13Th Discussion Guide
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Film Suggestions to Celebrate Black History
Aurora Film Circuit I do apologize that I do not have any Canadian Films listed but also wanted to provide a list of films selected by the National Film Board that portray the multi-layered lives of Canada’s diverse Black communities. Explore the NFB’s collection of films by distinguished Black filmmakers, creators, and allies. (Link below) Black Communities in Canada: A Rich History - NFB Film Info – data gathered from TIFF or IMBd AFC Input – Personal review of the film (Nelia Pacheco Chair/Programmer, AFC) Synopsis – this info was gathered from different sources such as; TIFF, IMBd, Film Reviews etc. FILM TITEL and INFO AFC Input SYNOPSIS FILM SUGGESTIONS TO CELEBRATE BLACK HISTORY MONTH SMALL AXE I am very biased towards the Director Small Axe is based on the real-life experiences of London's West Director: Steve McQueen Steve McQueen, his films are very Indian community and is set between 1969 and 1982 UK, 2020 personal and gorgeous to watch. I 1st – MANGROVE 2hr 7min: English cannot recommend this series Mangrove tells this true story of The Mangrove Nine, who 5 Part Series: ENOUGH, it was fantastic and the clashed with London police in 1970. The trial that followed was stories are a must see. After listening to the first judicial acknowledgment of behaviour motivated by Principal Cast: Gary Beadle, John Boyega, interviews/discussions with Steve racial hatred within the Metropolitan Police Sheyi Cole Kenyah Sandy, Amarah-Jae St. McQueen about this project you see his 2nd – LOVERS ROCK 1hr 10 min: Aubyn and many more.., A single evening at a house party in 1980s West London sets the passion and what this production meant to him, it is a series of “love letters” to his scene, developing intertwined relationships against a Category: TV Mini background of violence, romance and music. -
White by Law---Haney Lopez (Abridged Version)
White by Law The Legal Construction of Race Revised and Updated 10th Anniversary Edition Ian Haney Lόpez NEW YORK UNIVERSITY PRESS New York and London (2006) 1│White Lines In its first words on the subject of citizenship, Congress in 1790 restricted naturalization to “white persons.” Though the requirements for naturalization changed frequently thereafter, this racial prerequisite to citizenship endured for over a century and a half, remaining in force until 1952. From the earliest years of this country until just a generation ago, being a “white person” was a condition for acquiring citizenship. Whether one was “white” however, was often no easy question. As immigration reached record highs at the turn of this century, countless people found themselves arguing their racial identity in order to naturalize. From 1907, when the federal government began collecting data on naturalization, until 1920, over one million people gained citizenship under the racially restrictive naturalization laws. Many more sought to naturalize and were rejected. Naturalization rarely involved formal court proceedings and therefore usually generated few if any written records beyond the simple decision. However, a number of cases construing the “white person” prerequisite reached the highest state and federal judicial circles, and two were argued before the U.S. Supreme Court in the early 1920s. These cases produced illuminating published decisions that document the efforts of would-be citizens from around the world to establish their Whiteness at law. Applicants from Hawaii, China, Japan, Burma, and the Philippines, as well as all mixed- race applicants, failed in their arguments. Conversely, courts ruled that applicants from Mexico and Armenia were “white,” but vacillated over the Whiteness of petitioners from Syria, India, and Arabia. -
'Once Upon a Time... in Hollywood'
20 Established 1961 Tuesday, January 14, 2020 Lifestyle Awards (From left) John Davis, Eddie Murphy, Craig Brewer, Keegan-Michael Key, Da’Vine Joy Randolph, Ruth E Carter, and Ava DuVernay and fellow cast and crew of ‘When They See Us’ accept the Best Limited Series award for ‘When Sebastian Maniscalco accept the Best Comedy award for ‘Dolemite Is My Name’.— AFP photos They See Us’. ‘Once Upon a Time... in Hollywood’ reigns at Critics’ Choice Awards Quentin Tarantino accepts the award for Best Picture for ‘Once Upon a Time in Hollywood’ onstage at the 25th Annual Critics’ Choice Awards at Barker Hangar on Sunday in Santa Jharrel Jerome accepts the Best Actor in a Movie/Limited Series award for ‘When They Monica, California. See Us’. uentin Tarantino’s “Once Upon a Time... in took home editing and cinematography awards, while said, after the crime epic - an early Oscars frontrunner - Hollywood” backed up its Oscars frontrunner sta- Bong’s black comedy “Parasite” was named best foreign- was shut out at the Globes and missed out on several Qtus by scooping best picture at the Critics’ Choice language film. “Today I was just enjoying the vegan burg- anticipated acting nominations elsewhere. Awards on Sunday. The high-profile awards in Santa er and trying to enjoy the ceremony,” joked Bong as he “Fleabag” topped the television awards, collecting Monica - which also honor the best of television - are seen collected his prize. The awards had emulated last week’s three gongs including best comedy to continue its impres- as a barometer for the all-important Oscars, for which Globes by serving a plant-based menu, to boost environ- sive award season run. -
Intersectionality, Social Locations of Privilege and Conceptions of Women’S Oppression
Intersectionality, social locations of privilege and conceptions of women’s oppression. By Lee MacLean Assistant Professor, Political Science Carleton University, Ottawa, On Prepared for the CPSA meeting, May 2009, Carleton University Email: [email protected] Please do not quote or cite. If we think of privilege simply as appearing in individuals rather than being in lodged in ways of thinking, we focus on what privilege feeds but not on what sustains it. - Elizabeth Spelman, Inessential Woman. (1988, 4) I am not making a culturalist argument about ethnocentrism, I am trying to uncover how ethnocentric universalism is produced in certain analyses. - Chandra Talpade Mohanty, “Under Western Eyes.”(1993, 55) Feminist theory is in a time of transition and of real promise. Over the past several decades, feminists have articulated a necessary critique of false universalization in feminist theorizing. Feminist generalizations about women misnamed or ignored the 2 experience of too many women, often eliding or crushing out vital information that stemmed from differences of class, race, ethnicity, sexual orientation, religion, age and ability. In the wake of this important critique, feminists have begun to forge new tools to help identify and avoid false universalization, tools which will allow for more accurate theorizations of women’s situations, their subordination and the possibilities of their liberation. One such tool is the concept of intersectionality, which holds that forms of oppression interact and modify one another. Another tool is the growing feminist literature on privileged social locations and their epistemological limitations. This paper analyzes the relationship between intersectionality and the sorts of the perceptions and misperceptions of women’s oppression that are facilitated by situations of social group privilege. -
DVD Spring 2020 Catalog This Catalog Lists Only the Newest Acquired DVD Titles from Spring 2020
Braille and Talking Book Library P.O. Box 942837 Sacramento, CA 94237-0001 (800) 952-5666 (916) 654-1119 FAX Descriptive Video Service (DVS) DVD Spring 2020 Catalog This catalog lists only the newest acquired DVD titles from Spring 2020. This is not a complete listing of all DVD titles available. Included at the end of this catalog is a mail order form that lists these DVD titles alphabetically. You may also order DVDs by phone, fax, email, or in person. Each video in this catalog is assigned an identifying number that begins with “DVD”. For example, DVD 0525 is a DVD entitled “The Lion King”. You need a television with a DVD player or a computer with a DVD player to watch descriptive videos on DVD. When you insert a DVD into your player, you may have to locate the DVS track, usually found under Languages or Set-up Menus. Assistance from a sighted friend or family member may be helpful. Some patrons have found that for some DVDs, once the film has begun playing, pressing the "Audio" button repeatedly on their DVD player's remote control will help select the DVS track. MPAA Ratings are guidelines for suitability for certain audiences. G All ages PG Some material may not be suitable for children PG-13 Some material may be inappropriate for children under 13 R Under 17 requires accompanying adult guardian Film not suitable for MPAA rating (TV show, etc.) Some Not Rated material may not be suitable for children. Pre-Ratings Film made before MPAA ratings. Some material may not be suitable for children. -
Actress Carey Mulligan to Receive the Artistic Achievement Award During the Centerpiece Presentation of Wildlife Costume Desi
Media Contact: Nick Harkin / Matthew Bryant Carol Fox and Associates 773.969.5033 / 773.969.5034 [email protected] [email protected] For Immediate Release: Sept. 12, 2018 ACTRESS CAREY MULLIGAN TO RECEIVE THE ARTISTIC ACHIEVEMENT AWARD DURING THE CENTERPIECE PRESENTATION OF WILDLIFE COSTUME DESIGNER RUTH CARTER (BLACK PANTHER, SELMA) TO BE HONORED WITH A CAREER ACHIEVEMENT AWARD AT THIS YEAR’S BLACK PERSPECTIVES TRIBUTE The Festival will also pay tribute to the legacy of actress and Festival co-founder Colleen Moore and Chicago graphic artist Art Paul th CHICAGO – The 54 Chicago International Film Festival, presented by Cinema/Chicago, today announced Tributes to actress Carey Mulligan in conjunction with this year’s Centerpiece film Wildlife, and costume designer Ruth Carter as part of the Festival’s annual Black Perspectives Program. The Festival will also celebrate posthumously two artists special to Chicago, graphic designer Art Paul in conjunction with a screening of Jennifer Kwong’s Art Paul of Playboy: The Man Behind the Bunny, and actress and Chicago International Film Festival co-founder Colleen Moore, with a screening of The Power and the Glory (1933). The tributes will take place over the course of the Festival’s 12-day run at AMC River East 21 (322 E. Illinois St.) in Chicago, October 10-21, 2018. British actress Carey Mulligan is one of the paramount talents of her generation. Nominated for an Oscar®, a Golden Globe, and a SAG award for her radiant portrayal of the innocent teenage Jenny in An Education, Mulligan has delivered captivating performances across stage and screen, including Shame, The Great Gatsby, Inside Llewyn Davis, Mudbound, and this year’s Festival selection, Wildlife. -
Exploring White Privilege Among Adult Learners in the Historically White College and University Classroom
EXPLORING WHITE PRIVILEGE AMONG ADULT LEARNERS IN THE HISTORICALLY WHITE COLLEGE AND UNIVERSITY CLASSROOM by LINDA ELAINE LOGAN (Under the direction of RONALD M. CERVERO) ABSTRACT The purpose of this study was to understand how adult learners experience white privilege in higher education classrooms. There were two research questions guiding this study: (1) how does the social position of adult learners affect their experience of white privilege in the classroom; and (2) what are the manifestations of white privilege in the classroom. This was a qualitative case study conducted during the spring 2002 semester at a historically White university. The cases consisted of two higher education classrooms. Twelve racially diverse adult learners and two instructors participated in the study. Data collection methods included semi-structured interviews, classroom observations, and document analysis. The study found that race, class, and gender affected how adult learners experienced white privilege in the classroom. First, White racialness privileged White adult learners and non-White racialness burdened adult learners of color in the classroom. Class was found to be empowering only to White adult learners who could claim higher social locations. When class intersected with race, White adult learners at the lower end of class claimed power from Whiteness. Adult learners of color from higher and lower social class locations drew on their class backgrounds to negotiate issues of race that operated in the classroom. A higher social class location was of no benefit in the classroom for non-White adult learners who could claim that status. The study found male gender and African American racialness of one of the instructors to be intimidating only among his White students in the study. -
Social Privilege and International Volunteering
Western Washington University Western CEDAR Scholars Week 2015 - Poster Presentations May 15th, 10:00 AM - 2:00 PM Social Privilege and International Volunteering Stephanie Sisson Western Washington University Follow this and additional works at: https://cedar.wwu.edu/scholwk Part of the Communication Commons, and the Higher Education Commons Sisson, Stephanie, "Social Privilege and International Volunteering" (2015). Scholars Week. 29. https://cedar.wwu.edu/scholwk/2015/Day_two/29 This Event is brought to you for free and open access by the Conferences and Events at Western CEDAR. It has been accepted for inclusion in Scholars Week by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Social Privilege and International Volunteerism By: Stephanie Sisson Advisor: Dr. Ee Lin Lee Intercultural Communication Definitions Theory, Method & Data Social Privilege: Conferred dominance and unearned advantage due to personal identities Analysis (McIntosh, 1988) Oppression: The actions of imposition and deprivation that allow social privilege to exist Ten semi-structured face-to-face Intersectionality: All identities reify each other and are non-hierarchal in significance interviews (Total running time: 11hrs. 15min.) - Institutionalized Social Privilege: Societal systems that create disparities in access to Participants: International service material, goods, and power learning students traveling to - Self-Mediated Social Privilege: The active oppression of others that is believed to be Cambodia -
Awareness of Privilege and Oppression Scale-2: Construction and Initial Validation
University of Kentucky UKnowledge Theses and Dissertations--Educational, School, Educational, School, and Counseling and Counseling Psychology Psychology 2014 AWARENESS OF PRIVILEGE AND OPPRESSION SCALE-2: CONSTRUCTION AND INITIAL VALIDATION Michael J. McClellan University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation McClellan, Michael J., "AWARENESS OF PRIVILEGE AND OPPRESSION SCALE-2: CONSTRUCTION AND INITIAL VALIDATION" (2014). Theses and Dissertations--Educational, School, and Counseling Psychology. 22. https://uknowledge.uky.edu/edp_etds/22 This Doctoral Dissertation is brought to you for free and open access by the Educational, School, and Counseling Psychology at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Educational, School, and Counseling Psychology by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Fall 2020 Newsletter
NEW REALEASES FALL 2020 FALL ASTEROIDTouching THE If spacecraft OSIRIS-REx can grab a piece of an asteroid and bring it back to Earth, scientists could gain great insight into our planet’s origins—and even how to defend against rogue asteroids. But NASA only gets three shots at collecting a sample. Can they pull it off? NOVA takes you inside the mission. 1x60 HD Screen programs online at pbsinternational.org THE QUEEN & THE COUP On the fi rst anniversary of Queen Elizabeth II’s reign, she had no idea she was about to be deployed in a secret plot to topple Iran’s democratic leader in favor of an all-powerful Shah. Planned by MI6 and executed by the CIA, the coup would destroy relations between Iran and the West to Driving While Black: Race, Space and Mobility in America explores how the this very day. The truth was hidden even from the Queen herself. Using advent of the automobile brought new mobility and freedom for African newly declassifi ed secret documents, The Queen and the Coup unravels Americans but also exposed them to discrimination and deadly violence, this incredible story for the fi rst time.1x47 HD and how that history resonates today. 1x60, 1x120 HD CURRENT AFFAIRS U.S. ELECTION 2020 The Choice 2020: Trump vs. Biden COURTESY OF STEPHEN LAM/REUTER In the midst of a historic pandemic, economic hardship, and a reckoning with racism, this November Americans will decide who will lead the nation for the next four years: President Donald Trump or former Vice President Joe Biden. -
Aphasia Film Forum Selma
! Brag & Steal Session Handouts* Saturday March 14, 2015 ! ! ! ! ! ! ! ! ! ! ! ! ! ! *Schedule)is)subject)to)change) ! Aphasia Film Forum: An LPPA “ramp” for movie-watching* Shirley Morganstein ! ! ! ! ! ! ! ! ! ! ! ! ! *Schedule)is)subject)to)change) Aphasia Film Forum: Setting The Scene Tool Movie: Selma Tagline: One dream can change the world What kind of movie is it? Historical drama Who’s in it that I know? Oprah Winfry (Talk show host, The Butler) David Oyelowo (The Butler) Tom Wilkenson (Marigold Hotel, Michael Clayton) When: 1965 Where: Selma, Alabama Director: Ava DuVernay What’s the story about? The story covers a three month period during which Martin Luther King and his supporters marched from Selma to Montgomery to win equal voting rights for all people. The marches were marked by violence and racism. The story profiles the political “behind the scenes” during this historic time of the civil rights movement. Movie Telegram • Martin Luther King organizes a protest. • King and his supporters march from Selma to Montgomery Alabama. • Many people oppose this march. • The peaceful demonstration turns violent. Aphasia Film Forum: Talk Show Host Questions Story: 1. How did the local administrator block the voter application for the African American citizen in Selma? (Oprah Winfry) Important scenes: 2. Describe the scene between President Lyndon Johnson and Governor George Wallace. Ideas and Issue 3. Why did King pursue his plan to march despite the President’s request to wait? Character Motivation 4. Why did the FBI director try to discredit Martin Luther King in what he said to his wife? 5. Give examples of racism shown in the film. -
In Solidarity: Spotlighting Black Film Artists
Talk To Me (2007) IN SOLIDARITY: SPOTLIGHTING BLACK FILM ARTISTS FREE film series In solidarity with the Black community—which Wednesdays, 7:30 p.m. continues to face pervasive discrimination, bigotry, July 7–Sept. 1, 2021 and violence—the George Eastman Museum spotlights the contributions of Black film artists Dryden Theatre with this series of nine motion pictures from 1930 at the Eastman Museum to the present. 900 East Ave Sponsored by: A partnership of the George Eastman Museum and: JUL A Soldier’s Story her freedom, particularly to date liberally. the congenial DJs the station is used to, but they went on to recording contracts. This (Norman Jewison, US 1984, She is seeing three men: the sweet Jamie he connects with the listeners and ratings documentary, Ava DuVernay’s first feature 07 101 min., 35mm) (Tommy Redmond Hicks), strapping model start to rise. Following the assassination film, is a loving look back at a place and Based on Charles Fuller’s Pulitzer Prize– Greer (John Canada Terrell), and fast-talking of Rev. Dr. Martin Luther King Jr., the radio- time that can never be duplicated. winning play, this film looks at hatred bike messenger Mars Blackmon (Spike listening public turns to Petey for guidance within and beyond a US Army base in Lee). The men become jealous, and Nola through the ensuing riots. Yet even as his AUG Shaft Louisiana in 1944. While a squad of Black is asked to see only one exclusively. Now, fame grows, and he turns to television and 25 (Gordon Parks, US 1971, soldiers are waiting to be deployed, their she must make a choice—about her life and the stage, Petey has to question whose 100 min., 35mm) sergeant is murdered on his way back who she wants to be.