Sundance Institute's New Frontier Story Lab Explores the Future With
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School of Motion Pictures & Television Program Brochure
School of Motion Pictures & Television academyart.edu SCHOOL OF MOTION PICTURES & TV Contents Program Overview ...................................................5 What We Teach ......................................................... 7 The School of MPT Difference .................................9 Faculty .....................................................................11 Degree Options ..................................................... 13 Our Facilities ......................................................... 15 Alumni Success ..................................................... 17 Partnerships ......................................................... 19 Career Paths ......................................................... 21 Additional Learning Experiences ......................... 23 Awards and Accolades ......................................... 25 Online Education .................................................. 27 Academy Life ........................................................ 29 San Francisco ....................................................... 31 Athletics ................................................................ 33 Apply Today .......................................................... 35 3 SCHOOL OF MOTION PICTURES & TV Program Overview Taught by professionals working in the industry, including Academy and Emmy Award winners, our students learn their craft through hands-on filmmaking experience. IMMERSE YOURSELF Direct. Produce. Shoot. Edit. Production Design. Write. Crew up and follow your passion -
Google Chrome Scores at SXSW Interactive Awards 16 March 2011, by Glenn Chapman
Google Chrome scores at SXSW Interactive awards 16 March 2011, by Glenn Chapman type of video," Google's Thomas Gayno told AFP after the award ceremony. "For Google it is very compelling because it allows us to push the browser to its limits and move the Web forward." Visitors to the website enter addresses where they lived while growing up to be taken on nostalgic trips by weaving Google Maps and Street View images with the song "We Used to Wait." A woman works on her computer as on the wall behind "It takes you on a wonderful journey all is seen the logo of Google in Germany 2005. A music synchronized with music," Gayno said. "It is like and imagery website that shows off capabilities of choreography of browser windows." Google's Chrome Web browser won top honors at a South By Southwest Interactive (SXSW) festival known US Internet coupon deals website Groupon was for its technology trendsetters. voted winner of a People's Choice award in keeping with a trend of SXSW goers using smartphones to connect with friends, deals, and happenings in the real world. A music and imagery website that shows off capabilities of Google's Chrome Web browser won Founded in 2008, Chicago-based Groupon offers top honors at a South By Southwest Interactive discounts to its members on retail goods and (SXSW) festival known for its technology services, offering one localized deal a day. trendsetters. A group text messaging service aptly named The Wilderness Downtown was declared Best of GroupMe was crowned the "Breakout Digital Trend" Show at an awards ceremony late Tuesday that at SXSW. -
IML-575: World Building As a Design Practice for Storytelling Fall 2015, 4
IML-575: World Building as a Design Practice for Storytelling Fall 2015, 4 units Taught by Professor Alex McDowell Tuesdays and Wednesdays, 9:00 am - 11:50 am RZC 120 (Robert Zemeckis Center) Any storyteller can weave a compelling narrative, but world builders create storyworlds that can support myriad stories by multiple storytellers across disparate platforms –including those platforms for which there may not yet be a name. Such world building becomes even more powerful when it moves beyond transmedia entertainment experiences and tackles real-world challenges in real-world environments. IML 575: World Building as a Design Practice for Storytelling is a practice-based studio class that introduces world building as a comprehensive methodology that defines the connective tissue and logic of any story-driven world, allowing narratives to evolve organically and defining both history and future in either the real world or fictional ones. Students will learn: • the narrative designer’s art of world building • how to use world building to rethink existing narrative forms and practices • how to build compelling story worlds with new media technologies in mind Over the course of the semester, students will collaboratively create a new fictional storyworld, consulting with domain experts across multiple disciplines to ensure this world is imaginative, plausible and extensible. The robust, holistic and unified world developed in this class will support multiple narratives to be iterated, designed and prototyped by the class. These might include, but are not limited to, short films, animations, interactive media, comic books or VR experiences. In producing these narratives, the class will engage in design visualization, interactive prototyping, location scouting (virtual or real), research of environments, population, and inception, and development of characters and stories for various platforms. -
Urban Illusions Haley R
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2017 Urban Illusions Haley R. Hatfield Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Fine Arts Commons Recommended Citation Hatfield, Haley R., "Urban Illusions" (2017). LSU Master's Theses. 4618. https://digitalcommons.lsu.edu/gradschool_theses/4618 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. URBAN ILLUSIONS A Thesis Submitted to the Graduate Faculty of Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The School of Art By Haley Hatfield B.F.A., Kansas State University, 2014 May 2017 I would like to dedicate this thesis on behalf of anyone that has ever been stereotyped or discriminated against. Keep your head up. ACKNOWLEDGEMENTS First and foremost, I would like to thank my advisor and thesis chair, Derick Ostrenko, as well as another committee member, Dr. Hye Yeon Nam, for granting me the opportunity to continue my education at Louisiana State University. Without their guidance and support throughout this program I would not be where I am today. I would like to thank the rest my thesis committee: Vincent Cellucci, for always commending me for tackling tough subjects like racism and segregation. -
Death and the Powers Release
For Immediate Release: February 23, 2011 Contact: Kati Mitchell 617-495-2668 [email protected] American Repertory Theater in association with MIT’s FAST Arts Festival presents DEATH AND THE POWERS: The Robots’ Opera by Tod Machover directed by Diane Paulus March 18-25 Cutler Majestic Theatre at Emerson College When the eccentric patriarch Simon Powers departs his physical being and downloads himself into The System, his house assumes his immortal presence around his family and friends… So begins Death and the Powers, a groundbreaking new opera created by Tod Machover and his Opera of the Future Group at the MIT Media Lab, which receives its North American premiere at the American Repertory Theater. Performances take place at the Cutler Majestic Theater in Boston on March 18 (press opening), March 20, March 22, and March 25. The September 24, 2010 world premiere of Death and the Powers at l’Opéra de Monte-Carlo was praised by audiences and critics alike: “A grand, rich, deeply serious new opera, presented by a team with manifold, coherent accomplishments. Machover has a command of expressive vocal gesture. Voices and electronic sound are well balanced, often with telling counterpoints. Diane Paulus’s staging and Alex McDowell’s scenes were dazzling in their inventions.” — Opera magazine, London “The technological triumph of linking voice to stage, and the acoustical instruments of the excellent orchestra to the synthesized instruments is impressive… Mr. Machover and his students invented magical machines. “ — Herald Tribune The libretto for Death and the Powers is written by U.S. Poet Laureate Robert Pinsky, story by Pinsky and Randy Weiner and directed by Diane Paulus, with choreography by Karole Armitage. -
Kristina Reed Joins the Madison Square Garden Company As Senior Vice President, Creative Development and Strategy
Kristina Reed Joins the Madison Square Garden Company as Senior Vice President, Creative Development and Strategy July 22, 2019 NEW YORK, July 22, 2019 (GLOBE NEWSWIRE) -- The Madison Square Garden Company (NYSE:MSG) today announced that Academy Award- winning producer and creator, Kristina Reed, has joined MSG as Senior Vice President, Creative Development and Strategy. In this newly-created position, Ms. Reed will drive the development of creative content for the Company’s state-of-the-art MSG Sphere venues, which will utilize cutting-edge, immersive technology and compelling, multi-sensory storytelling to revolutionize the entertainment experience. Kristina Reed Joins The Madison Square Garden Company As Senior Vice President, Creative Development And Strategy Ms. Reed will be responsible for developing and implementing a slate of content for MSG Sphere venues, from conception to execution. She will work closely with internal and external teams to identify, evaluate and oversee creative development prospects; greenlight content to production; and establish and develop a sustainable digital pipeline for content delivery. Ms. Reed will be charged with developing these projects for both MSG Sphere, as well as other commercial clients. MSG anticipates that the first MSG Sphere, which is currently under construction in Las Vegas, will be completed during calendar year 2021, followed by the second MSG Sphere in London, which is expected approximately a year later, pending necessary approvals. Ms. Reed will report to Jennifer Vogt, President, Creative Content and Production, who recently joined MSG to oversee MSG’s overall content strategy and development for MSG Sphere and other production assets. Ms. Vogt joined MSG from Walt Disney Imagineering after successfully spearheading show design and production for Star Wars, “Galaxy’s Edge,” Disney’s largest single-themed land expansion in its history. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Stash 89 Features These Outstanding Projects
Stash 89 features these outstanding projects: CHEVY "JOY" TVC :30 Agency: MCCANN NEW YORK/DETROIT Director: PSYOP Production: PSYOP, SMUGGLER Animation/VFX: PSYOP www.psyop.tv OPTUS "CROC TENNIS" TVC :30 Agency: M&C SAATCHI, SYDNEY Director: THIERRY POIRAUD Production: RODS FILMS VFX: BUF www.buf.fr NEXTEL "TERRAZAS" TVC 1:10 Agency: MADRE BUENOS AIRES Director: ANDY FOGWILL Production: LANDIA VFX: BITT ANIMATION www.bittanimation.com PERNOD RICARD TV Broadcast design :35 Client: ELEPHANT AT WORK, PERNOD RICARD Director: PARALLEL Animation: CHEZ EDDY http://chezeddy.com PERSOL "A YEAR OF SUN" Marketing film :60 Agency: WINKREATIVE Directors: KEVIN DART, STEPHANE COEDEL Animation: PASSION PICTURES www.passion-pictures.com TD AMERITRADE "COMMON SENSE", "EMPOWERMENT" TVCs :30 x 2 Agency: GOODBY, SILVERSTEIN & PARTNERS Director: PSYOP LA Production: SMUGGLER A nimation: PSYOP LA www.psyop.tv CISCO "ROBOTARM" TVC :30 Agency: OGILVYWEST Director: DAVID ROSENBAUM Production: MOTHERSHIP Animation: DIGITAL DOMAIN www.digitaldomain.com RED BULL "SIGNATURE SERIES" Broadcast design 1:22 Director: SCOTT DUNCAN Production: OTHER FILMS Design/VFX: SPONTANEOUS www.spon.com AXN LATIN AMERICA Broadcast design / TVC :30 Client: SONY PICTURES LATIN AMERICA Director: PLENTY Animation: PLENTY www.plenty.tv VIDEO MUSIC BRAZIL 2011 Broadcast design 2:14 Client: MTV BRAZIL Director: CONSULADO www.consulado.tv Animation: ATOMO FX www.atomovfx.com.br FOX CLASSICS Broadcast design :60 Client: FOX CLASSICS AUSTRALIA Directors: THE DMC INITIATIVE Animation: THE DMC -
Public Advocate Runoff Election on Tuesday
Twitter.com Facebook.com/ Volume 59, No. 121 TUESDAY, OCTOBER 1, 2013 w BrooklynEagle.com BrooklynEagle @BklynEagle 50¢ BROOKLYN TODAY DUMBO Arts OCT.1 Fest: Arts From Good morning. Today is the 284th day of the year. The Brooklyn Daily Eagle Many Cultures, of Oct. 1, 1899, carried an advertisement from J. Con- klin and Sons, a Brooklyn high-end retailer. Adver- And Zany Fun tised were “rich black ART IN ITS MYRIAD FORMS silks,” “colored novelty silks,” plaids, broadcloths, took over DUMBO’s streets, camel hair fabric and “the garages, galleries and stu- latest McCall’s patterns for dios this weekend at the 10 and 15 cents.” DUMBO Arts Festival, and thousands visited the Well-known people who neighborhood to take in were born today include the sights and sounds. A singer-actress Julie Andrews joyous Bubbles of Hope (“Mary Poppins”), Hall of procession spilled over the Fame baseball player Rod entire neighborhood, and Carew, former President Jimmy Carter, former base- local artists opened their ball player Mark McGwire seldom-seen studios to and actor Randy Quaid the public. See more pho- (“Brokeback Mountain,” tos, page 5. “Independence Day”). Photo by Mary Frost BOOK BEAT Public Advocate Runoff Election on Tuesday By Mary Frost position can be a powerful one: Brooklyn Daily Eagle the public advocate is second On Tuesday Democrats in line should the mayor be- are voting in the runoff elec- come sick or incapacitated, and tion primary for New York the position is seen as a step- City public advocate. pingstone for a future run for Leticia James, (currently the Mayor’s office. -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
©2014 Disney ©2014 Disney Enterprises, Inc
©2014 Disney ©2014 Disney Enterprises, Inc. All Rights Reserved. Disney.com/Neverbeast STORY Story Artists TROY ADOMITIS JOHN D. ANDERSON TOM BERNARDO EMMANUEL DELIGIANNIS RYAN GREEN DAVID KNOTT JIHYUN PARK ROBB PRATT LYNDON RUDDY SEUNG-HYUN OH SHANE ZALVIN Creative Development ............................VICKI LETIZIA PRODUCTION Production Managers ..................... JARED HEISTERKAMP JASON I. STRAHS Directed by ........................................ STEVE LOTER Production Coordinators ........................JILLIAN GOMEZ Produced by ...........................MICHAEL WIGERT, p.g.a. AMY PIJANOWSKI Executive Producer .............................JOHN LASSETER BARBRA PUSHIES Story by ........................................... STEVE LOTER ALLIE RUSSELL and TOM ROGERS Production Finance Lead ........................ TANYA SELLERS Screenplay by .................................... TOM ROGERS Production Secretary ....................... BRIAN MCMENAMIN and ROBERT SCHOOLEY & MARK MCCORKLE DESIGN and KATE KONDELL Original Score Composed by ..................... JOEL MCNEELY Character Design .............................RITSUKO NOTANI Editor ..........................................MARGARET HOU ELSA CHANG Art Director .....................................ELLEN JIN OVER DAVID COLMAN Animation Supervisor .................... MICHAEL GREENHOLT BOBBY CHIU Head of Story ................................. LAWRENCE GONG KEI ACEDERA CG Supervisor ...................................... MARC ELLIS Associate Producer ......................TIMOTHY