Broken Windows: Stories
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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
THE ONE and the MANY English-Canadian Short Story Cycles
THE ONE AND THE MANY English-Canadian Short Story Cycles Gerald Lynch 'VER THE PAST HUNDRED years the short story cycle has Q 1 become something of a sub-genre within the Canadian short story. This is not to argue that the story cycle has been ignored by American and British writers ( or by French, Australian, and Russian writers, or, for that matter, by the writers of any other national literature) — it hasn't — only that the form has held a special at- traction for Canadian writers. Doubtless there are shared reasons for the story cycle's current popularity internationally and in Canada, even such commercial reasons as its attraction for publishers who assume that readers are more comfort- able with the linkages of the cycle than with the discontinuities of a miscellany. But such matters are not within this paper's literary-historical and theoretical scope. The present study sketches the history of the story cycle in Canada, gives an idea of its diversity and continuing popularity, considers some of the fundamental ques- tions about this comparatively new form, and concludes with an illustrative analysis of the function of one important aspect of story cycles, their concluding stories. Although the short story is the youngest of genres, beginning only in the early nineteenth century, literary historians and theorists often begin their discussions by casting back to the Story of Job, even to pre-literate oral history, so that the epic poems of various cultures are made to seem proto short story cycles.2 Thus aca- demics dress their new subject in the respectable robes of a literary history. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
The Canadian Writer & the Iowa Experience
THE CANADIAN WRITER & THE IOWA EXPERIENCE Anthony Bukoski Τ PURPOSE OF THIS PAPER IS TWO-FOLD: to try to piece together from interviewlHsE and correspondence I have had with a number of Canadian authors — twenty-seven to be exact — a sort of general history, a chronological overview of their involvement in the Iowa Writers' Workshop, and to try to assess the significance of that involvement not only to the writers them- selves but to Canadian literature in general. I intend hedging a bit by including some writers who became Canadians only after leaving Iowa.1 Could so many writers have studied at the same institution in the United States without its having left some mark? What attitudes about teaching creative writing or the commitment to the writer's life and craft did they form? Given the method of Workshop investigation, the fragile egos of most young writers, and the fact that the Workshop is in another country, not all of them profited from the experi- ence of studying at Iowa. Speaking of her experiences there in the late 1950's, for instance, Carol Johnson, who teaches at the University of Victoria, noted, "Writ- ers on the whole seem notorious for their unhappiness. Legends of particularly unhappy types prevailed [though not necessarily Canadians]. Since writers are apparently predisposed to neurosis, it would be safe to assume that most of them would be unhappy anywhere."2 Those who were satisfied found the programme valuable, the atmosphere con- ducive to work — though perhaps neither so attractive nor congenial as the main character finds Iowa in W. -
Guy Vanderhaeghe 2008 Trudeau Fellow, St
Guy Vanderhaeghe 2008 Trudeau Fellow, St. Thomas More College, University of Saskatchewan biography Guy Vanderhaeghe is the author of four novels, three collections of short stories, and two plays. His first collection of short stories, Man Descending, won the Governor’s General Award for fiction and the Faber Prize in Great Britain. His novel Homesick was a co-winner of the 1990 City of Toronto Book Award. In 1993, he received the Canadian Authors Association Award for Drama for I Had a Job I Liked. Once, and in 1996 his novel The Englishman’s Boy won the Governor’s General Award for Fiction and was short-listed for both the Giller Prize and the International IMPAC Dublin Literary Award. Published in 2002, Vanderhaeghe’s novel The Last Crossing won CBC’s Canada Reads, three Saskatchewan Books Awards, and the Canadian Booksellers Association Libris Prize for Fiction Book of the Year. It was also a selection of the British Broadcasting Corporation’s television program “Page Turners.” His latest work was a two-part dramatization of The Englishman’s Boy, which appeared on CBC television in March of 2008. Guy Vanderhaeghe has received both the Harbourfront Literary Prize and the Timothy Findley Prize, given as recognition for a body of work. He is an Officer of the Order of Canada, a Member of the Saskatchewan Order of Merit, and a Fellow of the Royal Society of Canada. He was nominated a Trudeau Fellow in 2008. In 2009, he received the Distinguished Canadian Award presented by the Seniors’ University Group and the Seniors Education Centre of the University of Regina. -
Weather Images in Canadian Short Prose 1945-2000 Phd Dissertation
But a Few Acres of Snow? − Weather Images in Canadian Short Prose 1945-2000 PhD Dissertation Judit Nagy Acknowledgements First and foremost, I would like to express my sincere and heartfelt thanks to my advisor and director of the Modern English and American Literature, Dr. Aladár Sarbu for his professional support, valuable insights and informative courses, which all markedly prompted the completion of my dissertation. I would also thank Dr. Anna Jakabfi for her assistance with the Canadian content of the dissertation, the cornucopia of short stories she has provided me with, and for her painstaking endeavours to continually update the Canadian Studies section of the ELTE-SEAS library with books that were indispensable for my research. I am also grateful to Dr. Istán Géher, Dr. Géza Kállay, Dr. Péter Dávidházi and Dr. Judit Friedrich, whose courses inspired many of the ideas put forward in the second chapter of the dissertation (“Short Story Text and Weather Image”). I would also like to express my gratitude to the Central European Association of Canadian Studies for the conference grant that made it possible for me to deliver a presentation in the topic of my dissertation at the 2nd IASA Congress and Conference in Ottawa in 2005, to the Embassy of Canada in Hungary, especially Robert Hage, Pierre Guimond, Agnes Pust, Yvon Turcotte, Katalin Csoma and Enikő Lantos, for their on-going support, to the Royal Canadian Geographic Society and Environment Canada for providing me with materials and information regarding the geographical-climatological findings included in my dissertation, and, last but not least, to the chief organisers of the “Canada in the European Mind” series of conferences, Dr. -
A Writer-Centered World May 29Th to June 1St Delta St
2014 ONWORDS CONFERENCE AND ANNUAL GENERAL MEETING CENTERING THE MARGINS: A Writer-Centered World May 29th to June 1st Delta St. John’s 120 New Gower Street St. John’s, NL 2 2014 OnWords Conference and Annual General Meeting what’s INSIDE Agenda 04 Chair’s Report 10 Minutes, 2013 11 National Council & AGM Directives, 2013 21 Auditor’s Report 30 Forward, Together: Strategic Plan, 2010-2014 40 Regional Reports 41 Liaison, Task Force, and Committee Reports 46 Executive Director’s Welcome 69 Members and Guests Attending 70 Panelist and Speed Networker Biographies 71 Cover image © MUN, Department of Geography, 2013-80 May 29th – June 1st . Centering the Margins: A Writer-centered World 3 AGENDA Centering the Margins: A Writer-Centered World Hashtag for the weekend is: 2014 OnWords Conference and Annual General Meeting #OnWords Delta St. John’s Hotel and Conference Centre *Please remember to also add 120 New Gower Street, St. John’s, NL @twuc to your tweets as well May 29 – June 1, 2014 Thank to our lead sponsors the Access Copyright Foundation, ACTRA Fraternal Benefit Society, Amazon.ca, Random House of Canada, Mint Literary Agency, and Newfoundland Labrador. Please be aware that the use of spray colognes, hairsprays, and/or air fresheners, may trigger allergic reactions and create health problems for others. THURSDAY, May 29, 2014 2:00 pm – 3:00 pm EXECUTIVE MEETING — Placentia Bay room 3:00 pm – 5:00 pm NATIONAL COUNCIL MEETING — Placentia Bay room 4:00 pm – 6:00 pm REGISTRATION — Main Lobby 6:15 pm – 7:00 pm NEW MEMBER RECEPTION — Rocket Bakery and Fresh Foods, 272 Water Street 7:00 pm – 8:30 pm WELCOME RECEPTION WITH THE WRITERS ALLIANCE OF NEWFOUNDLAND AND LABRADOR — Rocket Bakery and Fresh Foods, 272 Water Street, 3rd floor. -
150 Canadian Books to Read
150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J. -
Liepman Belletristik FJ2021.Pdf
Belletristik Frühjahr 2021 Literatur 3 Unterhaltung 24 Spannung 34 Weitere Highlights 42 Marc Koralnik [email protected] Anja Kretschmann Liepman AG Asylstrasse 92 [email protected] CH-8032 Zürich +41 43 268 23 80 [email protected] Hannah Nuspliger-Fosh www.liepmanagency.com [email protected] Mai Al-Nakib STRANGE BIRDS Publisher Client Custom House Ayesha Pande Literary 2022 Contact 393 pages Anja Kretschmann Acclaimed short-story writer Mai Al-Nakib’s transporting debut novel, STRANGE BIRDS is a multigenerational saga which spans Lebanon, Iraq, India, the United States, and Kuwait to bring to life the heart-stopping triumphs and failures of three generations of Arab women. In 2013, Sara is a philosophy professor at Kuwait University, hav- ing returned to Kuwait from Berkeley in the wake of her mother’s sudden death eleven years earlier. Her main companions are her grandmother’s talking parrot, Bebe Mitu; the family cook, Aasif; and Maria, her childhood ayah and the one person who has always been there for her. When she is faced with the twin calamities of an accusation Literatur of blasphemy (for teaching Nietzsche in her Intro to Philosophy course), which carries with it the threat of execution, and Maria’s sudden heart-attack, Sara begins to unravel. As the days leading up to her trial tick down, Sara finds herself retracing the past, exca- vating what she remembers of her own choices and those of the women who made her, hoping that if she can understand what led her home in the first place, she might figure out how to leave behind this country she no longer recognizes – if it is not too late. -
Longlisted & Shortlisted Books 1994-2018
Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G. -
Ties a Canadian Flag Remarkably Close to the One Chosen Two Decades Later
I91 Books in Review buildings, Nobbs designed furniture, coins, letterhead, tombstones, and in the for- ties a Canadian flag remarkably close to the one chosen two decades later. We dis- cover a consistency of philosophy. Nobbs's conviction that 'regionalism in architec- ture was inevitable and therefore a sensible source of inspiration ...,' is paralleled by Traquair's belief that 'architecture is a matter of building to meet real needs with real materials in a real place and therefore regional both from the point of view of its making and its meaning.' One wonders what they would make of the faddish homo- geneity all too evident in today's big cities. All men of strong views and personali- ties, Traquair in particular seems to have been a maverick. 'I think,' wrote a col- league, 'he is our most scholarly yet least academic member ...,' an accolade many would still be pleased to receive. He himself strove to make the architectural curric- ulum as eclectic as possible. 'The longer I work at it the vaguer my ideas become upon standardization....' He went so far as to remark that he would be 'very sorry indeed if the university training ever came to be regarded as the only entrance to the profession.' Physically these are attractive volumes. Care has obviously been taken with the choice of illustration. The pages are well laid out, the elements of each record are distinct, and the font is clear and readable. The inevitable typographical errors are few in number, and do not detract from a favourable overall imipression. If this reviewer has a concern it is a question of durability.