Hong Kong Film Archive Quarterly 35 Newsletter 02.2006 17 Editorial@ChatRoom 3 The Glorious Modernity of Kong Ngee 6 The Nanyang Connection 9 The Cultural Map of Locations 12 Our Pilgrimage to the US 14 Film Conservation Jargons The Glorious Modernity of Kong Ngee www.filmarchive.gov.hk Published in April 2006 Hong Kong Film Archive Head Angela Tong Section Heads Venue Mgt Rebecca Lam IT Systems Lawrence Hui Acquisition Mable Ho Conservation Edward Tse Resource Centre Chau Yu-ching [
[email protected]] Research Wong Ain-ling Editorial Kwok Ching-ling It’s Film Festival Time Again Programming Sam Ho Winnie Fu Every year, the Hong Kong Film Archive organises the Hong Kong retrospective programme and produces a book on the topic to complement the Hong Kong International Film Festival in April. The Film Festival celebrates Newsletter its 30th anniversary this year. Retrospective catalogues published in the past two decades have become Editors Kwok Ching-ling indispensable reference materials for researchers of Hong Kong cinema. Since the HKFA took over the reins of the Edith Chiu retrospective five years ago, we have explored Cathay and Shaw Studios, as well as the development of the film industry and network between Hong Kong and Guangdong. The latest topic—Kong Ngee and its relationship 50 Lei King Road, Sai Wan Ho, Hong Kong with Hong Kong and Singapore cinema—finetunes the limelight of Hong Kong film studies on interactions between Tel: 2739 2139 Hong Kong and Singapore/Malaysia. Fax: 2311 5229 The book’s title The Glorious Modernity of Kong Ngee is editor Wong Ain-ling’s open appreciation for Kong E-mail:
[email protected] Ngee’s urban modernity, while Sam Ho and his colleagues’ special visit to Mr Ho Kian-ngiap in Singapore adds Design: TomSenga Design Printing: Quality Printing Limited different angles to the study of Hong Kong cinema (see pp 3-8).