardevol “Prelude & Fugue for 35 Players” University of Akron Percussion Ensemble, Larry Snider, director; Cincinnati College Conservatory of Music Percussion Ensemble, James Culley and Allen Otte, directing; and Oberlin Percussion Group, Michael Rosen, director Sponsor: Oberlin Conservatory of Music 1935 Johanna Beyer “IV” (three versions) Women’s Percussion Project featuring Julia Gaines, Kathleen Kastner, Janet Pemberton, Rebecca Kite, Lisa Rogers, Alison Shaw, Kristen Susan Martin Tariq Shiner-McGuire, Kay Stonefelt and Susan Martin Tariq Kristen Shiner-McGuire 1935 Harold Davidson “Auto Accident, An American Tragedy” LINKS Ensemble (Fred Bugbee, Andria Fennig, Douglas Norringham) assisted by John H. Beck, Jeff Ausdemore, Steve Hearn, Scott Ney, Neil Rutland, Chris Shultis, Andrew Spencer, Blake Tyson and B. Michael Williams 1935 William Russell “Three Cuban Pieces” Oberlin Percussion Group, Michael Rosen, director Sponsor: Oberlin Conservatory of Music 1940 LINKS Ensemble William Russell “Chicago Sketches” Oberlin Percussion Group, Michael Rosen, director Sponsor: Oberlin Conservatory of Music

11:15–12:30 P.M. [Franklin Room, Hyatt Regency, Level Two]

Lecture by Chris Shultis: “No Ear for Music: Timbre in the Early Percussion Music of John Cage.”

1939 Henry Cowell “Pulse” John Beck Steve Hearn Tempus Fugit Percussion Ensemble (Brett William Dietz, Shawn Galvin, P.J. Gatch, R.J. Heid and Dennis Hoffmann) Sponsors: Avedis Zildjian Cymbal Company, Innovative Percussion, Inc., Yamaha Band & Orchestral. 1940 Lou Harrison “Labrynth No. 3” Arizona State University Percussion Ensemble, J.B. Smith, director Sponsors: Arizona State University School of Music/Herberger College of Fine Arts, Avedis Zildjian Cymbal Company, Mike Balter Mallets, Pearl Corporation and Adams Musical Instruments. Scott Ney Neil Rutland

Chris Shultis Blake Tyson B. Michael Williams Tempus Fugit Percussion Ensemble

Arizona State University Percussion Ensemble University of New Mexico Percussion Ensemble

SCHEDULE OF EVENTS–WEDNESDAY, NOVEMBER 13 31 1941 John Cage “3rd Construction” University of New Mexico Percussion Ensemble, Scott Ney, director Sponsors: Pro-Mark Corporation, University of New Mexico 1942 Lou Harrison “Fugue” Conundrum (Daniel Kennedy, Terry Longshore, Brett Reed and Tomm Roland) 1941 John Cage & Lou Harrison “Double Music” Conundrum (Daniel Kennedy, Terry Longshore, Brett Reed and Tomm Roland)

1:30–2:30 P.M. [Regency Ballroom, Hyatt Regency, Level Three]

1940 Carlos Chavez “Xochipilli” University of Mary Hardin–Baylor Percussion Ensemble, Stephen Conundrum Crawford, director; Crawford Sponsor: Ross Mallet Instruments, Inc. 1942 Carlos Chavez “Tocatta” North Coast Percussion Ensemble (Mark Maynor, Matt Dudack, Murray Mast, Chris Vandell, Jeff Neitzke and Daniel Kaminski) 1952 Michael Colgrass “Three Brothers” Oberlin Percussion Group, Michael Rosen, director Sponsor: Oberlin Conservatory of Music 1959 Gardner Read “Los Dioses Aztecas” University of Kentucky Percussion Ensemble, James Campbell, Stephen Crawford director Sponsor: Evans Drumheads; Campbell Sponsor: Avedis Zildjian Cymbal Company

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32 SCHEDULE OF EVENTS–WEDNESDAY, NOVEMBER 13 2:45–4:00 P.M. [Franklin Room, Hyatt Regency, Level Two]

1955 Maurice Ohana “Etude Chorégraphiques” Percussion Ensemble of Conservatoire Supérieur de Paris–CNR, Fréderic Macarez, director Sponsors: A.F.A.A. (Action Française d’Action Artistique), Association des Amis de Maurice Ohana, Cadeson, Evans Drumheads, H. Selmer–Paris, Kp3 LLC/Malletech Instruments, Latin Percussion, Inc., Mairie de Paris, Ministère des Affaires Etrangères, (French Government), Premier Percussion, Sabian, Ltd., Vic Firth, Inc. 1961 Ben Johnston “Knocking Piece” Two Percussion Group (Chris Leonard and Dale Speicher) 1965 Kazimierz Serocki “Continuum” Cincinnati College Conservatory of Music Percussion Ensemble, James Culley and Allen Otte, directing 1965 Andre Jolivet “Ceremonial” Percussion Ensemble of Conservatoire Supérieur de Paris–CNR, Fréderic Macarez, director Sponsors: A.F.A.A. (Action Française d’Action Artistique), Association des Amis de Maurice Ohana, Cadeson, University of Kentucky Percussion Ensemble Evans Drumheads, H. Selmer–Paris, Kp3 LLC/Malletech Instruments, Latin Percussion, Inc., Mairie de Paris, Ministère des Affaires Etrangères, (French Government), Premier Percussion, Sabian, Ltd., Vic Firth, Inc. 1966 Russell Peck “Lift Off” Percussion Group of Cincinnati (Allen Otte, James Culley, and Russell Burge) 1968 Edgard Varese/arr. G. Van Gucht “Ionisation” Percussion Ensemble of Conservatoire Supérieur de Paris–CNR, Fréderic Macarez, director Sponsors: A.F.A.A. (Action Française Percussion Ensemble of Conservatoire Supérieur de d’Action Artistique), Association des Amis de Maurice Ohana, Cadeson, Paris–CNR Evans Drumheads, H. Selmer–Paris, Kp3 LLC/Malletech Instruments, Latin Percussion, Inc., Mairie de Paris, Ministère des Affaires Etrangères, (French Government), Premier Percussion, Sabian, Ltd., Vic Firth, Inc.

8:00–10:00 P.M. [Regency Ballroom, Hyatt Regency, Level Three]

THE MUSIC OF STEVE REICH

PROGRAM MUSIC FOR PIECES OF WOOD Percussion Group of Cincinnati Nexus: Bob Becker, Bill Cahn, Robin Engelman, Russell Hartenberger, Garry Kvistad; Sponsor: Pearl Corporation and Adams Musical Instruments

DRUMMING PERCUSSION Nexus: Bob Becker, Bill Cahn, Russell Hartenberger, Garry Kvistad University of Toronto Percussion Ensemble: Richard Burrows, Jamie Drake, Devon Fornelli, Ian Gibson, Peter Jones (singing, whistling), Christa Mercey, Antti Ohenoja

SINGERS Ainsley McNeaney, University of Toronto, Sonja Rasmussen, Steve Reich & Musicians

PICCOLO Katherine Borst Jones, Ohio State University

Nexus

SCHEDULE OF EVENTS–WEDNESDAY, NOVEMBER 13 33 THURSDAY, NOVEMBER 14, 2002

7:30 A.M.

• Registration Opens [E–150, Greater Columbus Convention Center, Level One]

8:00 A.M.

Chris McHugh Neil Larrivee • College Pedagogy Committee Meeting Gary Cook, chair. [Hayes Room, Hyatt Regency Columbus, Level One] • Keyboard Committee Meeting Frank Kumor, interim chair. [Garfield Room, Hyatt Regency Columbus, Level One] • Marching Percussion Committee Meeting Julie Davila, chair. [Grant Room, Hyatt Regency Columbus, Level One] • Contest & Auditions Procedures Committee Meeting George Frock, chair. [Harding Room, Hyatt Regency Columbus, Level One]

9:00 A.M.

q • Chris McHugh Drumset Clinic; Presider: Bobby Boos; Sponsors: Noble Tom Aungst Raynor Carroll & Cooley, Sabian, Ltd. [Ballroom 1–3, Greater Columbus Convention Center, Level One] y • Neil Larrivee & Tom Aungst Marching Clinic “The Principals of Effective and Successful Programming for Indoor Marching Percussion;” Presider: John King; Larrivee Sponsors: Avedis Zildjian Cymbal Company, Pearl Corporation and Adams Musical Instruments, Remo, Inc., Vic Firth, Inc.; Aungst Sponsors: Avedis Zildjian Cymbal Company, Remo, Inc., Vic Firth, Inc., Yamaha Band & Orchestral. [E160–162, Greater Columbus Convention Center, Level One] l • Strike Percussion Ensemble, Don Raaymakers, director Showcase Concert; Presider: Andrew Spencer; Sponsor: East Kentwood and Strike Percussion Ensemble Caledonia High School. [Franklin Room, Hyatt Regency Columbus, Level Two] t • Orchestral Panel Discussion; Panelists: Raynor Carroll, Chris Deviney, Michael Rosen and Phil Shipley, Jim Dallas, Moderator; “Auditions.” Carroll Sponsors: Grover Pro Percussion, Inc., Remo, Inc., Sabian, Ltd.; Deviney Sponsors: Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments, Sabian, Ltd.; Rosen Sponsors: Avedis Zildjian Cymbal Company, Oberlin Conservatory of Music. [C210–212, Greater Columbus Convention Center, Level Two] • PAS Museum/Library Listening Lab Sponsors: Keyboard Committee, New Music/Research Day Committee, Music Technology Committee. Chris Deviney Michael Rosen [D140–141, Greater Columbus Convention Center, Level One] • Health and Wellness Lab and Video Techniques Analysis [D142– 143, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Opens [Exhibit Hall E, Greater Columbus Convention Center, Level One]

10:00 A.M.

l • Arizona State University Contemporary Percussion Ensemble, J. B. Smith, director Showcase Concert; Presider: Dan Moore; Sponsors: Arizona State University School of Music/Herberger College of Fine Arts, Arizona State University Contemporary Percussion Ensemble Avedis Zildjian Cymbal Company, Mike Balter Mallets, Pearl Corporation and Adams Musical Instruments. [Regency Ballroom, Hyatt Regency Columbus,Level Three] • Ivana Bilic with Vanja Kuljeric (piano) Keyboard Clinic “Working with the Composer;” Presider: Ron Samuels; Sponsors: Cantus, Croatian

KEY: q DRUMSET y MARCHING PERCUSSION

KEYBOARD t PERCUSSION

Ivana Bilic Ganesh Anandan e WORLD PERCUSSION l CONCERT

34 SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 Composers Society, Marimba One. [Union Room, Hyatt Regency Columbus, Level Two] e • Ganesh Anandan World Clinic “South Indian Hand Drumming;” Presider: Sal Ferreras; Sponsors: The Canada Arts Council, Cooperman Company. [E170–172, Greater Columbus Convention Center, Level One] t • Multiple Percussion Competition Presider: George Frock. [C120–122, Greater Columbus Convention Center, Level One] q • Drumset Panel Discussion, Glenn Schaft, Moderator “Drumset in the College Methods Class.” [D130–132, Greater Columbus Convention Center, Level One] Gene Lake Russell Burge

11:00 A.M. q • Gene Lake Drumset Clinic; Presider: Joe Hibbs; Sponsors: Avedis Zildjian Cymbal Company, Premier Percussion, Vic Firth, Inc. [Ballroom 1–3, Greater Columbus Convention Center, Level One] e • Miami University Steel Band, Chris Tanner, director with guests Russell Burge, Lalo Davila, Kalani and Tom Miller World Clinic; “The Steel Band: A Versatile Vehicle for Various Styles;” Presider: Dr. Pascal Younge; Miami Sponsors: Miami University Department of Music, Pan Ramajay Productions; Davila Sponsors: Avedis Zildjian Cymbal Miami University Steel Band Company, Evans Drumheads, Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments, Row-Loff Productions; Kalani Sponsors: Alfred Publishing Co., Inc., Evans Drumheads, Gibraltar Hardware, Toca Percussion, Vic Firth, Inc.; Miller Sponsors: Pan Ramajay Productions, Vic Firth, Inc. [E160–162, Greater Columbus Convention Center, Level One] y • Matt Savage Marching Master Class; “A Savage Rudimental Workshop;” Presider: Ray Brych; Sponsors: Pearl Corporation and Adams Musical Instruments, Pro-Mark Corporation, Remo, Inc., Sabian, Ltd., Warner Bros. Publications. [Franklin Room, Hyatt Regency Columbus, Level Two] Lalo Davila Kalani t • Alan Abel Snare Drum Embellishments Lab. Sponsor: Sabian, Ltd. [C210–212, Greater Columbus Convention Center, Level Two] • Board of Directors Meeting [Garfield Room, Hyatt Regency Columbus, Level One]

12:00 P.M.

• Gordon Stout with Steve Houghton Keyboard Clinic “Marimba Perspectives;” Presider: Leigh Howard Stevens; Stout Sponsors: Avedis Zildjian Cymbal Company, Kp3 LLC/Malletech Instruments, Malletech Mallets; Houghton Sponsors: Alfred Publishing, Co., Inc., Avedis Tom Miller Matt Savage Zildjian Drumsticks and Cymbal Company, Pearl Corporation and Adams Musical Instruments, Remo, Inc.; [Regency Ballroom, Hyatt Regency Columbus, Level Three] l • Hip Pickles Children’s Concert; Presider: Karl Dustman; Sponsors: Gibraltar Hardware, Pearl Corporation and Adams Musical Instruments, Pro-Mark Corporation, Remo, Inc., Sabian, Ltd. [Union Room, Hyatt Regency Columbus, Level Two] e • Greg Beyer World Clinic “Musical Bows—Ancient Instruments, New Ideas;” Presider: Sal Ferreras. [E170–172, Greater Columbus Convention Center, Level One] Alan Abel Gordon Stout

Steve Houghton Hip Pickles Greg Beyer Kim Plainfield

SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 35 q • Kim Plainfield Drumset Master Class “Rhythm Section 2 (Beginning– Intermediate);” Presider: Rich Mangicaro; Sponsors: Pearl Corporation and Adams Musical Instruments, Paiste America, Inc., Vater Percussion, Inc. [D130–132, Greater Columbus Convention Center, Level One]

1:00 P.M.

t • Michael Rosen Cymbals Lab; Sponsors: Avedis Zildjian Cymbal Company, Oberlin Conservatory of Music. [C210–212, Greater Michael Rosen Colin McNutt Columbus Convention Center, Level Two] l • SUNY-Fredonia African Drumming Ensemble, Kay Stonefelt, director with Bernard Woma Terrace Concert. [Connector between Hyatt Regency Columbus and Greater Columbus Convention Center] • Chapter Presidents Meeting Mark Ford, chair. [Hayes Room, Hyatt Regency Columbus, Level One] • Drumset Committee Meeting Jim Rupp, chair. [Garfield Room, Hyatt Regency Columbus, Level One] • New Music/Research Committee Meeting Larry Snider, chair. [Grant Room, Hyatt Regency Columbus, Level One] • Scholarly Papers Committee Meeting Laura Franklin, interim chair. Anders Åstrand and Global Percussion Network [Harding Room, Hyatt Regency Columbus, Level One]

2:00 P.M.

l • Anders Åstrand and Global Percussion Network Showcase Concert; Presider: John Wittmann; Sponsors: Avedis Zildjian Cymbal Company, Innovative Percussion, Inc., Yamaha Band & Orchestral. [Regency Ballroom, Hyatt Regency Columbus, Level Three] y • Colin McNutt Marching Clinic; Presider: George Barrett; Sponsors: Avedis Zildjian Cymbal Company, Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments, Remo, Inc. [E160–162, Alfons Grieder Adam Nussbaum Greater Columbus Convention Center, Level One]

36 SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 PERCUSSIVE NOTES 39 OCTOBER 2002 t • Orchestral Mock Audition Theresa Dimond, auditions coordinator; Judges: John Beck, Jack Brennan, Frederic Macarez, Ben Ramirez, Michael Udow. Tape review judges: Tim Genis, Stanley Leonard Don Liuzzi. [C120–122, Greater Columbus Convention Center, Level One] q • Adam Nussbaum Drumset Master Class “Musical Applications for the Drumset;” Presider: John King; Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Evans Drumheads, Sonor/HSS, Inc. [D130–132, Greater Columbus Convention Center, Level One]

Clyde Stubblefield Jabo Starks 3:00 P.M.

q • Clyde Stubblefield and Jabo Starks Drumset Clinic; Presider: Norbert Saemann; Sponsors: Meinl USA L.C., Remo, Inc., Vic Firth, Inc., Yamaha Drumset. [Ballroom 1–3, Greater Columbus Convention Center, Level One] y • Alfons Grieder with Americlique Marching Clinic; [C210–212, Greater Columbus Convention Center, Level Two] e • World Percussion Panel Discussion, Sal Ferreras, Moderator; Panelists: Ganesh Anandan, Patrick Cooperman, Ryan Goldin, Aldo Mazza and Tom Teasley “Makers & Shakers;” Anandan Sponsors: The Ganesh Anandan Patrick Cooperman Canada Arts Council, Cooperman Company; Cooperman Sponsor:

Ryan Goldin Tom TeasleyAldo Mazza Percussionists of the Boston Pops Esplanade Orchestra

38 SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 Cooperman Company; Goldin Sponsor: Mountain Rythym; Mazza Sponsors: Evans Drumheads, Grip Peddler, Latin Percussion, Inc., Ludwig/Musser, Mike Balter Mallets, Mountain Rythym, Regal Tip, Sabian, Ltd. [E170–172, Greater Columbus Convention Center, Level One] t • Percussionists of the Boston Pops Esplanade Orchestra (Dean Anderson, Everett Beale, Neil Grover and Patrick Hollenbeck) Orchestral Clinic; Presider: Craigie Zildjian; Sponsors: Avedis Zildjian Cymbal Company, Berklee College of Music, Boston Conservatory, Grover Pro Percussion, Inc., Lefima Percussion, Pearl Corporation and Adams Musical Instruments, Vic Firth, Inc.; Anderson Sponsor: Remo, Gary Olmstead Chris Deviney Inc. [Franklin Room, Hyatt Regency Columbus, Level Two]

4:00 P.M. t • Gary Olmstead and Indiana University of Pennsylvania Percussion Ensemble Percussion Ensemble Literature Presentation “New Literature for Percussion Ensemble;” Presider: David Eyler; Sponsor: Ludwig/ Musser, Marimba One, Pearl Corporation and Adams Musical Instruments. [Union Room, Hyatt Regency Columbus, Level Two] t • Chris Deviney Orchestral Clinic/Performance “Xylophone and Marimba in the Orchestra;” Presider: Steve Hearn; Sponsors: Innovative Indiana University of Pennsylvania Percussion Ensemble Percussion, Inc., Pearl Corporation and Adams Musical Instruments, Sabian, Ltd. [E160–162, Greater Columbus Convention Center, Level One] q • Julio Figueroa with Ebenezer Da Silva Drumset Master Class “How to Incorporate Latin Percussion to Your Drumset;” Presider: Scott Donnell; Sponsors: Audix Corporation, Drum Workshop, Inc., Meinl USA L.C., PureSound Percussion, Regal Tip, Remo, Inc., Rhythm Tech. [D130– 132, Greater Columbus Convention Center, Level One]

Julio Figueroa Gary Novak

SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 39 5:00 P.M.

q • Gary Novak Drumset Clinic; Presider: John DeChristopher; Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Drum Workshop, Inc., Remo, Inc. [Ballroom 1-3, Greater Columbus Convention Center, Level One] l • Colonial Williamsburg Fifes & Drums Terrace Concert; Sponsor: Cooperman Company. [Connector between Hyatt Regency Columbus and Greater Columbus Convention Center] Colonial Williamsburg Fifes & Drums y • College and High School Marching Individuals Snares, Keyboard and Tenors [Greater Columbus Convention Center] • Registration Closes [E–150, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Closes [Exhibit Hall E, Greater Columbus Convention Center, Level One]

8:00 P.M.

l • The Drummer’s Heritage featuring Americlique, Bethune Cookman Marching Percussion Section, Camp Chase Fife and Drum Corps, Bethune Cookman Marching Percussion Section Canadian Associates Drumming Rudimental Excellence (C.A.D.R.E.), Colonial Williamsburg Fifes and Drums, Oak Village Middle School, Peel Regional Police Pipe Band Drum Line, University of North Texas Drumline and Soloists: Alfons Grieder,

Camp Chase Fife and Drum Corps University of North Texas Drumline

Canadian Associates Drumming Rudimental Excellence Alfons Grieder Marty Hurley Jim Kilpatrick

Oak Village Middle School John PrattJeff Queen Nick Attanasio

Peel Regional Police Pipe Band Drum Line Dominick Cuccia Therese Cuccia Robin Engelman

40 SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 Marty Hurley, Jim Kilpatrick, John Pratt, Jeff Queen and Nick Attanasio accompanied by Dominick and Therese Cuccia; Dennis DeLucia, Master of Ceremonies; Robin Engelman, Artistic Director Evening Concert; Presider: Ken Greene; Sponsors: Sabian, Ltd., Yamaha Band & Orchestral; Colonial Sponsor: Cooperman Company; Oak Village Sponsors: Lone Star Percussion, Pro-Mark Corporation; Peel Sponsors: Cameron’s Drumming Studio, The Peel Regional Police Pipe Band, Sandy St. James Pipe Band Outfitter; UNT Sponsors: Avedis Zildjian Cymbal Company, Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments; Hurley Sponsor: Pearl Corporation and Adams Musical Instruments; Kilpatrick Sponsor: Eric Paton Premier Percussion; Queen Sponsors: Evans Drumheads, Pearl Corporation and Adams Musical Instruments, Vic Firth, Inc.; DeLucia Sponsor: Sabian, Ltd. [Regency Ballroom, Hyatt Regency Columbus, Level Three]

10:00 P.M. e • Eric Paton World Drum Circle; Sponsors: Capital University Conservatory of Music, Remo, Inc. [D130–132, Greater Columbus Convention Center, Level One] l • Pan Ramajay (Tom Miller, Alan Lightner and Jim Munzenrider) with Paul VanWageningen (drums), Michael Spiro (percussion) and Nelson Braxton (bass) World Showcase Concert; Sponsors: Latin Pan Ramajay Percussion, Inc., Pan Ramajay Productions, Pearl Corporation and Adams Musical Instruments, Sabian, Ltd.; VanWageninger Sponsor: Paiste America, Inc.; Spiro Sponsors: Sabian, Ltd., Vic Firth, Inc. [Big Bar on 2, Hyatt Regency Columbus, Level Two]

SPECIAL THANKS: STATE CHAPER PASIC SCHOLARSHIP SPONSORS

TEXAS MIKE BALTER MALLETS CALIFORNIA ILLINOIS NEW YORK EVANS DRUMHEADS REMO, INC. MIKE BALTER MALLETS REGAL TIP/CALATO PERCUSSION CONSTRUCTION CALIFORNIA CHAPTER ILLINOIS CHAPTER NEW YORK CHAPTER PRO-MARK CORPORATION OF PAS OF PAS OF PAS VIC FIRTH, INC. TEXAS CHAPTER OF PAS

SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 41 FRIDAY, NOVEMBER 15, 2002

7:30 A.M.

• Registration Opens [E–150, Greater Columbus Convention Center, Level One]

8:00 A.M.

Steve Chavez • World Percussion Committee Meeting Sal Ferreras, chair. [Hayes Room, Hyatt Regency Columbus, Level One] • Education Committee Meeting Ruth Cahn, chair. [Garfield Room, Hyatt Regency Columbus, Level One] • International Committee Meeting Larry Snider, chair. [Grant Room, Hyatt Regency Columbus, Level One]

9:00 A.M.

y • Drumline Festival: Opening Ceremony, College and High School Marching, Standstill and Small Ensemble Competition and Awards University of New Mexico Percussion Ensemble [Exhibit Hall C, Greater Columbus Convention Center, Level One] q • Drumset Clinic; [Ballroom 1–3, Greater Columbus Convention Center, Level One] e • Marimbas of the World featuring Steve Chavez, Ken Battat, and University of New Mexico Percussion Ensemble, Scott Ney, director and Truman State University Percussion Ensemble, Michael Bump, director World Clinic “Africa to the Americas;” Presider: Chris Shultis; Chavez Sponsor: Fall Creek Marimbas; University of New Mexico Sponsors: Pro-Mark Corporation, University of New Mexico; Truman Sponsors: Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments. [E160–162, Greater Columbus Convention Center, Level One] Truman State University Percussion Ensemble

42 SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 t • College Pedagogy Panel Gary Cook, Moderator “The ‘Percussion Ensemble’ in the 21st Century” [C120–122, Greater Columbus Convention Center, Level One] l • Franklin Central Percussion Symphony, Daniel Fyffe, director Showcase Concert; Presider: Michael Burritt; Sponsors: Franklin Central High School, Premier Percussion. [Franklin Room, Hyatt Regency Columbus,Level Two] • Robert Bridge Paper Presentation “An Overview of Steve Reich’s Sextet;” Presider: Laura Franklin. [C210–212, Greater Columbus Convention Center, Level Two] • PAS Museum/Library Listening Lab Sponsors: Keyboard Committee, Franklin Central Percussion Symphony Music Technology Committee, New Music/Research Day Committee. [D140–141, Greater Columbus Convention Center, Level One] • Health and Wellness Lab and Video Techniques Analysis [D142–143, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Opens [Exhibit Hall E, Greater Columbus Convention Center, Level One]

10:00 A.M. l • Percussion Ensemble of Conservatoire Supérieur de Paris–CNR, She-e Wu Fréderic Macarez, director with soloists: She-e Wu (marimba), Robert Bridge Cécile Beune (timpani), Ionela Christu (timpani) and Adrien Perruchon (timpani) and Northwestern University Percussion Ensemble Showcase Concert; Presider: Dan Moore; Sponsors: A.F.A.A. (Action Française d’Action Artistique), Association des Amis de Maurice Ohana, Cadeson, Evans Drumheads, H. Selmer–Paris, Latin Percussion, Inc., Mairie de Paris, Kp3 LLC/Malletech Instruments, Ministère des Affaires Etrangères, (French Government), Premier Percussion, Sabian, Ltd., Vic Firth, Inc.; Wu Sponsor: Malletech Mallets; Northwestern Sponsors: Kp3 LLC/Malletech Instruments, Northwestern University. [Regency Ballroom, Hyatt Regency Columbus, Level Three] t • Symphonic Percussion Emeritus Orchestral Panel featuring Alan Percussion Ensemble of the Conservatoire Supérieur de Abel, John H. Beck, Vic Firth, Arnie Lang and Stanley Leonard, Bill Paris–CNR Cahn, moderator; Sponsor: Yamaha Band & Orchestral; Abel Sponsor: Sabian, Ltd.; Leonard Sponsors: Grover Pro Percussion, Inc., Stanley Leonard Percussion Music, Yamaha Band & Orchestral. [Union Room, Hyatt Regency Columbus, Level Two] e • B. Michael Williams World Clinic “Learning Mbira;” Presider: Michael Spiro; Sponsor: HoneyRock Publishing. [E170–172, Greater Columbus Convention Center, Level One] q • Drumset Panel Discussion featuring Joe La Barbera, Jeff Hamilton, Jake Hanna, Steve Houghton, Don Lamond, John Riley and Ed Soph , Jim Rupp, Moderator “Drummers of the Woody Herman Northwestern University Percussion Ensemble

Alan Abel John Beck Vic Firth Arnie Lang Stanley Leonard

KEY: q DRUMSET y MARCHING PERCUSSION

KEYBOARD t PERCUSSION

e WORLD PERCUSSION l CONCERT B. Michael Williams Paul Wertico

SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 43 Orchestra.;” Sponsors: Avedis Zildjian Cymbal Company, cdstreet.com, Columbus Pro Percussion, Inc., Charlie Rath, Wendy’s International; La Barbera Sponsors: Aquarian Accessories, Avedis Zildjian Cymbal Company, Gretsch Drums, Vic Firth, Inc.; Hamilton Sponsors: Bosphorus Cymbals, Regal Tip, Remo, Inc.; Hanna Sponsors: Modern Drummer Publications; Regal Tip, Houghton Sponsors: Alfred Publishing, Co., Inc., Avedis Zildjian Drumsticks and Cymbal Company, Pearl Corporation and Adams Musical Instruments, Remo, Inc.; Lamond Sponsors: Modern Drummer Publications, Pearl Corporation and Adams Musical Instruments; Riley Sponsors: Avedis Zildjian Drumsticks and Valerie Naranjo, Barry Olsen and Kakraba Lobi Cymbal Company, Manhattan School of Music, Remo, Inc., Yamaha Drumset; Soph Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Evans Drumheads, Yamaha Drumset. [D130–132, Greater Columbus Convention Center, Level One]

11:00 A.M.

q • Paul Wertico Drumset Clinic; Presider: Chris Lombardi; Sponsors: Drum Workshop, Inc., Meinl USA L.C., Paiste America, Inc., Pro-Mark Corporation, Remo, Inc., Shure Incorporated. [Ballroom 1-3, Greater Columbus Convention Center, Level One] Robert Friedman Rick Dimond e • Kakraba Lobi, Valerie Naranjo and Barry Olsen World Clinic/ Performance “West African Literature for the Solo Marimbist;” Presider: Ray Tregellas; Sponsors: Avedis Zildjian Cymbal Company, Latin Percussion, Inc., Marimba One. [E160–162, Greater Columbus Convention Center, Level One] t • Robert Friedman Health & Wellness Presentation “Drumming Away Stress;” Presider: Darin Workman. [C120–122, Greater Columbus Convention Center, Level One] • Rick Dimond Keyboard Clinic/Performance “Building a Vibraphone Repertoire Through Transcription;” Presider: Doug DeMorrow; Sponsor: DeMorrow Instruments, Ltd. [Franklin Room, Hyatt Regency Columbus, Allan Molnar Jim Royle Level Two] t • Allan Molnar, Jim Royle and Michael Sgouros Education Panel Discussion “Studio Teaching the Pre-Collegiate Student;” Presider: Ruth Cahn; Royle Sponsors: Grover Pro Percussion, Sabian, Ltd., Silver Fox Percussion; Sgouros Sponsors: Grover Pro Percussion, Inc., Innovative Percussion, Inc., Sabian, Ltd. [C210–212, Greater Columbus Convention Center, Level Two] • Board of Directors Meeting [Garfield Room, Hyatt Regency Columbus, Level One]

12:00 P.M. Michael Sgouros Ian Finkel • Ian Finkel Keyboard Clinic; Presider: Jim Catalano; Sponsors: Ludwig/ Musser, Mike Balter Mallets. [Regency Ballroom, Hyatt Regency Columbus, Level Three] t • Symphonic Percussion Emeritus Timpani/Orchestral Presentation featuring Alan Abel, John H. Beck, Tony Cirone, Arnie Lang, and Stanley Leonard Presider: Michael Kenyon; Sponsor: Yamaha Band & Orchestral; Abel Sponsor: Sabian, Ltd.; Leonard Sponsors: Grover Pro Percussion, Inc., Stanley Leonard Percussion Music, Yamaha Band & Orchestral. [Union Room, Hyatt Regency Columbus, Level Two] e • Houman Pourmehdi World Clinic; Presider: David Johnson. [E170–172, Greater Columbus Convention Center, Level One] Tony Cirone Houman Pourmehdi q • John Riley Drumset Master Class “Rhythm Section 2 (Intermediate– Advanced);” Presider: John DeChristopher; Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Manhattan School of Music, Remo, Inc., Yamaha Drumset. [D130–132, Greater Columbus Convention Center, Level One]

1:00 P.M.

• Health & Wellness Injury Panel Discussion featuring Kalani, Brian Mason, Michael Udow and Zoro, Darin Workman, moderator. [C120– 122, Greater Columbus Convention Center, Level One] John Riley William Platt

44 SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15

t • William Platt Tam-Tams Lab; Sponsors: Avedis Zildjian Cymbal Company, Black Swamp Percussion, Grover Pro Percussion, Steve Weiss Music. [C210–212, Greater Columbus Convention Center, Level Two] l • Central State University Steel Band, Lennard Moses, director Terrace Concert [Connector between Hyatt Regency Columbus and Greater Columbus Convention Center] • Chapter Presidents Meeting, Mark Ford, chair. [Hayes Room, Hyatt Regency Columbus, Level One] • Drumset Committee Meeting, Jim Rupp, chair. [Garfield Room, Hyatt Central State University Steel Ensemble Regency Columbus, Level One] • Percussion Ensemble Committee Meeting, Dan Moore, chair. [Grant Room, Hyatt Regency Columbus, Level One]

2:00 P.M.

l • Nebojsa Jovan Zivkovic and Jovan Percussion Group (Nebojsa Jovan Zivkovic, Craig Bitterman, Fernando Meza and Ben Toth) Showcase Concert; Presider: John King; Sponsors: Avedis Zildjian Cymbal Company, Yamaha Band & Orchestral; Toth Sponsor: Innovative Percussion, Inc. [Regency Ballroom, Hyatt Regency Columbus, Level Nebojsa Jovan Zivkovic and Jovan Percussion Group Three] • A Tribute to Michael Bookspan [Union Room, Hyatt Regency Columbus, Level Two] e • Aldo Mazza World Clinic/Performance “Adding World Percussion to the Performance Language for the Percussionist and Drummer;” Presider: Bill Zildjian; Sponsors: Evans Drumheads, Grip Peddler, Latin Percussion, Inc., Ludwig/Musser, Mike Balter Mallets, Mountain Rythym, Regal Tip, Sabian, Ltd. [E160–162, Greater Columbus Convention Center, Level One] q • Ed Soph with Lou Fischer (bass) and Stan Smith (guitar) Drumset Master Class “Practicing Improvisationally: From the Practice Room to Aldo Mazza Ed Soph the Bandstand;” Presider: Jerry Andreas; Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Evans Drumheads, Yamaha Drumset. [D130–132, Greater Columbus Convention Center, Level One]

3:00 P.M.

q • Virgil Donati Drumset Clinic; Presider: Bill Zildjian; Sponsors: Pearl Corporation and Adams Musical Instruments, Remo, Inc., Sabian, Ltd., Vater Percussion, Inc. [Ballroom 1–3, Greater Columbus Convention Center, Level One] e • Tom Miller World Clinic “Arranging for Steelband: Basics and Beyond;” Virgil Donati Tom Miller Sponsors: Pan Ramajay Productions, Vic Firth, Inc. [E170–172, Greater Columbus Convention Center, Level One] • Keyboard Panel Discussion; Panelists: Rick Dimond and Ian Finkel, Rebecca Kite, Moderator; “Transcriptions;” Dimond Sponsor: DeMorrow Instruments, Ltd.; Finkel Sponsors: Ludwig/Musser, Mike Balter Mallets. [C120–122, Greater Columbus Convention Center, Level One] t • Patsy Dash and Doug Waddell with the Chicago Symphony Percussion Scholarship Group Education Clinic/Performance “Inner City Kids and Percussion;” Presider: John R. Beck; Sponsors: Avedis Zildjian Cymbal Company, Black Swamp Percussion, Kp3 LLC/ Malletech Instruments, Marimba One, Pearl Corporation and Adams Musical Instruments. [Franklin Room, Hyatt Regency Columbus, Level Chicago Symphony Percussion Scholarship Group Two] • PASIC 2003 Host Committee Meeting, Rick Mattingly, chair. [Garfield Room, Hyatt Regency Columbus, Level One]

4:00 P.M.

• Nancy Zeltsman Keyboard Master Class “Tone, Articulation and Expressiveness on Marimba;” Presider: Ron Samuels; Sponsors: Encore Mallets, Inc., Hal Leonard Corp., Marimba One, Temple University. [Union Room, Hyatt Regency Columbus, Level Two] e • Glen Velez World Clinic; Presider: Chris Hart; Sponsor: Remo, Inc. Nancy Zeltsman Glen Velez [E160–162, Greater Columbus Convention Center, Level One]

46 SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 47 q • Russ Miller Drumset Master Class “The Drum Set Crash Course;” Presider: Joe Testa; Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Meinl USA L.C., Remo, Inc., Shure Incorporated, Yamaha Drumset. [D130–132, Greater Columbus Convention Center, Level One] t • John Shaw Castanets Lab. [C210–212, Greater Columbus Convention Center, Level Two]

5:00 P.M.

q • Elvin Jones Drumset Clinic/Performance; Presider: Jerry Andreas; Russ Miller Elvin Jones Sponsors: Avedis Zildjian Cymbal Company, Pro-Mark Corporation, Yamaha Drumset. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • Registration Closes [E–150, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Closes [Exhibit Hall E, Greater Columbus Convention Center Level One]

6:00 P.M.

• Hall of Fame Cocktail Hour [Ballroom 1-3 Foyer, Greater Columbus John Pratt Ringo Starr Convention Center, Level One]

SESSION DEFINITIONS

CLINIC: PERFORMER(S) INSTRUCTS/SPEAKS ABOUT AND DEMONSTRATES TECHNIQUES/IDEAS. CLINIC/PERFORMANCE: SAME AS THE CLINIC, BUT CONTAINING A GREATER AMOUNT OF STRUCTURED PERFORMANCE (I.E., PERFOR- MANCE WITH GROUP, TAPE, ETC.). CONCERT: FEATURES ARTIST(S) IN A FORMAL/ SEMIFORMAL CONCERT PERFORMANCE. LAB: HANDS-ON, INTERACTIVE, INSTRUCTIONAL SESSION. LECTURE/PAPER PRESENTATION: A FORMAL, ACADEMIC PRESENTATION OF A RESEARCH PAPER OR TOPIC. MASTER CLASS: ATTENDEES ARE CALLED TO THE STAGE TO RECEIVE PERSONAL INSTRUCTION IN FRONT OF THE AUDIENCE FOCUS DAY: CONCERT, CLINICS/PERFOR- MANCES, AND PRESENTATIONS ON WEDNESDAY. PANEL DISCUSSION: A PANEL OF EXPERTS ON ANY GIVEN SUBJECT. DOES NOT CONSTITUTE FEATURING ANY PARTICULAR ARTIST IN A CLINIC OR FEATURE SETTING. PRESENTATION: ACADEMIC PRESENTATION OF A SPECIFIC TOPIC, I.E., INDUSTRY SEMINAR, POST- ERS. TERRACE CONCERT: AN INFORMAL CONCERT. WORKSHOP: ALL ATTENDEES ARE INVITED TO BRING INSTRUMENTS AND PARTICIPATE IN THIS INSTRUCTIONAL SESSION.

48 SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 7:00 P.M.

• Hall of Fame Banquet honoring John Pratt, Ringo Starr and Ed Thigpen [Ballroom 1–3, Greater Columbus Convention Center, Level One]

9:00 P.M. l • The Drummers of Woody Herman featuring Don Lamond, Jake Hanna, Ed Soph, Joe La Barbera, Steve Houghton, Jeff Hamilton and John Riley; Jim Rupp, Presider and Coordinator Evening Ed Thigpen Don Lamond Concert; Sponsors: Avedis Zildjian Cymbal Company, cdstreet.com, Columbus Pro Percussion, Inc., Charlie Rath, Wendy’s International; La Barbera Sponsors: Aquarian Accessories, Avedis Zildjian Cymbal Company, Gretsch Drums, Vic Firth, Inc.; Hamilton Sponsors: Bosphorus Cymbals, Regal Tip, Remo, Inc.; Hanna Sponsors: Modern Drummer Publications, Regal Tip; Houghton Sponsors: Alfred Publishing, Co., Inc., Avedis Zildjian Drumsticks and Cymbal Company, Pearl Corporation and Adams Musical Instruments, Remo, Inc.; Lamond Sponsors: Modern Drummer Publications, Pearl Corporation and Adams Musical Instruments; Riley Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Manhattan School of Music, Remo, Inc., Yamaha Jake Hanna Ed Soph Drumset; Soph Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Evans Drumheads, Yamaha Drumset. [Regency Ballroom, Hyatt Regency Columbus, Level Three]

10:00 P.M. e • Jeff Jones Drum Circle; Sponsor: Pro-Mark Corporation. [D130–132, Greater Columbus Convention Center, Level One] l • Paul Wertico Trio featuring Paul Wertico (drums), John Moulder (guitar) and Eric Hochberg (bass) Showcase Concert; Sponsors: Drum Workshop, Inc., Paiste America, Inc., Pro-Mark Corporation, Joe La Barbera Steve Houghton Remo, Inc., Shure Incorporated. [Big Bar on 2, Hyatt Regency Columbus, Level Two]

PERCUSSIVE ARTS SOCIETY CALL FOR PROPOSALS PASIC 2003 RESEARCH PROPOSAL INFORMATION The Scholarly Paper Committee of the Percussive Arts Society is pleased to announce the call for research proposals for presentation at PASIC 2003, November 13-16 in Columbus, Ohio. Three papers will be selected for oral presentation and up to eight additional proposals will be selected to be Jeff Hamilton John Riley presented as research posters. Some possible topic areas for presentation include: world percussion, historical aspects of percussion, compositional analysis, historical aspects of drumset, physical and medical related issues, notation for percussion, aspects of orchestral repertoire and performance practices within the varied areas of percussion. Authors selected to give oral presentations will have a 50 minute session in which to present their research and answer questions from the audience. Most media resources will be available upon request. Those authors whose proposals are selected to present their research in a poster session, will do so at a time when interested attendees may discuss research results and applications with individual authors. Each presenter will prepare a 30" x 40" poster that describes the research and will provide abstracts of the report for interested individuals attending the poster session. Jeff Jones Prospective participants for either format should download an application from the PAS website (pas.org). A completed application must be submitted, in addition to an abstract of approximately 750 words that provides a concise, yet thorough summary of the research project. Deadline for applications is March 1, 2003 Send application and abstract to: Scholarly Research Proposals Percussive Arts Society, 701 NW Ferris Avenue Lawton, OK 73507-5442. Additional information regarding the Scholarly Papers and Research Posters may be directed to Laura Franklin at: [email protected] or 828/883-2343. CONTACT PERCUSSIVE ARTS SOCIETY FOR RESEARCH PROPOSAL APPLICATION Paul Wertico Trio

SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 49 SATURDAY, NOVEMBER 16, 2002

7:30 A.M.

• Registration Opens [E–150, Greater Columbus Convention Center, Level One]

8:00 A.M.

Billy Ward Robert Breithaupt • New Music Technology Committee Meeting Kurt Gartner, chair. [D142–143, Greater Columbus Convention Center, Level One] • Composition Contest Committee Meeting Lynn Glassock, chair. [Garfield Room, Hyatt Regency Columbus, Level One] • Health & Wellness Committee Meeting Darin Workman, chair. [Grant Room, Hyatt Regency Columbus, Level One] • Symphonic Committee Meeting Alan Abel, chair. [Harding Room, Hyatt Regency Columbus, Level One]

9:00 A.M.

q • Billy Ward Eric Paton Nick Petrella Drumset Clinic “Drum Set as an Orchestra;” Presider: John DeChristopher; Sponsors: Avedis Zildjian Cymbal Company, Drum Workshop, Inc., Evans Drumheads, Shure Incorporated. [Ballroom 1–3, Greater Columbus Convention Center, Level One] e • Capital University World Music Lab Ensemble, Robert Breithaupt and Eric Paton, directors World Presentation “World Music and Curriculum/Accreditation: A Percussion-based Solution;” Presider: Gavin Carignan; Sponsors: Capital University Conservatory of Music, Remo, Inc. [E160–162, Greater Columbus Convention Center, Level One] t • Nick Petrella and Robert McCormick Snare Drum Fundamentals; Presider: Chris W. Treloar; Petrella Sponsors: Carl Fischer, Cooperman Robert McCormick Laura Franklin Company, Sabian, Ltd., Yamaha Band & Orchestral; McCormick Sponsors: Avedis Ziljdian Cymbal Company, Grover Pro Percussion, Inc. [C120–122, Greater Columbus Convention Center, Level One] l • Colleyville–Heritage High School Percussion Ensemble with Arjuna Contreras, guest artist, Chris Hayes, director Showcase Concert; Presider: Wayne Bovenschen; Sponsor: Colleyville-Heritage High School. [Franklin Room, Hyatt Regency Columbus, Level Two] • Laura Franklin Paper Presentation “Digging for Gold: Techniques and Resources for Conducting Scholarly Research;” Presider: Lisa Rogers; Sponsor: Brevard College. [C210–212, Greater Columbus Convention Center, Level Two] Northwestern University Percussion Ensemble • PAS Museum/Library Listening Lab Sponsors: Keyboard Committee, Music Technology Committee, New Music/Research Day Committee. [D140–141, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Opens [Exhibit Hall E, Greater Columbus Convention Center, Level One]

KEY: q DRUMSET y MARCHING PERCUSSION

KEYBOARD t PERCUSSION

John Tafoya Jeff Hamilton e WORLD PERCUSSION l CONCERT

Dave Weckl Bobby Sanabria Scott Herring Giff Howarth

50 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 51 10:00 A.M.

l • Northwestern University Percussion Ensemble, Michael Burritt, director Showcase Concert; Presider: Dan Moore; Sponsors: Kp3 LLC/ Malletech Instruments, Northwestern University. [Regency Ballroom, Hyatt Regency Columbus, Level Three] t • John Tafoya Timpani Clinic; Presider: Neil Grover; Sponsors: American Drum Manufacturing Company, Grover Pro Percussion, Inc., Remo, Inc. [Union Room, Hyatt Regency Columbus, Level Two] q • Jeff Hamilton Drumset Master Class “Big Band Drumming;” Presider: Mitch Markovich Richard Weiner Dwight Keith; Sponsors: Bosphorus Cymbals, Regal Tip, Remo, Inc. [D130–132, Greater Columbus Convention Center, Level One] • Hands on Music Technology Lab [D142–143, Greater Columbus Convention Center, Level One]

11:00 A.M.

q • Dave Weckl Drumset Clinic; Presider: David Via; Sponsors: Sabian, Ltd., Vic Firth, Inc., Yamaha Drumset. [Ballroom 1–3, Greater Columbus Convention Center, Level One] e • Bobby Sanabria World Clinic; Presider: Ray Tregellas; Sponsors: Latin Hip Pickles Percussion, Inc., Pearl Corporation and Adams Musical Instruments, Remo, Inc., Sabian, Ltd., Vic Firth, Inc. [E160–162, Greater Columbus Convention Center, Level One] • Scott Herring and Giff Howarth Keyboard Fundamentals; Presider: Jim Lambert; Herring Sponsors: Kp3 LLC/Malletech Instruments, Innovative Percussion, Inc., Grover Pro Percussion, Inc.; Howarth Sponsors: Sabian, Ltd., Tap Space Publications, Vic Firth, Inc., Yamaha Band & Orchestral. [C120–122, Greater Columbus Convention Center, Level One] ENTMEESTER y R • Mitch Markovich Marching Master Class “Snare Drum Interpretation/

A Technique Exchange;” Presider: Carol Carpenter; Sponsors: Evans Stefon Harris Raynor Carroll Drumheads, Pearl Corporation and Adams Musical Instruments, Pro-Mark Corporation. [Franklin Room, Hyatt Regency Columbus, Level Two] t • Richard Weiner Triangle Lab; Sponsor: Avedis Zildjian Cymbal Company. [C210–212, Greater Columbus Convention Center, Level Two] • Board of Directors Meeting [Garfield Room, Hyatt Regency Columbus, Level One]

12:00 P.M.

• Stefon Harris with Terreon Gully (drums) George Colligan (piano) Steve Houghton Gary Chaffee Keyboard Clinic/Performance “The Expansion of Vibes and Marimba in a Contemporary Jazz Setting;” Presider: Staci Stokes; Sponsors: Ludwig/Musser, Pro-Mark Corporation; Gully Sponsors: Pro-Mark Corporation, Sabian, Ltd., Yamaha Drumset. [Regency Ballroom, Hyatt Regency Columbus, Level Three] y • Hip Pickles Marching Clinic/Performance; Sponsors: Gibraltar Hardware, Pearl Corporation and Adams Musical Instruments, Pro-Mark Corporation, Remo, Inc., Sabian, Ltd. [Union Room, Hyatt Regency Columbus, Level Two] t • Raynor Carroll Bass Drum Clinic/Performance; Presider: Chris Hart; Sponsors: Grover Pro Percussion, Inc., Remo, Inc., Sabian, Ltd. [E170– Ruth Jeanne Marimba Ensemble 172, Greater Columbus Convention Center, Level One] q • Steve Houghton with Gary Chaffee Drumset Master Class “The Art of Practicing...with a Friend;” Presider: Lennie DiMuzio; Houghton Sponsors: Alfred Publishing, Co., Inc., Avedis Zildjian Drumsticks and Cymbal Company, Pearl Corporation and Adams Musical Instruments, Remo, Inc.; Chaffee Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Remo, Inc., Yamaha Drumset. [D130–132, Greater Columbus Convention Center, Level One]

Trio Yarn

52 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 53 1:00 P.M.

l • Ruth Jeanne Marimba Ensemble Terrace Concert. [Connector between Hyatt Regency Columbus and Greater Columbus Convention Center] • Committee Chairs Meeting Rich Holly, chair. [Hayes Room, Hyatt Regency Columbus, Level One]

2:00 P.M.

Jonathan Haas Tim Adams l • Trio Yarn Showcase Concert; Presider: Michael Rosen. [Regency Ballroom, Hyatt Regency Columbus, Level Three] t • The Carter Timpani Cartel “CTC” featuring soloists Jonathan Haas, Tim Adams, Matthew Beaumont, William Moersch, Kevin Richard Dufford and Frederic Macarez Symphonic Clinic/Performance; Presider: Steve Beck; Haas Sponsors: Aspen Music Festival and School, Avedis Zildjian Cymbal Company, Mike Balter Mallets, Peabody Conservatory of Music, Pearl Corporation and Adams Musical Instruments, Pro-Mark Corporation, Remo, Inc., University of Buffalo; Adams Sponsor: Evans Drumheads; Macarez Sponsor: Evans Drumheads. [Union Room, Hyatt Regency Columbus, Level Two] Matthew Beaumont William Moersch e • Lenny Castro World Clinic; Presider: Rich Mangicaro; Sponsors: Latin Percussion, Inc., Paiste America, Inc., Remo, Inc., Vic Firth, Inc. [E160– 162, Greater Columbus Convention Center, Level One] q • Rich Thompson and Zoro Drumset Fundamentals; Presider: Marshall Maley; Thompson Sponsors: Ludwig/Musser, Regal Tip, Remo, Inc.; Zoro Sponsors: Audix Corporation, DrumFrame, Drum Workshop, Inc., Evans Drumheads, Latin Percussion, Inc., Sabian, Ltd., Vic Firth, Inc. [C120–122, Greater Columbus Convention Center, Level One] q • Joe La Barbera Drumset Master Class; Presider: John DeChristopher; Sponsors: Aquarian Accessories, Avedis Zildjian Cymbal Company, Gretsch Drums, Vic Firth, Inc. [D130–132, Greater Columbus Frederic Macarez Kevin Richard Dufford Convention Center, Level One]

3:00 P.M.

q • Dave Lombardo Drumset Clinic; Sponsor: Tama [Ballroom 1–3, Greater Columbus Convention Center, Level One] e • Andrea Centazzo World Clinic “Ancient Future: A multimedia experience for Percussion, MIDI Percussion and Video Images;” Presider: Matt Connors; Sponsors: Paiste America, Inc., Remo, Inc. [E170–172, Greater Columbus Convention Center, Level One]

Lenny Castro Rich Thompson

Zoro Joe La Barbera Dave Lombardo Andrea Centazzo Eric Sammut

Eugene Espino Ney Rosauro University of Miami Percussion Ensemble Arthur Lipner

54 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 55 • Eric Sammut Keyboard Clinic; Presider: Leigh Howard Stevens; Sponsors: Kp3 LLC/Malletech Instruments, Malletech Mallets. [Franklin Room, Hyatt Regency Columbus, Level Two] t • Eugene Espino Timpani Lab. [C210–212, Greater Columbus Convention Center, Level Two]

4:00 P.M.

l • Ney Rosauro with guests University of Miami Percussion Ensemble, Arthur Lipner and Mark Ford Showcase Concert “A Celebration of Ney Mark Ford Chris Lamb Rosauro/25 Years of Percussion and 50th Birthday;“ Presider: John Wittmann; Sponsors: Innovative Percussion, Inc., MalletWorks Music, Sabian, Ltd., University of Miami School of Music, Yamaha Band & Orchestral; Lipner Sponsors: Ludwig/Musser, MalletWorks Music, Mike Balter Mallets; Ford Sponsors: Avedis Zildjian Cymbal Company, Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments. [Regency Ballroom, Hyatt Regency Columbus, Level Three] t • Chris Lamb Orchestral Clinic/Performance; Presider: Nick Petrella; Sponsors: Innovative Percussion, Inc., Sabian, Ltd. [Union Room, Hyatt Regency Columbus, Level Two] Orestes Vilato Luis Conte e • Luis Conte and Orestes Vilato World Clinic; Presider: Norbert Saemann; Conte Sponsors: Audix Corporation, Meinl USA L.C., Remo, Inc.; Vilato Sponsors: Meinl USA L.C., Remo, Inc., Sabian, Ltd., Vic Firth, Inc. [E160–162, Greater Columbus Convention Center, Level One] t • Ruth Cahn and Stanley Leonard Timpani Fundamentals “Timpani—A Great Sound From the Beginning;” Presider: Dr. John Papastefan; Cahn Sponsor: Sabian, Ltd.; Leonard Sponsors: Grover Pro Percussion, Inc., Stanley Leonard Percussion Music, Yamaha Band & Orchestral. [C120–122, Greater Columbus Convention Center, Level One] q • Hilary Jones Drumset Master Class; Presider: David Levine; Sponsors: Avedis Zildjian Cymbal Company, Drum Workshop, Inc., Pro-Mark Ruth Cahn Stanley Leonard

56 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 Corporation. [D130–132, Greater Columbus Convention Center, Level One]

5:00 P.M. q • Thomas Lang Drumset Clinic; Presider: Ian Croft; Sponsors: Meinl USA L.C., Remo, Inc., Sonor/HSS, Inc., Vater Percussion, Inc. [Ballroom 1–3, Greater Columbus Convention Center, Level One] l • Arts Impact Steel Band, Jeff Jones, director Terrace Concert [Connector between Hyatt Regency Columbus and Greater Columbus Convention Center] Hilary Jones Thomas Lang • Registration Closes [E–150, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Closes [Exhibit Hall E, Greater Columbus Convention Center, Level One]

8:00 P.M. l • Dave Weckl Band featuring Dave Weckl (drums), Tom Kennedy (bass), Steve Weingart (piano) and Gary Meek (saxophone) Evening Concert; Presider: Jerry Andreas; Sponsors: Remo, Inc., Sabian, Ltd., Shure Incorporated, Vic Firth, Inc., Yamaha Drumset. [Regency Dave Weckl Tom Kennedy Ballroom, Hyatt Regency Columbus, Level Three]

10:00 P.M. e • Kalani World Drum Circle; Sponsors: Alfred Publishing Co., Inc., Evans Drumheads, Gibraltar Hardware, Toca Percussion, Vic Firth, Inc. [D130– 132, Greater Columbus Convention Center, Level One] l • Jeff Hamilton Trio featuring Jeff Hamilton (drums), Christoph Luty (bass) and Tamir Hendelman (piano) Showcase Concert. [Big Bar on 2, Hyatt Regency Columbus, Level Two] Steve Weingart Gary Meek

Kalani Jeff Hamilton Christoph Luty Tamir Hendelman

AVAILABLE ON CD SEARCHABLE FORMAT

PERCUSSION EDUCATION: A SOURCE BOOK OF CONCEPTS AND INFORMATION & PAS RESEARCH PUBLICATIONS 1963–1987

VISIT BOOTH 1

SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 57 ARTISTS AND CLINICIANS

ALAN ABEL THURSDAY 11:00 A.M.; FRIDAY 10:00 A.M. & 12:00 P.M. been transposing south Indian drumming concepts and tech- Former Associate Principal Percussionist of the Philadelphia Or- niques to alternative surfaces and frame drums. As a composer chestra Alan Abel retired in September 1997 after 38 years of ser- and improviser he draws from the vocabulary of Karnatic percus- vice. He currently works with graduate students at Temple sion, extended techniques and contemporary forms in composi- University. Abel has compiled two books on orchestral studies for tion. His music combines drum poetry, mathematics and timpani and percussion for G. Schirmer, Inc. and has designed improvisation. and produced symphonic triangles and bass drum stands that are used throughout the world. Abel has served on the PAS Board ANDERS ÅSTRAND AND THE GLOBAL THURSDAY 2:00 P.M. of Directors, was inducted into the PAS Hall of Fame in 1998, and PERCUSSION NETWORK is presently Chair of the PAS Symphonic Committee. He has been Anders Åstrand, well known as a versatile percussionist and com- a faculty member of the University of Oklahoma, Oklahoma City poser, performs and records extensively throughout the USA, Eu- University, Glassboro State College, and the Philadelphia Settle- rope and Australia. He has appeared as a soloist, conductor, and ment Music School. Abel was a part-time member of the Roches- featured performer with a wide range of classical and jazz artists. ter Philharmonic Orchestra and, after two years in a U.S. Air Force He has appeared as a soloist with several Swedish choirs, the Band, played in the Oklahoma City Symphony (1953–59). Engebretson/Fancher/Åstrand saxophone trio, organist Mattias Wager, and he leads his own group, the Global Percussion Net- TIMOTHY ADAMS SATURDAY 2:00 P.M. work. He has toured and recorded with the jazz trio Like One, and Named Principal Timpanist with the Pittsburgh Symphony in 1995, in 1999 he toured Sweden with Double Image. In his composi- Timothy Adams also serves on the faculty of Carnegie Mellon Uni- tions, Åstrand focuses on contemporary percussion ensemble. versity in Pittsburgh as Associate Professor of Music. In addition, The Spanish percussion ensemble Amores recently commis- he teaches percussion at the Brevard Music Center in North Caro- sioned “Rauk” and his highly acclaimed work “Purge” was broad- lina and gives master classes and recitals both in the U.S. and cast by Swedish Radio. Åstrand collaborates with several abroad. Adams is a regular guest lecturer at the University of multi-media artists and was recently commissioned to compose Chile and will conduct a South American percussion master class an outdoor concert for ice instruments as well as another that fea- in Patagonia, Argentina next year. He has played solo perfor- tured performers utilizing jet-fighter aircraft as instruments. mances with the Atlanta Symphony, the Indianapolis Symphony, the Pittsburgh Symphony and the Florida Philharmonic, and has ARIZONA STATE WEDNESDAY 11:15; THURSDAY 10:00 A.M. recorded with the Cleveland Orchestra, Atlanta Symphony and In- UNIVERSITY CONTEMPORARY PERCUSSION ENSEMBLE dianapolis Symphony, where he served as Principal Timpanist The Arizona State University Contemporary Percussion Ensemble (1991-95). Adams has been featured on the television show Mister strives to increase performer and audience awareness of the con- Rogers’ Neighborhood, performed on the movie soundtrack The tributions to percussion ensemble literature by major composers Cave Man’s Valentine and also played in the rock band Exotic such as Edgard Varese, Lou Harrison, John Cage, Steve Reich, Birds, which recorded two albums and a music video for MTV. as well as new literature by emerging composers. J. B. Smith directs the group. The ensemble has commissioned and premiered AMERICLIQUE THURSDAY 2:00 P.M. & 8:00 P.M. numerous works including Wendy Mae Chambers’ “Manadala in Americlique was formed in 1991 by accomplished fife and drum Funk,” Anthony Braxton’s “Composition No. 174 for Percussion corps musicians as a platform for learning and performing Basel Ensemble and Constructed Environment” (recording available Swiss Festival music in New England and the Northeast. from Leo Records) and Mary Ellen Childs’ “Crash.” Americlique is a reciprocal effort to Swiss Cliques such as the Swiss Regimentals and Wild Bunch, which are Swiss Cliques that NICK ATTANASIO THURSDAY 8:00 P.M. perform traditional American Fife and Drum music. Americlique Nick Attanasio was introduced to drum corps in 1932 when his traveled to Basel, Switzerland to perform in Basel Fasnacht for the father’s VFW Post 716 started a drum corps and he signed up as first time in 1993. Since then, Americlique has performed at the a drummer. His drum instructor, Charles Wilson, had him join the Basel Fasnacht in 1996, 1999 and 2001. Members will be going Fighting Irish 69th Regiment Fife, Drum & Bugle Corps. They were over as well to attend the 2003 Fasnacht festival. When in Switzer- a Senior group and Nick was the only “kid” in it. He was preparing land, Americlique musicians have participated as guests with to join the 4th Degree K of C Senior Corps in 1940 as a snare Basel cliques such as Mir, Déjà Vu, the New York Bebbi Club and drummer, but due to a severe injury to his left hand he became a Chromosomily. rudimental bass drummer with the K of C. Nick played with the famous and highly competitive Sons of Liberty Fife & Drum Corps in GANESH ANANDAN THURSDAY 10:00 A.M., 3:00 P.M. Brooklyn, New York, alongside Les Parks and Bobby Thompson. Ganesh Anandan was born and raised in Bangalore City, South He has won state titles in New York, New Jersey, Rhode Island, India, where he studied Karnatic music under the tuitorship of G. Massachusetts, Connecticut and Virginia, and won the North Venugopal (flute) and K.K. Parthasarthy (mrdangam). After com- Eastern States Title scores of times. He retired from individual pleting university studies in 1976, he moved to Canada where he competition in 1971 as the undefeated New York state champion studied western classical music theory and took part in a variety and the North Eastern States Champion. But after being retired for of percussion workshops including the bodhran and tar with Glen 21 years he won the New York State title and the North Eastern Velez and the tamburrelo and tammurriata with Carlo Rizzo. States title with a perfect score of 200 about eight weeks prior to Anandan was awarded several grants from The Canada Arts his 70th birthday. He also resumed drumming with the Civil War Council and Le Conseil des Arts et des Lettres du Québec for ar- Troopers Fife & Drum Corps from Newburgh, New York. tistic projects and studies. He received a long-term grant to study the Tavil (a ritual two-sided drum) and the Kanjira (a south Indian TOM AUNGST THURSDAY 9:00 A.M. tambourine) with T.N. Shashikumar at the Karnataka College of After receiving his bachelor’s degree in music education from Percussion in Bangalore. During the past 10 years Anandan has Westchester University, Tom Aungst went on to Rutgers where he

58 ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 59 graduated with a master’s degree in jazz performance. In 1985, Nicknamed “Sudden Impact,” the drumline is one of the premier Tom began teaching marching percussion. His work as the per- marching percussion units in the “Show Band” community. Con- cussion arranger and caption head for the eight-time world cham- sisting of 43 members, the line performs an exciting, traditional pion Cadets of Bergen County Drum and Bugle Corps is widely style of drumming while incorporating contemporary rudiments known and respected in the marching community. The Cadets and visual effects throughout the ensemble. The group has ap- took home the Fred Sanford High Percussion Award in 2001 and peared at numerous musical events and clinics throughout Florida 2002. Tom’s teaching techniques can be seen in his video, Re- and is featured on the Marching Wildcats 2000 CD, titled Live, hearsing the Contemporary Percussion Ensemble. Tom is the Per- and the soon-to-be-released movie “Drumline.” The ensemble is cussion Director for the Dartmouth Public School System in preparing for its 2003 clinic tour, focusing on the show drumming Dartmouth, Mass. His job includes teaching and writing music for style of black college bands. Section leaders include Ricardo the percussion students from 4th through 12th grade. Under his Floyd, Andre Miller, Carey Wright and Christopher Robinson. direction, Dartmouth High School has captured two WGI world championships (1998 and 1999) and has consistently placed in GREG BEYER THURSDAY 12:00 P.M. the top three. Greg Beyer is a specialist in contemporary classical music performance, and maintains an active performance schedule in a vari- ERIC BATTERMAN WEDNESDAY 10:00 A.M. ety of activities. Beyer regularly performs pop and jazz music, Eric Batterman received his Bachelor of Music degree from Indi- combining world percussion influences into his drumset playing. ana University. Soon after graduating, he worked as timpanist for He takes a particular interest in Brazilian music, and is currently the RAI Orchestra in Turin, Italy. Eric toured extensively in the working on a project involving the commission and creation of 1980s as drummer/musical director for The Lettermen and per- new works for the berimbau. He was recently a resident at the formed as percussionist with artists including Frank Sinatra Jr., Bannff Centre for the Arts, focusing on solo repertoire and duo The 5th Dimension, Connie Francis, Michel Legrand, Roger Will- music with flutist Erin Lesser. In New York City, he has performed iams, Stephane Grappelli and others. He has appeared with the and/or recorded with Orpheus Chamber Orchestra, Speculum St. Louis, Cincinnati, Portland and Rochester symphony orches- Musicae, the Orchestra of St. Luke’s, NewBand, Sequitur, Abso- tras. Since 1992 Eric has maintained a music production com- lute Ensemble and the S.E.M. Ensemble. pany now based in Chicago. He works steadily as studio musician, composer and producer for numerous commercial TV, IVANA BILIC THURSDAY 10:00 A.M. video, Web and film projects. Ivana Bilic studied with Prof. Igor Lesnik at the Zagreb Music Academy, where she received an MA degree in 1993. She also MATTHEW BEAUMONT SATURDAY 2:00 P.M. participated in master classes with Keiko Abe, Jean Geoffroy, Matthew Beaumont is the acting principal timpanist for the Rich- Siegfried Fink and Klaus Tresselt. She has been a member of the mond Symphony’s 2002-2003 season. Beaumont has appeared Alpe Adria Orchestra, the Eurosong 1990 orchestra, the regularly with the Delaware, Charleston, and Lancaster symphony Supercussion ensemble, Acczantez ensemble and Cantus en- orchestras. He has also performed with the New Jersey Sym- semble (Croatian Composers’ Society) and has made solo ap- phony and the American Symphony Orchestra. As a chamber mu- pearances with the Symphony Orchestra of the Croation sician, Matthew has appeared with the Battery Four percussion Radio-Television, Danish Radio orchestra, Dubrovnik Symphony quartet and performs recitals with flutist Ellen Dooley. Beaumont Orchestra, Croation Chamber Orchestra and Zagreb Soloists. Bilic received his bachelor’s degree from the Peabody Conservatory, has performed concerts in Croatia (regular appearances in the where he studied with Jonathan Haas and Robert Van Sice. He Zagreb Music Biennale and Dubrovnik Summer Festival), Italy, Is- continued his studies at Temple University, receiving a master’s rael, the USA, Denmark, Slovakia, Bulgaria, Germany, Poland and degree under the tutelage of Alan Abel. Matthew spends his sum- Slovenia. She is timpanist of the Symphony Orchestra of the mers in Annandale-on-Hudson, New York, where he acts as Prin- Croatian Radio-Television, permanently collaborating with the cipal Timpanist and contractor for Bard College’s Conductor’s Zagreb Philharmonic and an Assistant Professor at the Zagreb Institute. Academy of Music. In 2000 she released a solo CD, Follow Me (Cantus), which won the PORIN award (Croatian discography JOHN H. BECK WEDNESDAY 10:00 A.M.; FRIDAY 10:00 A.M. & 12 P.M. award) for best solo performance in the classical field. John H. Beck received his B.M. and M.M, degrees from the Eastman School of Music where he is Professor of Percussion. He ROBERT BRIDGE FRIDAY 9:00 A.M. is also the former timpanist with the Rochester Philharmonic Or- Robert Bridge is an Assistant Professor of Music at Onondaga chestra. As a performer he has made many solo appearances Community College in Syracuse, New York. He holds degrees with the Rochester Philharmonic Orchestra, Eastman Wind En- from the University of North Texas (BME), Southern Methodist Uni- semble and has soloed with and conducted many percussion en- versity (MM) and the Eastman School of Music (DMA). In 1995 he sembles. He has held numerous percussion clinics around the was awarded the Eastman School’s Performer’s Certificate. He world. Beck is a Past President of the PAS and he also served as has performed concertos with the Eastman Kilbourn Orchestra New York State PAS Chapter President and Second and First Vice and the Southern Methodist University Symphony Orchestra. In President of this international organization. His compositions have both 1985 and 1986, Robert won first place at the PAS Marching been published by leading publishing companies and he has re- Percussion Forum Individual Marimba Competition. corded for CRT, Turnabout, Mark Records and Heritage Records. Beck has written many articles on percussion for leading music BOSTON POPS ESPLANADE THURSDAY 3:00 P.M. journals. He is the editor of Encyclopedia of Percussion and has ORCHESTRA PERCUSSIONISTS written several instruction books for snare drum, drumset and tim- Dean Anderson has performed with the Boston Symphony, Boston pani. He was inducted into the PAS Hall of Fame in 1999. Pops, and the Pittsburgh Symphony Orchestras. He was Principal Percussionist with the Boston Ballet Orchestra for 25 years, and BETHUNE-COOKMAN COLLEGE THURSDAY 8:00 P.M has 30 years experience as a percussionist with the Boston Pops MARCHING WILDCATS DRUMLINE Esplanade Orchestra. Anderson is the solo percussionist with the The Bethune-Cookman College Marching Percussion section is Boston Musica Viva, has released a solo percussion CD, Divina- under the direction of Pedro D. Orey, Director of Percussion Stud- tions on Neuma records, and is Chairman of the Percussion De- ies and Assistant Director of Bands at Bethune-Cookman College. partment at Berklee College of Music in Boston. Everett M. Beale

60 ARTISTS AND CLINICIANS is in his 34th year as Timpanist with the Boston Pops Esplanade Orchestra. He also performs extensively throughout the U.S. as a NEW WORKS BY NEY ROSAURO freelance percussionist. He is a former member of the percussion PERCUSSIONIST, COMPOSER, PEDAGOGUE faculty at the New England Conservatory of Music and former head of the percussion departments of the University of Lowell (MA) and Keene State College (NH). Neil W. Grover is the Presi- CONCERTO # 2 FOR MARIMBA dent and founder of Grover Pro Percussion, Inc. In addition to his AND ORCHESTRA (PIANO RED.) duties with the Boston Pops Esplanade Orchestra, he has performed for past 25 years with the Boston Symphony and has re- Rosauro’s Marimba Concerto # 1, the most corded with the Boston Symphony, Boston Pops, Philip Glass popular marimba concerto on the market Ensemble, Empire Brass, Old South Brass, Music from Marlboro, today, has been performed by over 500 and rock group Aerosmith. Neil is the author of Four Mallet Primer orchestras worldwide. and co-author (with Garwood Whaley) of Triangle, Tambourine and Cymbal Technique, both published by Meredeth Music. Finally... Marimba Concerto # 2 has arrived. Patrick Hollenbeck has performed with the Boston Pops for over Scored for Marimba (5 oct), 22 years. He is also a staff arranger for the Pops and his orches- this 24-min work is written in 3 mvmts. trations have been broadly utilized on television as well as on recordings for the past 15 years. His work as an orchestrator can be DON’T MISS THE PREMIER OF ROSAURO’S MARIMBA heard on John Williams’ score to Indiana Jones and the Last Cru- CONCERTO #2 BY NEY ROSAURO WITH THE UNIVERSITY sade, which was nominated for both an Oscar and a Grammy. Commissioned works include a concerto for percussionist Airto OF MIAMI PERCUSSION ENSEMBLE AT PASIC Moriera, which aired on PBS. Pat is Chairman of the Percussion SATURDAY 4 P.M. REGENCY BALLROOM Program at The Boston Conservatory. the long awaited... RUSSELL BURGE WEDNESDAY 2:45; THURSDAY 11:00 A.M. Russell Burge joined the CCM faculty in 1992 as a member of Per- COMPLETE SNARE DRUM METHOD cussion Group Cincinnati, with whom he has performed exten- Focuses on developing both hands equally sively throughout North America, Europe and Asia. Recent using matched grip. Over 250 exercises performances include the Japan World Drum Festival, Chinese In- and etudes for Technique, Sight Reading and ternational Music Festival, Taipei International Percussion Conven- tion, the Ravinia Festival, Merkin Hall in New York City, the Festival Ensemble Performance. 4 levels of difficulty presented in a single book! of Music in Portugal, and the San Diego Ballet. He was formerly Each level divided into 3 parts: Part I: Daily Technique principal percussionist with the West Virginia Symphony and per- Part II: Progressive Studies Part III: Duets forms regularly with the Cincinnati Symphony and Opera. He has A must for every percussion instructor! appeared as a marimba soloist with the West Virginia Symphony, Florida Coast Symphony and the CCM Philharmonia Orchestra. VIBES ETUDES AND SONGS–Eight Burge teaches percussion, improvisation, percussion ensemble and directs the University of Cincinnati College-Conservatory of beautiful pieces for beginning vibes players Music Steel band. He is an active jazz vibraphonist who has re- which work through dampening, pedaling corded for J Curve Records, Human Records, Telarc and WVXU. and phrasing. Also begins the first steps on His jazz compositions are featured on the recording Reverse improvisation. Wave released in 1995. Burge is Associate Professor of Percus- sion at the Cincinnati College-Conservatory of Music. CONCERTO FOR VIBRAPHONE AND

CADRE THURSDAY 8:00 P.M. WIND ENSEMBLE: New arrangement by CADRE (Canadian Associates Drumming Rudimental Excellence) Rodrigo Morte for the popular Rosauro’s is a group of drummers who banded together in 1997 to preserve Vibraphone Concerto. and pursue the technology of traditional and modern rudimental drumming and to document the Canadian contribution to rudi- “VARIATIONS OVER EVELYN GLENNIE’S mental excellence. Under the “Heritage Hands Banner” local drum clubs have been formed in Quebec City, Montreal, Ottawa, A LITTLE PRAYER” Toronto and Hamilton. CADRE’s newsletter is named The Hand- Exciting and challenging set of Eight shake, and when they all gather together to drum, the event is variations for marimba (5 octaves). A great called a “shake.” Both rope and high-tension drums are utilized. addition to the advanced marimba An extensive library of international drum solos has been built and is available to CADRE members, drummers and organizations. repertory. Dedicated to virtuoso marimba The library covers a variety of drum compositions such as North player Katarzyna Mycka, who played the American drum corps, fife and drum, Scottish pipe band, and PASIC 2001 premiere of the work. Swiss/European drumming. CADRE is in the process of interfac- ing its operations with percussion educators and is currently work- visit Ney’s new website ing with the Ontario PAS Chapter to elevate interest in the at www.neyrosauro.com rudimental art form in the province of Ontario. RUTH CAHN SATURDAY 4:00 P.M. ALLET ORKS USIC Ruth Cahn is the Jack Frank Instructor of Percussion in the Com- M W M munity Education Division and Summer Session Director of the MALLET LITERATURE FOR THE 21ST CENTURY Eastman School of Music. She also serves as Chair of the CED WWW.MALLETWORKS.COM Wind, Brass and Percussion Department and is founder and di- TEL 203.762.8083 FAX 203.762.8079

ARTISTS AND CLINICIANS 61 rector of the Music Horizon Program for talented high school been dedicated to creating multi-media experiences combining musicians. Ruth was a full-time member of the Rochester Phil- both live performance (mainly solo percussion) with video im- harmonic Orchestra for 32 years. For 12 years she was a mem- ages. As composer, he unites traditional instrumentation with ber of the Chautauqua Symphony Orchestra and Opera and has current technological advances. As solo percussionist, he also performed with the Society for Chamber Music, Rochester blends electronics and percussion sounds in a unique and cre- Chamber Orchestra, Breath Percussion Ensemble in Finland, ative mixture. Canadian Brass Spectacular and is a frequent recitalist. As a “Musician in Residence” Ruth has worked as an individual artist CENTRAL STATE UNIVERSITY STEELBAND FRIDAY 1:00 P.M. in the Rochester City School District for 27 years, presenting se- The Central State University Steelband serves as World Music quential programs that link music to academic curriculum. Ruth Ensemble in the Department of Fine and Performing Arts and has also taught a “Musician in Residence” course in the Arts utilizes diverse percussion instruments in its repertoire. All per- Leadership Program at the Eastman School of Music. She is cussion majors are required to participate, music majors are en- Chair of the PAS Education Committee. couraged, and students from other academic disciplines are welcomed. The steelband is an educational ensemble devoted CAMP CHASE FIFES AND DRUMS THURSDAY 8:00 P.M. to both the oral and written music tradition. Director Lennard V. The Camp Chase Fifes and Drums is an authentic recreation of Moses is Associate Professor of Percussion and World Music at a Civil War-period regimental fife and drum corps. Founded in Central State University. 1983, the corps is named after the large Union Army training camp that was located near Columbus, Ohio during the war. GARY CHAFFEE SATURDAY 12:00 P.M. Members are from across Ohio and several neighboring states. Credited with teaching some of the most successful and influen- Their music, played on authentic wooden fifes and rope-tension tial players on the contemporary drumming scene, Gary Chaffee drums, comes from the actual military field music manuals uti- has earned the respect of musicians worldwide for more than 25 lized by the armies of America and Europe from the mid 18th years. During his tenure as Chairman of the Percussion Depart- century to the late 19th century. The corps performs regularly at ment at Berklee College of Music (1972-1976) and more re- historical events and commemorations, reenactments, musters cently in his own private teaching studio, Chaffee has worked and musical programs around the country. The Camp Chase with such players as Vinnie Colaiuta, Steve Smith, Jonathan Fifes & Drums served as the principal Union Army field music Mover, J.R. Robinson, Casey Scheuerell, Kenwood Dennard, unit throughout the major reenactments commemorating the Joey Kramer and David Beal. As an active performer, Chaffee 125th anniversary of the American Civil War during the late has shared the stage with many noted artists, including Pat 1980s. In addition to its main Civil War period impression, the Metheny, Dave Samuels, Abe Laboriel, Jaco Pastorius, Mike corps occasionally portrays the Fifes and Drums of the First Stern, Steve Swallow, Mick Goodrick, John Abercrombie, Bill American Regiment: the US Army’s very first regimental field Frisell, Palle Danielsson and Tom Harrell. Chaffee has authored music unit following the American Revolution. many books demonstrating his unique concepts. Among these are his highly popular 4-volume “Patterns” series: Rhythm & RAYNOR CARROLL THURSDAY 9:00 A.M.; SATURDAY 12:00 P.M. Meter, Sticking, Time Functioning, and Technique, and his new Raynor Carroll has been playing timpani and percussion for the Linear Time Playing. Chaffee has also released two videos on Los Angeles Philharmonic since 1983. Carroll has made numer- DCI: Phrasing & Motion and Linear Time, Rhythm & Meter. ous recordings with the Philharmonic and also records motion picture soundtracks for Hollywood studio composers. Carroll CHICAGO SYMPHONY PERCUSSION FRIDAY 3:00 P.M. performs regularly on the Philharmonic’s New Music Group and SCHOLARSHIP GROUP Chamber Music series and has been a featured soloist with vari- Launched in 1995 under the direction of Chicago Symphony Or- ous southern California orchestras. In addition to his performing, chestra percussionist Patricia Dash and Douglas Waddell, per- Carroll is an active teacher/clinician on timpani and percussion. cussionist with the Lyric Opera of Chicago, the Percussion He teaches both privately and at California State University at Scholarship Group is part of the division of Education and Com- Los Angeles, California State University at Long Beach and the munity relations of the Chicago Symphony Orchestra. The PSG Los Angeles Music Academy. Carroll is the founder and owner offers intensive, individual, weekly percussion instruction on a of Batterie Music, a publishing company specializing in music full scholarship basis. Participating students, all Chicago resi- for the symphonic percussionist. His highly acclaimed timpani dents in grades four through 12, were selected for the group method, Exercises, Etudes and Solos for the Timpani, and the through a rigorous application and personal interview process. multi-volume orchestral repertoire series are among his pub- As an ensemble, the Percussion Scholarship Group has had nu- lished works. He received his B.A. degree in music composition merous compositions arranged especially for them by nationally and performance from California State University at Los Angeles known artists. The group performs twice annually at Symphony where he studied with Mitchell Peters. Center and has appeared at Marshall Field’s Day of Music, DePaul University, the Chicago Cultural Center, on WTTW, WGN ANDREA CENTAZZO SATURDAY 3:00 P.M. and WFMT radio, WGN-9 and WMAQ -5 television and as solo- In an artistic career that spans over 25 years, percussionist/ ists with the Chicago Symphony Orchestra as part of CSO Youth composer Andrea Centazzo has given more than 1,000 con- Concerts, The Kraft Family Matinee Series and Welcome, Yule! certs and live performances in Europe and the United States, as Concerts. well as having appeared and performed on numerous radio and television broadcasts. He has recorded over 60 LPs and CDs, CINCINNATI COLLEGE WEDNESDAY 10:00 A.M.; 2:45 P.M. and has authored 350 compositions and eight musicology CONSERVATORY OF MUSIC PERCUSSION ENSEMBLE books. His musical endeavors range from lyric opera to orches- The Cincinnati College Conservatory of Music has achieved tral symphony and solo percussion. Centazzo has performed considerable acclaim for its numerous musical ensembles. The with such avant-garde percussionists, soloists and composers Philharmonia Orchestra was the only American orchestra invited as John Zorn, Steve Lacy, Sylvano Bussotti, Don Cherry, Kristof to perform at the recent 19th International Mahler Festival in Kaskel, Evan Parker, David Moss, Pierre Favre and Tony Oxley. Paris and has recently released several CDs, one of which fea- A doctoral graduate in musicology, he has taught seminars and tured The Percussion Group and CCM’s Percussion Ensemble workshops in Europe and the USA. Since 1983, Centazzo has performing Ives’ “Universe Symphony.” CCM’s Percussion En-

62 ARTISTS AND CLINICIANS PERCUSSIVE NOTES 19 OCTOBER 2002 semble was invited to perform at previous PASICs in St. Louis and work with some of the greatest names in contemporary music, in- Nashville, and the Steelband has appeared in numerous venues cluding Madonna, Eric Clapton, Phil Collins, Santana (Supernatu- across the tristate area. ral album), Jackson Browne, Celine Dion, Barbra Streisand, Ray Charles, Tony Bennett and Cuban legends Arturo Sandoval and ANTHONY J. CIRONE FRIDAY 12:00 P.M. Cachao. He can also be heard on the scores and/or soundtracks Anthony J. Cirone received his Bachelor of Science and Master of of such box office smashes as Mission Impossible, Rain Man, Science degrees from the Juilliard School of Music where he stud- Waiting to Exhale, Coming to America, Disney’s animated Tarzan, ied with Saul Goodman, solo timpanist of the New York Philhar- and many more. His percussion clinic tours take him around the monic. Upon graduation, he was offered the position of world teaching musicians the essentials and history of Afro-Cuban Percussionist with the San Francisco Symphony. He served as rhythm. Professor of Music at San José State University, where he headed the percussion department from 1965 to 2001. Cirone has also CONUNDRUM WEDNESDAY 11:15 A.M. been on the faculty of San Francisco State University and The quartet Conundrum was founded as an avenue for the perfor- Stanford University. Cirone is currently Professor of Music and mance of works from the classic percussion literature as well as to Chairman of the Percussion Department at Indiana University in embrace and explore new directions in emerging percussion mu- Bloomington. A prolific composer, he has over 70 published titles, sic. The members of the quartet, Daniel Kennedy, Terry including textbooks, three symphonies for percussion, four sona- Longshore, Brett Reed and Tomm Roland, have a thorough tas, a string quartet, and seven works for orchestra. He is the Per- grounding in the performance of new music. Each player infuses cussion Consultant/Editor for Warner Bros. Publishing, Inc. and is the group with additional influences, including the traditions of the author of Portraits In Rhythm, a collection of 50 studies for world music, jazz, rock and avant-garde improvisation. Daniel snare drum. Cirone is featured in a video titled Concert Percus- Kennedy has been the founding member of several contemporary sion – A Performers Guide, distributed by Warner Bros. music ensembles, including the California E.A.R. Unit and the Talujon Percussion Quartet. Terry Longshore is Assistant Professor COLLEYVILLE HERITAGE HIGH SCHOOL SATURDAY 9:00 A.M. of Music and Director of Percussion Studies at Southern Oregon PERCUSSION ENSEMBLE University. Brett Reed performs as both a soloist and as a mem- Established in 1996, Colleyville Heritage High School is rated Ex- ber of several ensembles, including Skin & Bones. Tomm Roland emplary and has a reputation for high standards and quality per- is Assistant Professor of Percussion/Multicultural Music at the Uni- formance. The Colleyville-Heritage Band Program offers marching versity of Nebraska, Omaha, where he coordinates the percussion band, four concert ensembles, two jazz bands, two winterguards, program and teaches courses in musics of the world. music theory, music history, and a complete percussion program. The Colleyville-Heritage Band program has received numerous re- GARY COOK FRIDAY 9:00 A.M. gional, state, and national honors encompassing both the march- Gary Cook is Professor of Music and has been Director of Percus- ing and concert performance disciplines. The Colleyville-Heritage sion Studies at The University of Arizona in Tucson since 1975. He Percussion program is a co-curricular music program that exists is author of the text Teaching Percussion. He was timpanist and under the umbrella of the Colleyville-Heritage Band Program. principal percussionist with the Tucson Symphony Orchestra for Since the inception of the school in 1996, The Colleyville-Heritage 21 years and has held similar posts for nearly three decades with Percussion Program has sought to enrich the lives of each student the Arizona Opera, Arizona Ballet, Tucson Pops, and Flagstaff through the disciplines of orchestral percussion, marching per- Festival Orchestras. In the summer, he is principal percussionist cussion, percussion ensemble, pop percussion ensemble, and with the Crested Butte Music Festival in Colorado. From 1994-99 soloistic studies. In only the second year under the direction of he served as Director of the School of Music and Dance at The Chris Hayes, the Colleyville-Heritage Percussion Program has be- University of Arizona. He holds degrees from the University of come known as one of the best marching percussion programs in Michigan and has traveled widely both in this country, Europe, Texas as well as one of the most musical and mature percussion Trinidad, Bali and Chile studying, teaching, and performing. He ensembles in the nation. has won awards for outstanding teaching in the College of Fine Arts at The University of Arizona. He is contributing author to such COLONIAL WILLIAMSBURG THURSDAY 5:00 P.M. & 8:00 P.M. publications as Percussive Notes and The Encyclopedia of Per- FIFES AND DRUMS cussion Instruments. He is a member of the PAS Board of Direc- The Colonial Williamsburg Fifes and Drums represent the counter- tors, was chair of the PAS College Pedagogy Committee for part fifers and drummers of the Virginia State Garrison Regiment, several years, and will become PAS Vice President in 2003. which was founded in 1778. The present corps follows 18th-century practice, utilizing school-aged students, with the exception of PATRICK COOPERMAN THURSDAY 3:00 P.M. the drum major. Its membership has grown from a handful in 1958 The Cooperman Company, a second-generation family business, to 80 members divided between a junior and senior unit. Perform- is proud to work with leading artists in collaborations that bring to- ing close to 500 times during the year, the corps performs weekly gether traditional craftsmanship and innovative designs. Patrick with the military units, marches through the historic area, and has worked closely with Glen Velez, Jamey Haddad and Randy plays for the special musters observing Washington’s Birthday, Crafton as well as many up-and-coming artists to create frame the Prelude to Victory, Veteran’s Day and Independence Day. drums. Drum building remains a Cooperman family heritage; Much of the music played is documented to the 18th century with Patrick works out of the company’s revitalized (circa 1925) hoop- the remainder arranged following period practice. The rope- bending mill in Vermont, while other family members continue to tensioned snare and bass drums are replicas of 18th-century field build Cooperman’s rope-tension drums at the Connecticut shop. drums used by American and European forces. They are made of wooden shells and hoops with calfskin heads and gut snares and JOHN CROCKEN WEDNESDAY 10:00 A.M. are beaten by wooden mallets. For the group’s performance at John Crocken received his Master of Music degree from Indiana PASIC 2002, Drum Major Lance Pedigo will lead the corps. University and his Bachelor of Music Education degree from the Peabody Conservatory. He has performed with a wide range of LUIS CONTE SATURDAY 4:00 P.M. artists including Judy Garland, Tony Bennett, Frank Sinatra, Grammy-winner Luis Conte is an acknowledged master of percus- Sammy Davis, Jr., Elvis Presley, Ray Charles, Milton Berle, Martha sion. His celebrated career includes touring and/or recording Raye, Angela Lansbury, Richard Kiley, Xavier Cugat, Sergio

64 ARTISTS AND CLINICIANS Franchi, Steve Lawrence, Edye Gorme, Robert Goulet, Carol groups, The Spirit of America Fife & Drum Corps. During this time Lawrence, John Raitt, Betty Grable, Jose Ferrer, Eddie Fisher, she also performed at the 1998 Florida Day of Percussion and Buddy Hacket, Howard Keel, Jane Powell, Craig Stevens, Cathy PASIC in Orlando. She returned to New York in 1999 and is a Rigby, Dean Martin, Jerry Lewis, Yul Brynner, Carol Channing, member of The Civil War Troopers and has studied with rudimen- Dan Rowan, Dick Martin, Ethel Merman, Pia Zadora, Rosie tal master Nick Attanasio. In addition, she has also been a clini- O’Donnell, Herschael Bernardi, Ian Peerce, Barbara Eden, cian at The Company of Fifers & Drummers museum, the 1st George Hamilton, Bernadette Peters, Mickey Rooney, Carroll Annual Fife and Drum Camp and Northwestern State University of O’Connor, Debbie Reynolds, Tom Jones, Engelbert Louisiana. Humbperdinck, Gordon McRae, Shirley Jones, Jack Cassidy, Sally Struthers, Bob Hope, Liberace, Wayne Newton, Chita Rivera, JAMES J. DALLAS THURSDAY 9:00 A.M. Mikhail Baryshnikov, George Hines, Ray Bolger and Blackstone James J. Dallas is presently serving his 20th season as Principal the Magician. He was owner of J.C.’s Drum Shop from 1971-95. Percussion with the Naples Philharmonic Orchestra. Jim has been a featured soloist with the orchestra on several occasions DOMINICK CUCCIA THURSDAY 8:00 P.M. including the 2001 “Pops” series with Erich Kunzel. Dallas has Dominick Cuccia began drumming in 1976 when he joined the played percussion with the Philadelphia Orchestra and the Young Colonial Fife & Drum Corps in Lake Carmel, New York. Un- Delaware Symphony as well as performing for numerous Broad- der the tutelage of drum instructors Gary Gillotti and Mary Comer, way Show tours, commercial pop artists, ballet and opera he became part of the Earl Sturtze family tree of drumming. He productions. Jim was a featured clinician at PASIC ’98 in Orlando has performed professionally with the United States Military Acad- and at PASIC 2001 in Nashville. He is the editor for the Florida emy Band’s legendary field music group The Hellcats in West PAS Chapter newsletter and is a member of the PAS Orchestral Point, New York and Walt Disney World’s Founders of Freedom Committee. Jim received a Bachelor of Music degree in percus- Fife & Drum Corps in Orlando, Florida. He was also a member of sion from the University of Miami and a Master of Music degree the faculty at Northwestern State University of Louisiana. Today he from the University of the Arts in Philadelphia, where he was a works for the Paul Effman Music Service as an instrumental music student of Michael Bookspan. teacher. In addition he serves as musical director of the Civil War Troopers Fife & Drum Corps from Cornwall, New York and drum DAVE WECKL BAND SATURDAY 8:00 P.M. instructor of The Regulators Fife & Drum Corps in Dover Plains, Dave Weckl burst onto the world drumming scene in the mid ’80s New York. He also holds the title of chairman of the music commit- with such artists as Michel Camillo, French Toast, and Simon and tee for The Company of Fifers & Drummers, and is music editor Garfunkel before joining Chick Corea’s Elektric Band and Akoustic for the Ancient Times, the premier publication of the fife and drum Band. He also recorded with the Honeydrippers, which included world. This year he completed his first book of rudimental drum Robert Plant and Jeff Beck. Dave was also into doing his own solos titled The Beat of a Different Drummer. thing through books, videos and clinics, and before long he was leading his own band and creating a new profile for himself. That THERESE ROCK-CUCCIA THURSDAY 8:00 P.M. change has seen Dave point his music in a new direction. His cur- Therese Rock-Cuccia began playing drums with the Young rent band includes: Tom Kennedy (bass), who has worked with Al Colonials Fife & Drum Corps in the mid-1980s. Her drum instruc- DiMeola, Tania Maria, Michael Brecker, Don Grolnick, and Steve tor was Al Merritt, a former student of Earl Sturtze. In 1990 she re- Gadd, and is featured on all Dave Weckl Band recordings, corded with the corps on their classic album Friendship Through Rhythm of the Soul, Synergy, Transition and Perpetual Motion; Music. She was a playing member in many championship perfor- Gary Meek (saxophone, clarinet, flute), who has worked with mances, including the corps’ run of four straight Northeastern Dionne Warwick, Airto Moreira and Flora Purim, Fourth World, Jeff Championships. As a soloist she also won many titles and was the Lorber, Al Jarreau, Chick Corea, Stanley Clarke, Herbie Hancock corps Drummer of the Year from 1992-94. She joined the instruc- and George Duke; and Steve Weingart (keyboards), who has tional staff of the corps in 1992 and took over as drumline instruc- been with the Dave Weckl Band since 1999 and has also worked tor in 1994. In 1995 her drumline led the corps to its 5th with Chaka Khan, Frank Gambale, Scott Henderson, John Championship in seven years. In 1996 she relocated to Orlando, Patitucci, Eric Marienthal, Kenny Rankin, Jimmy Haslip and Terry Florida to perform with one of Walt Disney World’s premier musical Lynn Carrington.

ARTISTS AND CLINICIANS 65 CHRIS DEVINEY THURSDAY 9:00 A.M. & 4:00 P.M. associated with armies of that period. He also studied the history Chris Deviney has been a member of the Houston Symphony of military duties, campaigns and tactics to better understand the percussion section since February 1998. From 1989-94 he was a development of the drum and the lives of drummers prior to the percussionist in the New Orleans Symphony. Since 1989, Chris 20th century. He has arranged over 100 historical tunes for vari- has performed and recorded with the Philadelphia Orchestra in- ous instrumental combinations and is preparing a book that will cluding European and Asian tours under maestros Riccardo Muti trace the history of the field drum. and Wolfgang Sawallisch. Since 1991 he has also performed and recorded with the New York Philharmonic including a South EUGENE SANTIAGO ESPINO SATURDAY 3:00 P.M. American tour under Maestro Kurt Masur. Chris has also been Eugene Santiago Espino has been Principal Timpanist of both the engaged as Acting Principal Percussion with the Toronto Sym- Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra phony. He earned his Master of Music Performance degree from since 1967. He has recorded with both orchestras on the Temple University under Alan Abel, his Bachelor of Music Perfor- TELARC Label and completed many European and Asian tours mance degree from The Florida State University under Gary as well as yearly tours to Carnegie Hall. He studied with Saul Werdesheim and has also studied with Stan Head. He was Goodman at the Juilliard School and with Roland Kohloff on the awarded the very first Percussion Fellowship to the Aspen Music West Coast. Festival. He was also awarded full scholarships to both the Tanglewood Music Festival (two consecutive years) and National JULIO FIGUEROA THURSDAY 4:00 P.M. Repertory Orchestra. Deviney has taught at the Settlement Music Grammy Award nominee and internationally renowned Latin re- School in Philadelphia and currently is Professor of Percussion at cording artist Julio Figueroa was born in Sao Paulo, Brazil. Julio Sam Houston State University in Huntsville, Texas. began playing percussion at age ten and studying the drumset at age 14. He lived in Buenos Aires, Argentina for ten years before RICK DIMOND FRIDAY 11:00 A.M. & 3:00 P.M. moving to Los Angeles, CA in 1993. Julio’s multi-cultural back- Dr. Rick Dimond is Professor of Music, Percussion and Jazz Stud- ground allows him to adapt to any percussive situation and ies at Henderson State University and the Principal Timpanist makes him a much sought after drummer and percussionist in with the Arkansas Symphony Orchestra. He earned his DM, MM the United States. His music is heard on television, radio show and B.M. Degrees in percussion performance from Indiana Uni- commercials and movie soundtracks including Why do Fools Fall versity. He was also awarded a Performer’s Certificate, Indiana In Love, Looking For Lola, Hostile and Intentions. Julio has con- University’s highest performance award, and he performed his ducted over 150 percussion and drum workshops and clinics in transcription of the Khachaturian Violin Concerto with the IU Sym- North America, Central America, South America and Europe. phony Orchestra upon winning the school’s concerto competi- Julio’s recent performance and recording credits include such tion. Dimond composes music for and performs on keyboards, artists as Celia Cruz, Enrique Iglesias, Alejandro Sans, Francisco percussion, accordion, and oboe with Acoustic Sin, his own com- Aguabella, Los Trio, Malena Burke, Millie; Xuxa, Loco Mia, Carlos mercial music group. He has also composed and recorded a film Ponce, Cristian Castro, Joan Sebastian, Jose Manual Figueroa, score for the movie The Redemption, which has appeared in a Alvaro Torres, Rene Touzet, Arco Iris, Sergio Aran, Los Brios, number of independent film festivals. Dimond has performed as Graciela Beltran, Nydia Rojas, and Horacio “El Negro” marimba soloist and timpani soloist with the Arkansas Symphony Hernandez. Orchestra, and also premiered the new Russell Peck timpani concerto, “Harmonic Rhythm.” He has also served for two summers IAN FINKEL FRIDAY 12:00 P.M. & 3:00 P.M. as the Percussion Artist Faculty for the Asian Youth Orchestra in Regarded as one of the world’s greatest xylophone virtuosos, Ian Hong Kong. Finkel is also noted for his arranging and orchestration expertise. He has completed successful concert tours in Japan, Korea, KEVIN RICHARD DUFFORD SATURDAY 2:00 P.M. Canada and Mexico as well as the U.S. As a freelance percus- Kevin Richard Dufford received his Bachelor of Music - Perfor- sionist, he has played Broadway shows, nightclubs, concerts, mance Degree from the University of Akron under the guidance commercials and soap operas. Finkel has also performed with of Dr. Larry Snider. Kevin also studied timpani and percussion the New York Philharmonic and the Metropolitan Opera House with Tom Freer of the Cleveland Orchestra and is now pursuing Orchestras and received rave reviews from The New York Times his Master of Music degree at the Peabody Conservatory with for his performance in Fyvush Finkel’s “From Second Avenue to Robert van Sice. He is a member of the Peabody Symphony Or- Broadway: A Musical Comedy Gift.” He has conducted clinics chestra, Peabody Percussion Group and has played in a wide and master classes at colleges and music festivals across the spectrum of ensembles including the Akron Symphony Orches- country and performed at PASICs in 1995, 1996 and 1999. Finkel tra, the Cavaliers Drum and Bugle Corps, the University of Akron can be heard as the xylophone soloist on his latest jazz album, Steel Band and the New World Performance Lab Theatre Com- Brother, Can You Spare a Dime? and Jonathan Haas’ CD Johnny pany. With theatre and acting being Kevin’s other passion, he en- H. & the Prisoners of Swing. joys working with Paul Fadoul on their collaboration including percussion and theatre as a single medium. VIC FIRTH FRIDAY 10:00 A.M. Vic Firth started on trumpet when he was four, and he also took ROBIN ENGELMAN THURSDAY 8:00 P.M. lessons on trombone, clarinet, piano, and percussion. By the time Robin Engelman is an Adjunct Professor of Music at the Univer- he was in high school, he was playing percussion full-time and sity of Toronto where he conducts and directs the Percussion En- studying with the legendary George Lawrence Stone. By age 16, semble. He studied percussion and composition with Warren Firth was working professionally as a big band drumset player. Benson at Ithaca College. He has taught percussion at Ithaca Firth attended the New England Conservatory of Music, where he College, the Eastman School of Music Preparatory Department studied with Roman Szulc, who was then timpanist with the Bos- and York University, Toronto. He is a founding member of Nexus ton Symphony Orchestra. Firth also studied with New York Phil- and a member of the PAS Hall of Fame; a recipient of the Toronto harmonic timpanist Saul Goodman. Firth joined the Boston Arts Award and the Banff School of Fine Arts Donald Cameron Symphony Orchestra in 1951 at age 21, making him the young- Medal. During the 1970s, Robin became interested in the rope- est person to ever land a position with that orchestra. In 2002 he tensioned field drums in use during the 16th and 19th centuries. retired from the BSO. Firth founded Vic Firth, Inc., which manu- He began collecting historic fife tunes and fife and drum tutors factures timpani mallets and drumsticks. He is also the author of

66 ARTISTS AND CLINICIANS several instructional books published by Carl Fisher, including pers Committee, serves on the Board of Advisors for the National The Solo Timpanist. Firth was elected to the PAS Hall of Fame in Conference on Percussion Pedagogy, and is Vice President of the 1995. North Carolina PAS Chapter.

MARK FORD SATURDAY 4:00 P.M. ROBERT LAWRENCE FRIEDMAN FRIDAY 11:00 A.M. Mark Ford is the coordinator of percussion activities at the Univer- Robert Lawrence Friedman, MA is the author of The Healing sity of North Texas in Denton, Texas. He is a marimba specialist Power of the Drum — A Psychotherapist Explores the Healing and the director of one of the largest percussion programs in the Power of Rhythm (September 2000). This book explores the country at UNT. Ford has premiered a variety of new works for power of hand drumming to facilitate health in areas including solo marimba and regularly performs concerts and clinics around stress and anger management, Alzheimer’s disease, autism, Mul- the country. Mark’s solo marimba CDs, Motion Beyond and Po- tiple Sclerosis, Parkinson’s disease, Post-Traumatic Stress Disor- laris, are considered standards for marimba literature and each der and others. He is affiliated with the Saint Barnabas Health have received excellent reviews from music publications. Other Care System and the Complementary Therapy Department of St. CDs by Ford include Athletic Conveyances: Music for Tuba and Mary’s Hospital in New Jersey, providing innovative drumming Percussion. Ford has written several popular works for solo ma- programs for doctors, nurses, patients and the community. He has rimba and percussion ensemble including “Head Talk,” appeared on several national radio and television programs and “Stubernic,” “Afta-Stuba!,” “One-Eyed Jacks,” “Ransom,” is the columnist for Drum! magazine’s “Healing Rhythms” column. “Nightwatch” and “Standup Shadow.” His compositions have He is the president of Drumming Away Stress, currently Stress So- been performed at universities and concert halls throughout the lutions, Inc., a New York based corporation that provides drum- world. Mark serves on the PAS Executive Committee as President- ming seminars to numerous Fortune 500 corporations. Friedman elect. An author of numerous percussion pedagogy articles, Ford is co-chairman of the PAS Health and Wellness Committee. served ten years as associate editor for the PAS publication Per- cussive Notes. JULIA GAINES WEDNESDAY 10:00 A.M. Dr. Julia Gaines is the Assistant Professor of Percussion at the FRANKLIN CENTRAL PERCUSSION SYMPHONY FRIDAY 9:00 A.M. University of Missouri-Columbia. She is serving her first term as The Franklin Central Percussion Symphony is directed by Daniel the Vice-President of the Missouri PAS Chapter and will be host of Fyffe assisted by Sarah Sorge. The symphony has performed at the Missouri PAS Day of Percussion next April. Dr. Gaines also two Indiana Music Educators State Conventions, three PAS Indi- serves on the Educational Advisory Board of the Pro-Mark Corpo- ana Days of Percussion. They have also hosted and performed at ration. two Indiana Percussion Association Clinic/Kick-Off Days and two Franklin Central High School Evenings of Percussion. The Franklin RYAN GOLDIN THURSDAY 3:00 P.M. Central Percussion Symphony is a charter member of the Indiana Ryan Goldin, born in Johannesburg, South Africa, was instrumen- Percussion Association and has competed in Winter Guard Inter- tal in co-founding Mountain Rythym, manufacturers of percussion national indoor percussion competition. To date, the Franklin Cen- instruments. Since 1995, Ryan has headed Mountain Rythym’s tral Percussion Symphony has been awarded five world marketing, sales and artist/endorser relations departments and championships, five state championships, nine regional champi- was involved in developing Mountain Rythym’s patented Simple onships and several invitational victories in indoor percussion Twist tuning system. In 1999 Ryan launched Rhythm Camp and competition. Corporate Rhythm, divisions of Mountain Rythym. These companies provide facilitated drum workshops for children as well as LAURA FRANKLIN SATURDAY 9:00 A.M. corporations and aim to bring the world of percussion to the Laura Franklin is Assistant Professor of Music and Director of Per- masses. cussion Studies at Brevard College, where she coordinates all areas of percussion studies and teaches music history and world ALFONS GRIEDER THURSDAY 3:00 P.M. & 8:00 P.M. music. She is an active performer with several professional or- As the “Ambassador of Basel Drumming” Alfons Grieder is known chestras and serves as a clinician and adjudicator throughout as a performer, composer and international expert of the Basel North Carolina. Franklin is Acting Chair of the PAS Scholarly Pa- drum style through clinics and lectures given at schools and mu-

ARTISTS AND CLINICIANS 67 sic academies throughout the world. In addition he is an experi- being a sideman. His latest recording is on the Arbors record enced drum teacher and belonged for more than 15 years to the label and is titled Jake Hanna’s After Hours Gang. His most jury of the Swiss National Drum Competitions. Grieder has per- recent work has included recordings with Harry Allen and tours formed with such orchestras and musicians as the State Orches- with Howard Alden, Warren Vache and Scott Hamilton. tra Hamburg, Philharmonic State Orchestra of Bremen, the Basel Sinfonie Orchestra, The Basel Percussion Trio, George Gruntz STEVE HANNA WEDNESDAY 10:00 A.M. Concert Jazz Band, Basel Ballet, the US Air Force Band, the US Steve Hanna is a freelance drumset/percussionist who has Marine Drum & Bugle Corps, the American Originals Washington toured nationally with Henry Mancini, Andy Williams, Johnny D.C., the German Bundeswehr Band, the Swiss Army Band, Mathis, the Houston Ballet, My Fair Lady, A Chorus Line and cur- Pierre Favre, Daniel Humair, Roy Burns, Morris Goldenberg, Rob- rently is touring with Grammy/Dove award-winning vocalist Sandi ert Brenner, Wolfgang Basler, John Beck, Jim Kilpatrick and John Patty in her symphony pops concerts. He is also active with Hal Bosworth. Leonard Corporation in creating and recording performance CD tracks for the Essential Elements training series. He is a member JONATHAN HAAS SATURDAY 2:00 P.M. of the Indianapolis Chamber Orchestra and has served as Ad- Jonathan Haas has recently garnered widespread attention for junct Associate Professor of Percussion at DePauw University in his performances of Philip Glass’ “Concerto Fantasy for Two Tim- Greencastle, Indiana since 1984. He holds BM and MM degrees panists and Orchestra,” a piece conceived by Haas to spotlight in Percussion Performance from Indiana University. timpani. Haas has commissioned and premiered over 25 works by such composers as Stephen Albert, Marius Constant, Thomas STEFON HARRIS SATURDAY 12:00 P.M. Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Vibraphonist/composer Stefon Harris has been heralded as “one Andrew Thomas, and many others. His recordings include 18th of the most important young artists in jazz” by The Los Angeles Century Concertos for Timpani and Orchestra and Johnny H. and Times. A graduate of the Manhattan School of Music, he re- the Prisoners of Swing, both on Sunset Records. Haas has per- ceived a BA in Classical Music and an MA in Jazz Performance. formed and recorded with Emerson, Lake and Palmer, played on Stefon is a recipient of the prestigious Martin E. Segal Award the Grammy Award-winning Zappa’s Universe, recorded with from Lincoln Center and earned Grammy nominations for his Aerosmith, Michael Bolton and Black Sabbath, and explored 2001 CD, Kindred, and for his 1999 release, Black Action Figure. heavy metal with his rock group Clozshave. Haas is Principal He was voted best mallet player by the Jazz Journalist Associa- Timpanist of the New York Chamber Orchestra, the Aspen Cham- tion (2001 and 2000), named Debut Artist of the Year by Jazz ber Orchestra and EOS Ensemble, Principal Percussionist of the Times, and was a Down Beat Critics Poll Winner (Talent Deserv- American Symphony Orchestra, and a member of the American ing Wider Recognition). He has toured and recorded with the Composers Orchestra. He is director of the Peabody Conserva- Chamber Music Society of Lincoln Center and performed his tory Percussion Studio and a faculty artist of the Aspen Music original compositions with the Dutch Metropole Orchestra in Den School. Visit his Web site at www.aboutjonathanhaas.com. Hague. Harris has recorded with many of today’s greatest artists, including Wynton Marsalis, Cassandra Wilson, Joe Henderson, JEFF HAMILTON FRIDAY 10:00 A.M. & 9:00 P.M. Charlie Hunter, Cyrus Chestnut, Steve Coleman, Steve Torre and SATURDAY 10:00 A.M. & 10:00 P.M. Buster Williams, and many others. Drummer Jeff Hamilton attended Indiana University where he studied with George Gaber and he also studied with John Von STEVE HEARN WEDNESDAY 10:00 A.M. Ohlen. In 1974, he joined the New Tommy Dorsey Orchestra. He Steve Hearn is Concert Percussion Product/Marketing Specialist then performed with Lionel Hampton’s Band until 1975, when he at Pearl Corporation and Principal Timpanist of the Cabrillo New became a member of the Monty Alexander Trio. He then joined Music Festival. He frequently performs with the Colorado Sym- Woody Herman and the Thundering Herd, with whom he made phony, Alabama Symphony and Nashville Symphony Orchestras. several recordings. In 1978, he replaced Shelly Manne in the Receiving an Artist Performing Diploma from Rotterdam’s Con- L.A.4 with Ray Brown, Bud Shank and Laurindo Almeida. From servatory, The Netherlands, a Master of Music degree from New 1983 to 1995, Jeff performed with Ella Fitzgerald, the Count Mexico State University, and a Bachelor of Music degree from Basie Orchestra, Rosemary Clooney, Monty Alexander and the the University of New Mexico, Hearn previously held the position Ray Brown Trio. Jeff is currently touring with his own trio, the as percussionist/timpanist in the U.S. Army Field Band, Washing- Clayton-Hamilton Jazz Orchestra and Diana Krall. Jeff has been ton, D.C. Hearn has served as Principal Percussionist with the heard on nearly 200 recordings with such artists as Natalie Cole, Belgian Youth Philharmonic Orchestra and as a percussionist Diana Krall, Milt Jackson, Rosemary Clooney, Barbra Streisand, with the Dutch Joop Van Ende Theater Production of West Side Mel Torme, John Pizzarelli, Benny Carter, Lalo Schifrin, George Story and the Orchestra of Santa Fe. Winner of the Las Cruces Shearing, Dr. John, Clark Terry, Gene Harris, Toshiko Akioshi, Symphony Orchestra and the University of New Mexico concerto Scott Hamilton, Harry “Sweets” Edison, Keely Smith, Bill Holman, competitions, he was selected as a finalist in the Music Teachers Herb Ellis, Barney Kessel and Mark Murphy. National Association Competition. Hearn has also performed throughout the Chicago area with the Ramesdell Jazz Quintet JAKE HANNA FRIDAY 10:00 A.M. & 9:00 P.M. and the pop/rock group The Others. Jake Hanna attended the Berklee College of Music where he met Toshiko Akyoshi, with whom he worked in New York at the SCOTT HERRING SATURDAY 11:00 A.M. Hickory House. Jake then worked with the Woody Herman and Scott Herring is Assistant Professor of Percussion at the Univer- Maynard Ferguson orchestras, and in 1959 he became the sity of South Carolina where he directs the Percussion Ensemble, house drummer for the Storyville jazz club in Boston. Jake then the Palmetto Pans Steel Band and the West African Drumming worked with Marion McPartland, Bobby Hackett and Harry Ensemble. Previously he served as Assistant Professor of Per- James until Woody Herman invited Jake to work with his band cussion and Assistant Director of Bands at Emporia State Univer- again, and this band turned out to be the “Swinging Herd,” which sity in Emporia, Kansas. He holds degrees from East Carolina was one of Woody’s more famous bands. For the next ten years, University and Northwestern University, where he is pursuing the Jake was the drummer for The Merv Griffin Show. His personal Doctor of Musical Arts Degree. He has presented clinics and highlight was being a member of Bing Crosby’s personal quartet. concerts in North Carolina, Illinois, Ohio, Kansas, Michigan and Jake has recorded many albums under his own name as well as Texas and was a member of the Civic Orchestra of Chicago un-

68 ARTISTS AND CLINICIANS der the direction of Maestro Daniel Barenboim. Scott’s primary Kent State University. His percussion studies include work with teachers include Michael Burritt, Mark Ford, James Ross and Gordon Stout, Ted Rounds and Bill Molenhof. He teaches at Penn Harold Jones. State University in State College, PA and Nazareth College in Rochester, NY. Howarth is an active recitalist, clinician and mas- HIP PICKLES THURSDAY 12:00 P.M.; SATURDAY 12:00 P.M. ter class teacher focusing on mallet percussion. He has given Their unique style of an exciting blend of drumming, singing, hip clinics and performances at numerous universities and colleges, choreography, humor and “interactive” audience participation along with several All-State Music Education Festivals, All-State has earned Hip Pickles a reputation as the world’s most exciting Percussion Festivals, and at the National Midwest Band Directors “drum band.” Their “team drumming” melds the styles of corps Clinic in Chicago. In 2001 he released his debut CD, Rosewood percussion, world percussion, MIDI, Latin and drumset. The Resonance, a collection of works spanning the Baroque to today award-winning Hip Pickles—Chet Doboe, Chris Scherer and Jer- played on solo marimba. His mallet method book, Simply Four, emy Fischer—are six-time DCA (Drum Corps Associates) Drum has been published by Tap-Space Publications and he has pub- Ensemble World Champions. The trio’s CD, Hip Pickles - Out of lished several arrangements and transcriptions of classical and the Jar, features some of their most popular compositions, and romantic guitar works for the marimba. Visit his Web site at they host a contemporary and active Web site at www.giffordhowarth.com. www.hippickles.com. Hip Pickles are active performing for young people in their Arts in Education School program. Dedicated to MARTY HURLEY THURSDAY 8:00 P.M. “making a difference,” Chet, Chris and Jeremy perform for over Marty Hurley received his BME from Wilkes University, Wilkes- 130,000 students each year in schools throughout the East Barre, PA, and performed for four years with the Air Force Band. Coast. Not only do they highlight the excitement and fun of mak- A former member of New Jersey’s Hawthorne Caballeros and ing music, but the trio also weaves messages of “Just Say NO,” Blessed Sacrament’s Golden Knights, Marty served as percus- the power of teamwork, cultural diversity and self-empowerment sion instructor for the Stardusters (Arabi, LA) 1971, the Bleu throughout their performance. Raiders (Metairie, LA) 1972-73, and the Black Knights (Belleville, IL) 1973-75. During his tenure as percussion instructor and ar- STEVE HOUGHTON THURSDAY 12:00 P.M. ranger with the Phantom Regiment (Rockford, IL), the corps FRIDAY 10:00 A.M. & 9:00 P.M.; SATURDAY 12:00 P.M. placed in the top ten nationally for 14 years at DCI finals compe- Internationally respected as a jazz drummer, percussionist, clini- tition. For the past 29 years Marty has been the Director of Bands cian and educator, Steve Houghton has shared stages and stu- at Brother Martin High School in New Orleans, LA. Marty’s music dios with such renowned jazz and pop artists as Joe Henderson, is published by Row-Loff Productions. Maureen McGovern, Arturo Sandoval, Gary Burton, Billy Childs, Scott Henderson and Bob Florence. After two years with Woody INDIANA UNIVERSITY GABER- WEDNESDAY 10:00 A.M. Herman’s Young Thundering Herd, Houghton worked in Dallas STUDENT ALUMNI ENSEMBLE Dr. Stuart Marrs, Director studios for four years, then moved to California where he quickly This remarkable assemblage of percussion personalities was established himself through his tenure with Toshiko Akiyoshi. In originally brought together for a gala concert on February 24, 1980, a last-minute call to substitute for Freddie Hubbard’s drum- 2001 in celebration of George Gaber’s 85th birthday. Former stu- mer evolved into a two-year association. By the mid-1980s, dents came from all over the United States, Europe and Canada Houghton, a busy Los Angeles studio musician, was writing, to perform and honor their former teacher with a concert titled teaching at area universities and performing with symphony or- “Field of Drums.” On the program of that memorable concert was chestras as a featured guest percussionist, activities he contin- Varese’s “lonisation.” The group reunites for PASIC 2002 to re- ues to pursue today. Houghton is a member of the PAS Board of prise that performance. Stuart Marrs is founder and a past-presi- Directors and co-chairman of the International Association of dent of the Maine PAS Chapter. He has served as Principal Jazz Educators percussion division. Percussionist with the Louisville Orchestra, the National Sym- phony Orchestras of Bolivia and Costa Rica, and since 1985 has GIFFORD HOWARTH SATURDAY 11:00 A.M. been teaching percussion, music history, and digital music at the Gifford Howarth received his Bachelor of Music degree from University of Maine. Dr. Marrs tours the U.S., Europe and Latin Ithaca College and his Master of Percussion Performance from America as soloist, conductor, clinician and teacher.

ARTISTS AND CLINICIANS 69 INDIANA UNIVERSITY OF PENNSYLVANIA THURSDAY 4:00 P.M. Theatre, New Dimensions Ensemble, and June in Buffalo Cham- PERCUSSION ENSEMBLE ber Orchestra. He is on the faculty at Holyoke Community College The Indiana University of Pennsylvania Percussion Ensemble is and on staff at Wesleyan University and Dance Connecticut/Hart- known for its playing skill and versatility. All the percussion majors ford Ballet. Fernando Meza is Director of Percussion Studies at participate in the percussion ensemble, which performs regularly the University of Minnesota School of Music (Minneapolis). He has on the IUP campus. The ensemble has also performed frequently performed and recorded with a variety of renowned artists and or- in public schools and at regional and national conventions includ- chestras, including the Costa Rica National Symphony, the Minne- ing the American Orff-Schulwerk Association National Confer- sota Orchestra, the Festival Dancing in Your Head, Keiko Abe and ence; Music Educator’s National Conference; Pennsylvania Music Grupo Clave. Benjamin Toth, Director of Percussion Studies at the Educators Association; Music Teachers National Association; Col- Hartt School, University of Hartford, has performed with the Per- lege Band Directors National Association; the American School cussion Group Cincinnati, the Sinfonia da Camera of Illinois, Hart- Band Directors Association, National Dance Association of the ford Stage, the Jimmy Dorsey Band, and the Solo Pan Knights (for American Alliance for Health, Physical Education, Recreation, and the Trinidad Panorama). Nebojsa Jovan Zivkovic, founder of the Dance; and PASICs. The ensemble also collaborates with the IUP Jovan Percussion Group, serves as composer and soloist for the Dance Theater for periodic productions. ensemble. In addition to presenting solo recitals and master classes, he has performed concertos with orchestras world wide, RUTH STUBER JEANNE SATURDAY 1:00 P.M. including his own marimba concerti. He has released five record- Ruth Stuber Jeanne began violin study at the age of three. In high ings featuring his own works as well as pieces that have been school, she played with the Evanston Symphony Orchestra and written for him. continued with that group until she graduated from Northwestern University in 1932. In 1933, she learned to play the marimba and KALANI THURSDAY 11:00 A.M.; FRIDAY 1:00 P.M.; SATURDAY 10:00 P.M. was selected as one of 100 marimba players organized by Clair Kalani has performed and/or recorded with such music legends Musser to perform at the Chicago World’s Fair. Later she moved to as Kenny Loggins, David Sanborn, Max Roach, Barry Manilow, New York and played with the Orchestrette Classique chamber or- Vic Damone, John Mayall and Melissa Manchester, and is the fea- chestra. She was a featured soloist in a 1940 performance of the tured percussionist on the multiplatinum Yanni Live at the Acropo- “Concertino for Marimba and Orchestra” written for her by Paul lis video and CD. He has also performed on numerous film and TV Creston. She continued to pursue her musical career by giving soundtracks. Kalani has produced over 15 instructional videos for lessons and playing with the chamber orchestra. She moved to a variety of instruments including congas, bongos, djembe, hand Granville, OH in 1959 and was lead violinist and later head per- percussion and drumset. He is the founder and director of cussionist with the Licking County Symphony. With Dr. Jim Moore, Drumlesson.com and is director of Drum Camp, a summer pro- head marimbist with OSU, she formed the Per-mus Publishing gram that offers classes in a variety of drumming traditions. Kalani Company and published many arrangements for marimba and represents workshops, programs and drum circles at conferences, corder. After undergoing heart surgery five years ago, she moved music stores, educational institutions and festivals both in the U.S. to the Sharon Brooke Retirement Center in Newark, Ohio. At 93, and abroad. He has been a featured clinician at the Taipei Per- she continues to direct a recorder and marimba group each week. cussion Institute, the International Percussion Festival (Belgium), Her ensemble performed for PASIC ’93 in Columbus and looks the World Rhythm Festival (Seattle) and several PASICs. For more forward to giving a repeat performance this year. information, visit Kalani’s Web site at www.kalanimusic.com.

JEFF HAMILTON TRIO SATURDAY 10:00 P.M. KATHLEEN KASTNER WEDNESDAY 10:00 A.M. Drummer Jeff Hamilton has been constantly in demand for record- Kathleen Kastner is Professor of Percussion at the Wheaton Col- ings and performances with his own trio, Oscar Peterson, Ray lege Conservatory of Music, where she teaches all aspects of per- Brown, and countless others. The Jeff Hamilton Trio’s recording, cussion, as well as world music and 20th-century music history. It’s Hamilton Time (Lake Street Records), received enormous air- Dr. Kastner has been active in the PAS for many years, having play while reaching #5 on the Gavin national jazz radio chart. The previously served as a member of the Board of Directors, Associ- trio’s second release, Jeff Hamilton Trio - LIVE! (MONS), was ate Editor for Research of Percussive Notes, Chair of the Scholarly nominated by critics for best jazz recording in Germany in 1997. Paper Committee, PAS Historian and Illinois State PAS Chapter The trio’s second MONS release is titled Hands On, and Hamilton President. House - Live at Steamers (MONS) was the trio’s 2000 release. As well as recording and performing throughout the world, Jeff also JIM KILPATRICK THURSDAY 8:00 P.M. teaches, arranges and composes. The trio includes bassist Jim Kilpatrick started playing drums at the age of ten. His Christoph Luty, who also performs with the Clayton/Hamilton Jazz progress was so rapid that within two years he was competing at Orchestra, the Cecilia Coleman Quintet and Howlett Smith, and the highest level in Grade 1 Scottish drumming competitions. At the trio’s pianist is Tamir Hendelman, who has performed with the age of 15 he joined Shotts and Dykehead and won his first Teddy Edwards, John Clayton, Harry Allen, Tierney Sutton, Phil World Drum Corps Championship - the first of Jim’s 16 World Upchurch, Jeff Clayton, Rickey Woodard, Sandra Booker, Barbara Drum Corps titles, which includes winning the World Drum Corps Morrison and the Clayton/Hamilton Jazz Orchestra. Championship a record-breaking 11 times in a row. Jim is the current World Solo Drumming Champion, World Solo Champion of JOVAN PERCUSSION GROUP FRIDAY 2:00 P.M. Champions and World Drum Corps Champion of Champions. This The Jovan Percussion Group, originally formed in 1995 (for the re- takes the number of wins to a record 14 times in the course of his cording of Nebojsa Jovan Zivkovic’s Uneven Souls CD), became drumming career. He has won every major drumming and pipe a multi-national quartet in 1998 with members native to Costa band championship, including Champion of Champions in the Rica, Serbia, Germany, and the United States. The group has two pipe band, solo and drum corps. Jim has been invited to teach in international tours to their credit, including festival appearances, schools all over the world as well as making countless appear- concerts, radio and television broadcasts, and recordings (for ances at drum clinics and festivals everywhere, including The Zivkovic’s latest CD, The Castle of the Mad King, on the Swedish Royal School of Music (London and Glasgow) and PASIC. He is label, BIS). Ensemble members include: Craig Bitterman, a mul- regarded as the world’s greatest exponent of Scottish style snare tiple-percussionist whose performance highlights include appear- drum. ances with the Maelstrom Percussion Ensemble, Full Force Dance

70 ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 71 REBECCA KITE WEDNESDAY 10:00 A.M.; FRIDAY 3:00 P.M. DON LAMOND FRIDAY 10:00 A.M.; FRIDAY 9:00 P.M. Rebecca Kite is an internationally recognized marimba soloist Don Lamond was born August 18, 1921, in Oklahoma City, OK. and teacher. Her work as a marimba soloist may be heard on her He began playing snare drum in fourth grade and then became solo CDs, Across Time and Prism. She has published articles in leader of a small stage band while attending Paul Junior High Percussive Notes, authored a method book, Reading Mallet Per- School in Washington, D.C. Through high school, he was the cussion Music, and created the Anthology of Lute and Guitar Mu- leader of a 13-piece dance band, and was also a member of the sic for Marimba. Kite is also a percussionist and timpanist and Military and Concert bands at Central High School, Washington, has worked with the Minnesota Opera Orchestra, Saint Paul D.C. After graduation, he studied percussion with Carrol Bratman Chamber Orchestra, and Plymouth Music Series Orchestra and at Peabody Institute of Music in Baltimore, MD. Following his de- performed in a variety of theatrical and Broadway show settings. parture from Washington, D.C. he played with Sonny Dunham, She has commissioned and premiered works for solo marimba. Boyd Raeburn, Woody Herman, Harry James, Benny Goodman, Recent projects include collaborations with composer Bruce Charlie Barnett, Count Basie, Alvino Rey, Clark Terry, Artie Shaw, Hamilton (funded by an American Composers Forum Grant) re- Doc Severinsen and Urbie Green. He also worked with Red sulting in “Recurrences” for solo marimba, with Nebjosha Norvo, Stan Getz, Charlie Parker, Errol Garner, Dizzy Gillespie, Zivcovic in “Ilijash,” and with Evan Hause in a six-mallet work, Lester Young, Teddy Wilson, Newport All Stars, Bob Crosby, Artie “Circe,” to be premiered in fall of 2002. Kite has been on the PAS Shaw and the Clark Davy Big Band. He was a member of the stu- Board of Directors, received the PAS Outstanding Service Award dio band for a variety of TV shows, including the Fred Allen in 1999 (for her work in helping create the WPN Web site) and Show, Gary Moore Show, Steve Allen Show, Dinah Shore Show, was chair of the PAS Marimba Committee from 1998 to 2002. Perry Como Show, Sid Caesar Show and Merv Griffin Show.

JOE LA BARBERA FRIDAY 10:00 A.M. & 9:00 P.M.; SATURDAY 2:00 P.M. MORRIS “ARNIE” LANG FRIDAY 10:00 A.M. & 12:00 P.M. Jazz drummer Joe La Barbera is highly regarded for his work Morris Lang is a graduate of the Juilliard School. He was a stu- with the Bill Evans Trio, with whom he worked until Evans’ un- dent of Saul Goodman, Morris Goldenberg and Billy Gladstone. timely death in 1980. Afterwards, La Barbera worked with singer He performed with the New York City Ballet, the American Opera Tony Bennett for 12 years, and his credits also include work with Society, and the Metropolitan Opera Orchestra along with various Gap Mangione, the Woody Herman big band, Chuck Mangione, chamber music organizations. In 1955 he was appointed Associ- John Scofield, Conte Candoli, Bud Shank, Alan Broadbent, ate Principal Timpanist and Percussionist with the New York Phil- Kenny Wheeler, and the WDR Big Band. Since 1994 he has been harmonic. Among his solo recordings is “Histoire du Soldat” and on the faculty of the California Institute for the Arts (CalArts). La he is the only person to have recorded all “Eight Pieces for Tim- Barbera has also been leading his own group since the early pani” by Elliot Carter. Lang is Professor of Percussion at the Con- 1990s, and with that band he recently released his first album as servatory of Music at Brooklyn College and in charge of the a leader: The Joe La Barbera Quintet Live on the Jazz Compass Doctoral Percussion Program at CUNY. The Percussion Ensemble label. at Brooklyn, under his direction, has premiered some 60 works, many of them commissions. Lang retired from the New York Phil- GENE LAKE THURSDAY 11:00 A.M. harmonic in 1996 in order to devote more time to Lang Percus- Gene Lake has been playing for almost ten years with a diverse sion Inc., which manufactures Goodman Timpani, Gladstone range of artists: from R&B group, Surface, in the 1980s to the Snare Drums and drumsets, and publishes music and books. In new wave of R&B acts, such as Me’shell NdegeOcello, Maxwell, 2000 he was inducted to the PAS Hall of Fame. and D’Angelo in the 1990s; from jazz innovators Steve Coleman and Henry Threadgill, to fusion legends Joe Zawinul and Marcus NEIL LARRIVEE THURSDAY 9:00 A.M. Miller; from jazz/rap group Opus Akoben to acts that defy cat- Neil Larrivee is Pit Director and Arranger for eight-time DCI World egorization, such as the wildly original rock/funk/jazz fusion Champion Cadets Drum and Bugle Corps. He has been with the group Screaming Headless Torsos. The son of jazz saxophonist Cadets since 1993. In 2001 and 2002, The Cadets were awarded Oliver Lake, Gene Lake attended the High School of Music and the DCI Division 1 High Percussion Trophy. Neil served as Co- Arts in New York City and Berklee College of Music in Boston. He Marching Band Director, Percussion Director and Arranger at credits various drummers with influencing his musical style, from King Philip Regional High School of Wrentham, MA from 1985- Diamond (of the Ohio Players) to Omar Hakim (of Weather Re- 2002. He was the director and designer for the 2000 WGI Scho- port). In future he plans to spend more time writing music that lastic World Champion King Philip Indoor Marching Percussion synthesizes and transforms the many influences from which he Ensemble. During his time at King Philip, the marching band emerged. achieved regional and national recognition including two Bands of America Northeast Regional Championships, two BOA Grand CHRISTOPHER LAMB SATURDAY 4:00 P.M. National Semi-Finalist placements and the 2000 Grand National Christopher Lamb was appointed Principal Percussionist of the AA Bronze medal. Neil is Director of Education and New Product New York Philharmonic in 1985. He has performed in Europe, Development for Vic Firth Inc. Asia, and the Americas under such greats as Leonard Bernstein, Klaus Tennstedt and Sir George Solti, as well as the preeminent STANLEY LEONARD FRIDAY 10:00 A.M. & 12:00 P.M. conductors of our day. Lamb joined the faculty of the Manhattan SATURDAY 4:00 P.M. School of Music in 1989. The New York Philharmonic has com- Stanley Leonard is a noted performing artist, prolific composer missioned three major works for Lamb, Joseph Schwantner’s and dedicated percussion teacher and mentor. He achieved “Percussion Concerto,” Tan Dun’s “Concerto for Water Percus- prominence in the music world during a 38-year career as Princi- sion” and Susan Botti’s “Echo Tempo” for soprano, percussion, pal Timpanist of the Pittsburgh Symphony Orchestra and mem- and orchestra. Lamb has appeared as soloist with the London ber of the faculties of Duquesne and Carnegie-Mellon Philharmonic Orchestra, the Concertgebouw Orchestra, and the Universities. He presents master classes at leading conservato- Gewandhaus Orchestra as well as orchestras throughout the ries and universities in the United States and abroad and is a fre- United States. He recorded Dun’s “Water Concerto” with the New quent presenter during the PASIC. He is an Artist in Residence at York Philharmonic under the baton of Kurt Masur as well as Duquesne University. He conducted and can be heard perform- chamber works on the New World, Cala, and CRI labels. Lamb is ing his own compositions on the compact disc Canticle, distrib- a graduate of the Eastman School of Music in Rochester, NY. uted by Ludwig Music.

72 ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 73 LINKS WEDNESDAY 10:00 A.M. formed with avant garde saxophonist/composer John Zorn. Re- LINKS was formed in Albuquerque, New Mexico in 1988 as a col- cently he was asked to return to Slayer to tour and record a new lective of musicians and movement artists in order to present the CD. Soon Dave will be releasing a CD of his own with drum songs world premiere of Stuart Sanders Smith’s “Initiatives and Reac- that have a variety of instrumentations. Dave is the author of the tions.” Since that time, the LINKS Ensemble has devoted itself to book/CD set Power Grooves, published by Hal Leonard Corpora- premiering new sonic, theater, dance, and trans-media works. Ad- tion. ditionally, the ensemble is committed to presenting essential performances illustrative of the historical progression of the LOUISIANA STATE UNIVERSITY WEDNESDAY 10:00 A.M. experimental music tradition. The group’s recent endeavors in- PERCUSSION ENSEMBLE clude retrospective concerts of the music of John Cage, Peter The LSU Percussion Ensemble has been conducted by Michael Garland, and Christopher Shultis, and the realization and premier Kingan since 1996 and is dedicated to performing at a high stan- of Stuart Smith’s “Transitions and Leaps.” LINKS was supported dard in a wide variety of literature chosen for its substance and through a grant from the Institute for the Arts to create the pre- pedagogical value. Concert programs include pieces ranging miere of Smith’s “From One to Another,” with an album release from traditional to contemporary, novelty to transcriptions, ma- forthcoming. Members of LINKS performing at PASIC include: rimba ensembles to steel band. The LSU Percussion Ensemble Fred Bugbee (New Mexico State University), Andria Fennig (Phoe- has performed throughout Louisiana and Texas, at several Louisi- nix freelance artist), and Douglas Nottingham (Grand Canyon ana Days of Percussion, and at the Louisiana Music Educators Community College). Association Convention. The ensemble’s CD, Coming Full Circle, is expected to be released in early 2003. ARTHUR LIPNER SATURDAY 4:00 P.M. Arthur Lipner is one of the leading vibes and marimba voices in FRÉDÉRIC MACAREZ SATURDAY 2:00 P.M. jazz today. Arthur has just returned from a tour in Brazil and Peru A former student of Jacques Delécluse at the Conservatoire Na- where he performed/taught in Brasilia, Rio, Campinas and at the tional Superieur de Musique de Paris where he received the First Lima Jazz Festival. Brazilian music has become an integral part of Prize, Frédéric Macarez was Principal Percussionist and Assistant Arthur’s activities in recent years. He has recorded two CDs with Principal Timpanist of Orchestre de la Suisse Romande (Geneva) woodwind artist Ze Luis, performs occasionally at the NYC night- from 1981–87. Daniel Barenboïm appointed him as Principal Per- club SOB’s with The Brazooka Band led by Carlos Darcy, and is cussionist of the Orchestre de Paris (France) in 1987, and he be- preparing a collection of Brazilian music arranged for solo ma- came Principal Timpanist of this orchestra in 1993. Frédéric is rimba. Arthur’s most recent solo project is Portraits In World Jazz. also famous as a soloist and a chamber music player. He is Direc- This mostly acoustic album features Arthur on vibes and marimba tor of Percussion Studies at the Conservatoire Superieur de Paris - joined by percussionist Glen Velez, bassist Harvie Swartz, guitar- CNR. Macarez is the Founder, President and Artistic Director of ist Vic Juris, pianist Fred Hersch and others. Over 50 of Arthur’s Journées de la Percussion, the international percussion festival in compositions have been released on recordings. His works have Paris. He is a composer of percussion solos and ensembles pub- been used on radio, film and TV soundtracks. Arthur serves on lished by A. Leduc and Alfonce Prod., and an editor for the per- the PAS Board of Directors and is a Contributing Editor for Percus- cussion music by the French publisher Gérard Billaudot. Since sive Notes. His text The Vibes Real Book (1996) is a comprehen- 1999 Macarez has served as President of the PAS France Chapter sive guide to jazz vibraphone. His Jazz Mallets: In Session (2000) and he is also a member of the PAS Board of Directors. is the first-ever play-along folio for jazz vibes and marimba. MITCH MARKOVICH SATURDAY 11:00 A.M. KAKRABA LOBI FRIDAY 11:00 A.M. Mitch Markovich is best known for being three-time undefeated In Ghana, Kakraba Lobi is considered to be the gyil’s spokesper- consecutive National and five-time undefeated consecutive Illinois son by virtue of being one of the only living virtuosi to have mas- State Snare Drum Champion and has accumulated 12 National tered the instrument’s vast and difficult repertoire, and to have and 23 State Championships as a player and caption head. gained international acclaim as a concert soloist. He was born in Mitch’s former students include James Campbell (PAS President, Kalba Saru in the Lobi and Brifo area of Upper West Ghana in Cavaliers), Mike Mann (Phantom Regiment), Chris Crockarell 1939. His father is a farmer who was also highly skilled in the art (Row-Loff Productions) and Rick Beckham (DCA National Snare of making and playing gyil, like his father before him. As a child, Drum Champion). He has been caption head for the national Kakraba became involved in the family tradition. When he was old champion Royal Airs, the national champion Argonne Rebels, the enough, Kakraba traveled to the city of Accra where he gave Nisei Ambassadors, the Guardsmen and the Men of Brass, a con- broadcasts for radio Ghana. In 1957 famed ethnomusicologist sultant for the Santa Clara Vanguard and the Casper Troopers, Professor J. H. Nketia offered him a teaching post in the Institute and caption head for the Chicago Royal Airs 2002 Reunion Corps, of African Studies. From 1962 until 1987 Kakraba was a full-time who performed at the DCI World Championships last August. He member, and is presently an advising member, of the staff at the is the author of such snare drum solos and ensembles as Institute. He guest lectures at universities in Germany, Japan, “Stamina,” “Tornado,” “The Winner” and “Four Horsemen.” Mitch Scandinavia and the United States, and has performed through- is active doing clinics and performing at high schools and univer- out North America, Europe, Asia, and Africa. sities, consultant, writer and arranger, and teacher at the Joy School of Performing Arts in Glendale, Arizona. DAVE LOMBARDO SATURDAY 3:00 P.M. Dave Lombardo came to national prominence as the drummer for ALDO MAZZA THURSDAY 3:00 P.M.; FRIDAY 2:00 P.M. the heavy metal band Slayer, with whom he first recorded in 1983 Aldo Mazza is an internationally recognized drummer-percussion- with eight more recordings following. In 1992 He left the group ist, recording artist, clinician, and educator. As a member of inter- and ventured on his own, recording and touring continuously with nationally acclaimed percussion quartet Répercussion for over 25 the bands Grip Inc. and Testament. He enjoyed other styles that years, Aldo has gone around the world twice with the ensemble, led him to experiment in the recording Vivaldi, The Meeting, which recorded five CDs and performed over 2,500 concerts and televi- incorporated his drumming style with classical instruments and sion appearances including appearances with most major Cana- two soprano vocalists. Continuing his experimentations he was dian symphony orchestras, jazz and world music festivals, asked to drum for Fantomas, which was the brainchild of Faith No contemporary music festivals, children’s festivals, and before Ca- More vocalist Mike Patton. Lombardo has also recorded and per- nadian Prime Ministers and United States Presidents. He is also a

74 ARTISTS AND CLINICIANS freelance artist with over 100 recorded albums and soundtracks from Indiana University and MA and DMA degrees from the Uni- to his credit, including recordings with Céline Dion, Jon Bon Jovi versity of Iowa. Miller is the former Timpanist and Principal Per- and Aldo Nova. He has performed live with such artists as James cussionist with the Cedar Rapids (IA) and West Virginia Brown, Chris De Burgh and Oliver Jones as well as organizations Symphonies and serves in a similar capacity with the Huntington such as the CBC and SMCQ (Societé de Musique Contemporaine Symphony and Pops Orchestras. He is the founder and leader of du Québec). He is artistic director and founder of the KoSA Inter- the Flat Baroque (mostly) Marimba Quartet. As a freelance per- national Percussion Workshop & Festival and Instructor of Per- former, Ben is active in the tri-state region of West Virginia, Ken- cussion at McGill Conservatory of Music in Montreal, Canada. tucky and Ohio. Many elementary school students know Ben as “Professor Boom Boom” who demonstrates his unique collection ROBERT MCCORMICK SATURDAY 9:00 A.M. of percussion instruments from around the world and addresses Robert McCormick is Professor of Music at the University of South the similarities of various cultures through percussion instruments Florida. He served as Principal Percussionist/Assistant Timpanist and rhythm. He is President of the West Virginia PAS Chapter and with the Florida Orchestra for over 20 years. He is also a former is a member of the PAS Education and College Pedagogy Com- member of the Harry Partch Ensemble. Billed as the McCormick mittees. Duo, Bob regularly tours and records with his wife, flutist Kim McCormick. Well-known in new-music circles, Bob has recorded RUSS MILLER FRIDAY 4:00 P.M. extensively, including many CDs with the University of South Russ Miller is a top touring and session drummer whose musical Florida Percussion Ensemble. In November 2001, under his direc- versatility has led him to work with a wide variety of artists includ- tion, the USF Percussion Ensemble was the featured group at the ing Ray Charles, The Fifth Dimension, Bobby Caldwell, Babyface, International Percussive Music Festival sponsored by Ewha Uni- Toni Braxton, Nelly Furtado and Meredith Brooks. As a strong versity in Seoul, Korea. Bob has also published several texts, ar- force on the Los Angeles studio scene, Russ was among the top ticles and percussion solos. five Studio Drummers two years in a row in the Modern Drummer magazine Readers Poll. He has performed on over 250 albums KRISTEN SHINER MCGUIRE WEDNESDAY 10:00 A.M. and dozens of movie soundtracks such as Daylight, Hardball, The Kristen Shiner McGuire has been performing for over 25 years as Specialist and Lethal Weapon 4. Along with his many album cred- a marimbist, solo and ensemble percussionist, drumset artist, and its, he has two solo albums, Where’s One? and Cymbalism on jazz singer. She is the director of percussion studies and assistant R.M.I Records. Russ performs clinics throughout the world and jazz ensemble director at Nazareth College of Rochester, where has authored two books: The Drum Set Crash Course and Transi- she has taught since 1984. Kristen Is a published author and tions, along with his video, The Drum Set Crash Course, all of composer and is the Secretary for PAS. She is a member of the which were voted the #1 educational books and video (2001- Maelstrom Percussion Ensemble and the drummer and “Ella” vo- 2002) by Modern Drummer magazine. For more info visit calist for the touring jazz group Jon Seiger and the All Stars: a www.RussMiIler.com. Tribute to Louis Armstrong. CALL FOR PROPOSALS PASIC 2003 CHRIS MCHUGH THURSDAY 9:00 A.M. One of the new breed of drummers now occupying A-List posi- FOCUS DAY “MOVING SOUND tions in the Nashville session scene, Chris McHugh is a first-call session player, with credits including Amy Grant, Faith Hill, Garth (Percussion with Dance)” Brooks, Jewel, Keith Urban, Lonestar, Owsley, and a long list of The PAS New Music/Research Committee is pleased to announce a others. call for proposals for presentation/performance at PASIC 2003 Focus Day, Wednesday, November 19, 2003 in Louisville, Kentucky. The COLIN MCNUTT THURSDAY 2:00 P.M. theme for the 2003 Focus Day is “Moving Sound (Percussion with Colin McNutt has arranged for the Star of Indiana drum and bugle Dance).” Artists, ensembles, and scholars are invited to send in corps and the Tony Award winning stage production Blast! He has proposals. also written and instructed for the Crossmen Drum and Bugle Corps and the Glassmen Drum and Bugle Corps. McNutt was The committee intends to present a wide representation of styles to also the 1992 DCI individual tenor champion. He has served on celebrate percussion music with dance throughout the years, con- the faculty of the University of Massachusetts at Amherst, where centrating on new works in the genre. Our vision is to program he received degrees in Music Education and Classics. He is cur- works of diverse styles, from re-creating some of the classic percus- rently the percussion designer and caption head for the Magic of sion/dance works from the 1930s and 1940s to experimental/mixed- Orlando Drum and Bugle Corps. media events of the present day. For example, we are looking to program early percussion ensemble works (by Cage, Harrison, Becker, etc.) with original or new choreography, newer or newly MIAMI UNIVERSITY STEEL BAND THURSDAY 11:00 A.M. composed percussion works, and mixed ensemble works with cho- Founded in 1994 by director Chris Tanner, the Miami University reography, and electronic/mixed-media works that include percus- Steel Band has become one of the most dynamic and popular sion and choreography. Eastern/Western influenced percussion/ performing groups in the region composed of undergraduate and dance pieces are encouraged as are collaborations “on the cutting graduate students from various academic disciplines. The Miami edge.” Other suggestions are welcome. University Steel Band performs a broad, diverse repertoire, with a special focus on contemporary compositions by preeminent fig- Send all proposals with video to: ures in the steel band idiom. The ensemble’s most recent record- Percussive Arts Society, 701 N.W. Ferris Avenue ing project, Burnin’, was produced by Tom Miller and is Lawton, OK 73507-5442 distributed through Pan Ramajay Productions. Deadline: December 1, 2002

BEN F. MILLER WEDNESDAY 10:00 A.M. For additional information: Ben F. Miller is Professor of Music at Marshall University, Hunting- Dr. Rob Falvo, Appalachian State University ton, West Virginia, where he serves as Coordinator of Percussion School Of Music, Boone, NC 28608 Studies, Conductor of the Symphonic-Community Band and is a PHONE: (828) 262-4979 FAX: (828) 262-6446 E-MAIL: [email protected] member of the M.U. Jazz Faculty. He received his BME degree

ARTISTS AND CLINICIANS 75 TOM MILLER THURSDAY 11:00 A.M. & 10:00 P.M.; FRIDAY 3:00 P.M. test. Under her direction, the Western Michigan University Per- Tom Miller has performed and recorded throughout world with his cussion Ensemble presented a feature performance at PASIC ’98 own group, Pan Ramajay, as well as notable pan masters Andy . She has also served as president of the Michigan PAS Chapter. Narell and Ray Holman, renowned Calypsonian David Rudder, Moonert received bachelor and master of music degrees in per- bassist Michael Manring, the WDR Jazz Ensemble, the San Fran- formance from Indiana University. cisco Contemporary Chamber Orchestra, Allison Krause, Charlie Musselwhite, John Denver, Allison Brown and Maria Marquez. His VALERIE NARANJO FRIDAY 11:00 A.M. playing is also featured on numerous film scores and ads. A five- Valerie Naranjo is of Native American (Ute) and Latin American time recipient of grants from the Meet the Composer Foundation, heritage. She journeyed to West Africa after she learned of Tom’s dedication to musical education has won him invitations as Kakraba and the gyil tradition of the Lobi nation. She first per- a guest clinician and performer at numerous college and sec- formed in Ghana’s Kobine Festival of Traditional Music in 1988, ondary school programs throughout the U.S. after the chief of the festival’s host community decreed that women be allowed (for the first time) to play gyil publicly. Valerie WILLIAM MOERSCH SATURDAY 2:00 P.M. co-directs the multi-instrumental/vocal quartet Mandara, ar- William Moersch is internationally renowned as a marimba ranged the percussion books for the Broadway hit The Lion King virtuoso, chamber and symphonic percussionist, recording artist and is the percussionist in NBC’s Saturday Night Live band. She and educator. He has appeared as soloist with symphonic has performed and recorded with such artists as Philip Glass, orchestras and in recital throughout North and South America, David Byrne, Tori Amos, Hugh Masekela, The Paul Winter Con- Europe, the Far East and Australia. One of twelve international sort, the international percussion ensemble Megadrums with marimbists featured at the World Marimba Festival in Osaka, Airto Moreira, Zakir Hussein and Glen Velez, and has published Japan in 1998, he is perhaps best known for his solo compact several transcriptions of traditional Native American and West Af- disc The Modern Marimba and for commissioning, over the past rican music. She and Barry Olsen have recorded three CDs, twenty years, much of the prominent modern American repertoire Song of Legaa, Song of Niira and Da Yillena (Wood that Sings) for solo marimba. Professor and Chair of the Percussion Division with Kakraba Lobi. Her CD Orenda - Native American Music to at the University of Illinois, Moersch also created the graduate Heal the Spirit was released in 2000. degree programs in marimba performance at the Peabody Conservatory and Rutgers University and has presented master JIM NELSON WEDNESDAY 10:00 A.M. classes throughout the world. A graduate of the University of Jim Nelson graduated from Indiana University in 1968 and was Michigan, where he was a scholarship student of Charles Owen, Best Jazz Combo Drummer at the 1969 Notre Dame Jazz Festi- Moersch was a freelance percussionist in New York City for over val. From 1968–1972 he was a member of the United States Ma- twenty years. Currently, he is Principal Timpanist/Percussionist of rine Band. From 1973–93 he lived in Los Angeles and performed Sinfonia da Camera and Principal Percussionist of the Bard as a studio musician for television shows, movies, records, Music Festival. jingles, and radio programs, plus live performances with various orchestras, ballets, modern dance companies, operas, Broadway ALLAN MOLNAR FRIDAY 11:00 A.M. theatre shows, concerts, solo performers, industrial shows, jazz Percussionist Allan Molnar is very active on the Toronto music groups, and tours. Since 1994 he has lived in the Phoenix, Ari- scene. His experiences include many live and recorded perfor- zona area where he performs with local orchestras, theatre pro- mances in a variety of genres. Allan has been an instrumental ductions, concerts, industrial shows, touring musical acts and music teacher in the Toronto, Ontario school system since 1983 jazz groups, and teaches at Phoenix Community College. and has experience at the elementary, middle and secondary school levels. Allan has successfully brought many elements of NEW MEXICAN MARIMBA BAND FRIDAY 9:00 A.M. professional music to the classroom by way of his MIDI-assisted FEATURING STEVE CHAVEZ band program. His students experience both the performance The New Mexican Marimba Band is actually a duet, with Steve and creative aspects of this technology-rich approach to learning Chavez performing the lead part and one of his four partners and teaching. More than 130 music teachers have been able to playing the bass and harmony part on one marimba. The New duplicate important elements of Allan’s program in their own Mexican Marimba Band performs for local, state, and national schools as a direct result of his many workshop presentations at conventions and parties. The group recently performed at a ma- conferences and universities. Molnar is a recipient of the presti- rimba festival in Berlin and was one of only two groups invited gious Prime Minister’s Award for Teaching Excellence in recogni- from the Americas. The band plays many of the famous styles of tion of his accomplishments in music education. He works as a Mexico and Guatemala as well as new Mexican favorites and resource teacher for the Canadian Teachers Federation through many originals. Chavez is a performer, teacher, historian, com- the “Sharing Teaching Excellence” program and is a faculty poser, and collector of marimbas from around the world. He has member of the KoSA International Percussion Workshops. performed with the New Mexico Symphony Orchestra, Chamber Orchestra of Albuquerque, and Santa Fe Pro Musica, where he JUDY MOONERT WEDNESDAY 10:00 A.M. was principal percussionist for 15 years. Steve has composed or Judy Moonert is an Associate Professor of Music at Western arranged four concerti for marimba and orchestra and two for Michigan University where she serves as the director of percus- wind ensemble. His many works include compositions for steel sion studies. She is Principal Percussionist with the Kalamazoo drum bands, Latin-jazz ensembles, and marimba bands. The Symphony Orchestra and the Fontana Chamber Music Society. other members of the group are Ken Battat, John Bartlit, Hovey She has also performed with the Grand Rapids Symphony, Fort Dean Corbin and Ray Sarracino. Wayne Philharmonic Orchestra, Evansville Philharmonic Orches- tra, Owensboro Symphony Orchestra, and the Meadowbrook SCOTT NEY WEDNESDAY 11:15 A.M. Festival Orchestra. A frequent soloist, Moonert has appeared in Scott Ney is Assistant Professor of Music and Director of Percus- Ohio, Indiana and Michigan. In June 2000 she performed the sion at the University of New Mexico. He received a Bachelor of world premiere of Richard Adams’ “Beat It!” and “Brush Off” in Music degree from the Boston Conservatory, a Master of Arts de- Carnegie’s Weill Recital Hall. Moonert has adjudicated the Music gree from Eastern Illinois University, and is presently pursuing a Teachers National Association Regional and National Collegiate Doctor of Musical Arts degree from the University of Washington. Percussion Competitions, and the 1998 PAS Composition Con- As a clinician and performer Scott travels throughout the United

76 ARTISTS AND CLINICIANS States and Europe, most recently traveling to Koln, Germany, per- ADAM NUSSBAUM THURSDAY 2:00 P.M. forming in the premiere of Falko Steinbach’s “Agnes Messe,” and A very versatile drummer who generally plays in advanced set- to Poland where he was a featured artist at the 2002 International tings, Adam Nussbaum is considered one of the finest jazz drum- Festival of Percussive Arts Perkusja. Scott regularly performs with mers of the 1990s. Nussbaum studied at the Davis Center and City the New Mexico Symphony Orchestra and has worked with the College of New York, and by 1978 was making a strong impression Santa Fe Opera, Santa Fe Symphony, Opera Southwest, Seattle in the jazz world, playing regularly with both Dave Liebman and Symphony Recording Orchestra and the Sacramento Symphony John Scofield (1978-83). Other important associations through the Orchestra. years include Stan Getz (1982-83), Gil Evans, the George Gruntz Concert Jazz Band, Gary Burton, Steve Swallow, Michael Brecker, NEXUS WEDNESDAY 8:00 P.M. Don Grolnick, Sonny Rollins, Art Pepper, Joe Henderson, John Since its first concert in 1971, Nexus has continued to delight au- Abercrombie, Sheila Jordan, Lee Konitz and Eddie Daniels, along diences with a repertoire that includes contemporary percussion with countless others. masterworks, ragtime, world music, group improvisations, and compositions by Nexus. Dubbed “the high priests of the percus- OAK VILLAGE MIDDLE SCHOOL THURSDAY 8:00 P.M. sion world,” the ensemble’s virtuosity, innovative programming and Rodney B. Goods is Director of Bands at Oak Village Middle insatiable musical curiosity have inspired compositions from some School in Houston, Texas. His ensembles include marching, con- of the greatest composers of our time. Nexus has garnered inter- cert and jazz band. He has garnered several awards both person- national acclaim from their many performances of “From me flows ally and professionally while helping his students reach their full what you call Time,” created for them and the Boston Symphony potential. Goods was recognized by his peers as Teacher of the by Toru Takemitsu under a commission from Carnegie Hall for its Year in May 2000. He studied percussion with Larry Jones at Prai- 1990 Centennial celebration. A compact disc recording of the work rie View A&M University. Other teachers include Dr. Lucius Wyatt, featuring Nexus and the Pacific Symphony, conducted by Carl St. George Edwards and Dr. Danny R. Kelley. The Oak Village March- Clair, was released in March 1998 on the Sony Classical label. ing Percussion Ensemble was instituted in 1996 with a desire to in- Nexus’s wide and eclectic range of music has been recorded on corporate percussion as a separate unit of the band program. The an extensive and growing list of compact discs, including the ensemble has blossomed into one of the most talked about as- twelfth CD on the group’s own Nexus label, Lullaby with works by pects of the music program. The group performs year-round and Robin Engelman, Steve Reich, Jo Kondo and Bill Cahn. In Novem- has won several first-place awards. ber 1999, Nexus was inducted into the PAS Hall of Fame. OBERLIN PERCUSSION GROUP WEDNESDAY 10:00 A.M. & 1:30 P.M. NORTHWESTERN UNIVERSITY FRIDAY 10:00 A.M. The Oberlin Percussion Group was founded in 1972 and is con- PERCUSSION ENSEMBLE SATURDAY 10:00 A.M. ducted by Michael Rosen. The group consists of students who ma- The Northwestern University Percussion Ensemble has a rich his- jor in percussion at Oberlin Conservatory. Premiering new works is tory, having been led by such well-known artists and teachers as a major objective of the group and, to this end, has commissioned Clair Omar Musser, Gordon Peters, Dick Schory and Terry more than 12 compositions by such composers as Ed Miller, Rich- Applebaum. Currently under the direction of Michael Burritt, the ard Hoffman, Dary John Mizelle, Randy Coleman, Evan Hause and group has established itself as one of the premier ensembles of its Michael Daugherty. The OPG has also performed the American kind in the United States. The ensemble has been invited to per- premieres of works by both Japanese and European composers form at PASIC in 1996 and 2002. In July 1998 Northwestern had including “Pleides” and “IDEM” by Iannis Xenakis, “Prelude” by the honor of being the first university ensemble to be invited to per- Riccardo Malipiero, “Con Luigi Dallapiccola” by Luigi Nono and form at the Rhythm Sticks Festival in London England. Distin- “Voûtes” by Michaël Levinas. In 1984 the OPG won the PAS Per- guished soloists with the Northwestern Percussion Ensemble have cussion Ensemble Contest and performed “Persephassa” by included Anders Astrand, John Beck, Bill Cahn, Bob Becker, Robin Xenakis at PASIC in Washington, D.C. The group also played at Engleman, Leigh Stevens, Gordon Stout, Walifred Kujala and the PASIC in 1990 and 1996. The group has made several CDs, which Vienna Saxophone Quartet. The ensemble is dedicated to per- are available on the Opus One, Lumina and CRI labels. Rosen en- forming both standard and contemporary repertoire and has com- courages composers to send scores for performance in future missioned and premiered works by such notable percussion concerts. composers as Anders Astrand, Brett Dietz and Gordon Stout. GARY J. OLMSTEAD THURSDAY 4:00 P.M. EUGENE DOMINIC NOVOTNEY WEDNESDAY 9:00 A.M. Gary J. Olmstead is in his 37th year as Professor of Music and Di- Eugene Dominic Novotney received his Bachelor of Music Degree rector of Percussion Studies at Indiana University of Pennsylvania. in Percussion from the Cincinnati Conservatory of Music and his Dr. Olmstead received the BM degree from the University of Michi- Master of Music and Doctor of Musical Arts degrees from the Uni- gan, the MFA degree from Ohio University, and the DMA degree versity of Illinois with emphasis in Percussion, Composition, and from the Cleveland Institute of Music. He has studied with James Ethnomusicology. He has been a member of the South Dakota Salmon, Stanley Leonard, and Cloyd Duff. Olmstead served 23 Symphony, the Sioux City Iowa Symphony, the Champaign-Urbana seasons as Principal Timpanist of the Westmoreland Symphony Symphony, Sinfonia da Camera, and the Cleveland Chamber Or- Orchestra, currently serves as Principal Timpanist of the Keystone chestra, and has served on the faculty of the University of Illinois Wind Ensemble, and has directed the O-Zone Percussion Group’s and the University of South Dakota. Presently, he is Associate Pro- Whiplash and La Bamba CDs. Honors include Pennsylvania Music fessor of Music at California State University-Humboldt, and is the Teachers Association Teacher of the Year Award, Ohio University founder and statewide coordinator of the Percussion in World Mu- Achievement in Music Award, IUP Distinguished Faculty Award for sic program for the California State University Summer Arts Pro- Teaching, and membership in Phi Kappa Phi, National Honor Soci- gram. He was the first percussionist to win the Krannert Center’s ety. Olmstead has served the PAS as President, First Vice-Presi- Debut Soloist Competition, and has been awarded the Edgard dent, and currently as a permanent member of the Board of Varese Percussion Award from the University of Illinois and the Directors and the Past-President’s Advisory Committee. Meritorious Performance and Professional Promise Award from the California State University system. He is a member of the PAS New BARRY OLSEN FRIDAY 11:00 A.M. Music/Research Committee and has organized numerous work- Barry Olsen has performed and recorded with Ray Barretto, Eddie shops and performances for PASIC. Palmieri, Hector Lavoe, Tito Puente, Celia Cruz, Marc Anthony

ARTISTS AND CLINICIANS 77 and La India. He has also worked with Paul Simon, Paul Winter, PEABODY PERCUSSION ENSEMBLE WEDNESDAY 9:00 A.M. David Byrne, Charli Persip and many others. In 1994 Barry ap- Conducted and directed for the past 18 years by department peared on the recording Ancestral Healing by South African artist head Jonathan Haas, the Peabody Percussion Ensemble is com- Pops Mohammed, which subsequently led to an invitation to posed of undergraduate and graduate students from the Peabody record the CD Jazzin’ Universally in South Africa with Airto Conservatory of Music in Baltimore, MD. The group is dedicated Moreira, Jose Neto, Valerie Naranjo and many outstanding South to performing cutting-edge and imaginative contemporary per- African musicians. Barry is the pianist for the New York based cussion literature, often utilizing theatrical and multimedia ele- Latin-jazz group Syotos. On marimba and percussion he is fre- ments. It also focuses on the finest and most influential traditional quently heard in the orchestra of the Broadway hit The Lion King percussion ensemble repertoire through in-depth study and per- and in the Latin sextet The Mambo Kings. Since 1988 he has formance. At PASIC 2002, the Peabody Percussion Ensemble will been performing Lobi and Dagara music from northern Ghana be led by guest conductor Julian V. Pellicano, who studies con- playing a hand drum known as the kuar, and a hand/stick drum ducting and percussion with Dr. Harlan Parker and Jonathan Haas called ganga, which accompany the gyil or pentatonic xylophone. at the Peabody Conservatory. He has recorded four CDs with Ghanaian masters Kakraba Lobi and Bernard Woma. PEEL REGIONAL POLICE DRUM CORPS THURSDAY 8:00 P.M. The Peel regional Police Drum Corps is one of North America’s PAN RAMAJAY THURSDAY 10:00 P.M. Premier Grade 1 pipe band drum corps. It is based in Brampton, Pan Ramajay skillfully blends musical tastes from the Caribbean Ontario with members from Canada and the USA. The corps plays and Brazil with contemporary pop and jazz. This cultural diversity a selection of compositions written by leading drummer Doug results in a colorful, new approach to pan music written specifi- Stronach and corps member Drew Duthart, as well as older clas- cally to feature the tonal range and abilities of the instrument and sic compositions by Scotland’s legendary Alex Duthart. The band creates a fresh voice for the steel band. Pannists Tom Miller, Alan performs throughout North America in competition and concert Lightner and Jim Munzenrider are joined by drummer Paul and was one of the guest bands invited to play at the September VanWageningen, percussionist Michael Spiro and bassist Nelson 11th Memorial Parade in New York City. The Peel Police Pipe Braxton to heighten the performance of steel drum music for the Band also has a history of performing outside their idiom with the concert venue. The group’s recordings have received critical ac- likes of Sir Paul McCartney and Rod Stewart, and is one of the claim worldwide. featured acts on John McDermot’s new VHS and DVD, A Time To Remember. ERIC PATON THURSDAY 10:00 P.M. Eric Paton is the leader and business manager of Yumbambe JANET PEMBERTON WEDNESDAY 10:00 A.M. Salsa Jazz and an artist in residence with the Ohio Arts Council, Janet Pemberton received a Bachelor’s degree from Indiana Uni- the Artists-In-Schools program of the Greater Columbus Arts versity and Master’s degree from the University of Akron. She per- Council, and Muse Machine of Toledo. A member of the Capital forms with the Cleveland Opera Orchestra and the Cleveland University Faculty since 1990, Eric has conducted the Concert Chamber Symphony, an ensemble specializing in the perfor- Percussion Ensemble, directed the Jazz Percussion Ensemble, mance and recording of new music. Janet is on the Artists Roster and founded the Ethnic Percussion Ensemble featuring the music for Young Audiences of Greater Cleveland as a member of BATTU of Cuba, Haiti, Brazil and Japan. In 1994, Eric composed a world World Percussion and as an individual offering percussion work- premiere for Ballet Metropolitan. The overture featured children shops to school-age children. Also, Janet has been adjunct fac- from seven to 17 performing Japanese drumming (taiko). Eric has ulty at Youngstown State University since 2001. presented clinics and workshops for Ohio Music Educators Asso- ciation, Kolady Educators National Conference, PASIC, Suzuki PERCUSSION ENSEMBLE WEDNESDAY 2:45 P.M.; FRIDAY 10:00 A.M. Summer Institute at Capital University, Ohio University, Ohio State OF THE CONSERVATOIRE SUPERIEUR DE PARIS–CNR University, Ballet Metropolitan, music retailers and hundreds of The Conservatoire Superieur de Paris - CNR is the superior music school assemblies. His touring and recording credits include school of the City of Paris. The percussion department includes a Bobby Shew and Salsa Caliente, Milano la Scalla, Carmen marimba class led by Professor Eric Sammut and a soloist depart- Cavallaro, Eddie Daniels, Maurine McGovern, Bernadette Peters, ment created to prepare students for international marimba and Sir Ronald Hannah, Kaikpai Paasewe and the Wonde African percussion competitions and contests. The Percussion Ensemble Dance Co., and Arnett Howard and his Creole Funk Band. includes students of the Superior, Perfection and Soloist departments. Directed by Frédéric Macarez, the ensemble has pre- PAUL WERTICO TRIO FRIDAY 10:00 P.M. miered several new works, played with soloists such as Michael The Paul Wertico Trio was formed in 1994. Led by seven-time Burritt, Nebojsa Jovan Zivkovic, Ney Rosauro, Dave Samuels, Grammy Award winning drummer Paul Wertico, the trio features She-e Wu, Frédéric Macarez and Eric Sammut, and performed guitarist John Moulder and bassist Eric Hochberg. They have concerts and toured in France, Germany, United Kingdom, and toured in the U.S. and Europe and have released two highly criti- United States. It has become one of the best interpreters of the cally acclaimed CDs: Live In Warsaw! (Igmod Records, 1998) and French music for percussion; Varése, Jolivet and Ohana, for in- Don’t Be Scared Anymore (Premonition Records, 2000). The stance, appear among its composers of preference. band’s wide ranging original repertoire is penned by all three members and reflects the many sides of these three musicians. PERCUSSION GROUP CINCINNATI WEDNESDAY 2:45 P.M. The Chicago Reader wrote: “The band can certainly rock, with Percussion Group Cincinnati was founded in 1979 and consists of flashy skeins of moaning guitar and percolating bass lines, but all Allen Otte, James Culley and Russell Burge, all of whom are fac- three members are gifted, flexible, and intuitive mainstream ulty members and ensemble-in-residence at the College-Conser- jazzmen, so the music can range all over Wertico’s extremely vatory of Music of the University of Cincinnati. Appearances have broad palette—from reconstructed hard bop to heavy metal to included the major cities, festivals, concert halls and schools of South American pop to high-energy free improvisation.” All About America, Europe and Asia. In addition, the group regularly ap- Jazz wrote: “If you dig adventurous guitar-based jazz or excep- pears as concerto soloists with symphony orchestras, and has tional jazz drumming, it doesn’t get much better than the Paul presented their program “Music From Scratch” to hundreds of Wertico Trio.” thousands of children. Percussion Group Cincinnati is particularly respected for its experience with the music of John Cage. More

78 ARTISTS AND CLINICIANS recently, the group has developed relationships with John Luther tonbak’s role in ensemble work with his distinct playing style. He Adams, Qu Xiao-Song, Russell Peck, and with Larry Austin on the has won acclaim throughout the world both as a solo artist and as Charles Ives Universe Symphony project. The group’s work ap- an accompanist for some of the world’s most prestigious and re- pears on various CDs, including their own Ars Moderno label; nowned artists, including Mohammad Reza Lotfi, Hassan Nahid, their recording of John Luther Adams’ “Strange and Sacred Wadada Leo Smith, Rajeev Taranath and John Bergamo, to name Noise” will be released in surround-sound by Mode this year. They a few. Pourmehdi currently lives in Los Angeles, where he teaches are currently completing a CD of the percussion music of Qu Tonbak, Daf and Ney. Xiao-song and will contribute to Mode Records’ set of the complete music of John Cage. JOHN S. PRATT THURSDAY 8:00 P.M. In 1949, Pratt received an NARD certificate after being tested by NICK PETRELLA SATURDAY 9:00 A.M. his drum teacher, Norman Peth. He joined the Army, graduating Dr. Nick Petrella is the Band & Orchestral Educational Director for from the 3rd Armored Division Band Training School and was Sabian. In addition, Nick is on the faculty at Oakland University, is eventually assigned to the U.S. Field Music Unit at West Point in active in commissioning new music and maintains a full schedule 1950, where he served as Rudimental Military Academy Band as a freelance musician in the Detroit metropolitan area. From Drum Instructor/Arranger until he retired in 1969. Belwin published 1996-2001 he was the Director of Percussion Studies at Texas his 14 Modern Contest Solos and three other books during 1959- Christian University. During the 1992-93 academic year, Nick de- 60. In 1985, The New Pratt Book was published by Per-Mus Publi- veloped the percussion pedagogy course at the Royal Northern cations. His seventh book, Rudimental Solos for Accomplished College of Music, England. He toured the U.S. and Spain as a Drummers, was published in 2000 by Meredith Music. Pratt was founding member of the percussion ensemble, Percunits A2, and also active with the All-American Association of Contest Judges taught at the Encuentros de Percussion in Xixona (Alicante) in the and taught numerous Drum and Bugle corps like the Hawthorne summer of 1992. In 1997 and 1998 he was the percussion coach Cabelleros, who won three American Legion Nationals and four for the World Youth Orchestra in Switzerland and Taiwan. Nick has DCA World Titles while he instructed them. In 1990, he was in- has published numerous articles in U.S. and European music jour- ducted into the World Drum Corps Hall of Fame. nals and is the author of The Multiple-Percussion Book, published by Carl Fischer. Nick is in demand as a clinician, teacher and per- JEFF QUEEN THURSDAY 8:00 P.M. former throughout North America, Europe and Asia. Jeff Queen has marched in the snare lines of the Canton Bluecoats, Velvet Knights, Santa Clara Vanguard, Blue Knights KIM PLAINFIELD THURSDAY 12:00 P.M. and the University of North Texas. He was section leader for the Originally from the San Francisco bay area, drummer Kim Velvet Knights, Blue Knights and the University of North Texas. Plainfield has numerous performance and recording credits in- Jeff was the Drum Corps International Individual and Ensemble cluding Mingo Lewis, the Pointer Sisters, Bill Conners and Didier Snare Drum Champion in 1994 and 1995 as well as the PAS Indi- Lockwood. Kim began to receive international recognition during vidual Snare Drum Champion in 1994 and 1995. Jeff has been the his seven-year engagement with Tania Maria. During that period snare tech for the Carolina Crown Drum and Bugle Corps from he toured extensively in the U.S., Europe and the Far East. Addi- 1998 to 2002 and has also taught for the Blue Knights and the tional performance and recording credits include Jon Lucien, University of North Texas drumlines. Jeff recently ended a two- Andy Narell, John Pattitucci, Kenny Rankin, Jacques Higelin, year tour with the Broadway Show Blast, of which he was an origi- Charles Fambrough, Edgar Winter and Mose Allison. Kim is co- nal cast member, solo performer and battery instructor. Jeff has chairman of the faculty at Drummers Collective in New York City. performed on stages across the country and in Europe in addition He is also a member of the jazz faculty at S.U.N.Y. Purchase Col- to appearing on numerous television shows. Currently Jeff is trav- lege, Conservatory of Music. Other teaching engagements in- eling the country performing clinics and motivational workshops. clude a five-day intensive at Berklee College of Music and a master class for the percussion department of the Juilliard School. JOHN RILEY FRIDAY 10:00 A.M., 12:00 P.M. & 9:00 P.M. He has conducted countless clinics worldwide, as well as ex- John Riley’s career as a jazz drummer has included gigs and tended artist-in-residence programs at various conservatories in recordings with such artists as John Scofield, Mike Stern, Woody Europe. Kim recently recorded his first solo CD for EFA Records, a Herman, Dizzy Gillespie, Stan Getz and Miles Davis. He performs joint project with Lincoln Goines. regularly with the Vanguard Jazz Orchestra, Bob Mintzer, Mike Stern and Joe Lovano. John is on the faculty of Manhattan School WILLIAM PLATT FRIDAY 1:00 P.M. of Music, The New School and SUNY-Purchase, and he has William Platt has been Principal Percussionist of the Cincinnati written two critically acclaimed books about jazz drumming: The Symphony Orchestra and Cincinnati Pops Orchestra since 1971. Art of Bop Drumming and Beyond Bop Drumming. John is also a He is a graduate of the Eastman School of Music where he was a regular contributor to Modern Drummer magazine. John joined the student of William G. Street. He has also performed with the Roch- Woody Herman Band in January 1978 and stayed with the band ester Philharmonic (1964–1966), the U.S. Army Band (Washington until August 1978. The live CDs La Fiesta and The Woody Herman D.C., 1966–1969) and the Richmond Symphony (1967–1969). Orchestra Presents: Four Brothers and Giant Steps feature John’s work with the band in 1978. He rejoined the band for a six-week HOUMAN POURMEHDI FRIDAY 12:00 P.M. European tour in the fall of 1978 and to record tracks for the CD Houman Pourmehdi is a Persian master percussionist and com- Chick, Donald, Walter and Woodrow in February 1979. Through- poser. He was privileged to study Tonbak under the supervision of out the 1980s John did many short stints with the band when it Grand Master Amir Nasser Eftetah and Master Morteza Ayan. was between drummers. Houman studied the heart-to-heart traditional techniques of playing Daf under guidance of the Grand Masters Haj Agha Sadeghi, LISA ROGERS WEDNESDAY 10:00 A.M. Mirza AghaGhosi and Darvish Karim. Houman studied with Lisa Rogers is Assistant Professor of Percussion at Texas Tech Mohammad Ali Kianey-Nejad, who taught him the Ney (Persian University where she teaches applied studies as well as directs reed pipe). He is one of the founding members of the Liän En- ensembles such as the Texas Tech Steel Drum Band. She at- semble. Pourmehdi’s deep understanding of the Persian musical tended Southwest Texas State University and Texas Tech Univer- heritage and his belief in exploring new territories make him a sity. Rogers received a Doctor of Musical Arts Degree in unique musician. He has played a pivotal part in advancing the Percussion Performance from the University of Oklahoma. Cur-

ARTISTS AND CLINICIANS 79 rently, Rogers serves as Associate Research Editor and Selected active clinician, he gives workshops and educational clinics Reviews author for Percussive Notes. Additionally, she is a mem- around the country. He is also the chair of the PAS Drumset Com- ber of the PAS Board of Directors and is PAS Historian. mittee and President of Columbus Pro Percussion, Inc.

NEY ROSAURO SATURDAY 4:00 P.M. NEIL RUTLAND WEDNESDAY 10:00 A.M. Symphonic percussionist and composer Ney Rosauro was born in Neil Rutland (MM, University of North Texas; BS, Tennessee Tech- Rio de Janeiro, Brazil, and studied percussion with Luiz nological University) is an Instructor at Eastern New Mexico Uni- Anunciacao from the Orquestra Sonfonica Brasileira. He studied versity where he is Associate Director of the Symphonic band and composition and conducting at the Universidade de Brasilia, the Greyhound Sound Marching Band, teaches percussion and earned his master’s degree in percussion at the Hochschule für music technology, and directs the percussion ensemble and the Musik Würzburg in Germany with Prof. Siegfried Fink. His doctoral steel drum ensembles. Rutland previously held faculty appoint- degree comes from the University of Miami, where he studied un- ments at Indiana State University, Southwest Missouri State Uni- der the supervision of Fred Wickstrom. From 1975-87 he taught versity and Tennessee Technological University. Rutland’s career percussion at the Escola de Musica de Brasilia and was timpanist has included eight years as Principal Percussionist with the Knox- of the Orquestra do Teatro Nacional de Brasilia. From 1987-99 he ville Symphony Orchestra. Other positions have included the was head of percussion studies at the Universidade Federal de Wichita Falls Symphony Orchestra, the Shreveport Symphony, and Santa Maria in South Brazil. Since 2000 he has been Director of the Richardson, TX Symphony. Rutland performs regularly with the Percussion Studies at the University of Miami in Coral Gables, FL. ENMU Faculty Jazz Players and has played drums and percus- He has written several method books and pieces for percussion sion for many musicals including the Knoxville Opera Company’s instruments, and his compositions have been recorded by such summer musical series, stints at Nashville’s Opryland and music international artists as Evelyn Glennie and the London Symphony director/percussionist for Dino Kartizinakis’s Branson, Missouri Orchestra. His five solo CDs have been highly acclaimed by crit- Show, “Somewhere in Time.” ics. ERIC SAMMUT SATURDAY 3:00 P.M. MICHAEL ROSEN THURSDAY 9:00 A.M. & 1:00 P.M. Eric Sammut was born in Toulouse and began his percussion Michael Rosen served as Principal Percussionist with the Milwau- studies at age 11 with Michel Ventula. He attended the kee Symphony from 1966-72. He also performs with the Cleveland Conservatoire National Superieur of Lyon where he studied with Orchestra, as well as the Metropolitan Opera Orchestra, the Francois Dupin and Georges Van Gucht. In 1989 he graduated Concertgebouw Orchestra and the Grand Teton Music Festival. with a First Prize and became First Percussionist at the Opera Na- He is Professor of Percussion at Oberlin Conservatory of Music tional of Lyon. In 1995 he won the First Prize of the Leigh Howard where he teaches, conducts the Oberlin Percussion Group and is Stevens competition and began his career as a marimbist in Eu- director of the Oberlin Percussion Institute. Rosen was a student rope, Japan and the USA. Since 1998 he has been a soloist with of Charles Owen, Cloyd Duff and Fred Hinger and received his the Paris Orchestra and a marimba teacher at the Conservatoire Master of Music Degree from the University of Illinois where he Superieur de Paris and keyboard teacher at the Conservatoire Na- studied with Jack McKenzie. He has served on the PAS Board of tional Superieur de Musique de Paris. Sammut has composed Directors, maintains a continuing column in Percussive Notes pieces for marimba solo, marimba duo, marimba and percussion, dealing with percussion terms in foreign languages and is an as- and piano, clarinet, double bass and percussion quartet. He also sociate editor of the magazine. He has also served as clinician for likes to arrange all styles of music for the marimba. the OMEA, TBMA, TMEA, MENC, MBDC, NYSMA, Bands of America and PASIC. He has recorded for the Bayerische BOBBY SANABRIA `SATURDAY 11:00 A.M. Rundfunk, Opus One, Albany, Lumina and CRI labels. Rosen has Drummer, percussionist, composer, arranger and educator Bobby concertized and taught extensively throughout the world in Sanabria is a graduate of the Berklee College of Music where he France, Holland, Italy, Spain, Belgium, Denmark, Germany, Swe- earned his Bachelor of Music degree in 1979 and received the den, Finland, Beijing and Hong Kong. Faculty Association Award for his work as an instrumentalist. Bobby teaches at The New School University and The Manhattan JIM ROYLE FRIDAY 11:00 A.M. School of Music in New York City, where he conducts both Jim Royle is President of the Connecticut PAS Chapter and was schools’ Afro-Cuban Jazz Orchestras. Bobby has played and re- named the PAS 2000 Chapter President of the Year. He attended corded with “la creme de la creme” of Latino-oriented jazz, includ- the University of Bridgeport as a percussion and education major ing Tito Puente, Mongo Santamaria, Mario Bauzá, Paquito under the director of Howard Zwickler, Arthur Lipner and Bill D’Rivera, Dizzy Gillespie and Ray Barretto. He has released two Finegan. Jim has also studied with Max Roach, Alan Dawson, critically acclaimed CD’s: N.Y.C. ACHÉ (1993) and his 2001 Keith Copeland, Akira Tana, Norbert Goldberg and Vernal Grammy-nominated Afro-Cuban Dream - Live & In Clave!!! (2000). Fournier. Royle’s playing is documented on several CDs, including A two-hour Bravo TV special, Palladium Memories: The Golden Version 3.0 and Storm Before the Calm on the Sea Breeze Jazz la- Age of Latin Music, features Bobby, who is also the show’s Asso- bel, both released in 2000. His latest CD, Jazz by Coogan, show- ciate Producer. He performed at the opening of the Smithsonian’s cases his small-group jazz talents. Jim is also the drummer for the four-year nationwide travel exhibit, Jazz: La Combinacion Perfecta New England Jazz Ensemble big band. His studio currently has and is featured in several films in the exhibit and included in the 120 students and five percussion ensembles. book documenting the exhibit.

JIM RUPP FRIDAY 10:00 A.M. DAVID SANDER WEDNESDAY 10:00 A.M. Jim Rupp has done extensive touring with the bands of Woody David Sander attended Ball State University and Indiana Univer- Herman, Maynard Ferguson and Glenn Miller. He is the drummer sity Bloomington majoring in Music Performance. He has played on three Woody Herman CDs, The Fiftieth Anniversary Tour, which in various community musical groups in the Southern Indiana and was nominated for a Grammy Award, Legacy, and Live In London. St. Louis area. He is the owner of Newman Vintage Percussion. Jim spent seven years with Grammy Award-winning jazz singer Diane Schuur, and has also performed with such artists as Ray MIKE SANDERS WEDNESDAY 10:00 A.M. Charles, Tony Bennett, Joe Lovano, Hank Marr, Buddy DeFranco, Mike Sanders has taught in the public schools of Indiana for 27 Clark Terry, Joe Williams, Rosemary Clooney and Natalie Cole. An years and is currently the band director at Northfield Junior-Senior

80 ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 81 High School in Wabash. He also operates his own teaching studio from the University of Arizona, and Master of Music and Doctor of in Goshen, where he resides. Mike has performed with various lo- Musical Arts degrees from the University of Michigan. Dr. Shaw is cal organizations including the Elkhart Symphony, Maple City involved with the PAS College Pedagogy Committee and is the Chamber Orchestra, the Lake Area Community Band, and his own Michigan PAS State Chapter President. She is a founding member jazz quintet, Zbop. Mike has a BME degree from Indiana Univer- of Quorum Chamber Arts Collective, a new music sextet, and is a sity and an MA degree from the University of Iowa. member of the percussion and tuba duo Balance with tubist Mar- tin Erickson. She is Principal Timpanist with the Brass Band of MATT SAVAGE THURSDAY 11:00 A.M. Battle Creek (MI), a featured soloist with the New Columbian Matt Savage, a graduate of the Crane School of Music in Brass Band. She has given recent performances with the Flint Potsdam, NY and The University of Southern California, has (MI) and Grand Rapids (MI) symphonies and the Florida Orches- taught at every level of public education. Matt also has 25 years tra. She is active internationally as a clinician and recitalist and of playing and teaching experience in the marching percussion has recorded on the Equilibrium, BBBC (Canada), Dorian and field, including playing snare drum with the Bayonne Bridgemen Mark Records labels. She recently released Cold Water—Dry and serving as percussion director and arranger for such drum Stone, Quorum’s first CD recording, and a solo percussion debut, and bugle corps as the Anaheim Velvet Knights, The Dutchboy of Cadenza, Fugue, and Boogie. Kitchener, Ontario and the Canton Bluecoats. Matt has served as percussion instructor for the USC Trojan Marching Band and is CHRISTOPHER SHULTIS WEDNESDAY 10:00 A.M. & 11:15 A.M. currently director of percussion at the University of North Carolina, Christopher Shultis is Regents’ Professor of Music at the Univer- where he has also served as Assistant Director of University sity of New Mexico where he has taught since 1980. In 1993-94 Bands. He is involved with the indoor percussion activity as an he was a Fulbright guest professor in American Studies at the adjudicator for WGI. His most recent publication is Savage Rudi- Institut fuer Anglistik, RWTH Aachen and in 1999-2000 at the mental Workshop, a rudiment development book/CD set pub- Anglistisches Seminar, Universitaet Heidelberg. At UNM, Shultis lished by Warner Bros. Music. Matt is also a drum circle facilitator, teaches courses in American music, 20th-century music, popular leading drum circles for a variety of both local and national music, and interdisciplinary fine arts. He also teaches composi- events. tion for the Department of Music and team-teaches a course on interdisciplinary collaboration for the College of Fine Arts. His GLENN SCHAFT THURSDAY 10:00 A.M. book, Silencing the Sounded Self: John Cage and the American Glenn Schaft is Associate Professor and Director of Percussion Experimental Tradition, is published by Northeastern University Studies at Youngstown State University. He directs the YSU Per- Press. He is presently an Associate Editor for Perspectives of New cussion Ensemble, Latin Percussion Group, SMARTS Drum Circle Music. His compositions are featured on the Aerial and Educational Outreach Program, and performs with the YSU Fac- AlbuZERXque labels. Shultis’ activities continually draw upon his ulty Jazz Group. Schaft earned a Doctor of Musical Arts from the previous work as a solo percussionist and conductor of the highly University of Illinois at Champaign-Urbana, a Master of Arts from acclaimed UNM Percussion Ensemble. As Director of Percussion Eastern Illinois University, and a Bachelor of Music from the Studies at UNM from 1980-1996, Shultis worked closely with many Baldwin-Wallace College Conservatory of Music, all in percussion composers including, Ernst Krenek, Lou Harrison, Michael performance. He has studied Afro-Cuban percussion at the Colgrass and John Cage. Escuela Nacional de Arte in Havana, Cuba. Schaft has performed with the World Percussion Group Battu, Colorado Music Festival, ED SOPH FRIDAY 10:00 A.M., 2:00 P.M. & 9:00 P.M. Cleveland Chamber Symphony, Cleveland Ballet, Cleveland Op- Ed Soph’s career spans 40 years as a performer, recording artist, era, Youngstown Symphony, Akron Symphony, and the Ohio author and teacher. Ed’s experience includes the big bands of Chamber Orchestra, Cleveland Jazz Orchestra, Chuck Berry, Stan Kenton, Woody Herman, Clark Terry, and Bill Watrous, and Englebert Humperdink, Marvin Stamm, John Fedchock, Don small-group work with David Liebman, Bobby Shew, Joe Menza, Tommy Dorsey Band and Anthony Cox. Henderson, Kurt Elling, Bill Evans and James Moody. Currently an Associate Professor at the University of North Texas College of MICHAEL SGOUROS FRIDAY11:00 A.M. Music, Ed continues to record and perform, most notably with Michael Sgouros is a founding member of the Ethos Percussion trumpeter Marvin Stamm’s quartet with Bill Mays and Rufus Reid, Group. Recent seasons have included performances across the and with pianist Stefan Karlsson’s trio with bassist Tom United States with major engagements at Lincoln Center’s Alice Warrington. Ed’s insights into rhythmic improvisation, the art of Tully Hall (for Lou Harrison’s 80th birthday celebration), Carnegie’s practicing, stylistic concepts, technical principles, and fundamen- Weiss Recital Hall, the Philadelphia Museum of Art, Hancher Audi- tal aspects of musicality on the drumset make his presentations torium in Iowa, Spivey Hall in Atlanta and Carnegie Hall. The en- uniquely informative, practical and entertaining. Ed’s discography semble is in great demand for residencies and clinics and has may be found at www.allmusic.com. conducted workshops for Clemson University, Pennsylvania State University, the Universities of Georgia, Maryland, Rhode Island JOHN “JABO” STARKS and THURSDAY 3:00 P.M and Vermont, as well as the Juilliard School, Eastman School of CLYDE STUBBLEFIELD Music and the Berklee College of Music. Ethos offers its outstand- Clyde Stubblefield and Jabo Starks are considered the Godfa- ing educational program, Bing! Bang! Boom!, in New York under thers of Funk Drumming as a result of their work with James the auspices of Young Audiences/New York, and Arts Connection. Brown. Stubblefield started his musical career in Chattanooga, Sgouros has also performed with the American Symphony, TN. He has played all over the world and recorded with some of Philharmonia Virtuosi, Long Island Masterworks Chorus Orchestra, the greatest funk, soul and R&B performers including James and the Broadway productions of The Secret Garden, Falsettos, Brown, Otis Redding and Clayton Fillyau. John “Jabo” Starks be- The Goodbye Girl, Sunset Boulevard, Miss Saigon, and the Phan- gan playing while attending Chickasaw Elementary school in Ala- tom of the Opera. bama. He began his professional career with Bobby “Blue” Band. While Clyde was performing with James Brown, Jabo joined the ALISON SHAW WEDNESDAY 10:00 A.M. band in 1965 and they became known as the funkiest men alive. Alison Shaw is Assistant Professor of Percussion, Coordinator of Jabo’s contributions include “Sex Machine,” “Super Bad,” “Lickin Percussion Studies, and Director of the Michigan State University Stick” and “Make it Funky.” Clyde played on “Cold Sweat,” Percussion Ensemble. She received a Bachelor of Music degree “Mother Popcorn” and “The Funky Drummer,” which became the

82 ARTISTS AND CLINICIANS THE PAS INTERNATIONAL PERCUSSION 2003 PERCUSSIVE ARTS SOCIETY 30TH ANNUAL ENSEMBLE COMPETITION PERCUSSION COMPOSITION CONTEST

URPOSE PURPOSE: The purpose of the Percussive Arts Society International Ensemble P : The Percussive Arts Society sponsors an annual competition to en- Competition is to encourage, promote and reward musical excellence in courage and reward those who create music for percussion instruments and to percussion ensemble performance and compositions by selecting the most increase the number of quality compositions written for percussion. qualified high school and college/university percussion ensembles to appear at PASIC. 2003 CATEGORIES: Category I: Marimba Solo First Place: $1000.00 plus publication by HoneyRock Publishing AWARDS: Three high school and three college/university percussion en- Second Place: $300.00 sembles will be invited to perform at PASIC 2003 (November 19–22) in Third Place: $200.00 Louisville, KY. All ensembles will be featured in Showcase Concerts (Thurs- day, Friday, Saturday). 50 minute program (per ensemble) maximum. Category II: Percussion Ensemble (6–8 players) ELIGIBILITY: Ensemble Directors and/or Professional Soloists are not allowed to First Place: $1000.00 plus publication by Southern Music Company participate as players on the tape. All ensemble members (excluding non- Second Place: $300.00 percussionists, e.g. pianists) must be members of PAS and currently enrolled Third Place: $200.00 in school. This will be verified when application materials are received. Ensembles which have been chosen to perform at PASIC may not apply Efforts will be made to encourage performances of the winning compositions again for three years (resting out 2 PASICS). at a future Percussive Arts Society International Convention or other PAS sponsored events. PAS reserves the right to not designate a winner if the judges de- PROCEDURES: 1. Send three (3) identical non-edited tapes (cassette/CDs only) termine that no composition is worthy of the award(s). to PAS, 701 NW Ferris Ave., Lawton, OK 73507-5442. Tapes should demon- strate literature that you feel is appropriate and not exceed 30 minutes in length. Tapes should include only works that have been performed by the ELIGIBILITY AND PROCEDURES: ensemble since January 2001. Include program copy for verification. All • Previously commissioned or published (printed, audio or video) works may compositions and/or movements of music must be performed in their en- not be entered. tirety. Tapes/CDs become the property of PAS and will not be returned. 2. • Time limit for each category is 6–12 minutes. Total duration of piece should The tapes/CDs will be numbered to ensure anonymity and will then be be stated on manuscript. Compositions must be original (no transcriptions or evaluated by a panel of judges. 3. Invited groups are expected to assume all arrangements). financial commitments (room, board, travel), organizational responsibilities • Composer should send four (4) complete copies of the score. If not com- and to furnish their own equipment. One piano will be provided (if needed) puter generated, neat manuscript is required. Composer’s name cannot appear as well as an adequate number of music stands and chairs. PAS will provide on any of the score pages. Four (4) cassette tapes or CDs may be submitted in an announcement microphone. Additional audio requirements must be pro- addition to scores but are not required All entry materials become property of vided by the performing ensemble. 4. Ensembles will be notified of the PAS. results in June. • The difficulty of the composition is left to the discretion of the composer, however, high artistic goals should be coupled with realistic demands to al- PAS 2003 INTERNATIONAL PERCUSSION ENSEMBLE COMPETITION low for performance at the university level. Instrument demands should also

CATEGORY: ❑ High school ❑ College/University be limited to those commonly found at the university level.

ENSEMBLE’S NAME ______APPLICATION FEE: $25 per composition (non-refundable) should be en- SCHOOL NAME ______closed with each entry. Make checks payable to the Percussive Arts Society. ENSEMBLE DIRECTOR’S NAME______

ADDRESS ______DEADLINE: All materials (application fee, application form and manuscripts) must be received in the Lawton, Oklahoma PAS office no later than April 12, CITY ______COUNTRY ______2003. STATE/PROVINCE ______ZIP/POSTAL CODE ______For further information and details, contact PAS, 701 NW Ferris Avenue, TELEPHONE NUMBER ______Lawton, OK 73507-5442, (580) 353-1455; E-mail: [email protected]

ENSEMBLE DIRECTOR’S PAS MEMBERSHIP CODE NUMBER: ______2003 PERCUSSIVE ARTS SOCIETY 30TH ANNUAL PERCUSSION COMPOSITION CONTEST ON A SEPARATE PAGE LIST ENSEMBLE MEMBERS AND THEIR PAS MEMBERSHIP NUMBERS (PLEASE NOTE: WITHOUT ENSEMBLE MEMBERSHIP NUMBERS AND NAMES YOUR APPLICATION Name of Composition ______CANNOT BE PROCESSED.) Composer’s Name ______TO ENSURE THE SAME QUALITY AS THE PERFORMANCE TAPE, PLEASE INDICATE THE NUMBER OF RETURNING ENSEMBLE MEMBERS: ______Address ______PLEASE INCLUDE A $25 U.S. CONTEST APPLICATION FEE; MAKE CHECKS PAYABLE TO City ______State ______Zip______PERCUSSIVE ARTS SOCIETY. Telephone Number (include area code) ______I HEREBY CERTIFY THAT I HAVE READ THE REQUIREMENTS AND REGULATIONS STATED ABOVE AND UNDERSTAND THAT FAILURE TO ABIDE BY THESE REGULATIONS WILL RESULT IN THE DIS- Fax Number ______E-mail Address ______QUALIFICATION OF OUR ENSEMBLE. I hereby certify that the enclosed composition is original and it has not been previously SIGNATURE OF ENSEMBLE DIRECTOR ______commissioned or published in any format. Signature of Composer ______Deadline is April 15, 2003. All materials (application fee, application form, student membership numbers, 3 cassette tapes/CDs, programs for verifica- 2004 CATEGORIES tion) must be received by April 15, 2003. CATEGORY I VIBRAPHONE SOLO CATEGORY II PERCUSSION QUARTET

ARTISTS AND CLINICIANS 83 most sampled drumbeat in drumming history. Their latest col- Carnahan-Jackson Fund for the Humanities, in bringing Bernard laborations include the recording of The Funkmasters - Find the Woma, the current Master Drummer and Solo Xylophonist of the Groove CD, performances at the Montreal Drum Fest and the National Dance Ensemble of Ghana, to their campus. In addition, Musikmesse in Frankfurt/Germany. Visit John and Clyde’s Web support from the Lundquist award for travel to Third World coun- site: www.funkmasters.com tries has enabled some members of the ensemble to travel to Ghana to further their music and cultural studies. The group per- KAY STONEFELT WEDNESDAY 10:00 A.M. forms for SUNY Fredonia ceremonial and recreational events and Dr. Kay Stonefelt is an Associate Professor of Music in Percus- also goes into the public schools for assemblies, workshops and sion at the State University of New York College at Fredonia and cultural presentations. a freelance percussionist. After several years as a contract musician with the Baltimore Symphony and, later, as a freelance per- JOHN TAFOYA SATURDAY 10:00 A.M. cussionist doing jingles and pit work for Broadway shows in New John Tafoya became principal timpanist with the National Sym- York City, Kay returned to academic life. In 1992 she earned a phony Orchestra in 1999. He has also held principal timpani po- Doctor of Music degree in Percussion Performance from Indiana sitions with the American Wind Symphony, Colorado University. Kay’s primary interests include the performance of Philharmonic Orchestra, Owensboro Symphony (KY), Evansville contemporary solo and chamber works for percussion, perform- Philharmonic Orchestra (IN) and Florida Philharmonic Orchestra. ing in Medieval and Renaissance ensembles, and comparative Tafoya earned BM and MM degrees in percussion performance research and performance in the popular and traditional perform- from Indiana University and has presented numerous master ing arts of Ghana, West Africa. Prior to beginning at Fredonia, classes and clinics at universities across the U.S. He has pub- Kay was the recipient of a Fulbright Senior Scholar Research lished articles for The Band Director’s Guide, the Texas Band- award to Ghana. Kay serves on PAS Board of Directors, is a Vice masters Association, the Florida PAS Newsletter and Percussive President of the Western New York Fulbright PAS Chapter, and is Notes magazine. His Web site (www.johntafoya.com) is accessed a member of the Education Committee of the Society for by thousands of percussion students and professional players Ethnomusiclogy. each month. Tafoya has served on music department faculties at Indiana University, the University of Evansville and at Florida In- GORDON STOUT THURSDAY 12:00 P.M. ternational University (Miami). Tafoya currently serves on the mu- Gordon Stout is Professor of Percussion and Chair of the Perfor- sic department faculty at the University of Maryland. Tafoya mance Studies Department at the School of Music, Ithaca Col- recently performed Russell Peck’s new timpani concerto, “Har- lege, Ithaca, New York. He studied composition with Joseph monic Rhythm,” with the Columbus Symphony (GA) Orchestra Schwantner, Samuel Adler and Warren Benson, and percussion and the Allentown (PA) Symphony Orchestra. with James Salmon and John Beck. As a composer-recitalist he has premiered a number of his original compositions and works SUSAN MARTIN TARIQ WEDNESDAY 10:00 A.M. by other contemporary composers. Many of his compositions for Susan Martin Tariq is Professor of Music and Director of Percus- marimba have become standard repertoire for marimbists world- sion Studies at West Texas A&M University. Tariq holds a Doctor wide. His latest solo marimba recording, Astral Projections, is of Musical Arts Degree in percussion performance from the Uni- available on Resonator Records. His latest compositions can be versity of Arizona, a Master of Music in Percussion Performance obtained from G & C Music at www.gordonstout.net or from Key- from Ohio State University, and a B.S. in Music Education from board Percussion Publications at mostlymarimba.com. A frequent Ball State University. Tariq has studied primarily with Dr. Erwin C. lecture-recitalist for the PAS, he has appeared at 12 PASICs as Mueller, Dr. James L. Moore, and Professor Gary Cook. Tariq is well as throughout the United States and Canada, Europe, Japan Principal Timpanist of the Amarillo Symphony and Randel Cham- and Mexico. ber Orchestras. She is the drummer for the West Texas Jazz Quintet and performs with the Amarillo Jazz Orchestra. She is an STRIKE PERCUSSION ENSEMBLE THURSDAY 9:00 A.M. active performer/clinician/adjudicator in all areas of percussion Strike began in the fall of 1996 when Don Raaymakers, percus- including concert and orchestral percussion instruments, march- sion instructor for both Caledonia and East Kentwood High ing percussion, drumset and ethnic percussion. Tariq is an active Schools in Grand Rapids, MI, created a group in which his stu- member of PAS serving as secretary of the PAS Drumset Commit- dents could get a broader musical experience. The group began tee, a member of the PAS College Pedagogy Committee and with eight members and has since grown to approximately 30 secretary of the Texas PAS Chapter. members from Caledonia, East Kentwood, and South Christian High Schools. This past year, after performing at the state-level TOM TEASLEY THURSDAY 3:00 P.M. competition of the Michigan State Band and Orchestra Tom Teasley is a native Washingtonian, percussionist and com- Association’s Solo/Ensemble Festivals, Strike was invited to per- poser who performs throughout the U.S. and Europe. Tom pro- form for the Michigan Youth Fine Arts Festival, which is a rare duces over 100 performances a year of his solo presentation honor for high school percussionists. Growing in popularity, Strike “The Drum: Ancient Traditions Today,” documented in a video of has been showcased locally in public performances, newspa- the same name. The performance and video trace the history of pers and television features. ancient percussion, traditional western and jazz percussion, and electronic technology. Two new videos document Tom’s eclectic SUNY FREDONIA AFRICAN THURSDAY 1:00 P.M. fusion of world drumming styles in educational and performance DRUMMING ENSEMBLE formats: Tom Teasley Presents Global Fusion Percussion Clinic The SUNY Fredonia African Drumming Ensemble was founded in and Percussion Performance. Tom’s latest CD, Global Standard 1994 by Dr. Kay Stonefelt as a direct result of her Fulbright Senior Time, airs throughout the U.S. and is featured on NPR’s All Things Scholar Research award to study music, theater and dance in Considered. Tom is Chair of the Percussion Dept. and an Artist- Ghana (1993-94). To further infuse the energy and cultural rel- in-Residence at Levine School of Music and on the faculties of evance of the group, Kay and SUNY Fredonia Dance Professor American University and the University of the District of Colum- Carol Prevet co-wrote and were awarded a Fulbright Visiting bia. Tom’s eclectic approach to music and percussion was the fo- Scholar research proposal that supported a one-year Fredonia cus of a feature article in the “Percussion Today” section of campus residency of master drummer and dancer Francis Kofi. Modern Drummer. Since that time, they have been supported yearly, through the

84 ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 85 TEMPUS FUGIT WEDNESDAY 11:15 A.M. vancement of contemporary music through performance and The Tempus Fugit Percussion Ensemble was formed in 1993 in education. The duo was founded by Chris Leonard and Dale Pittsburgh, Pennsylvania. Its members are Brett William Dietz, Speicher, former members of the seminal percussion group Trio Shawn Galvin, P.J. Gatch, R.J. Heid and Dennis Hoffmann. The Algetic. In its inaugural season, Two will be presenting concerts group has performed throughout the United States and Europe, throughout the United States. The group will also be commission- and has released two compact discs, Tempus Fugit Percussion ing new works for percussion duo by forward-thinking composers Ensemble (1998) and Push Button, Turn Crank (2000). Both re- for future performance. Currently, Two is presenting work by cordings highlight the quintet’s dedication to commissioning new Milton Babbit, Herbert Brun, John Cage, Ben Johnston, Udo music for percussion and demonstrating the viability of the per- Kassamets, Stuart Saunders Smith, Gitta Steiner, lannis Xenakis, cussion ensemble as true chamber music. Tempus Fugit has per- and Roger Zahab. In the 2002/2003 concert season, Two will performed at PASIC 2001, the 2000 Bands of America Summer form additional works by Frank Cox and Christain Wolf. Symposium, and the 1999 MENC Eastern Division Conference. They have collaborated with many of the top artists in the percus- BLAKE TYSON WEDNESDAY 10:00 A.M. sion world, including Leigh Howard Stevens, Michael Burritt, Blake Tyson is Assistant Professor of Percussion at UCA. He re- Steve Houghton, Stanley Leonard and She-E Wu. The group has ceived his DMA degree from the Eastman School of Music in commissioned new works from such composers as David Stock Rochester, NY. The faculty of the Eastman School also awarded and Michael Wittgraf. Tempus Fugit is currently in residence at Tyson the prestigious Performer’s Certificate. He received a Mas- Westminster College in New Wilmington, Pennsylvania. ter of Music degree from Kent State University in Kent, OH, and a Bachelor of Music degree from the University of Alabama. His RICH THOMPSON SATURDAY 2:00 P.M. teachers include John Beck, Michael Burritt, Larry Mathis, and Rich Thompson performs and records with the Eastman Faculty Peggy Benkeser. He has also studied darabucca with Halim El- Jazz Quartet and is assistant professor of drumset in the Dabh and has devoted intensive study to El-Dabh’s unique nota- Eastman School of Music’s Jazz and Contemporary Media tional system for the instrument. Tyson has performed and taught department. He was featured with the Count Basie Orchestra at in Ecuador as a guest of the National Conservatory. Recently, he the President’s Inaugural Ball in 1997 and performed on the CD visited Egypt where he performed at the Ministry of Culture in Jazzin’, a collaboration CD with Tito Puente, Puente’s Latin Cairo and as a soloist with the Orchestra de Biblioteca rhythm section and the Count Basie Orchestra. Thompson was Alexandrina in Alexandria. He has also performed at PASIC, the one of 15 semifinalists in the Thelonious Monk International Drum Northwest Percussion Festival, the Leigh Howard Stevens Sum- Competition in 1992. He has performed with pianist Marion mer Marimba Seminar, and has presented clinics and master McPartland, guitarist Gene Bertoncini, trumpeter Dizzy Gillespie, classes at colleges and universities throughout the country. His guitarist Joe Pass, and trumpeter/flugelhornist Clark Terry. He has solo marimba work “Anubis” is published by Keyboard Percus- recorded with pianist Bill Dobbins and as a leader with James sion Publications. Williams on the CD Eventually. In addition to touring with trumpet- ers Jeff Tyzik and Byron Stripling, Rich currently performs with UNIVERSITY OF KENTUCKY WEDNESDAY 1:30 P.M. the Rochester Philharmonic Pops Orchestra as well as many of PERCUSSION ENSEMBLE the major symphony orchestras in the United States. The University of Kentucky Percussion Ensemble, under the direction of James Campbell, has won the prestigious PAS Colle- TRIO YARN SATURDAY 2:00 P.M. giate Percussion Ensemble Contest and has performed at As the winner of the International Percussion Competition in Lux- several PASICs, Lotus World Music and Arts Festival, Bands of embourg in February 2002, Trio Yarn was also awarded the Jean America Percussion Ensemble Festival, and alongside interna- Gieres Prize, which was selected by the audience during the final tional guest artists such as Steve Houghton, John Bergamo, round of the competition, and the Prize Honnert 7 for the best in- Michael Burritt, Bob Becker, Michael Spiro, Chalo Eduardo, Ney terpretation of the Luxembourgeois pieces. The group has given Rosauro, Liam Teague, Dick Schory, Anders Åstrand, Richie several performances in France and were invited to the Forum In- Garcia, Dave Samuels, Danny Gottlieb, Glen Velez, Emil ternational des Percussion Actuelles in July and the Mulhouse Richards, Joe Porcaro, Jerry Steinholtz and many others. Percussion Festival in February 2003. Trio Yarn, whose members are Yi-Ping Yang, Raphaël Aggery and Minh Tam Nguyen, work UNIVERSITY OF MARY HARDIN-BAYLOR WEDNESDAY 1:30 P.M. with contemporary composers to develop a different style of mu- PERCUSSION ENSEMBLE sic. The University of Mary Hardin-Baylor Percussion Ensemble com- prises the finest percussion players from the university campus TRUMAN STATE UNIVERSITY FRIDAY 9:00 A.M. and Texas. Using the best percussion literature, the percussion PERCUSSION ENSEMBLE and keyboard ensembles strive to give each work an interpreta- Directed by Dr. Michael Bump, the Truman State University Per- tion that represents the composer’s original intent. Repertoire is cussion Ensemble is devoted to the performance of both large selected to expose the performers and audience to a wide range and small chamber ensemble literature written specifically for of musical languages, as well as a variety of technical, intellec- percussion. The ensemble is quickly becoming recognized in the tual, and aesthetic challenges, enhancing the development of the Midwest for its outstanding performances of standard, world-eth- student performer. Director Dr. Stephen Crawford is an Associate nic, and experimental percussion music. A recent performance at Professor of Music and Director of Bands and Percussion Studies the Missouri Music Educators Association Convention included at the University of Mary Hardin-Baylor in Belton, TX. He received the world premiere of Jared Spears’ “Legacy.” The ensemble the Bachelor of Arts degree from Minot State University, the Mas- works and performs regularly with international guest artists ter of Music degree from the University of Northern Iowa, and the hosted by the percussion studio. Both the TSU Percussion En- Doctor of Musical Arts degree from the University of Missouri semble and Indoor Marching Percussion Ensemble have toured Kansas City Conservatory of Music. He is Principal Percussionist/ on several occasions and appeared at regional and national con- Timpanist with the Temple Symphony Orchestra, Music Director ferences, including MEA, MENC, and PAS. for the Ritmo y Mas Percussion Group, and conductor of the UMHB Wind Ensemble, Marching Band, and Percussion En- TWO PERCUSSION GROUP WEDNESDAY 2:45 P.M. semble. Two is a contemporary percussion duo committed to the ad-

86 ARTISTS AND CLINICIANS UNIVERSITY OF MIAMI PERCUSSION ENSEMBLE SATURDAY 4:00 P.M. BILLY WARD SATURDAY 9:00 A.M. The University of Miami Percussion Ensemble was founded by For the past year and a half, Billy Ward has toured with singer Fred Wickstrom, who directed the group until 1999, and is now Joan Osborne, and now he is free-lancing in the New York City under the direction of Ney Rosauro. The ensemble is an important area (mostly recording) and performing clinics. Billy performed at venue for percussion development inside the University of Miami, the Modern Drummer Festival 2000, demonstrating his unique ap- and the repertory consists of all musical styles, including many proach to drumming technique. He has played drums on more compositions from faculty and students from the school of music. than 50 albums and 50 film soundtracks and in recent years has Its members are Jenni Miller, Anthony J. Abucay, Jesse Abraham, turned his ears toward producing. His solo live duets album, Two Kristen Weaver, Brian Potts, Matthew Koger, Michael Brown, Rob- Hands Clapping, got a 5-star drummers album-of-the-year rating ert LaDue, David Birrow, Andy Gillespie, Cory Hopkins, Iris Lee in Modern Drummer. Drummers from all over the world have re- (piano) and Jeff Block (double bass). sponded enthusiastically to Billy’s “Concepts” articles, which have been appearing in Modern Drummer magazine for over a year. As UNIVERSITY OF NEW WEDNESDAY 11:15 & FRIDAY 9:00 A.M. a writer and clinician, Billy emphasizes a musical approach to MEXICO PERCUSSION ENSEMBLE drumming with an emphasis on the psychological aspects of mak- The University of New Mexico Percussion Ensemble is under the ing music on drums. Visit www.billyward.com for more information. direction of Scott Ney and is composed of undergraduate and graduate percussion students. The ensemble is committed to per- Dave Weckl SATURDAY 11:00 A.M. & 8:00 P.M. forming the works of major composers such as John Cage, Lou Dave Weckl burst onto the world drumming scene in the mid ’80s Harrison, Henry Cowell and Carlos Chavez, as well as focusing on with such artists as Michel Camillo, French Toast, and Simon and several folkloric styles of drumming. Most recently the ensemble Garfunkel before joining Chick Corea’s Elektric Band and Akoustic presented a concert of traditional music from Mexico, Guatemala, Band. He also recorded with the Honeydrippers, which included Africa, Ecuador and Puerto Rico on traditional drums and mallet Robert Plant and Jeff Beck. Dave was also into doing his own instruments. This past year the ensemble received an invitation to thing through books, videos and clinics, and before long he was perform at the 2002 International Festival of Percussive Arts leading his own band and creating a new profile for himself. That Perkusja in Warsaw, Poland. change has seen Dave point his music in a new direction. His latest album, Transition, features Tom Kennedy on bass, Steve UNIVERSITY OF NORTH TEXAS DRUM LINE THURSDAY 8:00 P.M. Weingart on keys and Brandon Fields on sax. The University of North Texas indoor drum line has won the PASIC College Marching Drum line Competition 12 times and has been RICHARD WEINER SATURDAY 11:00 A.M. recognized as a leader in indoor drum line performance. This Richard Weiner is Principal Percussionist with the Cleveland Or- unique ensemble combines the diverse styles of world percussion chestra, Co-Head of the Timpani and Percussion Department of music with the traditions of the marching ensemble. From steel the Cleveland Institute of Music and Director of the CIM Percus- pan to Latin hand drums, look for a variety of sounds from this en- sion Ensemble. He received his BS from Temple University, an MM ergetic ensemble. Their presentations offer a wide variety of visual with distinction from Indiana University, and JD magna cum laude effects, drill and choreography. The director of the drum line is from Cleveland State University. He was a student of Charles Paul Rennick. The coordinator of the UNT Percussion area is Mark Owen and George Gaber and was the first percussionist to re- Ford. ceive the Performer’s Certificate from Indiana University. Previous faculty appointments include the Settlement Music School of GLEN VELEZ FRIDAY 4:00 P.M. Philadelphia, Philadelphia Board of Education and Oberlin Col- Grammy award-winning percussionist Glen Velez is an interna- lege. He is a former member of the Aspen Festival Orchestra and tional soloist and seminal figure in the history of the frame drum. the Chautauqua Summer Symphony and a contributing editor of After 15 years performing and recording with Steve Reich (1973- the symphonic percussion column of Percussive Notes. He is a 88) and Paul Winter (1983-98), Velez is working as a soloist while faculty member of the National Orchestra Institute, a seminar par- continuing to collaborate with a variety of top-notch professionals ticipant at The New World Symphony, and a soloist with the Cleve- in many genres. Twentieth-century music guru John Cage wrote a land Orchestra and various contemporary music organizations. piece especially for Glen in 1989. Velez has also played with no- He has performed on over 100 recordings of the Cleveland Or- tables such as Pat Metheny, Richard Stoltzman, Suzanne Vega, chestra and the Cleveland Symphonic Winds as well as in dozens Howard Levy, Zakir Hussain and Oregon. He has written music for of world premieres. theater and dance and recorded hundreds of albums on ECM, CBS, RCA, GRP, Warner Bros., Deutsche Gramophone, Geffen, PAUL WERTICO FRIDAY 11:00 A.M. & 10:00 P.M. Nonesuch, Capital, and Sony, and he has several instructional Paul Wertico was a member of the Pat Metheny Group for 18 videos and ten recordings of his own music on CMP, Music of the years. During that time, he won seven Grammy Awards, numerous World, Sounds True, Interworld, and Ellipsis Arts. As a master magazine polls and received several gold records. Paul divides teacher who conducts workshops worldwide, Velez developed his his time among touring, studio work, producing, session playing own teaching method called Handance, which incorporates voice and leading his own groups. Wertico serves on the percussion and body movement into the process of learning to play the frame faculty of Northwestern University and the Bloom School of Jazz drum. and he has written educational articles for Modern Drummer, DRUM!, Drums & Drumming, Drum Tracks and Musician.com. He ORESTES VILATO SATURDAY 4:00 P.M. also performs drum clinics and master classes at universities, Orestes Vilato has been referred to as the “Cuban multi-percus- high schools, and music stores around the world. He has released sionist extraordinaire.” He is undoubtedly one of the greatest fig- two instructional videos, Fine Tuning Your Performance and Sound ures in the history of the timbales. From 1980 to 1989, Orestes Work Of Drumming. The latest CD by Paul’s trio is titled Don’t Be recorded and performed with the renowned Carlos Santana band. Scared Anymore. Paul played drums on Paul Winter’s 1990 He has recorded over 300 albums with various artists, including Grammy-nominated release, Earth: Voices Of A Planet, and he Ray Barretto, Cachao, Aretha Franklin, Patato Valdez, Herbie has also played on and produced a number of CDs for various Hancock, Rebeca Mauleon, Buddy Montgomery, and many more. artists. Visit Paul’s Web site: www.paulwertico.com

ARTISTS AND CLINICIANS 87 B. MICHAEL WILLIAMS WEDNESDAY 10:00 A.M.; FRIDAY 10:00 A.M. many percussionists world wide. Zivkovic has made four compact B. Michael Williams is Professor of Music and Director of Percus- discs of marimba and percussion music and one CD featuring sion Studies at Winthrop University in Rock Hill, SC. He holds a Darius Milhaud’s marimba/vibraphone concerto recorded with the BM degree from Furman University, MM from Northwestern Uni- Austrian Chamber Symphony in Vienna. For more information on versity, and PhD from Michigan State University. Williams is active current projects, visit www.zivkovic.de throughout the Southeast as a performer and clinician in symphonic and world music. He has performed with the Charlotte ZORO FRIDAY 1:00 P.M.; SATURDAY 2:00 P.M. (NC) Symphony, Lansing (MI) Symphony, Brevard Music Center Zoro has toured and recorded with Lenny Kravitz, Bobby Brown, Festival Orchestra, and the Civic Orchestra of Chicago. Williams Vanessa Paradis, The New Edition, Jody Watley, Philip Bailey, has served the South Carolina PAS chapter as President and Frankie Valli and the Four Seasons and many others. He was Communications Director, and currently holds the position of Vice voted #1 R&B drummer in the Modern Drummer Readers Poll for President (President-Elect). He has written articles for Accent three consecutive years, 2000-2002. He is also author of the best- Magazine, South Carolina Musician and Percussive Notes, and selling and critically acclaimed Warner Bros. Publications book has made scholarly presentations on the music of John Cage and The Commandments of R&B Drumming: A Comprehensive Guide on African music at meetings of the College Music Society and To Soul, Funk & Hip Hop, which was voted #1 educational book in PASIC. His publications include “Four Solos for Frame Drums,” the Modern Drummer Readers Poll. His three-volume video series “Three Shona Songs” for marimba ensemble, “Recital Suite for by the same name was voted Best Educational Videos, and Zoro Djembe,” “Another New Riq,” “Bodhran Dance” and “Learning was voted best clinician in the 2001 and 2002 Modern Drummer Mbira,” all published by HoneyRock Publications. poll. He is the editor of Stick It magazine and has released a solo CD, The Funky Drummer. Zoro brings his intense passion and love SHE-E WU FRIDAY 10:00 A.M. of funky music to life with a very in-depth and entertaining look at She-e Wu is Assistant Professor of Music at the Mason Gross the history of rhythm & blues music and drummers. To find out School of the Arts at Rutgers University in New Brunswick, NJ. Wu more about Zoro, visit www.zorothedrummer.com. was a featured artist at the Journées de la Percussion (PAS Euro- pean Convention) in Paris, France and performed the marimba SPRING 2003 INTERNSHIP concerto of Eric Ewazen with Orchestre de la Garde Republicaine. This concerto was written for her and commis- The Percussive Arts Society is seeking applicants for our six-month sioned by her and the Moment Musical Orchestra in Taiwan. She- internship program beginning in early January 2003. In the past, e has appeared as a solo artist at PASIC 2000 in Dallas; the 4th successful candidates for this position have either used intern- National Percussion Convention of Spain in Seville; International ships at PAS as capstone semesters to complete music business Percussion Festival in San Juan, Puerto Rico; radio broadcast at degrees or have been recent graduates of such programs. How- the World Marimba Competition in Stuttgart, Germany; Festival ever, all percussion students who wish to gain industry experience Internacional de Percusion Ritmo Vital 2001 in Madrid, Spain; the as a way of promoting career goals are encouraged to apply. International Percussion Festival in San Juan, Puerto Rico; PercuPassion Festival in Lyon, France; Marimba Seminar in Fukui, PAS interns acquire broad industry experience by assisting with a Japan; and Taipei International Percussion Convention in Taipei, variety of staff projects. However, the opportunity to work closely Taiwan. She-e is a member of the Bob Becker Ensemble and her with our new Director of Event Production and Marketing, Jeff solo marimba CD will be released this fall on Resonator Records. Hartsough—with his 17 years of music industry experience - will make the spring 2003 internship especially valuable. Our spring NANCY ZELTSMAN FRIDAY 4:00 P.M. intern will work with Jeff on early planning and production of the Nancy Zeltsman is a leading marimba performer, recording artist, next international convention, marketing, and artist and manufac- commissioner of new works, teacher and author. Her new ma- turer relations. Any young adult who intends to pursue a career in rimba method, Four-Mallet Marimba Playing: A Musical Approach the field of music business should not miss the opportunity for All Levels, will soon be released by Hal Leonard Corporation. Zeltsman teaches marimba at the Boston Conservatory, Berklee Interns live in a furnished apartment provided by PAS (water, elec- College of Music and Temple University. Zeltsman has recorded tricity, and cable bills are also paid). In addition, interns receive a two solo CDs, Woodcuts (GM Recordings) and See Ya Thursday $500 stipend each month. (Equilibrium), and three CDs with the marimba/violin duo We invite prospective candidates to send the following information: Marimolin (1985-1996). She served as a judge for the Belgium In- ternational Marimba Competition in August 2001. Earlier this • a résumé of academic and work experiences; month, she was a featured performer at the 5th Journées de la • a copy of a paper submitted in an upper division course that in- Percussion in Paris. Visit her Web site at: cludes an evaluation written by the student’s professor; www.nancyzeltsman.com. • a list of persons who have agreed to provide academic and work-related recommendations, along with contact information; NEBOJSA JOVAN ZIVKOVIC FRIDAY 2:00 P.M. • a cover letter that both describes the applicant’s career goals Nebojsa Jovan Zivkovic (pronounced Neboysha Yovan and also discusses (based on a review of the public-access pages Chivkovich) completed his Master’s degrees in composition, mu- of our website) how an internship with PAS could help to realisti- sic theory and percussion in Mannheim and Stuttgart, Germany. cally promote those goals. He extensively tours Europe and performs frequently in the USA, Japan, Taiwan, Korea and Mexico. As a soloist, mostly with his Completed applications can be forwarded as e-mail attachments own marimba concertos, Zivkovic has played with the Stuttgart to [email protected] or may be sent to our postal address: Intern Philharmonic, Munich Symphonic, Bochum Philharmonic, Austrian Coordinator, Percussive Arts Society, 701 NW Ferris Avenue, Chamber Symphony, Hannover Radio Symphony, Bielefeld Phil- Lawton, OK 73507. harmonic and others. In addition to his composing and concert activities, he gives master classes and seminars in Europe, Asia Priority will be given to candidates whose applications are re- and the USA. Many composers have written works dedicated to ceived before December 1, 2002. Zivkovic. His works for marimba and percussion published in the USA and in Germany have entered the standard repertoire of For additional information, stop by the Listening Room D140–141.

88 ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 89 PERCUSSIVE ARTS SOCIETY HISTORY

uring the late 1950s, it became the custom for a small Gordon Peters became the first President of PAS; Jack Dgroup of percussionists and interested music directors to McKenzie took the position of First Vice-President and Mr. gather informally and discuss percussion problems during Canedy continued as Executive Secretary. Also elected the Mid-West Band Clinic held each December at Chicago’s were a Board of Directors and an Editorial Board. With this Sherman House. During the 1960 Clinic, Remo Belli, a solid structure, the Society became increasingly influential, member of the group and an exhibitor at the convention, expanding its committee activities to address important invited the others to dinner at the hotel’s restaurant, and percussion issues and making policy decisions that would during discussion, they developed the idea of forming a result in important contributions to all areas of percussion. percussion organization. n important expansion occurred in 1967 when James A L. Moore’s already successful Percussive Notes became an official PAS publication. Another milestone was achieved in 1969 when the Society was incorporated in Indiana as the Percussive Arts Society, Incorporated, a status it maintained until 1985 when it was reincorporated under the laws of Illinois. Beginning in 1971, performances and clinics called “Days of Percussion” were held in conjunction with the yearly business meetings. In 1974, Pictured above are several of the fourteen founding members of the the first Percussive Arts Society Society. (left to right, near side of table) Remo Belli, Jack McKenzie, National Conference (PASNC) Don Canedy, Mervin Britton, (left to right, far side of table) Hugh was held in Anaheim and at Soebbing, Vern Reamer and Sid Lutz, and Kenneth Leisen. California State University at hen Mr. Belli returned home to California, he enlisted Northridge. It was hosted by W the services of Robert Winslow, a professional percus- then-California State Chapter sionist and a North Hollywood high school band director, to President Lloyd McCausland carry out the details of forming an organization. In early and Joel Leach of CSU/ 1961, Mr. Winslow sent a series of letters concerning Northridge. The PASNC evolved into the Percussive membership to interested parties. Among the stated goals of 1965 PAS Logo the organization were: “to stimulate a greater interest in Arts Society International percussion performance and teaching,” and “to promote Convention that we know today as PASIC. The first PASIC better teaching of percussion instruments.” was held in 1976 at the Eastman School of Music in Roches- In May of 1961, Mr. Winslow sent a letter proclaiming: “We ter, NY, and was hosted by John Beck, the Eastman School are underway. The Percussive Arts Society is open for and the New York State Chapter. business,” and in September, the Society sent its first publication, Percussive Arts Society Bulletin, printed on a t is important to note several significant awards presented mimeograph machine donated by Mr. Belli, to the member- Iannually by the Society. First, since 1972, PAS has ship. inducted some of the most important people in percussion into its Hall of Fame. Secondly, since 1974, the PAS Compo- fter three Bulletins, a determination was made to transfer A the administrative and publication duties of the Society to Professor Donald Canedy, who was the percussion instructor and band director at Southern Illinois University. In April of 1963, Mr. Canedy, with the advice of a distinguished editorial board and an able group of contributing editors, published the new PAS journal, Percussion- ist (in later years called Percus- sive Notes Research Edition) in its familiar booklet form. Mr. Canedy served as de facto president through 1964, when, at the December Percussive Arts Society meeting in Chicago, a The first Hall of Fame awards were presented December 16, 1972. constitution was adopted and Three of the five recipients are pictured here. Roy Knapp, Haskell regular officers were elected. 1963 PAS Logo Harr, William F. Ludwig, Sr.

90 PERCUSSIVE ARTS SOCIETY HISTORY sition Contest has encouraged the production of hundreds tion, publication and manufacturing. Today, the Percussive of new works, many of which have become part of the Arts Society is headquartered in Lawton, Oklahoma, where standard percussion repertoire. During the 1990s four the administrative offices and its museum of rare and additional annual awards were implemented to recognize unusual percussion instruments are located in the Society’s PAS volunteers and their importance to the society: PAS new building in Elmer Thomas Park. Construction of the Outstanding Chapter President Award; Outstanding PAS building was funded by PAS members and by the McMahon Supporter Award; PAS President’s Industry Award; and Foundation in Lawton. The grand opening was in August Outstanding PAS Service Award. 1992. Phase II of the building project involved the expansion Thus, the Percussive Arts Society, which began in 1961 as of the museum and was completed in 1995. Phase III of the a group of fourteen concerned percussionists, has grown to building project was completed in 2001, finishing 13,000 more than 6,000 members worldwide, with significant square feet of beautiful museum, library and office space. influence on percussion performance, education, composi-

Year City Host Location

Percussive Arts Society Percussion Day 1971 Chicago, Illinois Bob Tilles DePaul University

Percussive Arts Society Day of Percussion 1972 Chicago, Illinois National PAS, Inc. and College Inn and Sherman House Hotel Illinois State Chapter

Percussive Arts Society National Conference (PASNC) 1974 Anaheim, California/ Lloyd McCausland/ Royal Inn Hotel/ Northridge, California Joel Leach CSU/Northridge 1975 Chicago, Illinois Thomas Siwe Roosevelt University

Percussive Arts Society International Convention (PASIC) 1976 Rochester, New York John Beck Eastman School of Music 1977 Knoxville, Tennessee Michael Combs University of Tennessee 1978 Tempe, Arizona Merv Britton Arizona State University 1979 New York, New York Morris Lang Taft Hotel 1980 San Jose, California Tony Cirone Convention Center 1981 Indianapolis, Indiana Paul Berns Convention Center 1982 Dallas, Texas Robert Schietroma Loews Anatole Hotel 1983 Knoxville, Tennessee Michael Combs Convention Center 1984 Ann Arbor, Michigan Michael Udow University of Michigan 1985 Los Angeles, California Jay Wanamaker Sheraton Hotel 1986 Washington, D.C. Randall Eyles Convention Center and Kennedy Center 1987 St. Louis, Missouri Norm Goldberg/Thomas Siwe Adam’s Mark Hotel 1988 San Antonio, Texas Genaro Gonzalez Henry Gonzalez Convention Center 1989 Nashville, Tennessee Bill Wiggins Stouffer Hotel/Convention Center 1990 Philadelphia, Pennsylvania Dean Witten Adams Hotel 1991 Anaheim, California Dave Black Disneyland Hotel 1992 New Orleans, Louisiana Jim Atwood Hyatt Regency Hotel 1993 Columbus, Ohio Robert Breithaupt Greater Columbus Convention Center 1994 Atlanta, Georgia Tony McCutchen Peachtree Plaza Hotel 1995 Phoenix, Arizona J.B. Smith Phoenix Civic Plaza 1996 Nashville, Tennessee Bill Wiggins Renaissance Hotel/Convention Center 1997 Anaheim, California Theresa Dimond Disneyland Hotel 1998 Orlando, Florida Beth Radock Gottlieb Orange County Convention Center 1999 Columbus, Ohio Jim Rupp Greater Columbus Convention Center 2000 Dallas, Texas Michael Varner Hyatt Regency Dallas 2001 Nashville, Tennessee George Barrett Nashville Convention Center & Renaissance Nashville Hotel

PERCUSSIVE ARTS SOCIETY HISTORY 91 PAS Hall of Fame (year specifies date of induction) OUTSTANDING PAS SERVICE AWARD

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ 1996 Steve Beck Keiko Abe, 1993 Jo Jones, 1990 1997 Karen Hunt Alan Abel, 1998 Roy Knapp, 1972 1998 Doug Wolf Henry Adler, 1988 William Kraft, 1990 1999 Rebecca Kite Frank Arsenault, 1975 Gene Krupa, 1974 2000 Larry Snider Elden C. “Buster” Bailey, 1996 Morris “Arnie” Lang, 2000 2001 Ian Turnbull John Beck, 1999 Alexander Lepak, 1997 Bob Becker/NEXUS, 1999 Mel Lewis, 2001 Remo Belli, 1986 Maurice Lishon, 1989 Louis Bellson, 1978 William F. Ludwig II, 1993 PAS PRESIDENT’S INDUSTRY AWARD James Blades, 1975 William F. Ludwig, Sr., 1972 Carroll Bratman, 1984 Shelly Manne, 1997 1994 Sandy Feldstein Harry Breuer, 1980 Joe Morello, 1993 1995 Lloyd McCausland Gary Burton, 1988 Clair Musser, 1975 1996 Robert Zildjian John Cage, 1982 John Noonan, 1972 1997 Lennie DiMuzio William Cahn/NEXUS, 1999 Red Norvo, 1992 1998 Jim Catalano Joe Calato, 2001 Babatunde Olatunji, 2001 1999 Jim Coffin Jim Chapin, 1995 Charles Owen, 1981 2000 Steve Ettleson Vida Chenoweth, 1994 Harry Partch, 1974 2001 Paul Siegel Bobby Christian, 1989 Al Payson, 2001 Rob Wallis Michael Colgrass, 1987 John S. Pratt, 2002 * Alan Dawson, 1996 Paul Price, 1975 John Calhoun Tito Puente, 2001 (J.C.) Deagan, 1999 Buddy Rich, 1986 PAS OUTSTANDING Cloyd Duff, 1977 Emil Richards, 1994 CHAPTER PRESIDENT AWARD Robin Engelman/NEXUS, 1999 Max Roach, 1982 Vic Firth, 1995 James Salmon, 1974 1991 Ian Turnbull Alfred Friese, 1978 Fred Sanford, 2000 (Ontario) George Gaber, 1995 Murray Spivack, 1991 1992 Lauren Vogel Weiss Terry Gibbs, 2000 Ringo Starr, 2002 * (Texas) Billy Gladstone, 1978 George L. Stone, 1997 1993 Kristen Shiner McGuire Morris Goldenberg, 1974 William Street, 1976 (New York)

Saul Goodman, 1972 ○○○○○○○○○○○○○○○○ Ed Thigpen, 2002 * 1994 Keith Aleo George Hamilton Green, 1983 Edgar Varèse, 1980 (Florida) Lionel Hampton, 1984 William “Chick” Webb, 1985 1995 Mark Dorr Haskell Harr, 1972 Charley Wilcoxon, 1981 (Iowa) Lou Harrison, 1985 Tony Williams, 1997 1996 Nigel Shipway Russell Hartenberger/NEXUS, 1999 John Wyre/NEXUS, 1999 (United Kingdom) Roy Haynes, 1998 Armand Zildjian, 1994 1997 Marshall Maley Sammy Herman, 1994 Avedis Zildjian, 1979 (Virginia) Fred D. Hinger, 1986 Robert Zildjian, 2000 1998 Peter O’Gorman Richard Hochrainer, 1979 (Minnesota) Milt Jackson, 1996 * WILL BE INDUCTED AT THE 1999 Eric Hollenbeck Elvin Jones, 1991 FRIDAY EVENING HALL OF FAME BANQUET (Alabama) 2000 Jim Royle (Connecticut) 2001 Frederic Macarez PASIC 2002 SOUND POLICY (France) PLEASE BE CONSIDERATE OF OTHERS! Please limit testing of instruments to not louder than a moderate dynamic level (up to mf) and for a brief period only (up to 30 seconds). OUTSTANDING PAS SUPPORTER AWARD

Failure to adhere to this policy will result in the following: 1993 Ed Soph 1994 Norman Weinberg 1st Offense: Warning (Badge will be punched) Barry Zimmerman 1995 Jerry Steinholtz 1996 James Lambert 2nd Offense: Expulsion from Exhibit Hall (24 hours) 1997 Steve Houghton 1998 Ed Shaughnessy 3rd Offense: Permanent expulsion from Exhibit Hall, 1999 Tzong-Ching Ju 2000 Gregg Bissonette No refunds will be given, and decisions of the security guards are final. 2001 Peter Erskine

92 PERCUSSIVE ARTS SOCIETY HISTORY PAS COMPOSITION CONTEST

1974: LARGE PERCUSSION ENSEMBLE 1984: MARCHING PERCUSSION (FEATURE CORPS STYLE) 1ST Walter Mays “Six Invocations to the Svara Mandala” 1ST Jefferey P. Funnell “Time Warp” 2ND William Steinhort “Two Movements for Mallets” 2ND Barry D. Bridwell “Evolution” 3RD Marta Ptaszynska “Siderals” 3RD Glenn C. Fugett “An Etude for Field” 1975: KEYBOARD PERCUSSION SOLO Willis M. Rapp “Arrangement of Thomas Gauger’s 1ST Luis Jorge Gonzalez “Mutables” Gainsborough” 2ND Andrew Frank “Maneries of Garlandia” Richard McLendon “Medicated Goo II” 3RD Gordon Stout “Two Mexican Dances” 1985: SOLO PERCUSSION WITH BAND/WIND Reed Holmes “DreamQuest” 1ST Robert Myers “Enigma Virginia” 1976: TIMPANI SOLO 2ND William Susman “Exchanges” 1ST Murray Houllif “Four Verses for Timpani” 3RD Michael Udow “Rememberance” 2ND John Floyd “Theme and Variations for Four Timpani” John Serry “Concerto for Percussion, Brass and Marta Ptaszynska “Classical Variations in Several Styles Percussion” for Four Timpani” 1986: SOLO PERCUSSION WITH PERCUSSION ENSEMBLE (6 OR MORE PLAYERS) 1977: PERCUSSION DUO 1ST Yiu-kwong Chung “Three Movements for Solo Marimba 1ST John B. Austin “Designs with Refrain” and Seven Percussionists” [now titled “Chariots”] 2ND Edward M. Barnes “Three Dances for Percussion” 2ND Lynn Glassock “Four Interiors” Robert Lombardo “Variations for Two Percussionists” 3RD Willie Anku- GAHU “An African Model” 1978: PERCUSSION SOLOIST WITH PERCUSSION ENSEMBLE 1987: SOLO PERCUSSION WITH TRADITIONAL WOODWIND OR BRASS QUINTET ACCOMPANIMENT 1ST Tomoyuki Hisatome “The Hopping Moon for Percussion 1ST Michael W. Udow “Bog Music” and Woodwinds” 2ND Daniel Levitan “Concerto for Marimba” 2ND Ramon Dana “Sonata for Brass Quintet and 3RD Murray Houllif “Three Movements for Multi-Percussionist Percussion” and Percussion Quartet” 3RD Daniel Moore “Fantasy on Two American Folk Tunes” William J. Schinstine “Sonata No. 4 for Timpani and 1988: LARGE PERCUSSION ENSEMBLE (8 OR MORE PLAYERS) Percussion Ensemble” 1ST Steve Riley “Declarative Stances” 1979: KEYBOARD PERCUSSION ENSEMBLE (3 OR MORE PLAYERS) 2ND Blake Wilkins “Twilight Offering” 1ST Luis Jorge Gonzalez “Invocations for Three 3RD Dr. David Gillingham “Paschal Dances” Percussionists” 1989: SUITE FOR SOLO SNARE DRUM 2ND Carla Scaletti “Waves: A Concerto for Harp and 1ST Guy Gauthreaux “American Suite for Unaccompanied Percussion Ensemble” Snare Drum” 3RD Lawrence Hoffman “Music for Six Percussionists” 2ND Dr. Jack Jenny “At Odds, Suite for Solo Snare Drum” 1980: SNARE DRUM SOLO 3RD Daniel Adams “Variation Sans Theme” 1ST Eric White “False Images” 1990: UNACCOMPANIED VIBRAPHONE SOLO 2ND William Schinstine “Recital Suite for Snare Drum” 1ST Robert Stright “Six Poems” Chris McDermott “A solo for Two Hands and a Snare 2ND Thomas Briggs “Reminiscence for Solo Vibraphone” Drum” 3RD Lynn Glassock “Reflections” 1980: VIBRAPHONE SOLO Brad Stirtz “Tribute” 1ST Takayoshi Yoshioka “Meditation” 1991: UNACCOMPANIED 5-PIECE DRUMSET SOLO 2ND Larry Spivack “Soliloquy” 1ST Robert Stright “Melodies for Drumset” 1980: DRUMSET SOLO 2ND Glen A. Bush “Moose and Squirrel are Friends” 1ST Eric White “Two Sketches for Drum Set” 3RD Gerald M. Heslip “Whose Kit is This?” 2ND Thomas Nehls “Warm Up Drums” 1992: I. SOLO MARIMBA (LOW A) 3RD Ron Fink “Set Solos III” [now titled “Drum Suite”] 1ST Gary Smart “The Seasons” 1981: KEYBOARD MALLET ENSEMBLE (3 OR MORE PLAYERS) 2ND Christopher Deane “Three Shells” 1ST Daniel V. Oppenheim “4 Percussion” 1992: II. LARGE PERCUSSION ENSEMBLE (8–10 PLAYERS) 2ND Jonathan B. McNair “Intervals” 1ST Christopher Coleman “Cat Spanking: A Fantasy for 3RD Moses Howden “Hollow Madona” Percussion” David Morris “Octet” 2ND Duane Heller “Scena” 1982: UNACCOMPANIED SOLO MARIMBA Anthony Scott Watson “Dark Chase” 1ST Christopher Deane “Etude for a Quiet Hall” 2ND Donald Skoog “Water and Fire” 3RD Bob Margolis “Three Technical Sketches for Marimba” 1983: DUET FOR ONE PERCUSSIONIST AND ONE WIND INSTRUMENTALIST 1ST Raymond Luedeke “Fancies and Interludes IV for Bass Clarinet and Percussion” 2ND Raymond Luedeke “Fancies and Interludes III for Horn and Percussion” 3RD David J. Colson List 1: “Hotdogs for Oboe and Percussion”

PERCUSSIVE ARTS SOCIETY HISTORY 93 PAS Composition Contest

1993: I. PERCUSSION DUO (SINGLE INSTRUMENT OR 1998: II. SMALL PERCUSSION ENSEMBLE (3–5) SMALL-TO-MEDIUM MULTIPLE SET-UP FOR EACH PERFORMER) 1ST Lynn Glassock “Between the Lines” 1ST Dan Knipple “Recital Duo” (For Rudimental Snare 2ND Brian Prechtl “Passing Through the Waters” Drum with Pedal Bass Drum and Concert Snare 3RD William Hill “Stonehenge Rites of the Solstice” Drum with Hi-Hat) Michael Zak “Starburst” 2ND Dave Roth “Harmony–Three Episodes for Percussion” John Christian Orfe “Dragon” 3RD Paul Swenson “An Index of Gasses” 1999: I. KEYBOARD DUET 1993: II. KEYBOARD PERCUSSION ENSEMBLE (5–8 PLAYERS) (ANY COMBINATION OF MARIMBAS AND/OR VIBRAPHONES) 1ST Cynthia C. Barlow “Nomen Solers” 1ST Roland Stolk “Light as a Feather” 2ND Dan Heslink “Fantasia for Bar Percussion 2ND Richard O’Meara “looking at ‘r’ ” Instruments” 3RD Adi Morag “Octabones” 3RD Thomas E. Suta “Ice Princess” 1999: II. MEDIUM SIZE PERCUSSION ENSEMBLE (6–8 PLAYERS) 1994: I. MARIMBA AND VOICE 1ST Elyzabeth Meade “TAPAS” (LOW A OR LOW F ACCEPTABLE FOR MARIMBA) 2ND Angel Morales “Butai No Tameno Ongaku” 1ST Lynn Glassock “Five Songs For Voice and Marimba” 3RD Steve Riley “Eye Irascible” 2ND Bruce Roberts “Dona Eis Requiem” 2000: I. PERCUSSION SOLOIST WITH BAND 3RD Douglas Ovens “She Sings….” (WIND ENSEMBLE TO SYMPHONIC BAND) 1994: II. Small Percussion Ensemble (3–5 players) 1ST Lynn Glassock “Concerto for Percussion and Wind 1ST David Minnick “Telemikro” Ensemble” 2ND Edward Smaldone “Episodes for Percussion Quart” 2ND Joey Sellers “Odd Children” 3RD David McIntyre “Chronomosaic” 3RD Daniel Adams “Isorhythmic Concerto” Kevin Kaspar “Bergamo Suite” 2000: II. MALLET ENSEMBLE (4–6 PLAYERS) 1995: I. VIBRAPHONE SOLOIST WITH PERCUSSION ENSEMBLE 1ST Scott Comanzo “Machine Duck” (5–8 PLAYERS) 2ND Elyzabeth Meade “Curious for Mallet Sextet” 1ST David Johnson “Quartz City” 3RD Matthew Briggs “Marimba Quartet” 2ND Stephen Lima “Alma Sagrada” 2001: I. LARGE PERCUSSION ENSEMBLE (8–12 PLAYERS) 3RD Robert Cossom “Bunyip” 1ST Joe Hansen “The Tempest” 1995: II. SOLO PERCUSSIONIST 2ND Jonathan Kolm “The Primitive Cosmos” (SMALL TO MEDIUM SET-UP WITH TAPE {CASSETTE}) 3RD Luigi Morleo “Mucha Concert” 1ST Thom Hasenpflug “South of Jupiter” 2001: II. DUET, PERCUSSION AND ALTO SAXOPHONE 2ND Jeffrey Peyton “The Final Precipice” 1ST Shawn Crouch “Suspended Contact” 3RD Bruce Hamilton “Edge” 2ND Chris Roze “Jitterbug And Ballad” 1996: I. SOLO MARIMBA (LOW A ) WITH PIANO ACCOMPANIMENT 3RD Luca Vanneschi “Deep Blue” 1ST Thomas Briggs “Duet for Marimba and Piano” 2002: I. MULTIPLE PERCUSSION SOLO 2ND Mari Era “San Sui Sui” 1ST Eckhard Kopetzki “Canned Heat” 3RD Alexis Bacon “Duet for Marimba and Piano” 2ND Guy Gauthreaux, “Time to Remember” 1996: II. STEEL DRUM ENSEMBLE 3RD Brett William Dietz, “Fire Wire” (CONCERT STYLE, NO TRANSCRIPTIONS OR ARRANGEMENTS) 2002: II. TIMPANI SOLOIST WITH PERCUSSION ENSEMBLE 1ST Paul G. Ross “For the Day” 1ST Allen Houston, “Concert Piece in 3 Movements” 2ND Khris Dodge “The Truth Out There” 2ND Alex A. Orfaly, “Divertissement” 3RD Paul G. Ross “Realization for Steel Band” 3RD Eric Matthew Rodis, “Channels: Concerto for Timpani” 1997: I. SOLO MARIMBA (ANY STANDARD RANGE FROM 4 1/3 TO 5 OCTAVES ACCEPTABLE) 1ST Leander Kaiser “Black Sphinx” 2ND Geir Rafnsson “Hekla” 3RD Tom Deastlov “Creation and Metamorphosis” 1997: II. LARGE PERCUSSION ENSEMBLE (8–10 PLAYERS) 1ST Lynn Glassock “No Exit” 2ND William Hill “Brazilian Dances” 3RD Kevin Purrone “Wadsworth Falls” 1998: I. SOLO TIMPANI (FOUR DRUMS) 1ST William Hill “Sonata in C for Solo Timpani” 2ND Kevin Erikson “In the Valley of Kings” 3RD Guy Gauthreaux “Capriccio for Solo Timpani” Frederic Macarez “Feet and Hands”

94 PERCUSSIVE ARTS SOCIETY HISTORY PASIC 2002 ADVERTISERS CONGRATULATIONS TO THE PASIC 2002 SCHOLARSHIP WINNERS Alfred Publishing Co., Inc...... Cover II Aquarian Accessories ...... 47 INTERNATIONAL/NATIONAL PASIC 2002 SCHOLARSHIPS FUNDED Avedis Zildjian Company ...... 15, 17, 19, Cover IV THROUGH THE PAS ENDOWMENT FUNDS Bergerault USA ...... 9 REGIONAL SCHOLARSHIPS Berklee College of Music ...... 51 •DAVID BERGMAN BEAVERTON, OR Blair School of Music–Vanderbilt University ...... 56 CALIFORNIA C.S. Records ...... 53 AVEDIS ZILDJIAN CO. •DEBRA LIPPA Clevelander Drum Company ...... 41 •NEERAJ MEHTA REMO, INC./CALIFORNIA Doc’s Proplugs, Inc...... 11 MADISON, WI CHAPTER OF PAS PASIC Drummers Collective ...... 11 LUDWIG INDUSTRIES SCHOLARSHIP Drum Workshop, Inc...... 81 •ASHLEY HAYNES Evans Drumheads ...... 85 NEW YORK WINSTON-SALEM, NC Fall Creek Marimbas ...... 48 MCMAHON FOUNDATION •DARRYL LITTMAN Falls Music Company ...... 39 REGAL TIP/CALATO PASIC Guitar Center ...... 25 •CHARLIE FORKISH SCHOLARSHIP Hal Leonard Corp...... 42 EUGENE, OR EXAS HydroSteel LLC ...... 41 REMO, INC. T Innovative Percussion, Inc...... 65, 67, 69 •KELLY LYNN WRIGHT •ANDREA BUNTON Latin Percussion, Inc...... 27 EXAS IGH ANDERSON, SC T PAS PASIC H Lefima Percussion ...... 36 CHOOL CHOLARSHIP VAL AND VENUS EDDY S S MalletWorks Music ...... 61 •LAURA LYNN Mannes College of Music ...... 38 •MATT KANTORSKI “SKIPPER” CATHEY Marimba One ...... 32 BOWLING GREEN, OH TEXAS PAS PASIC COLLEGE Mostly Marimba ...... 18 WILLIAM F. L UDWIG JR. SCHOLARSHIP Musical Alchemy, Inc.–Concussion Media ...... 36 •ELLEN M. SIMON Paiste America, Inc...... 1 FOND DU LAC, WI •AMANDA BALL EXAS RO ARK Pearl Corporation and Adams Musical Instruments ... 63 YAMAHA CORPORATION OF T PAS/P -M CHOLARSHIP Pro-Mark Corporation ...... 5, 29 AMERICA PASIC S Regal Tip ...... 71 •COLTY HARRISON Remo, Inc...... 45 •ZACH REDLER TEXAS PAS/VIC FIRTH PASIC Rhythm Fusion, Inc...... 24 CORAL SPRINGS, FL SCHOLARSHIP Roland Corporation US ...... 13 THOMAS SIWE Sabian, Ltd...... 55 •MARIEL JOCELYN READ •JORDAN R. SMITH EXAS ERCUSSION Salazar Fine Tuning ...... 16 AMHERST, NY T PAS/P ONSTRUCTION Shure, Incorporated ...... 22 THOMAS SIWE C PASIC SKB Corporation ...... 21 SCHOLARSHIP WINNER •DAVID CONSTANTINE Sonor Drums/HSS, Inc...... 59 EUGENE, OR •DANIELLE LEHLE Trinidad & Tobago Instruments, Ltd...... 39 EXAS IKE ALTER CLOYD DUFF T PAS/M B University of Miami ...... 73 PASIC SCHOLARSHIP Vaughncraft ...... 20 •ROB PESKE AURA IEDER Vic Firth, Inc...... 37 BISMARCK, ND •L F TEXAS PAS/EVANS PASIC Virginia Arts Festival ...... 48 JAMES SEWREY Warner Bros. Publications ...... 89, Cover III SCHOLARSHIP WINNER •DANIEL VILLANUEVA Winter Guard International ...... 5 SARASOTA, FL Yamaha Corporation of America ...... 23 STEVE ETTLESON

PASIC 2002 program printed by Johnson Press of America, Pontiac, Illinois PASIC 2002 ADVERTISERS 95