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Jane Fonda Blisters Vietnam War Effort
=11 Book Talk Fonda A re-play of the Jane Fonda Dr. Arlene Akerlund, assis- speech delivered at SJS tant professor of English, yesterday in the C.U. Ball- will discuss Ernest Heming- room will be on radio station way's novel "Islands in the KSJS 90.7 tonight at 8 and on Stream," today at noon in station KSJO at 8 tomorrow rooms A and B of the Spartan artan Datil Cafeteria. night. Serving the San Jose State College Community Since 1934 Vol. 58 SAN JOSE CALIFORNIA 95114, WEDNESDAY MARCH 3, 1971 No 77 Jane Fonda Blisters #1$ Vietnam War Effort kkitellompoiffatielt" By LANCE FREDERIKSEN "You don't hear of this because we do have lost control of their forces. Daily Political Writer not have a responsible press. But let me "If the men get a gung-ho officer, 111 q - Jane Fonda, actress and anti-war assure you, MyLai is not an isolated they'll fragg him," she declared, "So activist, urged an overflow crowd of incident," Miss Fonda added. the officers won't make them cut their .,A.0044 . about 2,000 listeners yesterday after- Miss Fonda recently attended the hair, stop smoking dope, or, above all, noon in the College Union Ballroom to war crimes investigation sponsored by go on dangerous missions." "make peace with the people of Viet- the Vietnam Veterans Against the War. Fragging, Miss Fonda explained, :Iv nam." The meeting, held in Detroit, Jan. 31, occurs when a fragmentation bomb is The audience enthusiastically and Feb. 1-2, was organized by 2,000 ex- rolled under an officer's tent. -
Was Florida State Really the "Berkeley of the South"
J. Stanley Marshall. The Tumultuous Sixties: Campus Unrest and Student Life at a Southern University. Tallahassee: Sentry Press, 2006. xxvi + 316 pp. $27.50, cloth, ISBN 978-1-889574-25-7. Reviewed by David Lee McMullen Published on H-Florida (September, 2006) J. Stanley Marshall was president of Florida State during the late sixties and early seventies. State University from 1969 to 1976, during one of During that time I worked on the student newspa‐ the most fascinating periods in the university's per, The Flambeau, and served as its editor-in- history. These years were a period of conflict be‐ chief in 1971. As editor, I meet with President tween the old and new, when student life at the Marshall regularly to discuss some of the events university changed dramatically. As president, and issues presented in his book. Marshall faced student and faculty activism on a The Tumultuous Sixties will certainly be of in‐ variety of issues, including free speech, the Viet‐ terest to those familiar with the university during nam War, civil rights, the status of women, envi‐ this time period. More importantly, however, this ronmental concerns, labor, and the nomination of book provides a valuable perspective for students a Tallahassee judge to the U.S. Supreme Court. Be‐ of Florida history. For scholars, The Tumultuous yond this, there was streaking, famous and con‐ Sixties provides meaningful insights into the chal‐ troversial visitors to campus, including the Jorda‐ lenges of running a large state university under nian King, Helen Hayes, Jane Fonda, and Abbie the microscope of the numerous publics it must Hoffman. -
The Capitol Dome
THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress. -
10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs
10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs hollywoodreporter.com/lists/10-surprising-facts-oscar-winner-ruth-e-carter-her-designs-1191544 The Hollywood Reporter The Academy Award-winning costume designer for 'Black Panther' fashioned a headpiece out of a Pier 1 place mat, trimmed 150 blankets with a men's shaver, misspelled a word on Bill Nunn's famous 'Do the Right Thing' tee, was more convincing than Oprah and originally studied special education. Ruth E. Carter in an Oscars sweatshirt after her first nomination for "Malcolm X' and after her 2019 win for 'Black Panther.' Courtesy of Ruth E. Carter; Dan MacMedan/Getty Images Three-time best costume Oscar nominee Ruth E. Carter (whose career has spanned over 35 years and 40 films) brought in a well-deserved first win at the 91st Academy Awards on Feb. 24 for her Afrofuturistic designs in Ryan Coogler’s blockbuster film Black Panther. 1/10 Carter is the first black woman to win this award and was previously nominated for her work in Spike Lee’s Malcolm X (1992) and Steven Spielberg’s Amistad (1997). "I have gone through so much to get here!” Carter told The Hollywood Reporter by email. “At times the movie industry can be pretty unkind. But it is about sticking with it, keeping a faith and growing as an artist. This award is for resilience and I have to say that feels wonderful!" To create over 700 costumes for Black Panther, Carter oversaw teams in Atlanta and Los Angeles, as well as shoppers in Africa. -
Coping Strategies: Three Decades of Vietnam War in Hollywood
Coping Strategies: Three Decades of Vietnam War in Hollywood EUSEBIO V. LLÁCER ESTHER ENJUTO The Vietnam War represents a crucial moment in U.S. contemporary history and has given rise to the conflict which has so intensively motivated the American film industry. Although some Vietnam movies were produced during the conflict, this article will concentrate on the ones filmed once the war was over. It has been since the end of the war that the subject has become one of Hollywood's best-sellers. Apocalypse Now, The Return, The Deer Hunter, Rambo or Platoon are some of the titles that have created so much controversy as well as related essays. This renaissance has risen along with both the electoral success of the conservative party, in the late seventies, and a change of attitude in American society toward the recently ended conflict. Is this a mere coincidence? How did society react to the war? Do Hollywood movies affect public opinion or vice versa? These are some of the questions that have inspired this article, which will concentrate on the analysis of popular films, devoting a very brief space to marginal cinema. However, a general overview of the conflict it self and its repercussions, not only in the soldiers but in the civilians back in the United States, must be given in order to comprehend the between and the beyond the lines of the films about Vietnam. Indochina was a French colony in the Far East until its independence in 1954, when the dictator Ngo Dinh Diem took over the government of the country with the support of the United States. -
Smoothing the Wrinkles Hollywood, “Successful Aging” and the New Visibility of Older Female Stars Josephine Dolan
Template: Royal A, Font: , Date: 07/09/2013; 3B2 version: 9.1.406/W Unicode (May 24 2007) (APS_OT) Dir: //integrafs1/kcg/2-Pagination/TandF/GEN_RAPS/ApplicationFiles/9780415527699.3d 31 Smoothing the wrinkles Hollywood, “successful aging” and the new visibility of older female stars Josephine Dolan For decades, feminist scholarship has consistently critiqued the patriarchal underpinnings of Hollywood’s relationship with women, in terms of both its industrial practices and its representational systems. During its pioneering era, Hollywood was dominated by women who occupied every aspect of the filmmaking process, both off and on screen; but the consolidation of the studio system in the 1920s and 1930s served to reduce the scope of opportunities for women working in off-screen roles. Off screen, a pattern of gendered employment was effectively established, one that continues to confine women to so-called “feminine” crafts such as scriptwriting and costume. Celebrated exceptions like Ida Lupino, Dorothy Arzner, Norah Ephron, Nancy Meyers, and Katherine Bigelow have found various ways to succeed as producers and directors in Hollywood’s continuing male-dominated culture. More typically, as recently as 2011, “women comprised only 18% of directors, executive producers, cinematographers and editors working on the top 250 domestic grossing films” (Lauzen 2012: 1). At the same time, on-screen representations came to be increasingly predicated on a gendered star system that privileges hetero-masculine desires, and are dominated by historically specific discourses of idealized and fetishized feminine beauty that, in turn, severely limit the number and types of roles available to women. As far back as 1973 Molly Haskell observed that the elision of beauty and youth that underpins Hollywood casting impacted upon the professional longevity of female stars, who, at the first visible signs of aging, were deemed “too old or over-ripe for a part,” except as a marginalized mother or older sister. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre. -
Between Sacred and Secular: the Pop Cult Saviour Approacheth!
Between Sacred and Secular: The Pop Cult Saviour Approacheth! Christopher Hartney In The Secret Life of Puppets, Victoria Nelson has demonstrated that the popular culture of the twentieth century shows an increasing tendency to be fascinated by automatons and puppets in human form.1 She also shows how the puppet gives rise to the concept of puppet-master (human or divine) and stories of automatons with increasing frequency take on a Gnostic cosmology using this basic relationship of human-automaton/human-god to set the mood. This is the case from Blade-Runner2 to The Matrix3 and, through a slightly more oblique path, onto Philip Pullman whose His Dark Materials trilogy finds itself a place within the pattern.4 We remain fascinated with how the puppet operates in this predominantly Gnostic schema because the automaton or alien presents us with a gauge against which we parry our own measure of human experience. These ‘other’ beings, however, by allowing us to reflect on ourselves, bring us so close to our understanding of self that inclusion of a sacred aura or reference is unavoidable. One example of a hero, I feel, takes this relationship to another level not because he is a well-known pop hero, but in the way he is depicted as such. Although this character appears in a 1979 film, I will argue that his example allows us a vision of a future where pop, secular and sacred become incorporated in a new sense of self in Western culture. Stephen Hopkins’ 2004 biopic based on Roger Lewis’ biography of Peter Sellers5 (with Australian actor Geoffrey Rush cast in over 30 roles6) touches again on an unforgettable period in the cultural life of 1 Victoria Nelson: The Secret Life of Puppets, Cambridge, Massachusetts and London, 2001. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Long-Lost NATIONTIME by William Greaves to Premiere in Gary, Indiana
FOR IMMEDIATE RELEASE Contact: Karen Toering, Founder/Director GIBFF [email protected] 219.200.4243 Long-Lost NATIONTIME by William Greaves to Premiere in Gary, Indiana THE GARY INTERNATIONAL FILM FESTIVAL PRESENTS Historic documentary filmed at 1972 Black National Political Convention 4K restoration by IndieCollect August 22, 2020 Gary SouthShore Railcats Stadium - Doors at 4:30pm Film at 6pm View NATIONTIME trailer: https://youtu.be/zMn0uDbTReQ On the heels of the 2020 Democratic National Convention, The Gary International Black Film Festival is proud to present the Gary premiere of William Greaves’s long-lost documentary, NATIONTIME – GARY, about the Black National Political Convention of 1972 in the city where it all started -- Gary, Indiana. The Gary SouthShore Railcats Stadium is the site for the Saturday, August 22 outdoor community screening bringing the voices of the People of Gary to the watershed political moment where the Black community came together to set an agenda for change. “The people of Gary were both witness and engaged participants in this history making moment. The story of the 1972 convention is our story.” said GIBFF founder, Karen Toering This screening is one of a variety of events leading to the upcoming 2020 Black National Convention presented by The Movement 4 Black Lives on August 28. A panel featuring participants from the 1972 and the 2020 Convention will be on hand for a post-film discussion Tickets are free for the in-person and the online screening. Pre-registration is required. Outdoor screening tickets: bit.ly/nationtimeGary Online screening tickets - bit.ly/nationtimeOnline This is the director’s original 90-minute cut of the film that was never released. -
Season Two of HBO S BETTY Debuts June 11
Season Two Of HBO’s BETTY Debuts June 11 Based on creator Crystal Moselle’s 2018 Sundance hit “Skate Kitchen,” BETTY will return to HBO for a second season FRIDAY, JUNE 11. The series follows five young women on journeys of self-discovery against the backdrop of New York City’s male-dominated skateboarding scene. The six-episode season will air on HBO and be available to stream on HBO GO. Horarios por país visita Hbocaribbean.com In season two, our five protagonists are stepping firmly into womanhood and tackling all the challenges it brings. As they navigate the pressures of adulthood, their male counterparts start to step up, step in, and become true allies, forming a united front for the greater good. Set in the last chapter of 2020, the season captures the pandemic in New York City, where masks and outside activities are the norm. This season stars Nina Moran as “Kirt,” Dede Lovelace as “Janay,” Moonbear as “Honeybear,” Rachelle Vinberg as “Camille” and Ajani Russell as “Indigo.” Recurring cast this season include: Katerina Tannenbaum (AJ and the Queen) as Honeybear’s girlfriend, “Ash”; Andrew Darnell as Janay’s adversarial love interest, “Sylvester”; Lil’ Dre as Camille’s new skating partner and content collaborator, “Tai”; Chef Roblé Ali as Janay’s cousin, “Jzabel”; Rad Pereira (HBO’s “High Maintenance”) as “Victoria,” Honeybear and Ash’s alluring third; Isabel Palma as betty “Shelby”; Eisa Davis (HBO’s “The Wire”) as Indigo’s mom, “Jeanne”; Danielle Melendez (“Skate Kitchen”) as Indigo’s sugarbaby guide, “Paloma”; Aya Aldamin as the crew’s beloved “Deli Mama”; Florence Pedrosa Blake Mourad as Honeybear’s “Grandma Sue”; Alexander Cooper (“Skate Kitchen”), Raekwon Haynes (White Boy Rick), Moisés Acevedo (“Remember Me”), Judah Lang (“Skate Kitchen”), Joe Apollonio (“High Fidelity”), and Sage Ceasar as skater boys “Charlie,” “Philip,” “Micah,” “Scruffy,” “Joe,” and “Teddy.” Episodes Include: Season 2, Episode 1 “Octopussy” Debut Date: FRIDAY, JUNE 11 Kirt’s (Nina Moran) (probably) on a quest.