The Role of the Quote from Psalm 82 in John 10:34-36 Colin Liske Concordia Seminary, St
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The Book of Judges – “Downward Spiral”
The pattern devolves until there is absolute darkness and despair THE BOOK OF JUDGES – “DOWNWARD SPIRAL” Judges 8 What is the basic message of Judges? 24 And Gideon said to them, “Let me make a request of you: every one of 27 • the repeated failures of Israel to love God you give me the earrings from his spoil.” … And Gideon made an and the inadequacy of all the judges to truly rescue Israel ephod of it and put it in his city, in Ophrah. And all Israel whored after it there, and it became a snare to Gideon and to his family. The Book of Judges is a series of redemption cycles: 30 Now Gideon had seventy sons, his own offspring, for he had many (1) the people rebel against God wives. 31 And his concubine who was in Shechem also bore him a son, (2) God allows the people to suffer from their sins and he called his name Abimelech. 32 And Gideon the son of Joash died in (3) the people cry out to God for deliverance a good old age and was buried in the tomb of Joash his father, at Ophrah (4) God sends a judge – a deliverer of the Abiezrites. (5) there is a period of rest and peace Judges 13:1-2 1 And the people of Israel again did what was evil in the sight of the You see this pattern in the first judge – Othniel | Judges 3:7-12 LORD, so the LORD gave them into the hand of the Philistines for forty 2 Stage 1 – Israel rebels against God years. -
The Book of Judges Lesson One Introduction to the Book
The Book of Judges Lesson One Introduction to the Book by Dr. John L. May I. The Historical Background - Authorship Dates of the events of the book are uncertain. It is a book about and to the children of Israel (Judges 1:1). Since the book is a continuation of history following the book of Joshua, many scholars believe that it was written after the death of Joshua (after 1421 BC). However, others think that it was written even later than this, for Judges 18:1 and 19:1 imply that there was a king in Israel at the time of writing. That would necessitate a date of 1095 BC or later. If you base your belief upon Judges 1:21, 29, a date of approximately 1000 BC would be a date that would place its writing during the time of Samuel and the reign of the kings. This would tie in nicely with the Jewish tradition that the author was Samuel. There is neither an inspired statement nor an implication as to the place of composition To determine the time span involved in this book, it is unlikely that the years each judge is said to have ruled could be added together, for the total would exceed 490 years. However, Wesley states in his notes on the Book of Judges that the total is only 299 years. The reason for this is that their years of service may coincide or overlap with the years of some or other of the judges and this allows Wesley to arrive at his figure. -
Psalms, Hymns, and Spiritual Songs: the Master Musician's Melodies
Psalms, Hymns, and Spiritual Songs: The Master Musician’s Melodies Bereans Sunday School Placerita Baptist Church 2006 by William D. Barrick, Th.D. Professor of OT, The Master’s Seminary Psalm 81 — Celebrate the Feast Day! 1.0 Introducing Psalm 81 y In the early 1960’s excavators uncovered a manuscript including Psalms 81– 85 at Masada, the Jewish fortress on the west side of the Dead Sea that was destroyed around A.D. 73. y Psalms 50, 81, and 95 are the three festival psalms in the Psalter. y Most commentators identify the Feast of Tabernacles with the festival celebration in Psalm 81 (Leviticus 23:33-36, 39-43; Deuteronomy 16:13-15). y According to the rabbis, the following psalms were sung in the daily services of the Temple: 9 1st day (Sunday): Psalm 24 9 2nd day (Monday): Psalm 48 9 3rd day (Tuesday): Psalm 82 9 4th day (Wednesday): Psalm 94 9 5th day (Thursday): Psalm 81 9 6th day (Friday): Psalm 93 9 7th day (Saturday): Psalm 92 y Within the collection of Asaph psalms (Psalms 79–83), Psalm 81 presents God’s response to the laments of Psalms 79 and 80. 2.0 Reading Psalm 81 (NAU) 81:1 A Psalm of Asaph. Sing for joy to God our strength; Shout joyfully to the God of Jacob. 81:2 Raise a song, strike the timbrel, The sweet sounding lyre with the harp. 81:3 Blow the trumpet at the new moon, Psalms, Hymns, and Spiritual Songs 2 Barrick, Placerita Baptist Church 2006 At the full moon, on our feast day. -
God Among the Gods: an Analysis of the Function of Yahweh in the Divine Council of Deuteronomy 32 and Psalm 82
LIBERTY BAPTIST THEOLOGICAL SEMINARY AND GRADUATE SCHOOL GOD AMONG THE GODS: AN ANALYSIS OF THE FUNCTION OF YAHWEH IN THE DIVINE COUNCIL OF DEUTERONOMY 32 AND PSALM 82 A THESIS SUBMITTED TO THE FACULTY OF THE SCHOOL OF RELIGION IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS IN RELIGIOUS STUDIES BY DANIEL PORTER LYNCHBURG, VIRGINIA MAY 2010 The views expressed in this thesis do not necessarily represent the views of the institution and/or of the thesis readers. Copyright © 2010 by Daniel Porter All Rights Reserved. ii ACKNOWLEDGEMENTS To my wife, Mariel And My Parents, The Rev. Fred A. Porter and Drenda Porter Special thanks to Dr. Ed Hindson and Dr. Al Fuhr for their direction and advice through the course of this project. iii ABSTRACT The importance of the Ugaritic texts discovered in 1929 to ancient Near Eastern and Biblical Studies is one of constant debate. The Ugaritic texts offer a window into the cosmology that shaped the ancient Near East and Semitic religions. One of the profound concepts is the idea of a divine council and its function in maintaining order in the cosmos. Over this council sits a high god identified as El in the Ugaritic texts whose divine function is to maintain order in the divine realm as well on earth. Due to Ugarit‟s involvement in the ancient world and the text‟s representation of Canaanite cosmology, scholars have argued that the Ugaritic pantheon is evidenced in the Hebrew Bible where Yahweh appears in conjunction with other divine beings. Drawing on imagery from both the Ugaritic and Hebrew texts, scholars argue that Yahweh was not originally the high god of Israel, and the idea of “Yahweh alone” was a progression throughout the biblical record. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing. -
The Psalms As Hymns in the Temple of Jerusalem Gary A
4 The Psalms as Hymns in the Temple of Jerusalem Gary A. Rendsburg From as far back as our sources allow, hymns were part of Near Eastern temple ritual, with their performers an essential component of the temple functionaries. 1 These sources include Sumerian, Akkadian, and Egyptian texts 2 from as early as the third millennium BCE. From the second millennium BCE, we gain further examples of hymns from the Hittite realm, even if most (if not all) of the poems are based on Mesopotamian precursors.3 Ugarit, our main source of information on ancient Canaan, has not yielded songs of this sort in 1. For the performers, see Richard Henshaw, Female and Male: The Cu/tic Personnel: The Bible and Rest ~(the Ancient Near East (Allison Park, PA: Pickwick, 1994) esp. ch. 2, "Singers, Musicians, and Dancers," 84-134. Note, however, that this volume does not treat the Egyptian cultic personnel. 2. As the reader can imagine, the literature is ~xtensive, and hence I offer here but a sampling of bibliographic items. For Sumerian hymns, which include compositions directed both to specific deities and to the temples themselves, see Thorkild Jacobsen, The Harps that Once ... : Sumerian Poetry in Translation (New Haven: Yale University Press, 1987), esp. 99-142, 375--444. Notwithstanding the much larger corpus of Akkadian literarure, hymn~ are less well represented; see the discussion in Alan Lenzi, ed., Reading Akkadian Prayers and Hymns: An Introduction, Ancient Near East Monographs (Atlanta: Society of Biblical Literature, 2011), 56-60, with the most important texts included in said volume. For Egyptian hymns, see Jan A%mann, Agyptische Hymnen und Gebete, Orbis Biblicus et Orientalis (Gottingen: Vandenhoeck & Ruprecht, 1999); Andre Barucq and Frarn;:ois Daumas, Hymnes et prieres de /'Egypte ancienne, Litteratures anciennes du Proche-Orient (Paris: Cerf, 1980); and John L. -
Joshua, Judges
VOLUME 7 OLD TESTAMENT NEW COLLEGEVILLE THE BIBLE COMMENTARY JOSHUA, JUDGES Roland J. Faley, T.O.R. SERIES EDITOR Daniel Durken, O.S.B. LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Nihil Obstat: Reverend Robert Harren, Censor deputatus. Imprimatur: Most Reverend John F. Kinney, J.C.D., D.D., Bishop of St. Cloud, Minnesota, August 30, 2011. Design by Ann Blattner. Cover illustration: Joshua Anthology by Donald Jackson. Copyright 2010 The Saint John’s Bible, Order of Saint Benedict, Collegeville, Minnesota USA. Used by permis- sion. Scripture quotations are from the New Revised Standard Version of the Bible, Catholic Edition, copyright 1989, 1993 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Photos: pages 14, 33, 110, Wikimedia Commons; pages 21, 76, 107, Photos.com. Map created by Robert Cronan of Lucidity Information Design, LLC. Scripture texts in this work are taken from the New American Bible, revised edition © 2010, 1991, 1986, 1970 Confraternity of Christian Doctrine, Inc., Washington, DC. All Rights Reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner. © 2011 by Order of Saint Benedict, Collegeville, Minnesota. All rights reserved. No part of this book may be reproduced in any form, by print, microfilm, micro fiche, mechanical recording, photocopying, translation, or by any other means, known or yet unknown, for any purpose except brief quotations in reviews, without the previous written permission of Liturgical Press, Saint John’s Abbey, P.O. -
Judges-Study-Guide.Pdf
TABLE OF CONTENTS Tips for Reading Judges Overview and Outline Map of Israel’s Tribes and Judges Study Guide: Week One Day 1: Monday, September 21 ( Judges 1) Day 2: Tuesday, September 22 ( Judges 2) Day 3: Wednesday, September 23 ( Judges 3) Day 4: Tursday, September 24 ( Judges 4-5) Day 5: Friday, September 25 ( Judges 6) Study Guide: Week Two Day 6: Monday, September 28 ( Judges 7) Day 7: Tuesday, September 29 ( Judges 8) Day 8: Wednesday, September 30 ( Judges 9) Day 9: Tursday, October 1 (Judges 10) Day 10: Friday, October 2 (Judges 11) Study Guide: Week Tree Day 11: Monday, October 5 (Judges 12) Day 12: Tuesday, October 6 (Judges 13) Day 13: Wednesday, October 7 (Judges 14) Day 14: Tursday, October 8 (Judges 15) Day 15: Friday, October 9 (Judges 16) Study Guide: Week Four Day 16: Monday, October 12 (Judges 17) Day 17: Tuesday, October 13 (Judges 18) Day 18: Wednesday, October 14 (Judges 19) Day 19: Tursday, October 15 (Judges 20) Day 20: Friday, October 16 (Judges 21) TIPS FOR READING THROUGH JUDGES For every passage you read, here's a process we suggest for your reading: • Take a moment to pray and ask God to help you understand and apply what you read. • Read the passage. • Ask, "Say What?" -- Go back through your reading and ask questions like: What did it say? • What did I learn about God? About myself? About life? What insights do I gain? • Ten ask, "So What?" -- Imagine someone read that same passage and asked you, "So what? What does this have to do with life today?" What's the answer? What universal lesson or life teaching does God communicate through this passage? • Finally, ask "Now What?" -- Ask God what He wants you to do with what you read. -
The Plural Elohim of Psalm 82
Annual Meeting, Evangelical Theological Society, 2010 Dr. Michael S. Heiser, Logos Bible Software; [email protected] www.thedivinecouncil.com; www.twopowersinheaven.com; www.nakedbibleblog.com of Psalm 82 אלהים Should the Plural Be Understood as Men or Divine Beings? 1. Introduction Psalm 82 has long been a nuisance for Jewish and Christian interpreters. As Morgenstern noted in his lengthy study of the psalm, “Although its text is in almost perfect condition and better far than the text of the vast majority of the Psalms, scarcely any psalm seems to have troubled interpreters more or to have experienced a wider range of interpretation and a more disturbing uncertainty and lack of finality than Psalm 82.”1 Morgenstern is correct, but as I will suggest in this paper, the reason for the confusion stems from several defects in our own thinking and methods, not the clarity of the text. For the ancient orthodox Israelite, there was no conundrum. To begin, the very first verse assaults our theological sensitivities: אֱֽ יםֹלהִִ֗ נִצָּ֥ ב בַּףֲדַּ ת־א לֵ֑ בְְּׁקֶ ב ֶ֖רֶ אֹלהִ יםִ֣ פיִשְׁ ֱֽ ט׃ .he passes judgment (אלהים) stands in the divine assembly; in the midst of the gods (אלהים) God is correctly translated “God” obviously to be taken as singular for אלהים The first occurrence of is equally obvious as a אלהים The second .( נִצָּ֥ ב) reasons of grammatical subject-verb agreement One cannot be in the midst of one (and for .(בְְּׁקֶ ֶ֖רֶ ב) plural since it is the object of the preposition anyone thinking of the Trinity here, as we will see, that presumption in this verse leads to heretical theology no one in this room would embrace). -
A Rebuke of Injustice
Sunday School Lesson Psalm 82 by Lorin L. Cranford All rights reserved © A Rebuke of Injustice A copy of this lesson is posted in Adobe pdf format at http://cranfordville.com under Bible Studies in the Bible Study Aids section A note about the blue, underlined material: These are hyperlinks that allow you to click them on and bring up the specified scripture passage automatically while working inside the pdf file connected to the internet. Just use your web browser’s back arrow or the taskbar to return to the lesson material. ************************************************************************** Quick Links to the Study I. Context II. Message a. Historical a. Court is convened, v. 1 b. Literary b. Court is in session, vv. 2-7 c. A plea from a witness, v. 8 *************************************************************************** In this third study in the Smyth-Helwys Formations series of “The Church on Mission” the theme in the Sunday School quarterly is “Your Samaria.” The association of Psalm 82 with that title is minimal at best, but is based upon the unusual nature of the contents of Psalm 82 which treats the topic of God’s power over the deities worshipped by the Canaanite cultures surrounding ancient Israel in Palestine. The complex process of interpreting the Psalms correctly has been previously treated in the study on Psalm 84 and thus won’t be repeated here in detail. In summary, it involves attempting the understand the original compositional starting point of the Psalm. Then one must probe how this hymn was used in temple worship in ancient Israelite worship, which may be centuries after the original composition. -
Judges 202 1 Edition Dr
Notes on Judges 202 1 Edition Dr. Thomas L. Constable TITLE The English title, "Judges," comes to us from the Latin translation (Vulgate), which the Greek translation (Septuagint) influenced. In all three languages, the title means "judges." This title is somewhat misleading, however, because most English-speaking people associate the modern concept of a "judge" with Israel's "judges." As we shall see, judges then were very different from judges now. The Hebrew title is also "Judges" (Shophetim). The book received its name from its principal characters, as the Book of Joshua did. The "judge" in Israel was not a new office during the period of history that this book records. Moses had ordered the people to appoint judges in every Israelite town to settle civil disputes (Deut. 16:18). In addition, there was to be a "chief justice" at the tabernacle who would, with the high priest, help settle cases too difficult for the local judges (Deut. 17:9). Evidently there were several judges at the tabernacle who served jointly as Israel's "Supreme Court" (Deut. 19:17). When Joshua died, God did not appoint a man to succeed him as the military and political leader of the entire nation of Israel. Instead, each tribe was to proceed to conquer and occupy its allotted territory. As the need arose, God raised up several different individuals who were "judges," in various parts of Israel at various times, to lead segments of the Israelites against local enemies. In the broadest sense, the Hebrew word shophet, translated "judge," means "bringer of justice." The word was used in ancient Carthage and Ugarit to describe civil magistrates.1 1Charles F. -
Complex Antiphony in Psalms 121, 126 and 128: the Steady Responsa Hypothesis
502 Amzallag & Avriel: Complex Antiphony in Pss OTE 23/3 (2010), 502-518 Complex Antiphony in Psalms 121, 126 and 128: the Steady Responsa Hypothesis NISSIM AMZALLAG AND MIKHAL AVRIEL (I SRAEL ) ABSTRACT Psalms 121, 126 and 128 are three songs of Ascents displaying the same structural characteristics: (i) they include two distinct parts, each one with its own theme; (ii) the two parts have the same number of verse lines;, (iii) many grammatical and semantic similarities are found between the homolog verse lines from the two parts; (iv) a literary breakdown exists between the last verse of the first part and the first verse of the second part. These features remain unexplained as long as these poems are approached in a linear fashion. Here we test the hypothesis that these songs were performed antiphonally by two choirs, each one singing another part of the poem. This mode of complex antiphony is defined here as steady responsa. In the three songs analyzed here, the “composite text” issued from such a pairing of distant verses displays a high level of coherency, new literary properties, images and metaphors, echo patterns typical to antiphony and even “composite meanings” ignored by the linear reading. We conclude that these three psalms were originally conceived to be performed as steady responsa. A INTRODUCTION Antiphony is sometimes mentioned in the Bible. The first ceremony of alliance of the Israelites in Canaan is reported as an impressive antiphonal dialogue between two Israelite choirs: from mount Gerizim six tribes were to bless the people and from mount Eybal a responding choir of the other six tribes were to sing a hymn of curse (Deut 27:11-16).