Vanderbilt Journal of Entertainment & Technology Law Volume 16 Issue 3 Issue 3 - Spring 2014 Article 1 2014 Explaining the Art Market's Thefts, Frauds, and Forgeries (And Why the Art Market Does Not Seem to Care) Gregory Day Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Intellectual Property Law Commons, and the Marketing Law Commons Recommended Citation Gregory Day, Explaining the Art Market's Thefts, Frauds, and Forgeries (And Why the Art Market Does Not Seem to Care), 16 Vanderbilt Journal of Entertainment and Technology Law 457 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol16/iss3/1 This Article is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact
[email protected]. VANDERBILT JOURNAL OF ENTERTAINMENT & TECHNOLOGY LAW VOLUME 16 SPRING 2014 NUMBER 3 Explaining the Art Market's Thefts, Frauds, and Forgeries (And Why the Art Market Does Not Seem to Care) Gregory Day* ABSTRACT Based upon a series of interviews with art market experts, this Article identifies and answers a significant, yet previously unexplored economics puzzle affecting the art market. Economics suggests that markets typically produce efficiency and social wealth, but when they fail, most actors should prefer remedial measures over an inefficient status quo. The art market currently is, and has been, plagued with frauds, thefts, forgeries, and market failure-a state of affairs that the governing legal framework has made worse.