Heracles's Twelve Labors

Total Page:16

File Type:pdf, Size:1020Kb

Heracles's Twelve Labors “When Hercules [Heracles] asked Plu- to [Hades] for Cerberus, Pluto ordered him to take the animal provided he mas- tered him without the use of the weapons Heracles’s Twelve Labors which he carried. Hercules found him at the gates of Acheron, and, cased in his Author: Pseudo-Apollodorus sky and immortality (the Olympian realm). The tale of cuirass and covered by the lion’s skin, Time Period: 999 BCE–1 BCE Heracles’s twelve labors is the story of the chthonic and he fl ung his arms round the head of the Country or Culture: Greek mortal hero proving his might and elevating himself to brute, and though the dragon in its tail Genre: Myth the Olympian realm. He is a champion of Greek civili- zation and of the immortal Olympians who lord above bit him, he never relaxed his grip and OVERVIEW it. Because of this, as he conquers the great beasts of the pressure till it yielded.” The great warrior Heracles (more commonly known by wilderness and vanquishes entire armies, he is demon- his Roman name, Hercules) is the subject of a large strating the power and value of the chthonic and Olym- Bibliotheca range of myths and legends. Carrying a wooden club and pian realms both. When he completes his fi nal task and wearing the fur of a lion, he battles his way across Greek returns from the underworld, he represents the ultimate and Roman mythology, crushing poisonous snakes with triumph, moving beyond the confi nes of mortality and his bare hands as a baby, sacking the great city of Troy, becoming a deity. The rare story of a chthonic hero over- and adventuring in new lands with the legendary Argo- coming his own nature, the myth of Heracles’s labors nauts. He seems to be in a continuous process of falling speaks to the hopes of Greek civilization and to the be- in and out love, fathering fi fty sons at one moment and lief that within one’s earthly self might rest something building a shrine to his fallen male lover in the next. heroic, legendary, and immortal. Representing the heights of masculinity, heroism, and strength, Heracles and his myths are dominant forces in SUMMARY Greek mythology. It is the story of his twelve labors, The son of the god Zeus and the mortal Alcmene, Hera- however, that is most familiar to modern audiences. cles is both blessed and cursed from the start of his life. The story of Heracles’s twelve labors is an impor- Incredibly mighty and heroic, he accomplishes feats of tant component of both the life of Heracles and the pro- great strength at a young age. However, the goddess gression of Greek mythology. Before the myth properly Hera, Zeus’s wife, decides to punish Heracles in order begins, Heracles is driven into a rage by the goddess to take revenge for her husband’s infi delities. One day Hera. Heracles is the son of Zeus and a mortal woman, she drives Heracles into a frenzy, during which he kills and jealous Hera, the immortal wife of Zeus, makes a his children. When Heracles then goes to the oracle of project out of tormenting the earthly hero. In that rage, Delphi to seek forgiveness, Hera infl uences the oracle, Heracles slaughters his children. Seeking forgiveness, who tells Heracles that he must swear allegiance to his he visits the oracle of Delphi and is ordered to serve his mortal cousin Eurystheus for twelve years, after which cousin Eurystheus, the king of Tiryns. Hera and Eurys- he will be redeemed and gain immortality. Hera, who is theus then set Heracles to his labors, which are designed in league with Eurystheus, plans to set Heracles to such to kill the hero, testing his strength, endurance, and wit great tasks during this time that he will meet his mortal in the most extreme of circumstances. death. The myth is an engaging and thrilling read, as Her- Eurystheus immediately orders Heracles to complete acles completes seemingly impossible tasks and en- ten great labors, which Heracles attempts with legend- counters the greatest monsters and gods of all Greek ary heroism. First, he slays the Nemean lion, an invulner- mythology. However, the myth is most important on a able beast born to the monster Typhon. When he brings symbolic level. Greek culture separated the realm of the the body of the beast back to Eurystheus, Eurystheus earth and mortality (the chthonic realm) from that of the realizes how strong Heracles truly is and commands 74 MYTHHERO_Book.indb 74 8/20/2013 2:14:01 PM Heracles’s Twelve Labors │ 75 bull, showing it to Eurystheus before letting it go free again. For his eighth labor, he captures the man-eating “When Hercules [Heracles] asked Plu- mares of King Diomedes, the son of the god Ares. In ad- to [Hades] for Cerberus, Pluto ordered dition to slaying Diomedes and taking the mares, Hera- him to take the animal provided he mas- cles founds a new city on the grave of Abderus, who had been the mares’ caretaker before dying during the battle. tered him without the use of the weapons For his ninth labor, Heracles goes to fetch the belt of which he carried. Hercules found him at Hippolyte, who is the queen of the Amazons, a commu- the gates of Acheron, and, cased in his nity of fierce warrior women. On the way to Hippolyte, he slays a massive army that attacks his ships. Hippolyte sky and immortality (the Olympian realm). The tale of cuirass and covered by the lion’s skin, at first offers the belt freely, but Hera, disguised as an Heracles’s twelve labors is the story of the chthonic and he flung his arms round the head of the Amazon, convinces the female army to attack Heracles, mortal hero proving his might and elevating himself to brute, and though the dragon in its tail and so he is forced to kill them all. Next, Heracles trav- the Olympian realm. He is a champion of Greek civili- els a great distance and kills many people in order to zation and of the immortal Olympians who lord above bit him, he never relaxed his grip and fetch the cattle of Geryon, a monster with the body of it. Because of this, as he conquers the great beasts of the pressure till it yielded.” three men. wilderness and vanquishes entire armies, he is demon- Eight years and one month after the start of the la- strating the power and value of the chthonic and Olym- Bibliotheca bors, Heracles finishes the tenth task. However, because pian realms both. When he completes his final task and he received help with the second labor and payment for returns from the underworld, he represents the ultimate the fifth, Eurystheus requires two more tasks of him. triumph, moving beyond the confines of mortality and For his eleventh labor, Heracles must fetch the apples becoming a deity. The rare story of a chthonic hero over- that he never enter the city again and instead bring proof of the Hesperides from the ends of the earth, where they coming his own nature, the myth of Heracles’s labors that he has completed each task to the city gates. Next, are guarded by the Hesperides themselves as well as an speaks to the hopes of Greek civilization and to the be- Heracles slays the Lernaean hydra, a nine-headed beast immortal dragon. Rather than steal the apples himself, lief that within one’s earthly self might rest something that had been killing cattle throughout the countryside. however, he convinces the Titan Atlas to do so for him. heroic, legendary, and immortal. When he fights the monster, he realizes that for every Because Atlas has been punished by Zeus and tasked head he cuts off, two more grow in its place, and so he with holding up the sky, Heracles takes his position tem- SUMMAry instructs his nephew, Iolaus, to burn the necks to prevent porarily and tricks Atlas into holding the sky when he The son of the god Zeus and the mortal Alcmene, Hera- new heads from growing back. Eurystheus, however, returns. Finally, Heracles enters the underworld itself cles is both blessed and cursed from the start of his life. denies the success of this labor, as Iolaus had assisted to capture Cerberus, a three-headed hellhound with the Incredibly mighty and heroic, he accomplishes feats of Heracles in the battle. tail of a dragon. After successfully wrestling the beast great strength at a young age. However, the goddess For his third labor, Heracles captures the Cerynitian without using weapons, Heracles is allowed to bring it Hera, Zeus’s wife, decides to punish Heracles in order hind, a beast precious to the goddess Artemis, after chas- to the gates of Eurystheus, though he returns it shortly to take revenge for her husband’s infidelities. One day ing it for an entire year. Next, he goes to capture the Ery- after. With this final labor complete, Heracles concludes she drives Heracles into a frenzy, during which he kills manthian boar. While this task is simple compared to the his obligation to Eurystheus, having done exactly as the his children. When Heracles then goes to the oracle of others, Heracles stops to visit the centaur Pholus and, oracle of Delphi asked of him years before. Delphi to seek forgiveness, Hera influences the oracle, after being convinced to drink the wine that belongs to who tells Heracles that he must swear allegiance to his the other centaurs, finds himself in a bloody battle when ANAlysis mortal cousin Eurystheus for twelve years, after which those centaurs return.
Recommended publications
  • Zeus *God of the Sky and Ruler of the Olympian Gods. He Is Lord of the Sky, the Rain God
    Greek Mythology *Myths - Traditional stories about god and heroes. *The Greek people believed in many gods and goddesses. They were thought to have affected people's lives and also thought to shape events. *The gods and goddesses were thought to control nature. Some examples of the control over nature are: Zeus ruled the sky and threw lighting bolts, Demeter made the crops grow, and Poseidon caused earthquakes. *The 12 most important gods and goddesses lived on Mt. Olympus. Mt. Olympus was the highest mountain in Greece. Zeus *God of the Sky and Ruler of the Olympian gods. He is lord of the sky, the rain god. *He is represented as the god of justice and mercy, the protector of the weak, and the punisher of the wicked. Poseidon *God of the sea and protector of all the water. *Widely worshiped by seamen. *His weapon is a trident, which can shake the earth, and shatter any object. *He is second only to Zeus in power amongst the gods. *He was greedy. He had a series of disputes with other gods when he tried to take over their cities. Hades *Hades is the god of the undedrworld and ruler of the dead. *He is also the god of wealth, due to the precious metals mined from the earth. *He is a greedy god who is greatly concerned with increasing his subjects. Hestia *She plays no part in myths. *She is the Goddess of the Hearth, the symbol of the house around which a new born child is carried before it is received into the family.
    [Show full text]
  • The Dawn in Erewhon"
    University of Pennsylvania ScholarlyCommons CUREJ - College Undergraduate Research Electronic Journal College of Arts and Sciences December 2007 Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon" Patrick Dillon [email protected] Follow this and additional works at: https://repository.upenn.edu/curej Recommended Citation Dillon, Patrick, "Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon"" 10 December 2007. CUREJ: College Undergraduate Research Electronic Journal, University of Pennsylvania, https://repository.upenn.edu/curej/23. Revised version, posted 10 December 2007. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/curej/23 For more information, please contact [email protected]. Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon" Abstract In "The Dawn in Erewhon", the concluding novella of Tatlin!, Guy Davenport explores the myth of Orpheus in the context of two storylines: Adriaan van Hovendaal, a thinly veiled version of Ludwig Wittgenstein, and an updated retelling of Samuel Butler's utopian novel Erewhon. Davenport tells the story in a disjunctive style and uses the Orpheus myth as a symbol to refer to a creative sensibility that has been lost in modern technological civilization but is recoverable through art. Keywords Charles Bernstein, Bernstein, Charles, English, Guy Davenport, Davenport, Orpheus, Tatlin, Dawn in Erewhon, Erewhon, ludite, luditism Comments Revised version, posted 10 December 2007. This article is available at ScholarlyCommons: https://repository.upenn.edu/curej/23 Dimensions of Erewhon The Modern Orpheus in Guy Davenport’s “The Dawn in Erewhon” Patrick Dillon Introduction: The Assemblage Style Although Tatlin! is Guy Davenport’s first collection of fiction, it is the work of a fully mature artist.
    [Show full text]
  • Greek Myths - Creatures/Monsters Bingo Myfreebingocards.Com
    Greek Myths - Creatures/Monsters Bingo myfreebingocards.com Safety First! Before you print all your bingo cards, please print a test page to check they come out the right size and color. Your bingo cards start on Page 3 of this PDF. If your bingo cards have words then please check the spelling carefully. If you need to make any changes go to mfbc.us/e/xs25j Play Once you've checked they are printing correctly, print off your bingo cards and start playing! On the next page you will find the "Bingo Caller's Card" - this is used to call the bingo and keep track of which words have been called. Your bingo cards start on Page 3. Virtual Bingo Please do not try to split this PDF into individual bingo cards to send out to players. We have tools on our site to send out links to individual bingo cards. For help go to myfreebingocards.com/virtual-bingo. Help If you're having trouble printing your bingo cards or using the bingo card generator then please go to https://myfreebingocards.com/faq where you will find solutions to most common problems. Share Pin these bingo cards on Pinterest, share on Facebook, or post this link: mfbc.us/s/xs25j Edit and Create To add more words or make changes to this set of bingo cards go to mfbc.us/e/xs25j Go to myfreebingocards.com/bingo-card-generator to create a new set of bingo cards. Legal The terms of use for these printable bingo cards can be found at myfreebingocards.com/terms.
    [Show full text]
  • Herakles Iconography on Tyrrhenian Amphorae
    HERAKLES ICONOGRAPHY ON TYRRHENIAN AMPHORAE _____________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia _____________________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts ______________________________________________ by MEGAN LYNNE THOMSEN Dr. Susan Langdon, Thesis Supervisor DECEMBER 2005 ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Dr. Susan Langdon, and the other members of my committee, Dr. Marcus Rautman and Dr. David Schenker, for their help during this process. Also, thanks must be given to my family and friends who were a constant support and listening ear this past year. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………..v Chapter 1. TYRRHENIAN AMPHORAE—A BRIEF STUDY…..……………………....1 Early Studies Characteristics of Decoration on Tyrrhenian Amphorae Attribution Studies: Identifying Painters and Workshops Market Considerations Recent Scholarship The Present Study 2. HERAKLES ON TYRRHENIAN AMPHORAE………………………….…30 Herakles in Vase-Painting Herakles and the Amazons Herakles, Nessos and Deianeira Other Myths of Herakles Etruscan Imitators and Contemporary Vase-Painting 3. HERAKLES AND THE FUNERARY CONTEXT………………………..…48 Herakles in Etruria Etruscan Concepts of Death and the Underworld Etruscan Funerary Banquets and Games 4. CONCLUSION………………………………………………………………..67 iii APPENDIX: Herakles Myths on Tyrrhenian Amphorae……………………………...…72 BIBLIOGRAPHY………………………………………………………………………..77 ILLUSTRATIONS………………………………………………………………………82 iv LIST OF ILLUSTRATIONS Figure Page 1. Tyrrhenian Amphora by Guglielmi Painter. Bloomington, IUAM 73.6. Herakles fights Nessos (Side A), Four youths on horseback (Side B). Photos taken by Megan Thomsen 82 2. Tyrrhenian Amphora (Beazley #310039) by Fallow Deer Painter. Munich, Antikensammlungen 1428. Photo CVA, MUNICH, MUSEUM ANTIKER KLEINKUNST 7, PL. 322.3 83 3. Tyrrhenian Amphora (Beazley #310045) by Timiades Painter (name vase).
    [Show full text]
  • 7Th Grade Lesson Plan: It's Greek to Me: Greek Mythology
    7th grade Lesson Plan: It’s Greek to me: Greek Mythology Overview This series of lessons was designed to meet the needs of gifted children for extension beyond the standard curriculum with the greatest ease of use for the edu- cator. The lessons may be given to the students for individual self-guided work, or they may be taught in a classroom or a home-school setting. This particular lesson plan is primarily effective in a classroom setting. Assessment strategies and rubrics are included. The lessons were developed by Lisa Van Gemert, M.Ed.T., the Mensa Foundation’s Gifted Children Specialist. Introduction Greek mythology is not only interesting, but it is also the foundation of allusion and character genesis in literature. In this lesson plan, students will gain an understanding of Greek mythology and the Olympian gods and goddesses. Learning Objectives Materials After completing the lessons in this unit, students l D’Aulaires’ Book of Greek Myths by Ingri and will be able to: Edgar Parin D’Aulaire l Understand the Greek view of creation. l The Gods and Goddesses of Olympus by Aliki l Understand the terms Chaos, Gaia, Uranus, Cro- l The Mighty 12: Superheroes of Greek Myths by nus, Zeus, Rhea, Hyperboreans, Ethiopia, Mediter- Charles Smith ranean, and Elysian Fields. l Greek Myths and Legends by Cheryl Evans l Describe the Greek view of the world’s geogra- l Mythology by Edith Hamilton (which served as a phy. source for this lesson plan) l Identify the names and key features of the l A paper plate for each student Olympian gods/goddesses.
    [Show full text]
  • Aspects of the Demeter/Persephone Myth in Modern Fiction
    Aspects of the Demeter/Persephone myth in modern fiction Janet Catherine Mary Kay Thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy (Ancient Cultures) at the University of Stellenbosch Supervisor: Dr Sjarlene Thom December 2006 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ………………………… Date: ……………… 2 THE DEMETER/PERSEPHONE MYTH IN MODERN FICTION TABLE OF CONTENTS PAGE 1. Introduction: The Demeter/Persephone Myth in Modern Fiction 4 1.1 Theories for Interpreting the Myth 7 2. The Demeter/Persephone Myth 13 2.1 Synopsis of the Demeter/Persephone Myth 13 2.2 Commentary on the Demeter/Persephone Myth 16 2.3 Interpretations of the Demeter/Persephone Myth, Based on Various 27 Theories 3. A Fantasy Novel for Teenagers: Treasure at the Heart of the Tanglewood 38 by Meredith Ann Pierce 3.1 Brown Hannah – Winter 40 3.2 Green Hannah – Spring 54 3.3 Golden Hannah – Summer 60 3.4 Russet Hannah – Autumn 67 4. Two Modern Novels for Adults 72 4.1 The novel: Chocolat by Joanne Harris 73 4.2 The novel: House of Women by Lynn Freed 90 5. Conclusion 108 5.1 Comparative Analysis of Identified Motifs in the Myth 110 References 145 3 CHAPTER 1 INTRODUCTION The question that this thesis aims to examine is how the motifs of the myth of Demeter and Persephone have been perpetuated in three modern works of fiction, which are Treasure at the Heart of the Tanglewood by Meredith Ann Pierce, Chocolat by Joanne Harris and House of Women by Lynn Freed.
    [Show full text]
  • Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
    Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff.
    [Show full text]
  • The Labors of Hercules Worksheet Answers
    The Labors Of Hercules Worksheet Answers Unblissful and invocatory Russel redating his nanas rhymed miscues adumbratively. Nichols individualised her neutralism eulogistically, exportable and fore. Wallas usually dramatize fastidiously or outmeasure forevermore when dignified Niall tingling decussately and decoratively. Orion so hercules labors of all their answers key devices and worksheet answers? You switch your students to serve her husband, and the hercules had their own. When Greeks began settling in Italy, the Romans liked the Greek gods well enough to create their own myths about them, although they changed many of the names. The worksheet shows how likely that of five, just a select an understanding. Interactive image The main street. Europe and a human princess named the labors of hercules exactly where she would not authenticate your account! The delicate items such as egg shells have been excavated with exceptional care, particularly in ongoing excavations in the sewers of Herculaneum. In either case, learners see questions and leaderboards on their own devices and quiz results are saved to your reports. An animal lay dead man driving across his club and was a scribd members of his adventures, that she was stopped to help him and answered by. In repayment for a liar, he was representative of athena returned him indebted to ensure we will learn how long, who helped people from crete. Can you make out the words being said? Put her word group each their place. Upon recovering, Cygnus began looking for old friend, Phaeton, and discovered his body trapped by the roots of a cargo at front bottom soften the Eridanus River.
    [Show full text]
  • Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos
    Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos By: Anmol Singh, Kesia Santos, and Yuri Seo Biographical, Cultural, and Historical Background The Greek Theater - Sophocles was one of the prominent figures in Greek theater. - Plays were performed in outdoor areas. - There were a limited number of actors and a chorus.6 - Antigone was mostly likely performed in the same fashion. AS Family Tree YS What do Scene 4, Ode 4, Scene 5, Paean and Exodos of Antigone focus on? - Family Conflict (internal and external) - Death (tragedy) - Poor judgment - Feeling and thinking - Fate - Loyalty - Love YS Genres & Subgenres Tragedy - Not completely like modern tragedies (ex. sad & gloomy). - Tragedies heavily used pathos (Greek for suffering). - Used masks and other props. - Were a form of worship to Dionysus.7 AS Tragic Hero - Antigone and Creon are both like tragic heros. - Each have their own hamartia which leads to their downfalls.8,9 AS Family Conflict & Tragedy in Antigone - Antigone hangs herself - Haimon stabs himself - Eurydice curses Creon and blames him for everything - Eurydice kills herself YS Dominant Themes Family: The story of Niobe - Antigone relates her story to the story of Niobe. - Antigone says “How often have I hear the story of Niobe, Tantalus’s wretched daughter…” (18) - Chorus tells Antigone that Niobe “was born of heaven,” but Antigone is a woman. YS Womanhood - Antigone defies the place a woman is supposed to have during this time period - Antigone and Ismene contrast each other - Creon is the prime example of the beliefs that males hold during this period KS Power and Corruption: Dryas and Lycurgus - A character the chorus compares to Antigone is Lycurgus.
    [Show full text]
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • 1 | Page the LIGHTNING THIEF Percy Jackson and the Olympians
    THE LIGHTNING THIEF Percy Jackson and the Olympians - Book 1 Rick Riordan 1 | Page 1 I ACCIDENTALLY VAPORIZE MY PRE-ALGEBRA TEACHER Look, I didn't want to be a half-blood. If you're reading this because you think you might be one, my advice is: close this book right now. Believe what-ever lie your mom or dad told you about your birth, and try to lead a normal life. Being a half-blood is dangerous. It's scary. Most of the time, it gets you killed in painful, nasty ways. If you're a normal kid, reading this because you think it's fiction, great. Read on. I envy you for being able to believe that none of this ever happened. But if you recognize yourself in these pages-if you feel something stirring inside-stop reading immediately. You might be one of us. And once you know that, it's only a mat-ter of time before they sense it too, and they'll come for you. Don't say I didn't warn you. My name is Percy Jackson. I'm twelve years old. Until a few months ago, I was a boarding student at Yancy Academy, a private school for troubled kids in upstate New York. 2 | Page Am I a troubled kid? Yeah. You could say that. I could start at any point in my short miserable life to prove it, but things really started going bad last May, when our sixth-grade class took a field trip to Manhattan- twenty-eight mental-case kids and two teachers on a yellow school bus, heading to the Metropolitan Museum of Art to look at ancient Greek and Roman stuff.
    [Show full text]
  • Greek Mythology #23: DIONYSUS by Joy Journeay
    Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the August 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #23: DIONYSUS by Joy Journeay God of: Grape Harvest, Winemaking, Wine, Ritual Madness, Religious Ecstasy, Fertility and Theatre Home: MOUNT OLYMPUS Symbols: Thyrus, grapevine, leopard skin Parents: Zeus and Semele Consorts: Adriane Siblings: Ares, Athena, Apollo, Artemis, Aphrodite, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces Roman Counterpart: Bacchus, Liber Dionysus’ mother was mortal Semele, daughter of a king of Thebes, and his father was Zeus, king of the gods. Dionysus was the only Olympian god to have a mortal parent. He was the god of fertility, wine and the arts. His nature reflected the duality of wine: he gave joy and divine ecstasy, or brutal and blinding rage. He and his followers could not be contained by bonds. One would imagine that being the god of “good times” could be a pretty easy and happy existence. Unfortunately, this just doesn’t happen in the world of Greek mythology. Dionysus is called “twice born.” His mother, Semele, was seduced by a Greek god, but Semele did not know which god was her lover. Fully aware of her husband’s infidelity, the jealous Hera went to Semele in disguise and convinced her to see her god lover in his true form.
    [Show full text]