1936 Retrospective
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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Bellarosa Connection and the Hazards of Forgetfulness
The Bellarosa Connection and the Hazards of Forgetfulness Kathleen Jeannette Weatherford University of Copenhagen Saul Bellow's 102.page paperback The Bellarosa Connection represents a tour de force true to the spirit of the man whose name in its Italian corruption inspires the book: Billy Rose, the broadway impresario and "the business partner of Prohibition hoodlums, the sidekick of Arnold Rothstein; multimillionaire Billy, the protkgk of Bernard Baruch, the young shorthand prodigy whom Woodrow Wilson, mad for shorthand, invited to the White House for a discussion of the rival systems of Pitman and Gregg; Billy the producer, the consort of Eleanor Holm, the mermaid queen of the New York World's Fair; Billy the collector of Matisse, Seurat, and so forth . nationally syndicated Billy, the gossip columnist."1 Billy Rose, the man who was into everything, makes an unlikely appearance in Bellow's show as clandestine savior of European Jews from the Nazi Holocaust. Rose is the first real historical personage to play a major role in his own name in Bellow's fiction, and thus with The Bellarosa Connection, Bellow initiates himself into a group of American fiction writers, including E. L. Doctorow, Gore Vidal and William Styron, who imaginatively combine historically real people together with fictional ones. Like Billy, Bellow is "all over the place"2 with this book. Not only does Bellow make an exploratory foray into the genre of semi-historical fiction, but he also experiments with a new narrative perspective as well. 1 Saul Bellow, The Bellarosa Connection (New York: Penguin, 1989), p. 12. The Bellarosa Connection has also bccn rcprinled as part of Bcllow's Something to Remember Me By: Three kles (New York: Signet, 1991). -
History of Mormon Exhibits in World Expositions
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1974 History of Mormon Exhibits in World Expositions Gerald Joseph Peterson Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the History Commons, Missions and World Christianity Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Peterson, Gerald Joseph, "History of Mormon Exhibits in World Expositions" (1974). Theses and Dissertations. 5041. https://scholarsarchive.byu.edu/etd/5041 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. aloojloo nn HISTORY OF moreonMOMIONMORKON exlEXHIBITSEXI abitsabets IN WELDWRLD expositionsEXPOSI TIMS A thesis presented to the department of church history and doctrine brigham young university in partial fulfillment of the requirements for the degree master of arts by gerald joseph peterson august 1941974 this thesis by gerald josephjoseph peterson isifc accepted in its pre- sent form by the department of church history and doctrine in the college of religious instruction of brighamBrig hainhalhhajn young university as satis- fyjfyingbyj ng the thesis requirements for the degree of master of arts julyIZJWJL11. 19rh biudiugilgilamQM jwAAIcowan completionemplompl e tion THdatee richardlalial0 committeeCowcomlittee chairman 02v -
Asolo Repertory Theatre Presents Fanny Brice, America's Funny Girl
For Immediate Release: April 24, 2012 Media Contact: Steph Gray, Public Relations Coordinator 941.351.9010 ext. 4800; [email protected] Asolo Repertory Theatre presents Fanny Brice, America’s Funny Girl (SARASOTA, Fla.)- Before there was a Lucy or Ethel, Gracie Allen or Imogene Coca, Fanny Brice was the female comic superstar. Fanny Brice, America's Funny Girl will be open May 23, 2012 and run until June 17, 2012. Previews begin May 20. Fanny Brice, America’s Funny Girl is a reworking of Maltz Jupiter Theatre’s 2009 hit production Fanny Brice: The Real Funny Girl. Writer and Director David H. Bell modified the script and is bringing Asolo Rep the most inspiring version yet. TCPalm raved, “Marya Grandy may not be the real Fanny Brice…but she just might be a new version of Ethel Merman. That’s with a little Patti LuPone and the emotional singing delivery al a Judy Garland tossed in for good measure”. WJTW FM said “what really brought the audience to its feet for a standing ovation however was the finale…it doesn’t get any better than that.” Born Fania Borach on the Lower East Side of New York City in 1891, Brice began her career on stage with a burlesque troupe at the age of 17. Two years later she was headlining for the Ziegfeld Follies, and by 1921 she released her signature song, “My Man.” Brice became one of the biggest comedic stars to grace the stage, yet her personal life wasn’t as successful, with heartache and betrayal followed her at every step and her three marriages all ending in divorce. -
Guide to the Larry Zim World's Fair Collection
Guide to the Larry Zim World's Fair Collection NMAH.AC.0519 Angela Baccala 1999 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 5 Series 1: World 's Fairs Materials, 1841-1988......................................................... 5 Series 2: Reference and Miscellaneous Materials................................................. 39 Series 3: Larry Zim Materials................................................................................. 40 Series 4: Oversize Materials, 1909-1968.............................................................. -
One Night with Fanny Brice
The American Century Theater presents Audience Guide Edited by Jack MarshallNovember 5–27 Rosslyn Spectrum Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
Destroyer Jacob Jones Sunk by Sub; Japs' Invasion of Java at Standstill
MONDAT, MARCH 2,1942* B ® TWELVE iSIamttrstrr lEvrtting lUniUi Average Daily Circulation The WMither John De Salvo of 24 Emerapn Fereeoet of V. 8. Weather Borsau The Cecillan club will hold Ita Susan Ann, five-year-old daugh A meeting of the Amerlcan- For the Month of Fehmory, 1*42 Mr. and M ra Harold t,. Mott Lltnuanian Civic Club, held to street is absent on a business trip and son Thomas have moved from regular < rehearsal Tuesday eve ter of Mr. and Mra. , Clayton E. ning in the South Methodist Pineo of • 58 W alker atrect, who night at 8 o'clock in thelr'hall on to NewlYork City. He la register A bou t Tow n Phelps Road to their newly built ed at thb Hotel Eklison. Ooeoaloasl Hght rain, slightly house at 22 Bowers street. church at seven o'clock <>ecause of was admitted last Wednesday at Oolwny street. 7,120 the blackout. the Hartford hospital, suffering Featured for Tuesday colder tonight; diminishing winds. Troop 16,‘B03r Scout* wffl hold with pneumonia, la much improv General Welfare Center No. 41 The Mary Cheney Library will Member of the Audit iU rosular meeting thle evening St. John's Sew-ing Club will omit dose tomorrow evening at 8:30 Bnreoa of CtrenUtions its meeting tomorrow evening on During th^month of February, ed and her parents hope to be able will omit Its meeting tomorrow taigteod o f tomorrow evening, and evening on account of the trial so that patrona of the library Manchester— A City of Village Charm account of the blackout. -
Wings Win Scoring 3 Goals in 49 Seconds
PAGE 22 DETROIT EVE NI N G TIMES (PHOSH CHERRY SBOOJ February 1943 Sports Wings Win Scoring 3 Goals in 49 Seconds HEIGHT MAKECTHEM PREP FAVORITES Irish to Follow A COMPETITIVE LESSON Rangers Fail to Book Reveals Baseball's Big Big 10 in Frosh Win 18th Time Service List Change r VJPS M- .. In Row, 5-4 By LEO MACDONELL Rule '¦w, - NEW YORK. Feb. 18 -The De- CHICAGO, Feb. 19 (INS).— W| ** 56 outstanding big lr igur troit Red Wings, who stopped the With ' Notre Dame was expected today f'"j S, Qi,}- * players listed for service. Cliff i r i'«S ffr' 'si* J ! Rangers last New Year Eve after | to join in whatever action Western going without being shut out latest edition Bloodgood’s Conference officials take Sunday through 128 games, and have been Who .n Baseba Just “Who* on the freshmen residence rule for intsrumental in several Ranger 7 rrVflvp,’ strikingly re\<al* t varsity sports competition during setbacks since, hurdled them into their eighteenth game * contribution to I'nde wartime. consecutive con- test without victory last night at fighting forces The South Bend. Ind., university Sam s ,yV.tLJB/V R H jf Madison Square Garden. the heron* was invited to send a representa- 1 ' The It likewise reveals score was 5 to 4. lonn task the Ame 1 tea n a?' d tive to the meeting of Big Ten ImF League- face il they directors of athletics which follow'* The Rangers have suffered more National than their share of injuries this ’ hope to provide the fan' hasrh.tl! the session of the conference fac- ' that approaches the brand of ulty committee at which abroga- season and the Wings have been* responsible greater ball to which Detroit and other tion of the freshmen rule will be for the part metropolitan centers arc accus- discussed. -
Two British Warships Ordered to Proceed to Mallorca
lARTON TELLS GOP TWO BRITISH WARSHIPS TO WIN FAITH NOW ORDERED TO PROCEED 1f»» PUT IN ROOSEVELT S ajs People DemanJ A PUb , J A P S SCRAMBLE TO MALLORCA ISLAND Urpe.Bro.dUVr.JPr.; PQR COHON AS Destroyers Depart Saddenly ' gram, Declares Railroads, . aunn\ Duce Advises Franco From Gibraltar For Italian ^ Mast Have Lower Rates. LIU b ILAl HrbU To Use ^Moderation* Airplane Base; Believed Indianapolis, June 29 — (A P ) — Imports Banned, 47 Types Rep. Bruce Barton (R.. N. Y .l. said A Warning Gesture To In Bombing of Ships today the “mass feeling" of faith — Of Articles Barred From whether "well founded or lU-found- Stop Attack On Steamers. ed"— In President Roosevelt was Production, As Screw Of Rome, June 29.— (A P ) — A spokes-.7name free ports In western Spain "the controlling political Influence man for the Fascist regime de- (Insurgent-held) where "honest of our day," and advised the Re- clared today that Italy had advised traffic" would have free entry. liOiuJon, June 29.— (A P ) — publican party to try to capture General Francisco Franco, the Cayda said the bombings were W ar Needs Is Tightened. Two British destroyers, the that faith for Itself. In a plain- Spanish Insurgent leader, to use fully justified and asserted that f spoken keynote speech prepared for "moderation" tn hla efforts to pre- "the Spanish command has not Imogen and the Isis, were or- the Indiana state Republican con- vent British and other foreign ships tombe(i British ships but contra- dered suddenly to Mallorca to- Tokyo, June 29— ( A P )— Wild ex- vention, Barton projected a party from bringing supplies to. -
“We Rule the Waves”
“We Rule the Waves” Athletic Labor, Femininity, and National Collective in Billy Rose’s Aquacade Yasmine Marie Jahanmir We’re gonna heal. We’re gonna start again. You’ve brought the orchestra, synchronized swimmers. — Warsan Shire, “Hope” (in Beyoncé 2016b)1 On 6 February 2016, Beyoncé shocked the popular culture world with her most explicitly polit- ical artistic work to date when she released a surprise video for her new song: “Formation.” The video begins with the image of Beyoncé lounging atop a sinking police car in post-Katrina New Orleans. At 1:23 in the video, rows of black women similarly dressed, all with their hair curly and natural, sit at the bottom of an empty pool and for the next 37 seconds, the beat car- ries the viewer as the video cuts in and out of the pool scene. Beyoncé appears in the second shot of the pool among the dancers, their biceps flexed in a bodybuilding pose. They sharply place their right, flexed arms above their heads for a moment before they lower their arms 1. Verse from the poem from Beyoncé’s visual album Lemonade (2016b). Figure 1. Rehearsal for Billy Rose’s Aquacade. The embodied practice of coordinated stroking in rehearsal and performance helped to generate feelings of solidarity. (Billy Rose Theatre Division, The New York Public Library for the Performing Arts) TDR: The Drama Review 61:3 (T235) Fall 2017. ©2017 112 New York University and the Massachusetts Institute of Technology Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/DRAM_a_00676 by guest on 23 September 2021 slowly and gracefully, their fingers fanning out à la Bob Fosse from their tightly clenched fists. -
What Remains History and Locations of World Fairs
WHAT REMAINS HISTORY AND LOCATIONS OF WORLD FAIRS This is a chronological list of exhibitions and fairs held throughout the world that gained international attention. A few regional fairs are included if they were significant to the author or for showcasing emerging technology. This list is a compilation from various sources, trying to respect the capitalization traditions from the countries of origin. When controversy arises about the date or name of a fair (should the 1849 fair held in Birmingham, United Kingdom be referred to as “Exhibition of Industrial Arts and Manufacturers” or “Exposition of British Society”) a choice has been made so the checklist remains an index of fairs. Brown text indicates that the fair occurred before the Bureau international des expositions (BIE) on November 22, 1928 or was not sanctioned by them. Purple text also shows the fair was not sanctioned, but indicates there is a link to additional information researched by the author. Black text indicates a BIE sanctioned fair. Blue text indicates a link to additional information about a sanctioned fair. 1790's 1791 Prague, Bohemia; First Industrial Exhibition 1798 Paris, France; L'Exposition publique des produits de l'industrie française 1800's 1801 Paris, France; L'Exposition publique des produits de l'industrie française (Second Exposition) 1802 Paris, France; L'Exposition publique des produits de l'industrie française (Third Exposition) 1806 Paris, France; L'Exposition publique des produits de l'industrie française (Fourth Exposition) 1810's 1819 Paris, -
ST. JAMES THEATER (Originally Erlanger Theater), 246-256 West 44Th Street
Landmarks Preservation Commission December 15, 1987; Designation List 198 LP-1374 ST. JAMES THEATER (originally Erlanger Theater), 246-256 West 44th Street. Built 1926-27; architects, Warren & Wetmore. Landmark Site: Borough of Manhattan Tax Map Block 1015, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the St. James Theater (originally Erlanger Theater) and the proposed designation of the related Landmark Site (Item No. 70). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The St. James (built as the Erlanger) Theater survives today as one of the historic playhouses that symbolize American theater for both New York and the nation. Built in 1926-27, the St. James was designed by the prominent firm of Warren & Wetmore as the last Broadway theater erected for Abraham Erlanger. Abraham Erlanger had been a principal in the infamous Klaw & Erlanger Theatrical Syndicate, which had dominated the American theater industry for several decades on either side of the turn of the century. After the break-up of the Syndicate, Klaw and Erlanger went their separate ways, and each built theaters named for themselves.