Until the Flood at ACT Theatre Encore Arts Seattle
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Columbia College Today Columbia Alumni Center First, Aid 622 W
Fall 2017 JENNY SLATE ’04 THE LANDLINE ACTRESS GOES TO HER ROOM PATRICIA KITCHER THIS YEAR’S GREAT TEACHER ON THE VALUE OF THE CORE Columbia THE BIG “C” HOW DID IT GET College THERE, ANYWAY? Today After a turn as Aaron Burr — and a moment in the hot seat — STAR Brandon Victor Dixon ’03 continues to dazzle on and POWER off Broadway 12 save the date! REUNION 2018 THURSDAY, MAY 31 – SATURDAY, JUNE 2 If your class year ends in 3 or 8, save the date for Reunion 2018, a chance to reconnect with classmates and friends on campus and throughout New York City. college.columbia.edu/alumni/reunion2018 Columbia Contents College CCT Today VOLUME 45 NUMBER 1 FALL 2017 EDITOR-IN-CHIEF Alexis Boncy SOA’11 EXECUTIVE EDITOR Lisa Palladino DEPUTY EDITOR Jill C. Shomer ASSOCIATE EDITOR 12 18 24 Anne-Ryan Heatwole JRN’09 FORUM EDITOR Rose Kernochan BC’82 ART DIRECTOR features Eson Chan 12 Published quarterly by the Columbia College Office of Alumni Affairs and Development Star Power for alumni, students, faculty, parents and friends of Columbia College. After a turn as Aaron Burr — and a moment in ASSOCIATE DEAN, the hot seat — Brandon Victor Dixon ’03 COLUMBIA COLLEGE ALUMNI RELATIONS continues to dazzle on and off Broadway. AND COMMUNICATIONS Bernice Tsai ’96 By Yelena Shuster ’09 18 ADDRESS ALL CORRESPONDENCE TO: Columbia College Today Columbia Alumni Center First, Aid 622 W. 113th St., MC 4530, 4th Fl. New York, NY 10025 Margaret Traub ’88 experiences “the best and worst humanity 212-851-7852 has to offer, side by side,” doing on-the-ground disaster relief. -
THE MYSTERY of LOVE & SEX Cast Announcement
LINCOLN CENTER THEATER CASTING ANNOUNCEMENT FOR IMMEDIATE RELEASE, PLEASE MAMOUDOU ATHIE, DIANE LANE, GAYLE RANKIN, TONY SHALHOUB TO BE FEATURED IN LINCOLN CENTER THEATER’S PRODUCTION OF “THE MYSTERY OF LOVE & SEX” A new play by BATHSHEBA DORAN Directed by SAM GOLD PREVIEWS BEGIN THURSDAY, FEBRUARY 5, 2015 OPENING NIGHT IS MONDAY, MARCH 2, 2015 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop, Producing Artistic Director) has announced that Mamoudou Athie, Diane Lane, Gayle Rankin, and Tony Shalhoub will be featured in its upcoming production of THE MYSTERY OF LOVE & SEX, a new play by Bathsheba Doran. The production, which will be directed by Sam Gold, will begin previews Thursday, February 5 and open on Monday, March 2 at the Mitzi E. Newhouse Theater (150 West 65 Street). Deep in the American South, Charlotte and Jonny have been best friends since they were nine. She's Jewish, he's Christian, he's black, she's white. Their differences intensify their connection until sexual desire complicates everything in surprising, compulsive ways. An unexpected love story about where souls meet and the consequences of growing up. THE MYSTERY OF LOVE & SEX will have sets by Andrew Lieberman, costumes by Kaye Voyce, lighting by Jane Cox, and original music and sound by Daniel Kluger. BATHSHEBA DORAN’s plays include Kin, also directed by Sam Gold (Playwrights Horizons), Parent’s Evening (Flea Theater), Ben and the Magic Paintbrush (South Coast Repertory Theatre), Living Room in Africa (Edge Theater), Nest, Until Morning, and adaptations of Dickens’ Great Expectations, Maeterlinck’s The Blind, and Peer Gynt. -
2019 Lucille Lortel Awards Nominations
FOR IMMEDIATE RELEASE Press Contact: Chris Kanarick [email protected] O: 646.893.4777 34TH ANNUAL LUCILLE LORTEL AWARDS NOMINATIONS ANNOUNCED MULTIPLE EMMY AWARD-WINNER, PERFORMER, COMEDIAN – WAYNE BRADY – TO HOST THE CEREMONY Carmen Jones and Rags Parkland Sings The Songs Of The Future tie for most nominations with six each – including Outstanding Revival and Outstanding Musical, respectively Current Broadway productions Be More Chill and What The Constitution Means To Me earn nominations for their Off-Broadway stints – including Outstanding Musical and Outstanding Play Among the many notable nominees are playwrights Jeremy O. Harris and Phoebe Waller-Bridge and performers Joel Grey, George Salazar, Mare Winningham, and Jackie Hoffman Major studios debut on the Off-Broadway theatre scene with Annapurna Theatre as a producer on FLEABAG and Amazon’s Audible producing Girls & Boys, performed by Carey Mulligan New York, NY (April 3, 2019) – The Off-Broadway League today announced nominations in 19 categories – and bestowed one special award – for the 34th Annual Lucille Lortel Awards for Outstanding Achievement Off- Broadway. The Awards will be handed out on Sunday, May 5, 2019 at NYU Skirball Center for Performing Arts, beginning at 7:00pm EST. The Lucille Lortel Awards are produced by the Off-Broadway League by special arrangement with the Lucille Lortel Theatre Foundation. Additional support is provided by TDF. Beloved and celebrated entertainer, Wayne Brady, will emcee the ceremony. Leading the nominations this year are: Carmen Jones, with six nominations including one for Outstanding Revival and for John Doyle’s direction, as well as in three of the four performance categories; Ars Nova’s Rags Parkland Sings The Songs Of The Future also earned six nominations, including Outstanding Musical and Lead Actress and Actor in a Musical; current social media phenom Be More Chill received four nominations including Outstanding Musical, Outstanding Featured Actor in a Musical for George Salazar, and Outstanding Featured Actress in a Musical for Stephanie Hsu. -
Elevator Repair Service Presents World Premiere of Kate Scelsa’S Everyone’S Fine with Virginia Woolf, Directed by John Collins, June 1–24
For Immediate Release February 14, 2018 ELEVATOR REPAIR SERVICE PRESENTS WORLD PREMIERE OF KATE SCELSA’S EVERYONE’S FINE WITH VIRGINIA WOOLF, DIRECTED BY JOHN COLLINS, JUNE 1–24 Biting Parody Of Celebrated Drama Is Loving Homage And Feminist Take-Down Elevator Repair Service Artistic Director, John Collins Producing Director, Ariana Smart Truman presents Everyone’s Fine With Virginia Woolf Written by Kate Scelsa for Elevator Repair Service Directed by John Collins Preview performances: June 1, 2, 6–9 at 8pm; June 2, 9, 10 at 2pm Opening: Tuesday, June 12 at 7pm Regular performances through June 24: Wednesday–Saturday at 8pm; Saturday & Sunday at 2pm Abrons Arts Center (466 Grand Street, Manhattan) Tickets: $25–$75; everyonesfine.com; 212-352-3101 Elevator Repair Service, “one of the city’s few truly essential theater companies” (New York Times), is pleased to present the world premiere of Everyone’s Fine With Virginia Woolf, a new play written by longtime company member Kate Scelsa and directed by Elevator Repair Service Artistic Director John Collins. A sharp-witted parody of a celebrated American drama, Everyone’s Fine With Virginia Woolf is, in turns, loving homage and fierce feminist take-down. In her incisive and hilarious reinvention of Edward Albee’s classic Who’s Afraid of Virginia Woolf?, Scelsa slyly subverts the power dynamics of the original play’s not-so-happy couple. In the end, no one will be left unscathed by the ferocity of Martha’s revenge on an unsuspecting patriarchy. Founded in 1991 and known for a rich body of ensemble-driven theatrical works, Elevator Repair Service develops pieces over a period of many months to years. -
What Makes Or Breaks a Broadway Run Jack Stucky
Show-Stopping Numbers: What Makes or Breaks a Broadway Run Jack Stucky Advisor: Scott Ogawa Northwestern University MMSS Senior Thesis June 15, 2018 Acknowledgements I would like to thank my advisor, Professor Scott Ogawa, for his advice and support throughout this process. Next, I would like to thank the MMSS program for giving me the tools to complete this thesis. In particular, thank you to Professor Joseph Ferrie for coordinating the thesis seminars and to Nicole Schneider and Professor Jeff Ely for coordinating the program. Finally, thank you to my sister, Ellen, for leading me to this topic. Abstract This paper seeks to determine the effect that Tony Awards have on the longevity and gross of a Broadway show. To do so, I examine week-by-week data collected by Broadway League on shows that have premiered on Broadway from 2000 to 2017. Much literature already exists on finding the effect of a Tony Award on a show’s success; however, this paper seeks to take this a step further. In particular, I look specifically at the differing effects of nominations versus wins for Tony Awards and the effect of single versus multiple nominations and wins. Additionally, I closely examine the differing effects that Tony Awards have on musicals versus plays. I find that while all nominated musicals see a boost in weekly gross as a result of being nominated, only plays that are able to go on to win multiple awards experience a boost because of their nomination. The most significant improvement in expected longevity that can be caused by the Tony Awards occurs for a musical that wins at least three awards, while plays need additional wins in order to see a significant increase in their longevity. -
Jessica Love, Nadine Malouf, Ana
LINCOLN CENTER THEATER CASTING ANNOUNCEMENT FOR IMMEDIATE RELEASE, PLEASE JESSICA LOVE, NADINE MALOUF, ANA REEDER, ANDREA SYGLOWSKI, ZUZANNA SZADKOWSKI, SARAH TOLAN-MEE, NICOLE VILLAMIL TO BE FEATURED IN THE LCT3/LINCOLN CENTER THEATER PRODUCTION OF “queens” A NEW PLAY BY MARTYNA MAJOK DIRECTED BY DANYA TAYMOR SATURDAY, FEBRUARY 10 THROUGH SUNDAY, MARCH 25 OPENING NIGHT IS MONDAY, FEBRUARY 26 AT THE CLAIRE TOW THEATER Jessica Love, Nadine Malouf, Ana Reeder, Andrea Syglowski, Zuzanna Szadkowski, Sarah Tolan-Mee, and Nicole Villamil will be featured in the upcoming LCT3/Lincoln Center Theater production of queens, a new play by Martyna Majok, to be directed by Danya Taymor. queens will begin performances Saturday, February 10, open on Monday, February 26, and run through Sunday, March 25 at the Claire Tow Theater (150 West 65 Street). In queens, the lives of two generations of immigrant women collide in a basement apartment. When the choices they’ve made about their security, dignity, and desires come back to haunt them, they must ask: what cannot – and should not – be left behind? queens was commissioned by LCT with a generous grant from the Virginia B. Toulmin Foundation. queens will have sets by Laura Jellinek, costumes by Kaye Voyce, lighting by Matt Frey, and sound by Stowe Nelson. Martyna MajOk was born in Bytom, Poland, and raised in New Jersey and Chicago. Her plays have been performed and developed at Steppenwolf Theatre Company, Williamstown Theatre Festival, Manhattan Theatre Club, Actors Theatre of Louisville, Rattlestick Playwrights Theater, Women’s Project Theater, Ensemble Studio Theatre, The O'Neill Theater Center, and The John F. -
MFD Biographies
Based on the beloved stories by RUTH STILES GANNETT Cast & Crew Seth Baxter Bullock (Boris, the Dragon) is more than thrilled to join the Enchantment Theatre Company family! Having just graduated with a B.F.A. in Acting from University of the Arts, this is Seth's first professional show. He would like to thank Jenn and Landis for the opportunity as well as the cast for always making him feel welcome. Special thanks go to his Mom, Dad, and sisters s for always believing in him: "Love you guys!" e i Erin Elizabeth Carney (Ensemble) has been creating shows with Enchantment Theatre since h 2014. She was a founding member of the Enchantment Everywhere program, bringing theatre to Philadelphia schools. This is her 3rd national tour with the Company and 2nd as Company p Manager. Erin has performed in the Philadelphia International Festival of the Arts (2013, 2016) and the Philadelphia Fringe Festival (2009, 2013, 2015, 2016) and presented her own work in the SoLow Fest. She graduated from the Mississippi School of the Arts and The University of the a Arts and studied at Liverpool Institute of Performing Arts, London Dramatic Academy and Headlong Performance Institute. She would like to thank her family, friends and Enchantment for r love, support and opportunities. g Patrick Murray (Ensemble) is thrilled to be back on the road with Enchantment Theatre Company! A graduate of Temple University's musical theater and acting program, he has worked in and o around Philadelphia as an actor, teaching artist and choreographer. Recent credits include "Peter i Rabbit Tales" (Enchantment Theatre Company), "Sister Act" (Walnut Street Theatre), Mary Zimmerman's adaptation of Homer's "Odyssey," "Anything Goes" (Temple University), and his recent directorial debut with Center Stage Productions and a cast of thirty awesome children in b Pasek and Paul's "James and the Giant Peach Jr." Many thanks to ETC for this awesome opportunity and to his family, friends and teachers for inspiring and fueling his journey as a citizen artist. -
National Endowment for the Arts FY 2017 Fall Grant Announcement
National Endowment for the Arts FY 2017 Fall Grant Announcement State and Jurisdiction List Project details are accurate as of December 7, 2016. For the most up to date project information, please use the NEA's online grant search system. The following categories are included: Art Works, Art Works: Creativity Connects, Challenge America, and Creative Writing Fellowships in Poetry. The grant category is listed with each recommended grant. All are organized by state/jurisdiction and then by city and then by name of organization/fellow. Click the state or jurisdiction below to jump to that area of the document. Alabama Louisiana Oklahoma Alaska Maine Oregon Arizona Maryland Pennsylvania Arkansas Massachusetts Rhode Island California Michigan South Carolina Colorado Minnesota South Dakota Connecticut Mississippi Tennessee Delaware Missouri Texas District of Columbia Montana Utah Florida Nebraska Vermont Georgia Nevada Virginia Hawaii New Hampshire Virgin Islands Illinois New Jersey Washington Indiana New Mexico West Virginia Iowa New York Wisconsin Kansas North Carolina Wyoming Kentucky Ohio Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of December 7, 2016. Alabama Number of Grants: 6 Total Dollar Amount: $120,000 Alabama Dance Council, Inc. (aka Alabama Dance Council) $30,000 Birmingham, AL Art Works - Dance To support the 20th anniversary of the Alabama Dance Festival. The statewide festival will feature performances and a residency by CONTRA-TIEMPO. The festival also will include a New Works Concert featuring choreographers from the South, regional dance company showcases, master classes, workshops, community classes, and a Dance for Schools program. -
S Marchiony Thesis
Our Crowning Glory: SIX And The Path Of The Modern Progressive Musical by Samantha Eve Marchiony A thesis submitted to the School of Theatre and Dance, Kathrine G. McGovern College of the Arts in partial fulfillment of the requirements for the degree of Master of Arts in Theatre Studies Chair of Committee: Robert Shimko Committee Member: María C. González Committee Member: Alison Christy University of Houston August 2020 Copyright 2020, Samantha Eve Marchiony EPIGRAPH “I’ll write it all: everything we were and are and are trying to become. I’ll write for the girls who came before, and the girls who come next. For you and for me, for all of us dangerous girls.” —Kai Cheng Thom, Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoirs iii DEDICATION Dedicated to the queens I have known in my life and the ones I have yet to meet, femme, butch, trans, nonbinary, and everything in between, who wear no crowns, but reign through their kindness, passion, bravery, and resilience, and inspire others to reclaim their power. iv ACKNOWLEDGMENTS This work would not exist without countless people from both my academic and personal lives, who provided me with the support and resources to transcend odds far greater than initially anticipated. I would like to thank my friends, especially those in the online SIX fan groups for their support in the writing process, and my family, especially my parents, John and Deborah Marchiony, for financially supporting my various expeditions to see many of the works discussed in this text. Thanks to the research teams who bolstered my research: the staff at both the MD Anderson Library and the Music Library at the University of Houston for providing access, even in the face of a pandemic, and the Original Broadway Recording Cast of the Frock Flicks website, Kendra Van Cleave, Sarah Lorraine, and Trystan L. -
UNTIL the FLOOD Written and Performed by Dael Orlandersmith Directed by Neel Keller
UNTIL THE FLOOD Written and performed by Dael Orlandersmith Directed by Neel Keller March 16 – April 21, 2019 In the Ellyn Bye Studio Artistic Director | Marissa Wolf Managing Director | Cynthia Fuhrman UNTIL THE FLOOD Written and performed by Dael Orlandersmith Directed by Neel Keller Scenic Designer Costume Designer Lightning Designer Takeshi Kata Kaye Voyce Mary Louise Geiger Video Designer Stage Manager Production Assistant Nicholas Hussong Kristen Mun Molly Shevaun Reed Performed without intermission. Until The Flood was originally commissioned and produced by The Repertory Theatre of St. Louis (Steven Woolf, Artistic Director; Mark Bernstein, Managing Director). Until The Flood received its New York Off-Broadway premiere at Rattlestick Playwrights Theater. Until The Flood is produced by special arrangement with The Gersh Agency, 41 Madison Avenue, 33rd Floor, New York, NY, 10010. Videotaping or other photo or audio recording of this production is strictly prohibited. If you photograph the set before or after the performance, please credit the designers if you share the image. The Actor and Stage Manager employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. FROM ARTISTIC DIRECTOR MARISSA WOLF This spring brings us two powerful new plays that wrestle with some of the most urgent questions of our time. Until The Flood and Crossing Mnisose offer compelling visions and interpretations of major moments in our country’s contemporary history. Until The Flood is a theatrical tour de force by writer and performer Dael Orlandersmith. Having interviewed dozens of people affected by the murder of Michael Brown and the heated protests that followed, Orlandersmith weaves together a resonant, nuanced portrait of a community’s history and present-day life. -
Women Count: Women Hired Off-Broadway 2010-2015 by Martha
Women Count: Women Hired Off-Broadway 2010-2015 by Martha Wade Steketee Judith Binus October 2015 League of Professional Theatre Women http://theatrewomen.org/ Women Count: Women Hired Off-Broadway 2010-2015 page 1 of 13 By Martha Wade Steketee and Judith Binus I. EXECUTIVE SUMMARY: WOMEN COUNT 2015 A number of recent efforts to analyze and report on the status of women in theatre focus on playwrights and directors and continue to find that male voices dominate seasons and positions of power in theatres. For example, the Dramatists Guild of America and the Lilly Awards published The Count final report in the Nov/Dec 2015 issue of The Dramatist in which they analyze 2508 productions from 1486 unique authors in 153 theatres across the country over three seasons (2011-2012 through 2013-2014), and find 22% of productions are by women playwrights. Advocacy in recent years on behalf of playwrights has taken many forms, including the efforts of the Kilroys annual lists of work by women writers (46 in 2014 and 53 in 2015) recommended by playwrights, dramaturgs and artistic directors across the country. The League of Professional Theatre Women (LPTW), as part of its Women Count initiative, assesses progress toward hiring parity and equity in Off-Broadway theatres for playwrights and directors, and also designers and other professionals not often captured in current research and advocacy efforts. The Women Count 2015 report analyzes employment for 13 professional roles in 455 Off- and Off-Off-Broadway productions by 22 theatre companies in five complete seasons, 2010-2011 through 2014-2015. -
72 YEARS of EMMY® 1948 the Emmy Awards Are Conceived. The
® 72 YEARS OF EMMY 1948 The Emmy Awards are conceived. The Television Academy’s founding fathers struggle to name the award: Television Academy founder Syd Cassyd suggests “Ike,” the nickname for the television iconoscope tube. Pioneer television engineer and future (1949) Academy president Harry Lubcke suggests “Immy,” a nickname for the image-orthicon camera tube instrumental in the technical development of television. “Immy” is feminized as “Emmy” because the statuette, designed by engineer Louis McManus (who enlisted his wife Dorothy to model for it) depicts the winged “muse of art uplifting the electron of science.” 1949 First Emmy Awards – given to Los Angeles area programming – take place at the Hollywood Athletic Club on January 25. Tickets are $5.00. It is broadcast on local station KTSL. There are less than a million television sets in the U.S. The master of ceremonies was popular TV host Walter O’Keefe. Six awards are given: ● Most Outstanding Television Personality: Twenty-year-old Shirley Dinsdale and her puppet sidekick Judy Splinters for “The Judy Splinters Show.” ● The Station Award for Outstanding Overall Achievement: KTLA (the first commercial television station west of the Mississippi River). ● Technical Award: Engineer Charles Mesak of Don Lee Television for the introduction of TV camera technology. ● The Best Film Made for Television: “The Necklace” (a half hour adaptation of Guy de Maupassant's classic short story). ● Most Popular Television Program: “Pantomime Quiz.” ● A special Emmy is presented to Louis McManus for designing the statuette. 1950 Second Emmy Awards (January 27, Ambassador Hotel) ● KFI-TV broadcasts, the six other Los Angeles area stations share expense of the telecast.