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I N H a L T S V E R Z E I C H N
SWR BETEILIGUNGSBERICHT 2018 Beteiligungsübersicht 2018 Südwestrundfunk 100% Tochtergesellschaften Beteiligungsgesellschaften ARD/ZDF Beteiligungen SWR Stiftungen 33,33% Schwetzinger SWR Festspiele 49,00% MFG Medien- und Filmgesellschaft 25,00% Verwertungsgesellschaft der Experimentalstudio des SWR e.V. gGmbH, Schwetzingen BaWü mbH, Stuttgart Film- u. Fernsehproduzenten mbH Baden-Baden 45,00% Digital Radio Südwest GmbH 14,60% ARD/ZDF-Medienakademie Stiftung Stuttgart gGmbH, Nürnberg Deutsches Rundfunkarchiv Frankfurt 16,67% Bavaria Film GmbH 11,43% IRT Institut für Rundfunk-Technik Stiftung München GmbH, München Hans-Bausch-Media-Preis 11,11% ARD-Werbung SALES & SERV. GmbH 11,11% Degeto Film GmbH Frankfurt München 0,88% AGF Videoforschung GmbH 8,38% ARTE Deutschland TV GmbH Frankfurt Baden-Baden Mitglied Haus des Dokumentarfilms 5,56% SportA Sportrechte- u. Marketing- Europ. Medienforum Stgt. e. V. agentur GmbH, München Stammkapital der Vereinsbeiträge 0,98% AGF Videoforschung GmbH Frankfurt Finanzverwaltung, Controlling, Steuerung und weitere Dienstleistungen durch die SWR Media Services GmbH SWR Media Services GmbH Stammdaten I. Name III. Rechtsform SWR Media Services GmbH GmbH Sitz Stuttgart IV. Stammkapital in Euro 3.100.000 II. Anschrift V. Unternehmenszweck Standort Stuttgart - die Produktion und der Vertrieb von Rundfunk- Straße Neckarstraße 230 sendungen, die Entwicklung, Produktion und PLZ 70190 Vermarktung von Werbeeinschaltungen, Ort Stuttgart - Onlineverwertungen, Telefon (07 11) 9 29 - 0 - die Beschaffung, Produktion und Verwertung -
Contribution of Public Service Media in Promoting Social Cohesion
COUNCIL CONSEIL OF EUROPE DE L’EUROPE Contribution of public service media in promoting social cohesion and integrating all communities and generations Implementation of Committee of Ministers Recommendation Rec (97) 21 on media and the promotion of a culture of tolerance Group of Specialists on Public Service Media in the Information Society (MC-S-PSM) H/Inf (2009) 5 Contribution of public service media in promoting social cohesion and integrating all communities and generations Implementation of Committee of Ministers’ Recommendation Rec (97) 21 on media and the promotion of a culture of tolerance Report prepared by the Group of Specialists on Public Service Media in the Information Society (MC-S-PSM), November 2008 Directorate General of Human Rights and Legal Affairs Council of Europe Strasbourg, June 2009 Édition française : La contribution des médias de service public à la promotion de la cohésion sociale et a l’intégration de toutes les communautés et générations Directorate General of Human Rights and Legal Affairs Council of Europe F-67075 Strasbourg Cedex http://www.coe.int/ © Council of Europe 2009 Printed at the Council of Europe Contents Executive summary . .5 Introduction . .5 Key developments . .6 Workforce . 6 Requirements . .11 Content and services . 13 Conclusions, recommendations and proposals for further action . 18 Conclusions . .18 Recommendations and proposals for further action . .20 Appendix A. Recommendation No. R (97) 21 . 22 Recommendation No. R (97) 21 on Appendix to Recommendation No. R the media and the promotion of a (97) 21 . .22 culture of tolerance . .22 Appendix B. Questionnaire on public service media and the promotion of a culture of tolerance . -
Czech Republic Represents 21,3 %
Questionnaire - Revision of the Communication from the Commission on the application of State aid rules to public service broadcasting 1. GENERAL 1.1. A number of significant legal developments have taken place in the public broadcasting area since 2001, namely the adoption of the Audiovisual Media Services Directive, the adoption of the Decision and Framework on compensation payments as well as Commission decision-making practice. Do you think that the Broadcasting Communication should be up-dated in light of these developments? Alternatively, do you consider that these developments do not justify the adoption of a new text? There is no need for revision or change of the Communication at the moment. The Communication on the application of State aid rules to public service broadcasting (OJ 2001/C 320/4) lays down flexible principles which have made it possible to resolve a number of cases by taking due account of the specificity of the public service broadcasting sector. The Audiovisual Media Services Directive (OJ 2007/C 332/27) takes into account the emergence of new media and recalls the importance of the coexistence of public and private providers of audiovisual media services and the firm need for the public service broadcasting remit to continue to benefit from technological progress (Recital 9). Public service broadcasters consider that there is no particular pressing need to revise the current Communication. Any updating which may take place needs to ensure stability for public service broadcasters while maintaining the flexibility of the current system, a system which makes it possible to offer legal solutions to organizations of various sizes and operating on various markets which have a remit to offer public service output responding to the needs and choices of their respective societies. -
130213 Press Release Czech Radio´S Statement Regarding An
Press Release Prague, February 13, 2013 Czech Radio’s statement regarding an application from BBC Radiocom (Praha) On 17 December 2012, BBC Radiocom (Praha) s.r.o., licenced to operate the BBC station in the Czech Republic, applied to the Council for Radio and Television Broadcasting (CRTB) for prior approval of the transfer of a 100% stake from the British public service BBC station to Lagardere Active ČR, a.s. The management of Czech Radio would like to express considerable concern regarding the application submitted by BBC Radiocom (Praha) s.r.o., which would result in a commercial entity taking control of two public service radio stations. Czech Radio hopes that this plan will not be implemented. Czech Radio does not agree with the change in ownership of the BBC station from the British public service BBC to the French media group Lagardere that provides, among others, commercial radio broadcasting in the Czech Republic. Czech Radio also does not agree with the potential change in the valid licence terms and conditions according to which the BBC station has to present the BBC World Service programmes in English (news, reports, education and sports) and programmes supplied by Czech Radio. Czech Radio states that it is ready to continue the cooperation with the BBC and broadcast its programme under the existing licence terms and conditions. For the above-mentioned reasons, Czech Radio submitted a motion to the Council for Radio and Television Broadcasting demanding that the CRTB acknowledge Czech Radio as a party to the proceedings and, at the same time, asking CRTB not to approve the transfer of the share in the operator’s company from BRITISH BROADCASTING CORPORATION to Lagardere Active ČR . -
The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
1. Bericht Über Programmliche Leistungen Und Perspektiven Des Nationalen Hörfunks
1. 1 kapitel Bericht über programmliche Leistungen und Perspektiven des nationalen Hörfunks 2014 – 2016 1. 3 kapitel Bericht über programmliche Leistungen und Perspektiven des nationalen Hörfunks Impressum Herausgeber: Deutschlandradio, Körperschaft öffentlichen Rechts Raderberggürtel 40 50968 Köln www.deutschlandradio.de Redaktion: Dr. Helmut Buchholz, Dr. Sebastian Engelbrecht Inhaltsverzeichnis 5 inhalt Vorwort ................................................... 7 1. Information und Kultur – der Auftrag von Deutschlandradio ..........12 2. Der Hörer als Adressat der Programmgestaltung . 14 3. Deutschlandradio als Radio der Länder . 15 4. Deutschlandradio als Radio für Deutschland in Europa ..............16 5. Umfassende Berichterstattung über das Weltgeschehen . 18 6. Deutschlandradio als Quelle kompetenter Fachinformation...........19 7. Bildung als Schwerpunktthema................................. 21 8. Schwerpunktsendungen zu Kulturthemen ........................ 23 9. Geschichte und Zeitgeschichte................................. 25 10. Weltanschauliche Orientierung und interreligiöser Dialog . 27 11. Deutschlandradio als Kulturproduzent und -vermittler.............. 29 12. Deutschlandradio als Förderer und Spiegel des Musiklebens..........31 13. Eigenproduktionen . 33 14. Integrationsprogramm für alle Generationen . 34 15. Förderung des journalistischen und künstlerischen Nachwuchses . 35 16. Die Online-Angebote von Deutschlandradio . 37 17. Deutschlandradio als Kooperationspartner . 38 18. Deutschlandradio als Partner von ARD -
2019 List of Awards
List of Awards PRIX EUROPA Best European TV Documentary of the Year 2019 The Raft Sveriges Television - SVT, Sweden Author and Director: Marcus Lindeen, Producer: Erik Gandini 2nd Maelstrom Omroep Human, The Netherlands 3rd The Trial of Ratko Mladic WDR, Germany / International Co-production PRIX EUROPA IRIS Best European TV Programme of the Year 2019 about Cultural Diversity But When Mommy Is Coming? Radiotelevisione svizzera - RSI / SRG SSR, Switzerland Author and Director: Stefano Ferrari, Producer: Michael Beltrami 2nd Back to Rwanda De Chinezen, Belgium 3rd The Sit-in Cinelandia, Sweden PRIX EUROPA Best European Radio Music Programme of the Year 2019 The Man Who Sings From the Heart Polskie Radio S.A., Poland Author and Director: Agnieszka Czyzewska Jacquemet 2nd Ask the Music Professor SR, Sweden 3rd Misia VRT, Belgium 1 List of Awards PRIX EUROPA Best European Radio Investigation of the Year 2019 The Puppet Master BBC, United Kingdom Author, Director and Producer: Neal Razzell 2nd Documentary On One: The Case of Majella Moynihan RTÉ, Ireland 3rd Painkillers NDR, Germany PRIX EUROPA Best European TV Investigation of the Year 2019 MISSION INVESTIGATE: Deceptive Diplomacy SVT, Sweden Author: Ali Fegan, Director and Producer: Axel Gordh Humlesjö 2nd ENVOYÉ SPECIAL: Monsanto Papers, Manufacturing Doubt France Télévisions, France 3rd GREEN WARRIORS: Paraguay’s Poisoned Fields Premières Lignes Télévision, France PRIX EUROPA Best European Radio Documentary Series of the Year 2019 Lord of the Ring Pulls NRK, Norway Author and Director: Grete -
Press Release Potsdam Declaration
Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background. -
Susanne Brahms
Susanne Brahms Dokumentarische Fernseharbeiten 2017 Geschichte im Ersten: Unsere Städte nach ´45: Bomben und Bausünden ARD 45 Min. Unsere Städte nach ´45: Abriss und Protest ARD 45 Min. 2016 Unsere Geschichte: Als Hollywood in der Heide lag. NDR 45 Min. 2015 Geschichte im Ersten: Namibia. Eine Heimat, zwei Welten ARD 45 Min. 2015 Geschichte im Ersten: Bremerhavens Auswandererkai. Die Columbuskaje (mit Michaela Herold) ARD 45 Min. 2015 Unter Deutschen Dächern: Handicap NDR/RB 30 Min. 2014 Anschlag auf dem Bremer Hauptbahnhof 1974 RB 29 Min. 2014 Geschichte im Ersten: Hitlers U-Boot Bunker ARD 45 Min. 2014 Unsere Geschichte: Als die Amerikaner in den Norden kamen (mit Michaela Herold) NDR/RB 45 Min. 2013 Bremen 1939 in Farbe Radio Bremen 30 Min. 2013 Unsere Geschichte: Als Tante Emma Konkurrenz bekam (mit Michaela Herold) NDR/RB 45 Min. 2012 Unsere Geschichte: Als die A1 in den Norden kam (mit Michaela Herold) NDR/RB 45 Min. 2007 150 Jahre Norddeutscher Lloyd (mit Michaela Herold) NDR/RB 45 Min. 2005 Bremer Freiheit. Geschichte Bremens im 19. und 20. Jahrhundert (mit Michaela Herold) NDR/RB 90 Min. 2003 Begegnungen in Kabul (mit Rene Schulthoff) RB 20 Min. 2003 Tote auf Reisen. Bestattungskultur in Deutschland (mit Michaela Herold) NDR/RB 45 Min. und 30 Min. 2003 Die lustigen Weiber von Ulan Bator. Eine deutsche Oper in der Mongolei (mit Michaela Herold) NDR/RB 45 Min. 2002 Das Bremer Rathaus: So wohnt die Macht (mit Michaela Herold) NDR/RB 45 Min. 2002 Moderne Hanseaten. Die Erben der Hanse (mit Michaela Herold) ARTE 60 Min. 2000 Das Bambüddel. -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36 -
Die Moderatoren Auf Dem Blauen Sofa
Die Moderatoren auf dem Blauen Sofa René Aguigah Nina Brunner René Aguigah leitet die Abteilung Hintergrund Kultur und Politik bei Nina Mavis Brunner ist seit Februar 2017 Moderatorin des 3sat-Magazins Deutschlandfunk Kultur. Nach dem Studium der Geschichte, Philosophie „Kulturzeit“. Sie studierte Ethnologie und Filmwissenschaft in Zürich. und Journalistik arbeitete er bis 2005 als Redakteur und Moderator bei Seit 2005 arbeitet sie beim Schweizer Fernsehen SRF und bei 3sat als WDR 3. Danach war er bei der Bücherzeitschrift „Literaturen“ bis 2009 Moderatorin, Redakteurin und Produzentin u.a. für den „Kulturplatz“, verantwortlich für Sachbücher. „SCHWEIZWEIT“, „Rundschau“, „Tonspur – der Soundtrack meines Lebens“ und „Sonate für zwei“. Zuletzt war Nina Brunner für 3sat auch als Reporterin in der Reihe „Reisegeschichten“ zu sehen. Susanne Biedenkopf-Kürten Daniel Fiedler Susanne Biedenkopf-Kürten studierte Germanistik und Romanistik in Freiburg, Montpellier und Santiago de Compostela. Zum ZDF kam sie Daniel Fiedler ist seit 2013 Leiter der ZDF-Redaktion Kultur Berlin. Er stu- 1985. Seitdem arbeitete sie als Redakteurin und Reporterin u.a. für das dierte Theaterwissenschaft, Germanistik, Soziologie, Politik und arbeitete „Heute-Journal“ sowie für die Hauptredaktion Außenpolitik. Sie war ZDF als Regieassistent und Dramaturg. 2001 kam er zum ZDF, war von 2007 bis Korrespondentin in Thüringen und verantwortete später das Europamaga- 2012 Koordinator von 3sat und 2009 bis 2012 auch von ZDFkultur. Daniel zin „Heute – in Europa“. Seit März 2014 leitet Susanne Biedenkopf-Kürten Fiedler verantwortet u.a. das Kulturmagazin „aspekte“, die Sendung „Das die ZDF-Hauptredaktion Wirtschaft, Recht, Service, Soziales und Umwelt. Literarische Quartett“ sowie „das blaue sofa“ und diverse Formate für 3sat („Kulturpalast“) sowie für ZDFneo ( „Schulz und Böhmermann“).