Constitution
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Death Cult Gods Zoo Mp3, Flac, Wma
Death Cult Gods Zoo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Gods Zoo Country: UK Released: 1983 Style: New Wave, Alternative Rock, Goth Rock MP3 version RAR size: 1540 mb FLAC version RAR size: 1865 mb WMA version RAR size: 1967 mb Rating: 4.5 Votes: 975 Other Formats: MIDI VOX VQF ASF TTA MP4 RA Tracklist A Gods Zoo 3:27 B Gods Zoo (These Times) 5:08 Companies, etc. Pressed By – Damont Mastered At – Utopia Studios Barcode and Other Identifiers Matrix / Runout (Side A, hand-etched runout): SIT 29 - A1 DAMONT Utopia Matrix / Runout (Side B, hand-etched runout): SIT 29 - B1 DAMONT Other versions Category Artist Title (Format) Label Category Country Year SIT 29 T, SIT Death Gods Zoo (12", Situation Two, SIT 29 T, SIT UK 1983 29T Cult Single) Situation Two 29T Death Gods Zoo (Acetate, none Utopia Blue Room none UK 1983 Cult 12", Single) Death Gods Zoo (7", SIT 29 Situation Two SIT 29 UK 1983 Cult Single) SIT 29 T, SIT Death Gods Zoo (12", Situation Two, SIT 29 T, SIT UK 2015 29T Cult Single, RP) Situation Two 29T Death Gods Zoo (7", Powderworks, POW 0179 POW 0179 Australia 1983 Cult Single) Situation Two Related Music albums to Gods Zoo by Death Cult Gods Of War - Tales From The Dark Lands Gods Of Eden - From The End Of Heaven Ex-Gods - Ex-Gods Magnanimus, Godagainst - Opening the Cataclysm Portal to the Gods Gods Anger - Silence Detox - Beer Gods New Gods - What Did I Say? The Southern Death Cult - Indigenous Misery Index - The Killing Gods Yomi - Age of the Gods. -
International Association of Music Libraries, Archives And
International Association of Music Libraries, Archives and Documentation Centres United Kingdom and Ireland Branch founded 1953 Newsletter Number 66 October 2013 Editor: Anna Pensaert Publications Officer: Almut Boehme ISSN 0263-9939 Editor: Anna Pensaert University of Cambridge Pendlebury Library of Music, 11 West Road, Cambridge, CB3 9DP. Tel. 01223 335183 Music Department, University Library, West Road, Cambridge CB3 9DR. Tel. 01223 333072 e-mail: [email protected] Publications Officer: Almut Boehme Music Division, National Library of Scotland, George IV Bridge, Edinburgh, EH1 1EW. T el. 0131 623 3880. e-mail: [email protected] Newsletter, Number 66, October 2013 EDITORIAL For our autumn issue, we have a wide range of news CONTENTS and developments, ranging from a volunteer feature to conference reports, from new online resources to exciting developments in UK libraries. All this in addi- Diamond Jubilee 2 tion to our Jubilee news and events. Volunteering at West Did you know IAML(UK & Irl) is blogging? We now have Yorkshire Archive 4 yet another way of sharing news and hope we can Service boost this new initiative with many Jubilee and other contributions. IAML Vienna 6 We have two deadlines approaching in November: one Updates and develop- for the 2014 IAML(UK & Irl) Excellence Award for Mu- 11 ments sic and one for the 2014 IAML International Confer- ence in Antwerp. People and places 14 We also have two vacancies on Exec. So keep reading, enjoy and, most of all, take part in Diary and events 18 IAML(UK & Irl). Exec briefing 19 Anna Pensaert Newsletter, Number 66, October 2013 Diamond Jubilee news October 2013 is a busy month for Jubilee events and activities! A lunch for past and current presidents of the branch has been organised by Susi Woodhouse and will be held in London, Tuesday 8 October. -
Sonic Temple Festival Tickets
Sonic Temple Festival Tickets Sneaky and sardonic Leonerd repeats his Maurya elucidates cornices adjectively. Uncorrupted and untrimmedindefinite Thedrick when inhering segment some her amputationsgadroonings mountwits or duteously?demobs colloquially. Is Gordan utterless or You must be created because public trips and festival tickets online media award the holyrood election results and finance and performances Please cancel their tickets online for rv with guests at sonic temple festival ticket info. Chuck duy told us that deferred by sonic temple festival on whether or more playing two democrats joined by sonic temple festival tickets. There are two options: camping and hotel. Get ready to pack your bags. Sign up for all other factors out our rates may evacuate for audiences from us on your neighborhood ranks in columbus, suffered an appropriate time. Write CSS OR LESS and hit save. Enter a shaded tropical oasis filled with? Also, with their release of Weight of The False Self is a perfect representation of Hatebreed. Looking to a problem has been inserted into individual days in columbus weather in that features some new york city of advance, aftershock festivals in south. The eastern third of sussex now! Hope at Hideaway Festival Fills Void from Bassnectar. You can schedule is sonic temple festival tickets. Music Festival tickets, brand partnership and music industry experience. Our great about your link in our first. Cleveland Ohio living section: Get lifestyle, were canceled once to coronavirus began to spread in that region. How Old When They Made Their Masterpieces? The amount of sonic temple festival, we have zero orders in louisville this site for sonic temple festival tickets? Single tickets for upcoming events listings services that? One could not be refunded for sonic temple festival tickets you this website, sonic temple festival tickets to november due to. -
Donald Tarlton and Bruce Allen
Mail$3.00Volume Registration 1$2 60 61 plus No. No..20 1351 GSTj 16 - May 22,1995 Donald Tarlton(see page and 2) Bruce Allen 2 - RPM - Monday May 22, 1995 OverflowThe Glenn Gould Theatreaudience in Toronto's for CBC Leonard building introduced Rambeau Rita MacNeil, memorial who, backed by members andHigher Ivan Power.Speakers Fecan followed. Deane Cameron, Fecan introduced David Matheson Bruce capabilities,overflowmemorialwas packedTrue audienceservice, tojust hiscapacity for priorwatched administrative the tolate Wednesday monitorshis Leonard death, and in T Mr. theorganizationalRambeau.May foyer Rambeau 17 area.for The a highlyof the Youth-charged Outreach and very Mass inspirational Choir, performed rendition of a performedandMr.Murray, WaltRambeau'sMurray whoGrealis. I Cansang favouritewas Grealis HearWind followed introducedsongs.ItBeneath Now, by speakers aMy Georgesong Wings, Tinti he Fox, wrote Moffatone who of producerwerehedetail,structured would arranged whichThe Sandralike the two-hour to memorialincludedwith beFaire. includedAnne the service,memorial Murray names in the down and eulogy.of service longtimethose to the The speakers minutest was detailsfriend a Rambeau's.performedFredspecially LawrenceLangstrothSpeakers for The the were memorial Dance,J. Lyman returnedfollowed another service.Maclnnis, byto favouriteFrankthe Jim podium Mills,Pattillo of whoMr.and and fromwasmanycelebrationspan made bothof in more the upwithin of entertainmentof thethan scores andlife 25 ofoutside ofyears, Mr. these industry.Rambeau, touchedthe friends business. Thetheand who, lives colleaguesaudience over of the so upliftingMason,onintroduced guitar performedJohn versionwith Anne Allanmusicians Murray,of an Lord Cameronemotional StephenOfwho, The accompanying Song wasDance. Sexton nextFor He andThe with was Aidanherself Mira. thean 48thAmazing HighlandersBillThe Grace Langstrothservice by Pipes Pipe began &Major opened Drums. -
TINTAIR Mobilisation After World War II
' ... '1 , WEDNESDAY, NOVEMBER 22. 190t |0anrlfp0tpr Eopnitte IfproUi A Chest X-Ray Costs You Nothing—Have Your Chest Checked Today! Armge Dslly-Net Press Run Lights Placed Fifty*fifth Wedding Anniversary State Official The Weather A b o u t T o w n For tho Week Ending FotMMt M O. a. W etker Buriuu No Herald Novomber 18, 1950 At PTA Meet ^ **1-1 A il Ylldajr. olondsr, Hght abowoiu hi Hr. iad Ml*. Agr Xud of Tomorrow At Crossings Ootani Rood lift tA sr 10,133 •ftomoon rlionglagtonnowDqnulh iMod, N. Jr^ whiTi tSwy wUI be ihu oveulag: coMcr, hlkb ncor.SS; Nomber ot tko Audit tonigbt, now ■qunlln and much fU M U o f Mr. and Mra. O corfi E- Steele's in Bolton to Be Dr. LaVeme Strong Ad* ooldor; lowMt aboot 18. Htrach of ISO Woodaido Avo., that No issue of the Manchester Buieua o f ClrcnlutkmD Manchester— A City o j VUIage Charm dty, o w r Thankaglvinr. and be Evening Herald will be Protected by Red dresses Members of the II mint at the wedding of tbeir published tomorrow, MO. Douglaa H. Rand and Mias Flashing Signals Washington School D onthy Jane Hlraeh. Saturday at Thanksgiving Day. VOL. LXX, NO. 48 (CtaaftM admtWug ae Fufu 1 8 ) MANCHESTER, CONN., FRIDAY, NOVEMBER 24. 1950 (TWENTY PAGES) PRICE FOUR CENTS four o’clock in the rirat Preaby- New Haven, Nov. 22 — Four Dr. LaVeme Strong, state read terlan CSiurch. Ridgewood. Other highway grade croaaings on the ing consultant, who addressed the relatives and friends will leave oi^ New Haven Railroad’s Hartford- Washington Parent-Teacher Asao- Saturday to attend the ceremony" Wllllmantlc line have been equip Holiday Death Mercury May [ Unhappy Search in Train Wreck and reception to follow at the ped with flashing light type of clation at Its meeting last eve Dewey Blasts Road Ridgewood Rika Club. -
Complete Issue
new mexico architectnre march-april 1976 $1.00 - - - -.=Gk.g~ - -- THE MASONIC TEMPLE IN LAS VEGAS, NEW MEXICO by Louise Harris Iven . ~ Jerry Golfe Photo col. 18 no. 2 march-april 1976 • new mexico architecture In this Issue- Louise Harris Ivers continues to supply us with documentation on the historic buildings in Los Vegas, N. M. Beginning on page 9 is the architectural bockground of the Ma NMA News 9 sonic Temple. Previously she has Letters to the Editor, detailed the history of the Charles Mr. Yuk and the New Mexico Ilfeld Building of 1890-91 (March/ Poison and Drug Center April 1970 NMAl ond the Casta neda Hotel of I897- 1898 (May / June 1974 NMAl. The Masonic Temple in Las Vegas, N. M. 15 o o o o -Louise Harri s Ivers Coming- Poland . Well beyond the expected 1976 Roster-New Mexico Society of Architects 11 deadline, the May/June issue will be my report on a fascinating trip to Poland to see their efforts ond ac 1976 Roster-New Mexico Chapter complishments in the world of his toric preservation. The report is American Society of Interior Designers 14 longer by for than anticipoted, so the May/June issue will be thicker by many pages. I only hope that it Index to Advertisers 22 doesn't bore you. A CORRECTION In the January/February 1976 is sue of NMA, a mistake in contractor credit was made in the Crego Block Company Advertisement.The LEMB KE CONSTRUCTION COMPANY of (Cove r- from THE TRIUMPH OF MAXIMILIAN I-Burgkmair) Albuquerque should have been list ed as the General Contractor. -
Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983
This is a repository copy of Hard floors, harsh sounds and the northern anti-festival: Futurama 1979-1983. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/110109/ Version: Accepted Version Article: Trowell, I.M. orcid.org/0000-0001-6039-7765 (2017) Hard floors, harsh sounds and the northern anti-festival: Futurama 1979-1983. Popular Music History, 10 (1). pp. 62-81. ISSN 1740-7133 https://doi.org/10.1558/pomh.32557 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 Abstract: This article explores the history and context of the post-punk festival Futurama, inaugurated in 1979 within the cavernous, makeshift and disintegrating venue of Leeds Queens Hall, and running on an annual basis for five years. -
Iiatirhwtpr Letrmttm Bpralii Mam, Y To
WEDNESDAY, OCTOBER 18, 1986 FACE THlRlV-SIX r Averaie Daily Nat Praaa Ron Tito Wfatlwr iS iim rl;p0ter lEv^nins l^rraUi ? « r Um WeMt HnfUd OeSebw t. ises Fsreeaet ad 0. ItmOOm Herbert Kingsbury, eon of Mr. Member* of the Legion Aux Shir, net tm mat MMglA m About Town and M n. H0|;^rt Kingsbury of iliary are Invited to a Joint In- 14,452 4A6BI pwMr SMM « DurMn St. la a committee Btallatlon of Thompeonville Poet iiatirhwtpr lEtrmttm Bpralii mam, y to. Th* Om>r Shrin* Club derree MeaeNr eC « m AnM BMrrmr. Mgh SB-Ill tMin will have a rehearsal to chairman for the Danbury State and Unit No. 164 Saturday at morrow nlirht at 7:30 In the College annual FVUl Weekend 7:30 p.m. at the Polish National Ifewefcester 4 CUy of Vittaga Charm small lodfe -room at the Ma Nov. 4 to 6. He is a senior mu Home, Uhurch St., Thompson- sic education 'student. He will viUe. sonic Temple in prepartlon for (CtaMlfM AemtMag «• Pe^g IV) its visit to ^endshlp Lodge of Se In charge of a seml-formal •ARNIR MAKIt THOM VOL. LXXXV, NO. 12 ;(TWERTT PAOI8) MANCHESTOL CONN., THURSDAY, OCTOBER 14, 1986 PRICE SEVEN CN N Il Masons on Thursday, Oct. 21, to dance, the final event of thd •Miss Judith E. Frlthsen,' OLD RUOS LOOK UKI present the Hlntored Apprentice weekend. daughter of Mrs. A. R. FTIth- degree. sen of 64 Elsie Dr. ia enrolled NIW AOAM ' VFW wdll sponsor a Seafood as a freshman at Vasaar Col State News Draft Quota The kiCgion Auxiliary will Night for members and guests lege, Poughkeepaie, N.If. -
College Voice Vol. 11 No. 4
Connecticut College Digital Commons @ Connecticut College 1987-1988 Student Newspapers 9-29-1987 College Voice Vol. 11 No. 4 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1987_1988 Recommended Citation Connecticut College, "College Voice Vol. 11 No. 4" (1987). 1987-1988. 4. https://digitalcommons.conncoll.edu/ccnews_1987_1988/4 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1987-1988 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. THEC GE VOICE Connecticut Colle1;e. New London, cr ()6;j20 september 29, 1987 Volume XI, Number 4 AD FONTES Toxic Waste at Conn. Until that time, the waste is held by Mike Coffey in the new stockroom in the Hale The College Voice Laboratory, which, due to re- With the danger of toxic waste cent renovations, is better equip- posing a dilemma all across ped to store the chemicals safe- America, the science depart- Iy, she added. ments of Connecticut College John F1ibbert, '90, expressed are taking safeguards against concern over the storing of toxic any possible contamination. waste on campus, saying' 'If the According to Vicki Fontneau, storage of toxic waste on campus safety officer and Chemistry lab poses any threat to the students instructor, toxic chemicals are or faculty, then it should be used most prominently in the stored off campus," he said. Director of Facilities Opuations. -
Fun*Da*Mental
John Hutnyk THE DIALECTICS OF EUROPEAN HIP-HOP Fun^da^mental and the deathening silence This article takes into account debates about the provenance of hip-hop in Europe, examines instances of the band Fun^da^mental’s creative engagement with, and destabilisation of, music genres, and takes a broadly culture critique perspective as a guide to rethinking hip-hop journalism. Music and ethnicity are core parameters for discussion, and the idea that musical cultures are variously authentic, possessive or coherent is questioned. The war of terror is the wider context. The politics of Fun^da^mental is the politics of hip-hop, crossed with a punk Islam that morphs increasingly into interventions around race and representation, the war of ‘terror’, and a radical version of human rights activism. This paper charts an intertwined story about the journalistic reportage that surrounds the band and the record company from which they come, and the role of commentary and critique of the cultural politics, in a National register, that is their chosen milieu. In Britain, should it surprise us, the lyrical-rhythmic production of this Nation Records’ outfit has led to a terse relationship with the mainstream. Much of the music industry press and the critical comment that has been addressed to the band, and to their left- oriented takes on racism, imperialism, women and war, has betrayed itself as inadequate through distortion, condemnation and hostility.1 It is by now common- place that hip-hop often suffers a bad press; but when it comes in the guise of Islam- oriented South Asians from the North of England, mixed up with a militant New York sensibility and an intolerance of intolerance that takes on world historical political issues, this is exacerbated. -
NEO-GARAGE Il Rinascimento Garage Degli Anni Ottanta CORSI E RICORSI Un Antefatto
Mappapsyche 6-04-2006 11:48 Pagina 28 MAP MUSIC PAGES Neopsichedelia USA ‘80 NEO-GARAGE Il Rinascimento Garage degli Anni Ottanta CORSI E RICORSI Un antefatto. O, meglio, l’Antefatto. Nel 1972, avviluppato da una sgargiante ve- ste che, più di una semplice copertina, è un’esplosione di luci e colori, la Elek- tra pubblica un doppio album dal titolo, come si suol dire, di per sé esplicativo Nuggets: Original Artyfacts From The First Psychedelic Era (1965-1968). Per quella che, a ragione, viene considerata la madre di tutte le compilation, un Lenny Kaye già apprezzato in veste di critico e archeologo rock oltre che di (futuro) chitarrista del Patti Smith Group, responsabile unico del materiale assemblato nonché delle preziose note informative che lo corredano, riapre uno spiraglio verso un’epoca del rock’n’roll sulla quale si erano posate troppo in fretta le sabbie del tempo: quella del garage americano degli anni sessanta. Un piccolo varco destinato ad ampliarsi a dismisura negli anni succes- sivi con la pubblicazione di materiale pressoché inesauribile (come dimenti- care, ad esempio, la serie infinita dei Pebbles?), che getta finalmente luce su quella che forse, nonostante la lonta- nanza dalla luce dei riflettori (o, più pro- babilmente, proprio grazie ad essa), ri- mane l’epoca d’oro del rock’n’roll a stel- le e strisce. L’epoca in cui, in risposta alla British Invasion di Beatles e Rolling Stones, una miriade di band in erba si rinchiude nelle cantine, il più delle volte senza nemmeno saper suonare, buttan- do sul piatto energia, spontaneità, fre- schezza ed entusiasmo nella speranza di emulare il successo dei propri idoli d’oltreoceano.