DOCSLIB.ORG

The Dresden Dolls No, Virginia... Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Dresden Dolls No, Virginia... Mp3, Flac, Wma The Dresden Dolls No, Virginia... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: No, Virginia... Country: US Released: 2008 Style: Art Rock, Punk MP3 version RAR size: 1553 mb FLAC version RAR size: 1780 mb WMA version RAR size: 1413 mb Rating: 4.5 Votes: 797 Other Formats: DTS MPC MP4 WAV MOD WMA VOX Tracklist Hide Credits 1 Dear Jenny 3:07 2 Night Reconnaissance 3:56 The Mouse And The Model 3 6:02 Bass – Jim SmithElectric Guitar – Greg Disterhoft Ultima Esperanza 4 4:33 Performer [Mellotron] – Sean Slade 5 The Gardener 5:08 6 Lonesome Organist Rapes Page Turner 3:42 7 Sorry Bunch 3:09 Pretty In Pink Melodica [Blowing Air] – Brian*Melodica [Pressing Keys] – Amanda*Mixed By – Adam 8 3:57 Taylor Written-By – Duncan Kilburn, John Ashton, Richard Butler, Roger Morris, Tim Butler, Vince Ely 9 The Kill 3:49 The Sheep Song 10 3:59 Organ – Sean Slade Boston 11 7:20 Mixed By – Adam Taylor Companies, etc. Mastered At – Sterling Sound Recorded At – Mad Oak Studios Recorded At – Camp Street Studios Recorded At – Allaire Studios Licensed To – BMG Direct – D 173370 Credits Drums, Vocals, Electric Bass, Percussion – Brian Viglione Engineer – Adam Taylor (tracks: 3, 5, 6, 8, 9, 11), Ben Grotto (tracks: 1, 2, 4, 7, 10), Paul Q. Kolderie (tracks: 5, 6, 9, 11) Mastered By – George Marino Mixed By – Paul Q. Kolderie (tracks: 5, 6, 9), Sean Slade (tracks: 1 to 4, 7, 10) Photography [Individual Portraits] – Kenneth Thomas Photography By [Back Cover, Cd Label] – Lauren Goldberg Photography By [Cover] – Amanda Palmer Producer – The Dresden Dolls (tracks: 3, 5, 6, 8, 9, 11), Paul Q. Kolderie (tracks: 5, 6, 9, 11), Sean Slade Vocals, Piano, Keyboards, Organ – Amanda Palmer Written-By – Amanda Palmer (tracks: 1 to 7, 9 to 11) Notes A collection of treasures from the Vault of The Punk Cabaret taken from the Yes, Virginia Sessions & featuring new songs from the Winter '08 Sessions. Tracks 1, 2, 4 & 7 recorded at Mad Oak Studios, Allston, MA. Tracks 3 & 8 recorded at Camp Street Studios, Cambridge, MA. Tracks 5, 6, 9 & 11 recorded at Allaire Studios, Shokan, NY and Camp Street Studios, Cambridge, MA. Mastered at Sterling Sound, NYC. Roadrunner Records Issued under license to Roadrunner Records from The All Blacks B.V. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2005, 2008 All The Blacks B.V. © 2008 All The Blacks B.V. No human-readable barcode, BMG number printed below barcode image. Barcode and Other Identifiers Matrix / Runout: 179 262 01%% A EDC Mould SID Code: IFPI 0389 Other versions Category Artist Title (Format) Label Category Country Year The No, Virginia... Roadrunner RR 7926-5 Dresden RR 7926-5 Australia 2008 (CD, Album, Dig) Records Dolls The No, Virginia... Roadrunner 1686-179262 Dresden (CDr, Album, 1686-179262 US 2008 Records Dolls Promo) The No, Virginia... Roadrunner 1686-179262 Dresden (CD, Album, 1686-179262 Russia Unknown Records Dolls Unofficial, Dig) The RR PROMO No, Virginia (CD, Roadrunner RR PROMO Dresden Europe 2008 1048 Album, Promo) Records 1048 Dolls The No, Virginia... Roadrunner 1686-179262 Dresden 1686-179262 US 2008 (CD, Album, Dig) Records Dolls Related Music albums to No, Virginia... by The Dresden Dolls Slade - Rogues Gallery Enoch - Bog Sean Malone - Cortlandt Taylor Swift - 1989 Geneviève Rainey - Because... There's A Reason For This Queen + Adam Lambert - Budokan 2016 The Rolling Stones - Metamorphosis The Dresden Dolls - Yes, Virginia... Lula Wiles - Lula Wiles Queen + Adam Lambert - Summer Sonic 2 Days 2014 Manic Street Preachers - This Is My Truth Tell Me Yours Queen - A Night At The Opera.
Load more

Recommended publications
  • Sound Central Festival 2012 - Kabul’S Modern Music Festival
    Sound Central Festival 2012 - Kabul’s Modern Music Festival Sound Central Festival is Afghanistan & Central Asia's first regional rock music festival, as well as Afghanistan's first rock festival since Ahmad Zahir's shows in 1975. Last year’s festival was realized in Kabul on the 1st of October, with opening and closing nights in New York, September 15th to October 14th, 2011. Argus Productions created a global buzz with its vision to build solidarity in a non-partisan, non political but simply musical way. Below are the top 10 media hits from the 2011 festival: 1. Rolling Stone, 2. BBC UK, 3. ABC, 4. Reuters, 5. CBS News, 6. BBC UK Newsbeat, 7. France24, 8. The New Yorker, 9. The Guardian,10. MSNBC Last year we were joined by musicians from all over Central Asia and beyond: 2011 Performers. Kabul also hosted workshops by numerous international musicians including: Brian Viglione of The Dresden Dolls (USA) and Acrassicauda (Iraq). Lastly we hosted a week of pre-festival side shows for the Afghan youth. With much attention from the music industry, Argus Productions is now in contact with major international artists and industry for support. To date, twenty-seven International bands from all over the world have expressed interest and applied to participate in this years’ festival. Their genres range from rock to metal, jazz to hip-hop, and more! With the participation of Afghan bands from around the country, SCF12 will hold the main event in a central location. [ie: Institute Francais Afghanistan IFA.] The presence of special guest artists enhances the experience of the world's great music festivals and creates opportunities for cultural exchange.
    [Show full text]
  • THE BARD OBSERVER Ltlilw."I May 3, 2006
    N 0 0 °" THE BARD OBSERVER ltlilW."I May 3, 2006 Bard students who seemed happy enough just not to be in night with the arrival of the DJ. The ~A-run party was Spring Fling 2006 Kline. hopping, though the hopscotch was not. Evan Pritts, a member of the sound crew for the Sunday fea tured the inflatable games which are a Blue skies dispel winter Spring Fling music tent, said that the weekend went Spring Fling staple. Bard students and community chil­ ,..,..,...,_~ .. dren alike enjoyed the obstacle course, slide, moon bounce, ' .. and of course the gladiator's ring. Other students could be blues and bring Bard seen lying prone under the hot sun for hours, no doubt in shock that this could be the same campus which only students together weeks ago was frigid and inhospitable. Many vendors also lined the Qiad on Sunday, selling everything from cloth­ ing and jewelry, to henna tattoos, to toast. In addition, not one but two ice cream "trucks" capitalized on the warm BY CHRlSTINE NIELSEN weather, both run by enterprising Bard students. In the evening, after performances by the Flying Spring Fling was a hit among Bard students, owing in no Fiddlers and others, the weekend's musical selections small part to the weather, which was universally touted as wound to a close with an old favorite, the Foundation. "spectacular." Not a single cloud marred the sky from T hey were followed by a nighttime screening of Narnia, Friday to Sunday, and Bard's beautiful grounds put out projected drive-in style on the green and enjoyed by the their greenery just in time to celebrate.
    [Show full text]
  • Good for Nothing Long Live the Punk Cabaret
    Good for Nothing long live the punk cabaret Numero 0 - “Brechtian Punk Cabaret” fanzine italiana sui dresden dolls The Dresden Dolls AA Strange Cabaret Brigade Brechtian Punk Cabaret File Alain Escalle ovvero la computer grafica dipinta “A is for Accident” (2003) sullo schermo “Dresden Dolls” (2004) Esistenzialismo in musica Live Tour (Paris & Padova) Nine Inch Nails Paradise DVD Hotel Phoenix Karaoke Veritè "”””Come il vino giunge alla bocca, l'amore giunge Record 3 - Making Of agli occhi" Web Files Prosa Sul web Brechtian Punk Cabaret? Innanzi tutto complimenti perchè hai questo giornale in mano. Dopodichè non vorremmo annoiarti con troppe chiacchere e convenevoli di circostanza perciò veniamo subito al dunque: questa risma di pagine nere è scritta da volenterosi sparsi su tutta la penisola e ha come collante la passione per il punk cabaret, un genere artistico perfettamente incarnato da una band americana, i Dresden Dolls che attraverso la sua musica, pensiamo, abbia trovato un modo eccezionale di comunicare. E nel secolo delle comunicazioni quale canale è in grado ancora oggi di comunicare le emozioni umane? Praticamente nessuno, ma ogni tentativo in quella direzione per noi rappresenta la passione romantica di un sognatore ancora non inginocchiato dalla precarietà e dal perdere di significato tratto da www.normanno.it portale di informzione online dell’espressività che è proprio dell’umanità. E ciò che si nasconde dietro ad una banale Se pensate che Dresden Dolls sia solo una canzone dei etichetta come Punk Cabaret è esattamente Fall, leggendario gruppo new wave inglese, vi sbagliate di questo, la volontà di rappresentare delle grosso.
    [Show full text]
  • Tear It up and Start Again!
    www.grapevine.is THE ESSENTIAL GUIDE TO LIFE, TRAVEL & ENTERTAINMENT IN ICELAND IN THE ISSUE Issue 01 • 2011 • January 7 - February 3 + COMPLETE CITY LISTINGS - INSIDE! Tear it up and start again! What happened during the last decade? How can we avoid messing up the new one? : ) Phew. New decade time. This is a joyous occasion, as the one we're leaving behind was by most accounts a failed one (although it did have some awesome bits in between). In our first issue of this shiny new decade, we consult historians, poets, CEOs, authors, politicians, artists, businessfolks, teenagers and seniors alike to try and determine just what happened, and what's in store. The Reykjavík Grapevine Issue 1 — 2011 THE REYKJAVÍK GRAPEVINE Hafnarstræti 15, 101 Reykjavík 2 www.grapevine.is [email protected] Editorial | Haukur S. Magnússon Published by Fröken ehf. www.froken.is Member of the Icelandic Travel Industry Association www.saf.is Printed by Landsprent ehf. in 25.000 copies. EDITOR: Haukur S Magnússon / [email protected] JOURNALIST: Valgerður Þóroddsdóttir / [email protected] HOPE and CHANGE and stuff EDITORIAL: +354 540 3600 / [email protected] ADVERTISING: +354 540 3605 / [email protected] PUBLISHER: Hilmar Steinn Grétarsson / [email protected] I watched the Prime Minister’s address on New +354 540 3601 / [email protected] Year’s Eve. I should not have bothered. There were CONTRIBUTING WRITERS: no surprises. It was Your Standard Prime Minister Eísabet Jökulsdóttir Of Iceland’s New Year’s Address, with no original Jón Baldvin Hannibalsson Ásmundur Ásmundsson thought (nor commentary, nor ideas, nor sign of Eiríkur Örn Norðdahl life) managing to seep through the thick cloak of Sigríður Þorgeirsdóttir mundane mediocrity that Iceland’s government Bart Cameron Kristín Eiríksdóttir seems determined to shroud itself in.
    [Show full text]
  • Jon Batiste and Stay Human's
    WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful.
    [Show full text]
  • Review Other Publications
    University of Puget Sound Sound Ideas LMDA Review Other Publications Winter 2009 Review: The ewN sletter and Journal of Dramaturgy, volume 19, issue 1 Shelley Orr Haviva Avirom Carrie Kaplan Joanne Zipay Lauren Beck See next page for additional authors Follow this and additional works at: http://soundideas.pugetsound.edu/lmdareview Recommended Citation Orr, Shelley; Avirom, Haviva; Kaplan, Carrie; Zipay, Joanne; Beck, Lauren; and Arndt, Neena, "Review: The eN wsletter and Journal of Dramaturgy, volume 19, issue 1" (2009). LMDA Review. 39. http://soundideas.pugetsound.edu/lmdareview/39 This Book is brought to you for free and open access by the Other Publications at Sound Ideas. It has been accepted for inclusion in LMDA Review by an authorized administrator of Sound Ideas. For more information, please contact [email protected]. Authors Shelley Orr, Haviva Avirom, Carrie Kaplan, Joanne Zipay, Lauren Beck, and Neena Arndt This book is available at Sound Ideas: http://soundideas.pugetsound.edu/lmdareview/39 The Newsletter and Journal of Dramaturgy Published by the Literary Managers and Dramaturgs of the Americas Volume 19, Issue 1 Review Winter 2009 2009 CONFERENCE: DATES AND DETAILS 1 Save the Date! 2 Conference Committee and Participating Institutions 3 “Out of Bounds”: Plans and themes for the 2009 Conference DRAMATURGY AND TECHNOLOGY 4 Developing Digiturgy by Haviva Avirom DRAMATURGICAL MANIFESTA 8 I’d Rather Shove a Bodkin in My Nowl or Wear a Bona Roba’s Merkin Than Be That Kind of Dramaturg by Carrie Kaplan RESIDENCY REPORT: Richmond Shakespeare Festival 10 The Better Part of Valour by Joanne Zipay edited by Lauren Beck DRAMATURGY DEBUT ARTICLE 13 Theatre, Tears, and Rock: Dramaturging The Onion Cellar at ART by Neena Arndt I hope the new year finds you healthy and happy.
    [Show full text]
  • THE CULTURE and MUSIC of AMERICAN CABARET Katherine Yachinich
    Trinity University Digital Commons @ Trinity Music Honors Theses Music Department 5-2014 The ulturC e and Music of American Cabaret Katherine Anne Yachinich Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/music_honors Part of the Music Commons Recommended Citation Yachinich, Katherine Anne, "The ulturC e and Music of American Cabaret" (2014). Music Honors Theses. 5. http://digitalcommons.trinity.edu/music_honors/5 This Thesis open access is brought to you for free and open access by the Music Department at Digital Commons @ Trinity. It has been accepted for inclusion in Music Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. 2 THE CULTURE AND MUSIC OF AMERICAN CABARET Katherine Yachinich A DEPARTMENT HONORS THESIS SUBMITTED TO THE DEPARTMENT OF MUSIC AT TRINITY UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR GRADUATION WITH DEPARTMENTAL HONORS DATE 04/16/2014 Dr. Kimberlyn Montford Dr. David Heller THESIS ADVISOR DEPARTMENT CHAIR Dr. Sheryl Tynes ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES Student Copyright Declaration: the author has selected the following copyright provision (select only one): [X] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission.
    [Show full text]
  • I'm Your Biggest Fan (Iâ•Žll Follow
    Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 "I'M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)”: SOCIAL NETWORKING SITES, FANS, AND AFFECT Meghan R. Francis Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Francis, Meghan R., ""I'M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)”: SOCIAL NETWORKING SITES, FANS, AND AFFECT" (2011). Digitized Theses. 3233. https://ir.lib.uwo.ca/digitizedtheses/3233 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. “I’M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)” SOCIAL NETWORKING SITES, FANS, AND AFFECT (Spine title: Social Networking Sites, Fans, and Affect) (Thesis Format: Monograph) by Meghan Francis Graduate Program in Popular Music and Culture 9 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Meghan Francis 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners Dr. Norma Coates Dr. Susan Knabe 1 Supervisory Committee Dr. Keir Keightley Dr. Susan Knabe Dr. Jonathan Burston The thesis by Meghan Ruth Francis entitled: “I'm Your Biggest Fan (I'll Follow You Until You Love Me)”: Social Networking Sites, Fans and Affect is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date _______________________ _____ ____________ ■ __________ Chair of the Thesis Examination Board 11 L Abstract: This thesis explores the way that music fandom has changed on sites like Twitter.
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • The Case of Amanda Palmer
    3 4 Keep it Simple, Make it Fast! An approach to underground music scenes (vol. 4) Paula Guerra and Thiago Pereira Alberto (eds.) First Published July 2019 by Universidade do Porto. Faculdade de Letras [University of Porto. Faculty of Arts and Humanities] Via Panorâmica, s/n, 4150-564, Porto, PORTUGAL www.letras.up.pt Design: Wasted Rita and Marcelo Baptista Credits illustrations of book’s parts: Esgar Acelerado ISBN 978-989-54179-1-9 All the content presented in texts are solely the responsibility of the authors. The ideas presented do not necessarily represent the opinion of the editors. Attribution CC BY 4.0. International This book is Licensed under a Creative Commons Attribution 4.0. International License (CC BY 4.0). It is allowed to share, redistribute, adapt, remix, transform and build upon the content of this book. The appropriate credit must be given to the authors and editors. More informations: https://creativecommons.org/ licenses/by/4.0 353 7.3. Female artists, social media and alternative economy: the case of Amanda Palmer Beatriz Medeiros165 and Beatriz Polivanov166 Abstract In this paper we seek to investigate the strategies that the independent artist Amanda Palmer uses in order to gain visibility and financial capital to promote her music. Our theoretical background is mainly related to the process of self- presentation in social media, along with Bourdieu’s (2013) notion of symbolic capital. Based on the analysis of posts made by the artist on social network sites, such as Twitter and Instagram, apart from her blog and book / memoir (Palmer, 2014), we argue that her approaches for getting the audience engaged with her pledges can be gathered in three axes: a) public exposure of intimacy; b) negotiations of asking and c) advertising her crowdfunding projects.
    [Show full text]
  • Is Crowdfunding the Future of Art?
    BADARTWORLD.NET- JANUARY 23, 2018 Is crowdfunding the future of art? image by Patrick Carr By George Martin Fell Brown Do you remember Dragon’s Lair, the 1980s sword and sorcery arcade game featuring amazing, hand-drawn animation by none other than legendary animator Don Bluth? Well, guess what. Don Bluth is back and he wants to make a Dragon’s Lair movie. Just donate to his Kickstarter campaign to help get the movie off the ground. If that doesn’t appeal to you, how about Super Troopers? Remember that 2002 comedy? Well, guess what? There’s an IndieGoGo campaign to make Super Troopers 2. If that doesn’t appeal to you, then how do you feel about the hip-hop stylings of B.o.B? Well if you hop over to GoFundMe, you can help B.o.B raise the funds necessary build his own satellite so he can prove, once and for all, that the Earth is flat. He’s already 0.6% of the way towards reaching his goal! Digital crowdfunding websites date back at least as far as 2003, when ArtistShare was founded. And the term “crowdfunding” dates back to 2006. But in the past few years crowdfunding has become a staple in the arts and entertainment. These campaigns aren’t confined to the arts. But within the artistic sphere it’s seen as a new way to bypass the restrictions that come with working through the major music labels, Hollywood studios, and the like. By this point, however, crowdfunding is itself big business. And we should always be wary when big tech companies promise new technical solutions to the problems of capitalism.
    [Show full text]
  • The Politics of Loving Blackness in the UK By
    The Politics of Loving Blackness in the UK By Lisa Amanda Palmer A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY Department of American and Canadian Studies The University of Birmingham March 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Can ‘loving blackness’ become a new discourse for anti-racism in the UK and the broader black diaspora? This thesis will critically assess the concept of ‘loving blackness as political resistance’ as outlined by the African American feminist bell hooks (1992). The thesis will show the ways in which blackness has been both negated and denigrated in western cultures and thus constructed in opposition to notions of love and humanness. Conversely, love and blackness are also rehabilitated in different ways by Black diasporic populations in Britain through the transnational space. The transnational space can provide opportunities for constructing, networks of care, love and anti racist strategies that affirm the value of blackness and Black life. However, the transnational space can also be fraught with risks, dangers and exclusions providing Black and migrant populations with uneven forms of citizenship and belonging to western neo-liberal states.
    [Show full text]