MFD Biographies
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~La6(8Ill COMPA.NIES INC
October 1999 Brooklyn Academy of Music 1999 Next Wave Festival BAMcinematek Brooklyn Philharmonic 651 ARTS ~' pi I'" T if II' II i fl ,- ,.. til 1 ~ - - . I I I' " . ,I •[, II' , 1 , i 1'1 1/ I I; , ~II m Jennifer Bartleli, House: Large Grid, 1998 BAM Next Wave Festival sponsored by PHILIP MORRIS ~lA6(8Ill COMPA.NIES INC. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Moby Dick Running time: BAM Opera House approximately ninety October 5, 1999, at 7:00 p.m. (Next Wave Festival Gala) minutes. Songs and October 6-9 & 12-16, 1999, at 7:30 p.m. Stories from Moby Dick is performed without an Visual Design, Music, and Lyrics Laurie Anderson intermission. Performers Pip, The Whale, A Reader Laurie Anderson Ahab, Noah, Explorer Tom Nelis The Cook, Second Mate, Running Man Price Waldman Standing Man Anthony Turner Falling Man Miles Green Musicians Violin, keyboards, guitar, talking stick Laurie Anderson Bass, prepared bass, samples Skuli Sverrisson Artistic Collaborators Co-Visual Design Christopher Kondek Co-Set Design James Schuette Lighting Design Michael Chybowski Sound Design Miles Green Costume Design Susan Hilferty Electronics Design Bob Bielecki Video Systems Design Ben Rubin Staging Co-Direction Anne Bogart General Management Julie Crosby Production Management Bohdan Bushell Production Stage Management Lisa Porter Major support for this presentation was provided by The Ford Foundation with additional support from The Dime Savings Bank of New York, FSB. Next Wave Festival Gala is sponsored by Philip Morris Companies Inc. 17 Produced by electronic theater company, Inc. -
Columbia College Today Columbia Alumni Center First, Aid 622 W
Fall 2017 JENNY SLATE ’04 THE LANDLINE ACTRESS GOES TO HER ROOM PATRICIA KITCHER THIS YEAR’S GREAT TEACHER ON THE VALUE OF THE CORE Columbia THE BIG “C” HOW DID IT GET College THERE, ANYWAY? Today After a turn as Aaron Burr — and a moment in the hot seat — STAR Brandon Victor Dixon ’03 continues to dazzle on and POWER off Broadway 12 save the date! REUNION 2018 THURSDAY, MAY 31 – SATURDAY, JUNE 2 If your class year ends in 3 or 8, save the date for Reunion 2018, a chance to reconnect with classmates and friends on campus and throughout New York City. college.columbia.edu/alumni/reunion2018 Columbia Contents College CCT Today VOLUME 45 NUMBER 1 FALL 2017 EDITOR-IN-CHIEF Alexis Boncy SOA’11 EXECUTIVE EDITOR Lisa Palladino DEPUTY EDITOR Jill C. Shomer ASSOCIATE EDITOR 12 18 24 Anne-Ryan Heatwole JRN’09 FORUM EDITOR Rose Kernochan BC’82 ART DIRECTOR features Eson Chan 12 Published quarterly by the Columbia College Office of Alumni Affairs and Development Star Power for alumni, students, faculty, parents and friends of Columbia College. After a turn as Aaron Burr — and a moment in ASSOCIATE DEAN, the hot seat — Brandon Victor Dixon ’03 COLUMBIA COLLEGE ALUMNI RELATIONS continues to dazzle on and off Broadway. AND COMMUNICATIONS Bernice Tsai ’96 By Yelena Shuster ’09 18 ADDRESS ALL CORRESPONDENCE TO: Columbia College Today Columbia Alumni Center First, Aid 622 W. 113th St., MC 4530, 4th Fl. New York, NY 10025 Margaret Traub ’88 experiences “the best and worst humanity 212-851-7852 has to offer, side by side,” doing on-the-ground disaster relief. -
Until the Flood at ACT Theatre Encore Arts Seattle
JUNE 2018 Jun 8–Jul 8 June 2018 Seattle Volume 14, No. 7 International Dance Festival Paul Heppner Publisher SUMMER 2018 Susan Peterson June 7–23 Design & Production Director Ana Alvira, Robin Kessler, Stevie VanBronkhorst Production Artists and Graphic Design Contents Mike Hathaway Feature Sales Director Brieanna Bright, Joey Chapman, 3 Open-air arts for summer Ann Manning Seattle Area Account Executives Dialogue Amelia Heppner, Marilyn Kallins, Terri Reed 9 Rachel Guyer-Mafune on San Francisco/Bay Area Account Executives city life and new works Carol Yip Sales Coordinator 11 Yussef El Guindi on belonging and knowing your audience Intermission Brain Transmission 15 Test yourself with our Leah Baltus Editor-in-Chief trivia quiz! Andy Fife Publisher Encore Stages is an Encore Arts Dan Paulus Program that features stories about Art Director our local arts community alongside Gemma Wilson, Jonathan Zwickel information about performances. Senior Editors Encore Arts Programs are publications Amanda Manitach of Encore Media Group. We also publish Visual Arts Editor City Arts, a monthly arts & culture Artists from magazine, and specialty publications, including the Offical Seattle Pride Guide and the SIFF Guide and Catalog. Learn Israel more at encoremediagroup.com Paul Heppner Encore Stages features the President following organizations: Switzerland Mike Hathaway Vice President Kajsa Puckett Vice President, Japan Marketing & Business Development Genay Genereux Accounting & Office Manager Canada Shaun Swick Senior Designer & Digital Lead Barry Johnson Digital Engagement Specialist Seattle Ciara Caya Customer Service Representative & Administrative Assistant seattleidf.org Corporate Office 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 [email protected] 800.308.2898 x105 www.encoremediagroup.com Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. -
Saturday-Night-Fever.Pdf
® PHILADELPHIA, PENNSYLVANIA PLAYBILL.COM PLAYBILLVAULT.PLAYBILL.COMCOM PLAYBILLVAULT.COM 06-01 SatNightFever2_Live.indd 1 5/12/17 3:22 PM Dear Theatregoer, Welcome to Saturday Night Fever! I am so glad to have you as our guest for this incredible season finale. The energy this cast brings to the stage will make you want to get up and dance to the iconic music from the legendary Bee Gees. I’m thrilled to share this electrifying production with you. Next season the excitement continues on our Mainstage with a spectacular line-up. The 2017–18 season will begin with Broadway’s classic Tony Award-winning Best Musical A Funny Thing Happened On the Way to the Forum. You’ll meet Pseudolus, a crafty slave who struggles to win the hand of a beautiful, but slow-witted, courtesan for his young master. The plot twists and turns with cases of mistaken identity, slamming doors and a bevy of beautiful showgirls. I think this musical comedy is one of the funniest Broadway shows ever written, and I’m sure you’ll agree. During the holiday season we’ll look to a brighter “tomorrow” with one of the world’s best-loved musicals Annie. This Tony Award- winning Best Musical features some of the greatest musical theatre Photo: Mark Garvin hits ever written including “It’s the Hard Knock Life,” “Easy Street,” and “Tomorrow.” I’m excited to share this exciting production with you and your family, as Annie fills our hearts with joy! Our season continues with The Humans. This comedy won more than 20 Best Play awards in 2016, including the Tony Award. -
The Chamber Orchestra of Philadelphia 4-RC-21019 6-9-05
UNITED STATES OF AMERICA BEFORE THE NATIONAL LABOR RELATIONS BOARD REGION FOUR CONCERTO SOLOISTS d/b/a THE CHAMBER ORCHESTRA OF PHILADELPHIA1 Employer and Case 4–RC–21019 PHILADELPHIA MUSICIANS’ UNION LOCAL 77, AMERICAN FEDERATION OF MUSICIANS, AFL-CIO2 Petitioner REGIONAL DIRECTOR’S DECISION AND DIRECTION OF ELECTION The Employer, The Chamber Orchestra of Philadelphia, is a small, elite orchestra which performs at concerts and other engagements. The Petitioner, Philadelphia Musicians’ Union Local 77, has filed a petition with the National Labor Relations Board under Section 9(c) of the National Labor Relations Act seeking to represent a unit of the Musicians who perform in the Chamber Orchestra. There are about 33 Musicians in the petitioned-for unit. The Employer contends that the Musicians are independent contractors and thus are excluded from the coverage of the Act. A hearing officer of the Board held a hearing, and the parties filed briefs. I have considered the evidence and the arguments presented by the parties, and as discussed below, I have concluded that the Musicians are statutory employees. Accordingly, I am directing an election in a bargaining unit of the Employer’s Musicians.3 To provide a context for my discussion, I will first present a brief overview of the Employer’s operations. Then, I will review the factors that must be evaluated in determining independent contractor status and present in detail the facts and reasoning that support my conclusion that the Musicians are statutory employees. 1 The Employer’s name was amended at the hearing. 2 The Petitioner’s name was amended at the hearing. -
Philadelphia, Pennsylvania Clichés Rule the Thinking of Most People Who Comment on Philadelphia Without Knowing the 1990S Version of the City
Philadelphia, Pennsylvania Clichés rule the thinking of most people who comment on Philadelphia without knowing the 1990s version of the city. The standard knock is that it’s unhip—the place W.C. Fields thought would be a mite better than six feet under, the spiritual and real home of Dick Clark and his ’50s bandstand beat, the old-fashioned “City of Firsts’’ that never threw off the arts stigma of being Constitution City, birthplace of the nation. A second cliché is that it operates in the shadow of New York. Doesn’t everyone just drive up to Manhattan when an urge for real culture hits? Don’t Philadelphia artists tremble at what New Yorkers think of their work? Don’t Philadelphia audiences diss their local wares as second-rate stuff? The images are as stale as a week-old non- Philadelphia pretzel to those who know. Philadelphia’s arts scene—from historic insti- tutions like The Philadelphia Orchestra to the fast-growing Philadelphia Fringe Festival, from touring Broadway companies to the area’s more than 20 innovative theaters—is bigger and more vibrant than at any point in the city’s history. In recent years, Mayor Ed Rendell has com- mitted his administration to creating an “Avenue of the Arts” with 16 new and renovated arts facil- ities on the city’s South Broad Street— Philadelphia’s historic arts thoroughfare. Private philanthropy has also kicked in. The result so far is three newly constructed playhouses, including a smashing new space for the Wilma Theater and the just-reopened Prince Music Theater, which will serve as base for the former American Music Theater Festival, now renamed the “Prince Music Theater” after its new home. -
Anton Chekhov
PLAY GUIDE About ATC 1 Introduction to the Play 2 Meet the Characters 2 Meet the Playwright 3 Anton Chekhov 4 Chekhov: A Brief Overview 5 References and Glossary 8 Vanya and Sonia and Masha and Spike Play Guide written and compiled by Katherine Monberg, ATC Literary Associate, with assistance from April Jackson, Learning & Education Manager; Bryanna Patrick and Luke Young, Learning & Education Associates SUPPORT FOR ATC’S EDUCATION AND COMMUNITY PROGRAMMING HAS BEEN PROVIDED BY: APS Rosemont Copper Arizona Commission on the Arts Stonewall Foundation Bank of America Foundation Target Blue Cross Blue Shield Arizona The Boeing Company City Of Glendale The Donald Pitt Family Foundation Community Foundation for Southern Arizona The Johnson Family Foundation, Inc Cox Charities The Lovell Foundation Downtown Tucson Partnership The Marshall Foundation Enterprise Holdings Foundation The Maurice and Meta Gross Foundation Ford Motor Company Fund The Max and Victoria Dreyfus Foundation Freeport-McMoRan Copper & Gold Foundation The Stocker Foundation JPMorgan Chase The William L and Ruth T Pendleton Memorial Fund John and Helen Murphy Foundation Tucson Medical Center National Endowment for the Arts Tucson Pima Arts Council Phoenix Office of Arts and Culture Wells Fargo PICOR Charitable Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit theatre company This means all of our artists, administrators and production staff are paid professionals, and the income we receive from ticket sales and contributions goes right back into -
Artsguide Philadelphia
ALA Midwinter Meeting, January 24-28, 2014 ArtsGuide Philadelphia American Library Association Association of College and Research Libraries (ACRL) Arts Section ArtsGuide Philadelphia | 1 ALA Midwinter Meeting, January 24-28, 2014 Introduction Welcome to the ACRL Arts Section’s ArtsGuide Philadelphia! This selective guide to cultural attractions and events has been created for attendees of the 2014 ALA Midwinter Meeting in Philadelphia, PA. Map of sites listed in this guide - See what’s close to you or plot your course by car, foot, or public transportation using the Google Map version of this guide: https://mapsengine.google.com/map/edit?mid=zqJ- Ed3bmpRo.kk2kwWFt8ygQ Pennsylvania Convention Center 1101 Arch Street Philadelphia, PA 19107 (215) 418-4700 Local Transportation . http://www.visitphilly.com/getting-around/ . http://alamw14.ala.org/local-transportation (**Note: SEPTA service schedules change throughout the day, please confirm availability of Public Transportation with the intended time of your visit. http://www.septa.org **) Where to search for arts and entertainment . VisitPhilly.com : Official Visitor Site for Greater Philadelphia http://www.visitphilly.com/things-to-do/ . Philadelphia’s Official Convention & Visitors Site http://www.discoverphl.com . Philly Fun Guide http://www.phillyfunguide.com . Philadelphia Weekly or City Paper’s events listing http://www.philadelphiaweekly.com/events/ http://citypaper.net/agenda/ This guide has been edited and formatted by: Bridget O’Donnell (New York University) Contributors: Claudia Covert (Rhode Island School of Design) Bridget O’Donnell, editor (New York University) Lauren McDonald (California College of Arts) Ariel Turner (Kennesaw State University) *Efforts were made to gather the most up to date information but please be sure to check the web sites provided. -
The Fellows Gazette
The Fellows Gazette Volume 53 Published by the College of Fellows of the American Theatre Summer 2010 hop. You will notice that I’ve not mentioned names The Fellows as Creators and because we would be here deep into next week, if I did so! Stewards of a Legacy The miracle of this annual gathering is that we socialize (The following remarks by incoming Dean, Milly S. Barranger, were as good friends and respected colleagues, and, when made during the annual business meeting of the College of Fellows on we assemble shoulder-to-shoulder as a “College,” we April 18, 2010, at the John F. Kennedy Center for the Performing Arts.) make a distinguished and powerful statement as Thank you, friends, creators and stewards of the past, present, and future for this privilege of legacy of theatre in America. serving the College Today, I promise to honor our community of diverse for the next two professionals and set in motion planning for the Fellows years and for your th 50 Anniversary celebration in 2015. Please mark your confidence that I will calendars. serve you well. Thank you, again. ■ Since receiving the invitation to become your Dean, I’ve thought a great deal about this assembly where I was invested in 1984 (twenty-six years ago!). Many of you here today have enabled my personal journey through a very rewarding career. I’ve also worked closely with a number of you in other professional associations. So, we are not strangers. As I look around this room, I see a group that defines the scope, and brilliance, and eclecticism of our profession. -
FINDING HUMOUR in the PAIN Directing Christopher Durang and Albert Innaurato’S the Idiots Karamazov
FINDING HUMOUR IN THE PAIN Directing Christopher Durang and Albert Innaurato’s The Idiots Karamazov by Chris McGregor B.A. Drama, Bishop’s University, Lennoxville, Quebec 1987 A THESIS SUBMITTED N PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FiNE ARTS in The Faculty of Graduate Studies (Theatre) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August, 2009 © Chris McGregor, 2009 Abstract Finding Humour in the Pain-Directing Christopher Durang and Albert limaurato’s Play, The Idiots Karamazov examines the preparation, research, pre-production and rehearsal processes that went into staging The Idiots Karamazov at the University of British Columbia’s Frederic Wood Theatre from March l9to 28, 2009. This paper is broken down into 4 chapters detailing my goals to achieve a successful and relevant production for today’s audience. My rehearsal process was to inspire and guide all artists involved to act upon their creative impulses and to make this production a collaborative effort. Chapter 1 includes a biography of both playwrights, outlining their influences and a brief historical account ofhow The Idiots Karamazov evolved from an 8mm student film to a full-length professional production at Yale Repertory Theater. Chapter 2 provides a directorial analysis of the text and detailed methods and philosophies in directing from several well-known academics and theatre artists. Chapter 3 is a detailed journal chronicling the pre-production process including several e-mail correspondences with playwright, Christopher Durang. Also included in this chapter are several entries detailing early meetings with designers, daily accounts of the rehearsal process, production meetings, and fmally a description of three performances I attended during the run. -
A-Christmas-Story-The-Musical.Pdf
® PHILADELPHIA, PENNSYLVANIA PLAYBILL.COM Dear Theatregoer, Welcome to an exciting holiday season at the Walnut! The level of activity in this theatre always amazes me during the most wonderful time of the year. The successes we have celebrated RYHU WKH SDVW \HDUV DV D QRWIRUSURÀW SURGXFLQJ WKHDWUH company would not be possible without the support of loyal theatregoers like you. We would like to say thank you. You help to make the Walnut the most popular theatre company in Philadelphia, and the most subscribed theatre company in the world! For me, the holidays are always a warm reminder of the importance of traditions honored with family and friends. In my home, as in many of your homes, watching A Christmas Story is part of our annual holiday celebration. The charming story of a child with a Christmas dream is one that many of us can relate to. Tonight on our stage, you’ll see many of our Walnut family who have come home for the holidays, as well as faces of new friends. I’m thrilled to share this hilarious, heart-warming Photo: Mark Garvin musical with you. Upstairs in our Independence Studio on 3, we have the triumphant story of Karola Siegel, Becoming Dr. Ruth 7KLVLVWKHIDVFLQDWLQJOLIHVWRU\RIDZRPDQZKRÁHGIURPWKH1D]LVLQ.LQGHUWUDQVSRUW joined the Haganah in Jerusalem as a scout and sniper, then traveled to the States and became America’s most famous sex therapist. Our intimate space is the perfect setting for this gripping tale. You don’t want to miss it. We are proud that our WST for Kids’ production of Charles Dickens’ A Christmas Carol remains DPXVWVHH3KLODGHOSKLDKROLGD\WUDGLWLRQ(EHQH]HU6FURRJHDQG7LQ\7LPZLOOÀOOWKHKHDUWVRI audiences with joy on this very stage. -
Disney's Newsies Playbill
Thank you for joining us for our landmark 60th anniversary season! We invite you to: • Experience Milwaukee’s professional Equity music theatre company. We present the full spectrum of music theatre, ranging from blockbuster Broadway musicals to reimagined operas, from Gilbert & Sullivan operettas to exciting new works. • Enjoy Skylight Style productions. We bring fresh approaches and create meaningful connections between the characters on stage and the audience in an intimate theatre that allows audiences to feel close to the powerful emotions on stage Our mission since 1959: To bring the full spectrum of music theatre works to a wide and diverse audience in celebration of the musical and theatrical arts and their reflection of the human condition. We fulfill this mission through • Partnering with nationally recognized directors and designers • Serving as the largest employer of Wisconsin theatrical artists in the State • Performing in the beautiful, intimate Cabot Theatre • Bringing the excitement of a live orchestra to every production • Offering educational programming reaching over 14,000 students annually • Engaging more than 30,000 people at performances each year Krystal Drake in Pippin (2018) Photo: Ross Zentner GENERAL INFO ABOUT THE CABOT THEATRE Box Office ADA Services Assisted listening devices “To help us forget some things, remember others, and to refresh the dry places in our spirit” 158 North Broadway, Main Floor, are made possible through support from Quote adapted from “World of Wonders” by Robertson Davies Milwaukee, WI 53202 Alvin & Marion Birnschein Foundation. The intimate Cabot Theatre, modeled after Phone: (414) 291-7800 Audio description and wheelchair seating an 18th century French jewel-box opera Email: [email protected] are available and can be arranged in house, was built in 1992.