Richard Alf Papers MS-0523
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Earl Kemp: Ei48
Vol. 9 No. 1 February 2010 –e*I*48– (Vol. 9 No. 1) February 2010, is published and © 2010 by Earl Kemp. All rights reserved. It is produced and distributed bi-monthly through http://efanzines.com by Bill Burns in an e-edition only. “Three Hearts,” by Brad Foster Contents – eI48 – February 2010 Cover: “Three Hearts,” by Brad Foster …Return to sender, address unknown….38 [eI letter column], by Earl Kemp Love Sucks, by Victor J. Banis I’m Writing the New Doctor Who, by Michael Moorcock Porn Noir, 1968—1974, by Jay A. Gertzman The Black Lensperson, by Jon Stopa A Faan For All Seasons, by Earl Terry Kemp Back cover: “Taking off or Landing,” by Ditmar [Martin James Ditmar Jenssen] THIS ISSUE OF eI is for megafans Richard and Pat Lupoff, because they deserve it. In the strictly science fiction world, it is also in memory of Knox Burger, Ken Krueger, Mark Owings, Robert Parker and Takumi Shibano. # As always, everything in this issue of eI beneath my byline is part of my in-progress rough-draft memoirs. As such, I would appreciate any corrections, revisions, extensions, anecdotes, photographs, jpegs, or what have you sent to me at [email protected] and thank you in advance for all your help. Bill Burns is jefe around here. If it wasn’t for him, nothing would get done. He inspires activity. He deserves some really great rewards. It is a privilege and a pleasure to have him working with me to make eI whatever it is. Other than Bill Burns, Dave Locke, and Robert Lichtman, these are the people who made this issue of eI possible: Victor J. -
FANTASY FAIRE 19 81 of Fc Available for $4.00 From: TRISKELL PRESS P
FANTASY FAIRE 19 81 of fc Available for $4.00 from: TRISKELL PRESS P. 0. Box 9480 Ottawa, Ontario Canada K1G 3V2 J&u) (B.Mn'^mTuer KOKTAL ADD IHHOHTAl LOVERS TRAPPED Is AS ASCIEST FEUD... 11th ANNUAL FANTASY FAIRS JULY 17, 18, 19, 1981 AMFAC HOTEL MASTERS OF CEREMONIES STEPHEN GOLDIN, KATHLEEN SKY RON WILSON CONTENTS page GUEST OF HONOR ... 4 ■ GUEST LIST . 5 WELCOME TO FANTASY FAIRE by’Keith Williams’ 7 PROGRAM 8 COMMITTEE...................... .. W . ... .10 RULES FOR BEHAVIOR 10 WALKING GUIDE by Bill Conlln 12 MAP OF AREA ........................................................ UPCOMING FPCI CONVENTIONS 14 ADVERTISERS Triskell Press Barry Levin Books Pfeiffer's Books & Tiques Dangerous Visions Cover Design From A Painting By Morris Scott Dollens GUEST OF HONOR FRITZ LEIBER was bom in 1910. Son of a Shakespearean actor, Fritz was at one time an actor himself and a mem ber of his father’s troupe. He made a cameo appearance in the film "Equinox." Fritz has studied many sciences and was once editor of Science Digest. His writing career began prior to World War 11 with some stories in Weird Tales. Soon Unknown published his novel "Conjure Wife, " which was made into a movie under the title (of all things) "Bum, Witch, Bum!" His Gray Mouser stories (which were the inspira tion for the Fantasy Faire "Fritz Leiber Fantasy Award") were started in Unknown and continued in Fantastic, which magazine devoted its entire Nov., 1959 issue to Fritz's stories. In 1959 Fritz was awarded a Hugo, by the World Science Fiction Convention for his novel "The Big Time." His novel "The Wanderer," about an interloper into our solar system, won the Hugo again in 1965.'-His novelettes Gonna Roll the Bones," "Ship of Shadows" and "Ill Met in Lankhmar” won the Hugo in 1968, 1970 and 1971 in that order. -
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JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
Minne-ALF Project Overview and Retro-Fit Dowel Study Results
Final Report 2000-02 Minne-ALF Project Overview and Retro-Fit Dowel Study Results Technical Report Documentation Page 1. Report No. 2. 3. Recipient’s Accession No. MN/RC - 2000-02 4. Title and Subtitle 5. Report Date MINNE-ALF PROJECT OVERVIEW AND RETRO-FIT December 1999 DEWEL STUDY RESULTS 6. 7. Author(s) 8. Performing Organization Report No. Rebecca A. Embacher Mark B. Snuyder 9. Performing Organization Name and Address 10. Project/Task/Work Unit No. University of Minnesota Civil Engineering Department 11. Contract (C) or Grant (G) No. 500 Pillsbury Drive, S.E. Minneapolis, MN 55455 c)72272 wo) 146 12. Sponsoring Organization Name and Address 13. Type of Report and Period Covered Minnesota Department of Transportation Final Report 1994-1999 395 John Ireland Boulevard Mail Stop 330 St. Paul, Minnesota 55155 14. Sponsoring Agency Code 15. Supplementary Notes 16. Abstract (Limit: 200 words) A laboratory-based linear loading pavement test stand, the Minnesota Accelerated Loading Facility (Minne-ALF) simulates the passage of heavy traffic loads moving at speeds up to 65 kph (40 mph) over small, full-scale pavement test slabs. Hydraulic actuators control a rocker beam, which simulates loads. Researchers simulated the passage of 40-KN (9-kip) single-wheel loads at a rate of 172,000 per day, although wheel loads up to 100 kN (22 kips) can be simulated at varying speeds. Full-axle simulations are possible with frame modifications. Concrete slabs were cast and dowels were installed in slots across crack/joints. Test variables included joint fact texture, repair backfill material, and dowel material and length. -
Making Care Count: an Overview of the Women's Economic
Making care count AN OVERVIEW OF THE WOMEN’S ECONOMIC EMPOWERMENT AND CARE INITIATIVE ABOUT THE COVER. Created by African artist Monica Obaga, this artwork represents a vision of a future where families share care work at home. It was first used for an online campaign during the celebration of the African Women’s Day in July 2020. Across the globe, unpaid care and domestic work (UCDW) sustains communities and economies, provides essential care for children, sick and elderly people and those living with disabilities, and keeps households clean and families fed. Without unpaid care, the global economy as we know it would grind to a halt. Yet this work falls disproportionately on women and girls, limiting their opportunities to participate in decent paid employment, education, leisure and political life. Heavy and unequal UCDW traps women and girls in cycles of poverty and stops them from being part of solutions. Making unpaid care more valued and more visible In low-income settings such as Zimbabwe and From ‘radical’ to mainstream: the Philippines, where essential public services the evolving discussion on unpaid care are inadequate and tasks such as collecting Conversations on UCDW have evolved over the water and firewood are particularly heavy and decades from the ‘domestic labour debate’ time-consuming, women do up to six times of the 1970s—then considered radical—to as much UCDW as men.1 When domestic tasks addressing care increasingly being seen require inordinately long hours, time for direct today as a precondition for women’s political, care of people is further constrained.2 economic and social empowerment. -
Erformance Testing for Superpave and Structural Validation
Performance Testing for Superpave and Structural Validation PUBLICATION NO. FHWA-HRT-11-045 NOVEMBER 2012 Research, Development, and Technology Turner-Fairbank Highway Research Center 6300 Georgetown Pike McLean, VA 22101-2296 FOREWORD This final report provides the comprehensive findings from two Transportation Pooled Fund (TPF) research projects, TPF-5(019): Full-Scale Accelerated Performance Testing for Superpave and Structural Validation and SPR-2(174): Accelerated Pavement Testing of Crumb Rubber Modified Asphalt Pavements. The research identified candidate purchase specification tests for asphalt binder that better discriminate expected fatigue cracking and rutting performance than current SUperior PERforming Asphalt PAVEment (Superpave®) tests. Full-scale accelerated pavement testing and laboratory characterization tests on mixtures and binders provided the basis for the recommendations. This report documents a historical review of the development of asphalt binder performance specifications, experimental design, test pavement construction and performance, statistical methodology to rank and identify the strongest candidates, and all pertinent laboratory characterization of binders and mixtures that supplemented the recommendations. The research also provided a detailed case study of pavement evaluation using falling weight deflectometer and objective means to evaluate two emerging technologies; the asphalt mixture performance tester and the Mechanistic-Empirical Pavement Design Guide.(1) This document will be of interest to highway personnel involved with Superpave®, materials selection, performance specifications, and pavement design and evaluation. Jorge E. Pagán-Ortiz Director, Office of Infrastructure Research and Development Notice This document is disseminated under the sponsorship of the U.S. Department of Transportation in the interest of information exchange. The U.S. Government assumes no liability for the use of the information contained in this document. -
AMF / ALF SERIES Albedometer Mounting and Levelling Fixtures: Combine 2 Pyranometers Into 1 Albedometer with Our AMF03 and AMF02 Albedometer Kits
Hukseflux Thermal Sensors ACCESSORY AMF / ALF SERIES Albedometer mounting and levelling fixtures: combine 2 pyranometers into 1 albedometer with our AMF03 and AMF02 albedometer kits Hukseflux offers a practical range of mounting and levelling fixtures to construct albedometers from its popular pyranometers and make installation and levelling easy. Albedometers are increasingly popular in bifacial PV module monitoring. AMF03 allows you to combine two SR30-M2-D1 spectrally flat Class A pyranometers or two SR15 series Class B pyranometers into one albedometer. AMF02 does so for two SR11 or two SR20 series pyranometers. The modular design facilitates maintenance and calibration of the pyranometers. Both albedometer kits include a mounting fixture and a glare screen. ALF01 is a levelling fixture that may be combined with AMF03, AMF02 or SRA series albedometers, and helps levelling the instrument. Hukseflux offers a full range of dedicated, ready- Introduction to-use albedometers for measuring albedo. Albedo, also called solar reflectance, is defined as Alternatively, with the AMF03 or AMF02 mounting the ratio of the reflected to the global radiation. fixture in AMF / ALF series, you may choose to The solar albedo depends on the directional construct albedometers from popular Hukseflux distribution of incoming radiation and on surface pyranometers yourself. AMF03, AMF02 and SRA properties at ground level. Albedos of typical series albedometers can be levelled with ALF01 surfaces range from about 4 % for fresh asphalt, levelling fixture. and 15 % for green grass to 90 % for fresh snow. An albedometer is an instrument composed of two pyranometers, the upfacing one measuring global solar radiation, the downfacing one measuring reflected solar radiation. -
Muere Max Wright, El «Padre» Humano De ALF
Muere Max Wright, el «padre» humano de ALF Max Wright, uno de los protagonistas de la popular serie de televisión de los años 80 ALF, falleció este miércoles. Familiares confirmaron que el actor, quien interpretó a Willy Tanner, el padre de la familia que acogió al peludo extraterrestre, murió en su casa en Hermosa Beach, a las afueras de Los Ángeles, California. Wright, que tenía 75 años, libró una batalla contra el cáncer durante muchos años. Al actor, nacido en Detroit (Michigan), le fue diagnosticado un linfoma en 1995, que permaneció en estado de remisión durante mucho tiempo. La esposa del artista, Linda Ybarrondo, con quien se había casado en 1965 y tenía dos hijos, falleció en 2017 a raíz de un cáncer de mama. Wright ya había sido noticia hace años por sus excesos. Drogándose sin parar, fue pillado por fotógrafos en un fumadero de crack e incluso se filtraron imágenes en las que mantenía sexo homosexual en una orgía mientras se consumían varias drogas. Además de actuar en cuatro temporadas de Alf, Wright participó en programas como Buffalo Bill, Cheers, Misfits of Science, Dudley y The Norm Show, recordó la publicación. El intérprete también hizo parte de películas como All That Jazz, Reds, The Sting II, Soul Man, The Shadow, entre otras. Con cuatro temporadas y 103 episodios emitidos entre 1986 y 1990, ALF giraba en torno a la llegada de un simpático extraterrestre a la vida de una familia ordinaria y fue un hito de la televisión estadounidense de los años 80. En agosto del año pasado, el portal especializado TVLine informó que la productora Warner Bros Television planteaba recuperar ALF. -
J a C K Kirb Y C Olle C T Or F If T Y- Nine $ 10
JACK KIRBY COLLECTOR FIFTY-NINE $10 FIFTY-NINE COLLECTOR KIRBY JACK IT CAN’T BE! BUT IT IS! I’VE DISCOVERED... ...THE AND NOTHING WILL EVER BE THE SAME AGAIN!! 95 A TREASURE TROVE OF RARITIES BY THE “KING” OF COMICS! Contents THE OLD(?) The Kirby Vault! OPENING SHOT . .2 (is a boycott right for you?) KIRBY OBSCURA . .4 (Barry Forshaw’s alarmed) ISSUE #59, SUMMER 2012 C o l l e c t o r JACK F.A.Q.s . .7 (Mark Evanier on inkers and THE WONDER YEARS) AUTEUR THEORY OF COMICS . .11 (Arlen Schumer on who and what makes a comic book) KIRBY KINETICS . .27 (Norris Burroughs’ new column is anything but marginal) INCIDENTAL ICONOGRAPHY . .30 (the shape of shields to come) FOUNDATIONS . .32 (ever seen these Kirby covers?) INFLUENCEES . .38 (Don Glut shows us a possible devil in the details) INNERVIEW . .40 (Scott Fresina tells us what really went on in the Kirby household) KIRBY AS A GENRE . .42 (Adam McGovern & an occult fave) CUT-UPS . .45 (Steven Brower on Jack’s collages) GALLERY 1 . .49 (Kirby collages in FULL-COLOR) UNEARTHED . .54 (bootleg Kirby album covers) JACK KIRBY MUSEUM PAGE . .55 (visit & join www.kirbymuseum.org) GALLERY 2 . .56 (unused DC artwork) TRIBUTE . .64 (the 2011 Kirby Tribute Panel) GALLERY 3 . .78 (a go-go girl from SOUL LOVE) UNEARTHED . .88 (Kirby’s Someday Funnies) COLLECTOR COMMENTS . .90 PARTING SHOT . .100 Front cover inks: JOE SINNOTT Back cover inks: DON HECK Back cover colors: JACK KIRBY (an unused 1966 promotional piece, courtesy of Heritage Auctions) This issue would not have been If you’re viewing a Digital possible without the help of the JACK Edition of this publication, KIRBY MUSEUM & RESEARCH CENTER (www.kirbymuseum.org) and PLEASE READ THIS: www.whatifkirby.com—thanks! This is copyrighted material, NOT intended for downloading anywhere except our The Jack Kirby Collector, Vol. -
NEDOR HEROES! $ NEDOR HEROES! In8 Th.E9 U5SA
Roy Tho mas ’Sta nd ard Comi cs Fan zine OKAY,, AXIS—HERE COME THE GOLDEN AGE NEDOR HEROES! $ NEDOR HEROES! In8 th.e9 U5SA No.111 July 2012 . y e l o F e n a h S 2 1 0 2 © t r A 0 7 1 82658 27763 5 Vol. 3, No. 111 / July 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Proofreaders Rob Smentek, William J. Dowlding Cover Artist Shane Foley (after Frank Robbins & John Romita) Cover Colorist Tom Ziuko With Special Thanks to: Deane Aikins Liz Galeria Bob Mitsch Contents Heidi Amash Jeff Gelb Drury Moroz Ger Apeldoorn Janet Gilbert Brian K. Morris Writer/Editorial: Setting The Standard . 2 Mark Austin Joe Goggin Hoy Murphy Jean Bails Golden Age Comic Nedor-a-Day (website) Nedor Comic Index . 3 Matt D. Baker Book Stories (website) Michelle Nolan illustrated! John Baldwin M.C. Goodwin Frank Nuessel Michelle Nolan re-presents the 1968 salute to The Black Terror & co.— John Barrett Grand Comics Wayne Pearce “None Of Us Were Working For The Ages” . 49 Barry Bauman Database Charles Pelto Howard Bayliss Michael Gronsky John G. Pierce Continuing Jim Amash’s in-depth interview with comic art great Leonard Starr. Rod Beck Larry Guidry Bud Plant Mr. Monster’s Comic Crypt! Twice-Told DC Covers! . 57 John Benson Jennifer Hamerlinck Gene Reed Larry Bigman Claude Held Charles Reinsel Michael T. -
BERNARD BAILY Vol
Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” . -
Alf Arvidsson Vladimir Propp's Fairy Tale Morphology and Game Studies
Computer games as fiction and social interaction A project sponsored by Vetenskapsrådet, 2003-2005 Institutionen för kultur och medier Umeå universitet Alf Arvidsson Vladimir Propp’s fairy tale morphology and game studies Working paper Vladimir Propp’s model of the structure of fairy tales has since its introduction to western scholarship during the 1950s, been regarded as one of the milestones in semiotic analysis and narratology, both for its inspiring function and taken for face value. It comes as no surprise that it also is suggested as a work of significance for game studies. I can agree on that; however, its meaning within the field of folklore studies and its range of appliability must be discussed. What is the content of Propp’s model? How has its basic ideas been further developed by later generations of folklorists? How can it be used? What claims can be based on it? What are its limits? My questions are trigged by the claims that sometimes are made for a universal applicability of Propp’s 31-function pattern. For instance, Arthur Asa Berger states in a recent introductory book, Video Games:A Popular Culture phenomenon, that “His thirty-one functions … are, it can be argued, at the heart of all narratives – not just the Russian folktales Propp analyzed in obtaining his list” (Berger 2002:34). I can agree with Berger that Propp’s model is worthy of attention in narrative studies. However, the claims of its universality go to far. It goes beyond the russian folktales, but halts somewhere after. The historical scientific context of Propp’s study is European folk tale studies, as they were in the 1920s with a history going back to the Grimm brothers showing the contemporary existence of an oral narrative genre with presumably ancient roots, within the popular classes.