Brahma Bharati
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
National Museum, New Delhi
TREASURES The National Culture Fund (NCF) was The Treasures series brings to you objects of great aesthetic quality and National Museum This volume highlights the treasures of established by the Ministry of Culture in historic significance from collections of major Indian museums. Each the National Museum—New Delhi. 1996 and is a Trust under the Charitable book has an introduction to the particular museum, set in broad thematic NEW DELHI The museum has over 2,10,000 works Endowments Act of 1890. It is governed sections. Several significant treasures have been selected and presented of art representing 5,000 years of Indian by a Council with the Hon’ble Minister with an introduction by the Director and staff of the museum. art and craftsmanship. The collection for Culture as its chairperson and includes sculptures in stone, bronze, managed by an Executive Committee This Treasures series is an initiative of the Ministry of Culture, terracotta and wood, miniature paintings chaired by the Secretary, Ministry of Government of India, in collaboration with major Indian museums, and manuscripts, coins, arms and armour, Culture, Government of India. and the National Culture Fund (NCF) has been entrusted with the Museum National jewellery and anthropological objects. Antiquities from Central Asia and pre- The primary mandate of the NCF responsibility for its production. Columbian artefacts form the two non- is to nurture Public Private Partnerships Indian collections in the museum. The (PPP), to mobilise resources from The aim of the Treasures series is to create a lasting interest in Indian museum is the custodian of this treasure the public and private sector for the art and inspire more visitors to enjoy the wonders of India’s great trove of our multilayered history and restoration, conservation, protection cultural legacy. -
Raja Harishchandra Is a Most Thrilling Story from Indian Mythology. Harishchandra Was a Great King of India, Who Flourished Several Centuries Before the Christian Era
Notes The Times of India gave pre-screening publicity as follows: 'Raja Harishchandra is a most thrilling story from Indian mythology. Harishchandra was a great king of India, who flourished several centuries before the Christian era. He (sic) and his wife's names were household words in every Indian home for their truthfulness and chastity respectively. Their son Rohidas was a marvellous type of noble manhood. What Job was in Christian (sic) Bible, so Harischandra was in the Indian mythology. The patience of this king was tried so much that he was reduced to utter poverty and he had to pass his days in jungles in the company of cruel beasts. The same fate overcame his faithful wife and the dutiful son. But truth tri- umphed at last and they came out successfully through the ordeal. Several Indian scenes as depicted in this film are sim- ply marvellous. It is really a pleasure to see this piece of Indian workmanship'. The Bombay Chronicle, while reviewing Raja Harishchandra in its issue of Monday, 5th May 1913 said, 'An interesting de- parture is made this week by the management of Coronation Cinematographer. The first great Indian dramatic film on the lines of the great epics of the western world ... it is curious that the first experiment in this direction was so long in com- ing (sic) ... all the stories of Indian mythology era will long make their appearance ... followed by representations of modern dramas and comedies, another field which opens up vast possibilities ... it is to Mr Phalke that Bombay owes this .. -
Unit 2 Radio, Television and Cinema
UNIT 2 RADIO, TELEVISION AND CINEMA 2.0 Objectives 2.1 Introduction 2.2 Origin and Development of Radio in India 2.2.1 The Indian Broadcasting Company 2.2.2 All India Radio 2.2.3 First Three Plans 2.2.4 Chanda Committee 2.25 Code for Broadcasteis 2.2.6 Verghese Committee 2.2.7 The Present Status 1 2.2.8 Audiena Research I 2.2.9 Radio's Effectiveness 23 Origin and Deveiopment of Television in India Ii I 2.3.1 TV Comes to India 2.3.2 SITE 2.3.3 Commercial Servia I 2.3.4 National Broadcest Trust I 23.5 Development in the Eighties 2.3.6 Joshi Committee ! 2.3.7 Video Boom 2.3.8 Cable TV 2.3.9 Effectiveness of Doordarshan 2.4 Origin and Development of Films in India 2.4.1 The Beginning 2.4.2 Film mesto India 2.4.3 The Silent Era 2.4.4 The Talkie 2.4.5 Government Oiganizations 2.4.6 Need for Good Films 2.5 Let Us Sum Up 2.6 Glossary 2.7 Further Reading 2.8 Check Your Pmgms : Model Answers 2.0' OBJECTIVES After going through this unit, you should be able to : trace the development of radio, TV and film over the yeam ae a media of maw cbmrnunication; describe the reach and effectiveness of mdio, TV and film as media of mass communication; compare the development of radio, TV and film in India. 2.1 INTRODUCTION In unit 1 we traced the origin and development of the Indian press. -
Madhu Sharma Father's Name
RESUME Name : Dr. (Mrs) Madhu Sharma Father's Name : Dr. R. P. Singh Date of Birth : May 8, 1962 Present Address : Professor, Department of Agricultural Economics, College of Agriculture Swami KeshwanandRajasthan Agricultural University, Bikaner Permanent Address : C 146, Karni Nagar (Lalgarh), Bikaner. Educational Qualification : Class Year of Board / University Specialization passing B. Sc. Ag 1982 G B Pant University of Agriculture & Agriculture Technology, Pantnagar M. Sc. Ag 1984 G B Pant University of Agriculture & Agril. Economics Technology, Pantnagar Ph. D. 1989 G B Pant University of Agriculture & Agril. Economics Technology, Pantnagar MBA 2007 Human Resources IGNOU, New Delhi Management (9) Experience – Post Held Pay Scale Duration Employer Nature of Job Assistant professor Rs. 8000- 13500 30.03.89- 19.08.93 Raj. Agril. Research and University, Teaching Assistant Professor Bikaner (Senior Scale) Rs. 10000 – 15200 20.08.93 – 21.10.2001 Associate Professor Rs. 12000- 18000 22.10.2001 till 31.6.2009 Raj. Agril. Research, University, Teaching and (Pre-revised) Bikaner Administration Professor 1.7.2009 till date S. K. Research, Rajasthan Teaching and Agricultural Administration University, Bikaner Other Administrative Responsibilities: 1. Presently holding responsibility of HoD, Department of Agricultural Economics, College of Agriculture, SKRAU, Bikaner. 2. Had been Director, Directorate of Prioritisation, Monitoring and Evaluation, S. K. Rajasthan Agricultural University for three years. 3. Holding responsibility of In-charge Corporate Communications, S. K. Rajasthan Agricultural University, Bikaner 4. Nodal Officer of Women Harassment Cell of S. K. Rajasthan Agricultural University, Bikaner 5. Worked as Placement officer, Institute of Agri Business Management, S. K. Rajasthan Agricultural University, Bikaner for 14 years 6. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Aesthetics of Emotional Acting: An Argument for a Rasa-based Criticism of Indian Cinema and Television PIYUSH ROY PhD South Asian Studies The University of Edinburgh 2016 1 DECLARATION This thesis has been composed by me and is my own work. It has not been submitted for any other degree or professional qualification. Piyush Roy 25 February 2017 2 For Thakuba (Aditya Prasanna Madhual), Aai (Malatilata Rout), Julki apa and Pramila Panda aunty II संप्रेषण का कोई भी माध्यम कला है और संप्रेषण का संदेश ज्ञान है. जब संदेश का उद्येश्य उत्तेजना उत्पन करता हो तब कला के उस 셂प को हीन कहते हℂ. जब संदेश ननश्वार्थ प्रेम, सत्य और महान चररत्र की रचना करता हो, तब वह कला पनवत्र मानी जाती है II ननदेशक चंद्रप्रकाश निवेदी, उपननषद् गंगा, एप. -
The Mother of All Rivers G
Ganga, the Mother of all Rivers_Org_Mukta_Panchjanya Dummy.qxd 14-Feb-19 3:02 PM Page 3 THE GANGA The Mother of all Rivers Gangā is a very special divine liquid energy with mysterious purifying properties, which has purplexed modern scientists for long but till date no one has succeeded in decoding her spiritual powers Neera Misra An artistic impression of Gangavataran defined Bharat’s culture and civilisation and the growth of Indian civilization). since time immemorial. The Gangetic plain has indeed been ‘The Gangā occupies an the pole towards which the political, unrivalled position among all rivers of economic and religious life of the Gangā! The very name evokes a the world. No other river is so closely country has gravitated’. Gangā is sense of sanctity, devotion and identified with any country as the much more than that. reverence. It is the only flowing divine Gangā is with India, says Jagmohan Maa Gangā has been so integral to entity of sacred waters that has a Mahajan in Gangā Observed us from our birth to death that her history of divine origin immortalised as (Foreign Accounts of the River). ‘… water is used at every ceremony for Bhagirath Prayatna. The water deity, Cities and pilgrimage centers purification, as a charm to ward off evil identified with ‘makara’ at her feet, teeming with temples and shrines spirits, sprinkled over the bride and brings with it unique power of have sprung up all along its course bridegroom at Hindu weddings, and salvation. It is the spiritual river that has (milestones in the history of the land placed into the mouth of the dying, and February 24, 2019 l Organiser l 43 Ganga, the Mother of all Rivers_Org_Mukta_Panchjanya Dummy.qxd 14-Feb-19 3:02 PM Page 4 Confluence of Alaknanda and Bhagirathi Rivers at Devprayag in Uttarakhand also serving as a medium for oath- foreign visitor. -
SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I the Birth of Cinema Lumie
B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I The birth of cinema Lumier brother’s package The Grand father of Indian cinema: Dada Saheb Phalke The silent era (1896-1930) The talkie era and decade wise trend up to 1990 The new trends in Indian cinema (1991-2007) UNIT – II The brief study and analysis of trend setter film directors V ShantaramSohrab ModiMehboob KhanVijay BhattWadia brothersRaj KapoorGuruduttBimal RoySatyajit RayB. R. Chopra Yash ChopraHrishikesh Mukherjee Chetan Anand Basu Chaterjee Sai ParanjapeGuljarBasu BhattacharyaMahesh Bhatt Ramesh SippyShyam BenegalKetan MehtaGovind Nihlani Suraj BarjatyaVidhu Vinod ChopraJ P DuttaSanjay Leela Bhansali Ramgopal VermaKaran JojarAditya Chopra Raj kumar santoshi Rakesh Mehra Rj kumar Hirani UNIT – III Film as an art Film and painting Film and theatre Film and literature Film and music UNIT – IV Film language and grammar (A)Shot, scene & cut, (B)Camera Distance, (C) Camera Angles, (D)Camera movements (E) Lighting (F) Sound in films (G) Film Editing devices Film institutions in India Film festivals (National and International) Film awards Film censorships 45, Anurag Nagar, Behind Press Complex, Indore (M.P.) Ph.: 4262100, www.rccmindore.com 1 B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism UNIT I THE BIRTH OF CINEMA The Lumiere brothers were born in Besancon, France, in 1862 and 1864, and moved to Lyon in 1870. This is where they spent most of their lives and where their father ran a photographic firm. The brothers worked there starting at a young age but never started experimenting with moving film until after their father had died in 1892.The brothers worked on their new film projects for years, Auguste making the first experiments. -
Ganga-Myth: the River in the Making of an Imagined Community
Cover Page The handle http://hdl.handle.net/1887/20931 holds various files of this Leiden University dissertation. Author: Jha, Murari Kumar Title: The political economy of the Ganga River : highway of state formation in Mughal India, c.1600-1800 Issue Date: 2013-06-04 Chapter 1 Ganga-myth: The River in the Making of an Imagined Community Gange cha Yamune chaiva Godavari Sarasvati Narmade Sindhu Kaveri jale asmin sannidhim kuru.1 When a Hindu takes Ganges water and Toolsee in his hand he will sacrifice his life.2 Introduction The Ganga is one of the most celebrated rivers in the world. It is not only a river; it is an emblem of “civilization.” In terms of its capacity to nurture material well-being of society over thousands of years, it is equal to or even surpasses the Nile, Euphrates, Yellow and Yangtze Rivers. Many civilizations have taken root along the banks of these great rivers, which continue to sustain them.3 Few would argue that these rivers bring us very close to the source of the historical processes that have given rise to and nurtured civilizations. Indeed, these rivers are visible relics of the past no less than ancient monuments or ageless trade routes. Study of these rivers helps us gauge some of the structural continuities of the economy, society and geo-politics over the longue durée. Yet as they change their course across the landscape, these rivers influence the trajectory of history too. Thus the Ganga embodies characteristics of both continuity and change. Generally it is assumed that from time immemorial the Ganga has displayed an extraordinary capacity to sustain human life, define social organization and facilitate state formation. -
Dadasaheb Phalke Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Dadasaheb Phalke 电影 串行 (大全) Gangavataran https://zh.listvote.com/lists/film/movies/gangavataran-5521086/actors Mohini Bhasmasur https://zh.listvote.com/lists/film/movies/mohini-bhasmasur-16251783/actors Satyavan Savitri https://zh.listvote.com/lists/film/movies/satyavan-savitri-16979204/actors Kaliya Mardan https://zh.listvote.com/lists/film/movies/kaliya-mardan-21869481/actors Shri Krishna Janma https://zh.listvote.com/lists/film/movies/shri-krishna-janma-21869819/actors Pithache Panje https://zh.listvote.com/lists/film/movies/pithache-panje-58427901/actors Dhumrapan Leela https://zh.listvote.com/lists/film/movies/dhumrapan-leela-58428010/actors Lakshmicha Galicha https://zh.listvote.com/lists/film/movies/lakshmicha-galicha-58428079/actors Swapna Vihar https://zh.listvote.com/lists/film/movies/swapna-vihar-58428136/actors Aagkadyancha Mauja https://zh.listvote.com/lists/film/movies/aagkadyancha-mauja-58428157/actors Dhandhal Bhatjiche https://zh.listvote.com/lists/film/movies/dhandhal-bhatjiche-gangasnaan-58428160/actors Gangasnaan Sinhastha Parvani https://zh.listvote.com/lists/film/movies/sinhastha-parvani-58428355/actors Gajandravache Bhagya https://zh.listvote.com/lists/film/movies/gajandravache-bhagya-58428703/actors Guru Dronacharya https://zh.listvote.com/lists/film/movies/guru-dronacharya-58428781/actors Jarasandha Vadha https://zh.listvote.com/lists/film/movies/jarasandha-vadha-58428790/actors Chaturthicha Chandra https://zh.listvote.com/lists/film/movies/chaturthicha-chandra-58429020/actors Ganesh Utsav https://zh.listvote.com/lists/film/movies/ganesh-utsav-58429067/actors -
P6 P16community
Community Community Outgoing From elocution PMG contest to president recitation of P6Shahid Rasheed talks P16 the Holy Qur’an, Sohni about how the group Dharti is organising a has contributed to the grand Seerat-un-Nabi music scene in Qatar. conference in December. Monday, November 28, 2016 Safar 28, 1438 AH DOHA 21°C—26°C TODAY LIFESTYLE/HOROSCOPE 11 PUZZLES 12 & 13 COVER Starring Trump STORY Now, he has a country to run. The real-time presidential biopic commences. The whole world is watching. P4-5 2 GULF TIMES Monday, November 28, 2016 COMMUNITY ROUND & ABOUT Havenhurst GENRE: Horror, Thriller CAST: Julie Benz, Fionnula Flanagan, Belle Shouse DIRECTION: Andrew C Erin SYNOPSIS: A troubled young woman, Jackie (Julie Benz), with an unyielding alcohol addiction, is released from rehab and given a second chance with a new job PRAYER TIME and a furnished apartment at Havenhurst. Guilt-ridden over the Fajr 4.39am tragic loss of her eight-year-old Shorooq (sunrise) 6.00am daughter, Jackie is quickly drawn Zuhr (noon) 11.22am into the mysteries of Havenhurst, Asr (afternoon) 2.23pm in particular the unsolved Maghreb (sunset) 4.45pm disappearance of the apartment’s Isha (night) 6.15pm previous occupant, a young woman (Danielle Harris) she befriended in rehab who disappeared recently USEFUL NUMBERS without a trace. THEATRES: Landmark, The Mall, Royal Plaza Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department -
Gagarani Assistant Professor, Department of History, the New College, Kolhapur
‘A Study of Mythological Films of Kolhapur Film Industry’ (1920-1960) Dr. Kavita Gagarani Assistant Professor, Department of History, The New College, Kolhapur. Mob No. 9764469908 Email: [email protected] Film, the technological novelty of 20th century, ushered many far reaching changes in life. It brought revolution in the life styles all over the world. This medium opened a new horizon in the world of art, entertainment and communication. The history of film making in India may be traced to Dhundiraj alis Dadasaheb Govind Phalke of Nashik. He came up with ‘Raja Harishchandra’ the first Indian film exhibited on April 24, 1913. This medium of entertainment become very popular in India within a decade. Baburao Painter of Kolhapur laid foundation of Maharashtra Film Company in 1917 and came up with his maiden mythological silent movie ‘Sairandhri’ in 1920. It was big hit and Lokmany Tilak conferred the title of ‘Cinema Kesari’ on Baburao Painter. Besides entertainment, films were looked upon as an instrument of social and political awakening and enlightenment. Various issues and problems were handled by the producers in their movies. Thus, this medium became rapidly popular. Kolhapur Film Industry produced one hundred two movies during 1920-60. Out of them thirty four were based on mythological stories. Thematic study of these films with their specifications in undertaken in this research article. Mythological Films: Thirty-four movies were produced during this period may be further classified into two categories (1) Epic, (2) Others. (1) EPIC: Films on Mahabharat: It was first priority of film producers. As many as sixteen films were produced on various episodes of Mahabharat such as episode of Vatsala Harm, Kaliyamardan, battle between Kauravas and Pandavas etc. -
Scheme-I : Financial Assistance for Purchase of Books
Scheme-I : Financial Assistance for Purchase of Books List of proposals kept in 32nd Grant in Aid Committee Meeting held on 22nd & 23rd January, 2018 Sl. Name & Address of the Price per No. of Amount Title No. Applicant & File No. copy copies (less discount) ASSAMESE 1. Sri Khagendra Kr. Sarkar Scouts and Guides - 140/- 300 31,500/- Vill. Lawduba, P.O. Shikshan Pranali Bagduba, Goalpara District, Assam-783 123 50-1(1)/17-18/Assam/GIA 2. Smt. Putali Kayastha Axamor Bivinna 275/- 181 37,331/- Assam Railway Higher Jagagosthir Ritukalin Secondary School, Railway Utsov-Anusthan Colony, Panbazar, Guwahari, Kamrup (M), Assam-781 001 50-1(2)/17-18/Assam/GIA 3. Sri Dilip Borah Gabeshona Paddhati : 150/- 300 33,750/- Professor & Head, Bitanka Aru Siddhanta Department of Modern Indian Languages & LS, Gauhati University, Guwahati, Assam-781 014 50-1(3)/17-18/Assam/GIA 4. Smt. Anuradha Sarma Samhati Aru Asomiya 200/- 250 37,500/- Associate Professor, Bhasha Department of MIL & Literature Studies, Gauhati University, Guwahati, Assam-781 014 50-1(4)/17-18/Assam/GIA 5. Dr. Lokendra Prasad Deka Jogya Bhogya 120/- 300 27,000/- House No. 42, Nizarapar, Basundhara Chandmari, Guwahati, Assam-781 003 50-1(5)/17-18/Assam/GIA BENGALI 6 Sri Arindam Bhowmik Medinikatha-Purba 599/- Not G-5, Bidhan Nagar, Medinipur Tourism & Recommended Medinipur (M), Midnapore, Archaeology West Bengal-721 101 50-2(1)/17-18/Ben/GIA 7 Dr. Nihar Kanti Mandal Manane, Smarane 125/- 50 4,687/- Mahendra Apartment, 181/2B, Raipur Road, Kolkata, West Bengal-700 047 50-2(2)/17-18/Ben/GIA 8 Dr.