PDF EPUB} Dreaming in Urban Areas by Lisa Bellear Biography
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The Working-Class Experience in Contemporary Australian Poetry
The Working-Class Experience in Contemporary Australian Poetry A thesis submitted for the degree of Doctor of Philosophy Sarah Attfield BCA (Hons) University of Technology, Sydney August 2007 i Acknowledgements Before the conventional thanking of individuals who have assisted in the writing of this thesis, I want to acknowledge my class background. Completing a PhD is not the usual path for someone who has grown up in public housing and experienced childhood as a welfare dependent. The majority of my cohort from Chingford Hall Estate did not complete school beyond Year 10. As far as I am aware, I am the only one among my Estate peers to have a degree and definitely the only one to have attempted a PhD. Having a tertiary education has set me apart from my peers in many ways, and I no longer live on the Estate (although my mother and old neighbours are still there). But when I go back to visit, my old friends and neighbours are interested in my education and they congratulate me on my achievements. When I explain that I’m writing about people like them – about stories they can relate to, they are pleased. The fact that I can discuss my research with my family, old school friends and neighbours is really important. If they couldn’t understand my work there would be little reason for me to continue. My life has been shaped by my class. It has affected my education, my opportunities and my outlook on life. I don’t look back at the hardship with a fuzzy sense of nostalgia, and I will be forever angry at the class system that held so many of us back, but I am proud of my working-class family, friends and neighbourhood. -
The Builders Labourers' Federation
Making Change Happen Black and White Activists talk to Kevin Cook about Aboriginal, Union and Liberation Politics Kevin Cook and Heather Goodall Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cook, Kevin, author. Title: Making change happen : black & white activists talk to Kevin Cook about Aboriginal, union & liberation politics / Kevin Cook and Heather Goodall. ISBN: 9781921666728 (paperback) 9781921666742 (ebook) Subjects: Social change--Australia. Political activists--Australia. Aboriginal Australians--Politics and government. Australia--Politics and government--20th century. Australia--Social conditions--20th century. Other Authors/Contributors: Goodall, Heather, author. Dewey Number: 303.484 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover images: Kevin Cook, 1981, by Penny Tweedie (attached) Courtesy of Wildlife agency. Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University and gratefully acknowledges the support of the School of History RSSS and the National Centre for Indigenous Studies, The Australian National -
3501 Bar News May 2005
Vale His Honour Judge Bob Bellear (1944 – 2005) Earlier this year, the Australian legal community lost one of its finest heroes with the tragic and untimely death of his Honour Judge Bob Bellear of the District Court of New South Wales who, in 1996, was the first Indigenous Australian to be appointed a judge. As Mr Peter Manning wrote in his obituary published in the Sydney Morning Herald on 17 March 2005: Raised in the far north coast town of Billinudgel, near Mullumbimby, he was the grandson of a Vanuatu sugar- cutting slave and an Aboriginal woman from the Noonuccal People of Stradbroke Island. One of nine children, he knew poverty, hunger and widespread culture of alcoholism as he grew to manhood. He told an interviewer in 1978 ‘Drunkenness was our only refuge. But when you emerged from the haze of drunkenness, there was always the harsh reality of racism to face.’ Before his career in the law, Bob Bellear had served in the Royal Australian Navy, becoming the first Aboriginal to rise to the level of petty officer. In 1972, moved by events in Redfern, he resolved to study law and, to do so, returned to Sydney Technical College to finish high school studies. He graduated from the University of New South Wales in 1978 and was admitted to the Bar in 1979. As Peter Manning wrote in his obituary: He represented Aboriginal people (and whites) in a wide range of courts. The main emphasis of his practice, however, was criminal trials, instructed by the Aboriginal Legal Service, Legal Aid Commission or private practitioners. -
A Sociology of the Chick Lit of Anita Heiss
A Sociology of the Chick Lit of Anita Heiss By Fiannuala Morgan Submitted in total fulfillment of the requirements of Master of Arts (Thesis only) School of Culture and Communication, University of Melbourne 1 Abstract Wiradjuri woman, Anita Heiss, is arguably one of the first Australian authors of popular fiction. Since 2007, she has published across a diversity of genres including chick lit, contemporary women’s fiction, romance, memoir and children’s literature. A focus on the political characterises her work; and her identity as an author is both supplemented and complemented by her roles as an academic, activist and public intellectual. Heiss has discussed genre as a means of targeting specific audiences that may be less engaged with Indigenous affairs, and positions her novels as educative but not didactic. There remains, however, some ambivalence about the significance of the role that genre plays in her literature as well as for the diverse and differentiated audience that she attracts. The aims of this thesis then are two-fold: firstly, to present a complication of academic conceptions of genre, then to use this discussion to explore the social significance of Heiss’ literature. My focus is Heiss’ first four chick lit novels: Not Meeting Mr Right (2007), Avoiding Mr Right (2008), Manhattan Dreaming (2010) and Paris Dreaming (2011). Scholarship in the field leans toward an understanding that the racial politics of non-white articulations of the chick lit genre are invariably incompatible with the basic formula of chick lit texts. My thesis proposes a methodological shift from the dominant mode of ideological analysis to one that is largely focused on reader response. -
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture Benjamin Miller A thesis submitted to the School of English, Media and Performing Arts at the University of New South Wales in fulfilment of the requirements for the award of Doctor of Philosophy 2009 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname: MILLER First name: BENJAMIN Other name/s: IAN Degree: PhD School: ENGLISH, MEDIA AND PERFORMING ARTS Faculty: ARTS AND SOCIAL SCIENCES Title: MR ABSTRACT This dissertation argues that a fantasy of white authority was articulated and disseminated through the representations of blackness and Aboriginality in nineteenth-century American and Australian theatre, and that this fantasy influenced the representation of Aboriginality in twentieth- century Australian culture. The fantasy of whiteness refers to the habitually enacted and environmentally entrenched assumption that white people can and should superintend the cultural representation of Otherness. This argument is presented in three parts. Part One examines the complex ways in which white anxieties and concerns were expressed through discourses of blackness in nineteenth-century American blackface entertainment. Part Two examines the various transnational discursive connections enabled by American and Australian blackface entertainments in Australia during the nineteenth century. Part Three examines the legacy of nineteenth-century blackface entertainment in twentieth-century Australian culture. Overall, this dissertation investigates some of the fragmentary histories and stories about Otherness that coalesce within Australian culture. This examination suggests that representations of Aboriginality in Australian culture are influenced and manipulated by whiteness in ways that seek to entrench and protect white cultural authority. Even today, a phantasmal whiteness is often present within cultural representations of Aboriginality. -
Living Transcultural Spaces
LIVING TRANSCULTURAL SPACES – Melbourne: 4-7 April 2018 TRANSNATIONALISM AND QUESTIONS OF IDENTITY – New York: 1-3 Nov 2018 BETWEEN IMMIGRATION AND HISTORICAL AMNESIA – Genova: 27-29 June 2019 Presented by: CO.AS.IT. (Melbourne); John D. Calandra Italian American Institute, Queens College/CUNY (New York); Galata Museo del Mare e delle Migrazioni (Genova) With the patronage of the Italian Ministry for Cultural Heritage and Activities and Tourism LIVING TRANSCULTURAL SPACES CO.AS.IT, Melbourne, 4-7 April 2018 189-199 Faraday Street, Carlton, VIC 3053 CONTENTS Diaspore Italiane – Italy in Movement. A Symposium on Three Continents The Overall Project p. 3 ‗Lcpcha Tl[hm]ofnol[f Sj[]_m‘ p. 4 Conference Program p. 6 Abstracts and Biographical Notes Wednesday 4 April p. 10 Tursday 5 April p. 14 Friday 6 April p. 32 Saturday 7 April p. 50 New Horizons. An Exhibition of Italian Australian Artists. p. 68 Index of Sessions, Panels and Keynote Presentations p. 69 Index of Names p. 72 ‗Tl[hmh[ncih[fcmg [h^ Qo_mncihm i` I^_hncns‘ – Call for Papers p. 76 www.diasporeitaline.com Cover image: mural by Alice Pasquini on the CO.AS.IT. building in Melbourne (2016) 2 DIASPORE ITALIANE – ITALY IN MOVEMENT (1) – ‗LIVING TRANSCULTURAL SPACES,‘ CO.AS.IT., Melbourne, 4-8 April 2018 DIASPORE ITALIANE – ITALY IN MOVEMENT A Symposium on Three Continents LIVING TRANSCULTURAL SPACES – Melbourne: 4-8 April 2018 TRANSNATIONALISM AND QUESTIONS OF IDENTITY – New York: 1-3 Nov 2018 BETWEEN IMMIGRATION AND HISTORICAL AMNESIA – Genova: 27-29 June 2019 Presented by: CO.AS.IT. (Melbourne); JOHN D. -
1 Introduction Reading Indigenous Women's Life Writing in Australia and North America
Introduction Reading Indigenous Women’s Life Writing in Australia and North America: A Twenty-first Century Perspective The main goal of this introductory section is to outline some of the general characteristics of Indigenous women’s life writing 1 in Australia and North America and indicate the motives for a comparative structural and thematic analysis of the chosen narratives. Although it is not my intention to give the impression that Indigenous women’s life writing is a homogenous textual group, I want to foreground certain parallels this genre offers in both regions. These parallels derive first and foremost from the common histories of European invasion of the two continents and the subsequent process of colonization of 1 Throughout this work, I use the term “life writing,” rather than “auto/biography,” to refer to the genre of personal narratives. Generally speaking, I understand the term “auto/biography” as being closely related to the Euroamerican literary tradition which has developed its own theory of auto/biography. I use the term “life writing” as a broader term, which can incorporate auto/biographical accounts, as-told-to auto/biographies, collaborative oral history projects, confessional and trauma narratives, testimonies, as well as collective and communal life narratives. In my view, this term is particularly relevant as it is often positioned as challenging the foundations of Western auto/biography of portraying one’s own or the other’s individual life and self. In Australia, the term “life writing” is used almost exclusively to designate Indigenous women’s life stories, hence the rationale provided by Moreton-Robinson: “The term ‘life-writing’ has been used because Indigenous women’s texts that have been analysed do not fit the usual strict chronological narrative of autobiography, and they are the products of collaborative lives” ( Talkin’ Up to the White Woman 1). -
Annual Report 2019–2020
Annual Report 2019–2020 Delivering services when and where our clients need them. About Legal Aid NSW We are the largest legal aid commission in Australia. Our Board establishes our broad policies and strategic In this report, we refer to ourselves as Legal Aid NSW. plans. Board members are appointed by the Attorney General of NSW for terms of up to three years. We provide legal services across NSW through a statewide network of 25 offices, two satellite offices and 243 regular About this report outreach locations, with an emphasis on helping socially This annual report reviews and reports on our activities and economically disadvantaged people. and performance, including what we set out to do in our Legal Aid NSW Strategic Plan 2018–2023. To learn more We work in partnership with private lawyers who receive about our five-year strategic plan, see page 4. funding from Legal Aid NSW to represent legally-aided clients. We also work closely with community legal This report incorporates operational activities of our centres, the Aboriginal Legal Service (NSW/ACT) and organisation, including joint initiatives. It reflects our pro bono legal services. We strive to support clients commitment to effective corporate governance through and improve access to justice through initiatives such as openness and accountability. It provides an account of the Cooperative Legal Service Delivery Program and by our revenue and how we have used public funds. The supporting and administering funding for the state’s 29 report also looks to the year ahead and comments on the Women’s Domestic Violence Court Advocacy Services challenges facing Legal Aid NSW. -
Beyond the Aesthetic a STUDY OF
Beyond the Aesthetic A STUDY OF INDIGENEITY AND NARRATIVE IN CONTEMPORARY AUSTRALIAN ART – VOLUME ONE – Catherine Slocum December 2016 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University © Copyright by Catherine Slocum 2016 All Rights Reserved INDIGENOUS AUSTRALIANS SHOULD BE AWARE THAT THIS DOCUMENT CONTAINS NAMES AND IMAGES OF DECEASED PERSONS. ii THE TERM ‘INDIGENOUS AUSTRALIANS’ HAS BEEN ADOPTED AND MAINTAINED THROUGHOUT THIS THESIS. THERE ARE MANY DIFFERENT DISPLAYS OF THIS TERM, HOWEVER THIS TERM IS USED AS IT INCLUDES THOSE WHO IDENTIFY AS ABORIGINAL, TORRES STRAIT ISLANDER AND ABORIGINAL AND TORRES STRAIT ISLANDER. iii DECLARATION I declare that this thesis is wholly my own original work unless otherwise referenced or acknowledged. ………………………………………… Catherine Slocum December 2016 iv ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my supervisor Professor Paul Pickering for the continuous support of my PhD study and research. His insightful comments and valuable discussion are gratefully acknowledged. My sincere thanks are extended to Dr Thuy Do for her useful comments in the final stages and Dr Lan Tran for her valuable assistance during the course of my study. A very special thanks to Vernon Ah Kee, Tony Albert, Brook Andrew, Daniel Boyd, Dianne Jones, Christopher Pease and Christian Thompson whose work I feel privileged to have been given the opportunity to study at length. The project would not have been possible without the specialist Indigenous Australian collection at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) Library in Canberra. I gratefully acknowledge the financial support of the College of Arts and Social Sciences at the Australian National University. -
Oral History Project
http://redfernoralhistory.org COMMUNITY STORIES FROM REDFERN AND SURROUNDS Early Redfern families Black Power Black Theatre Sonya Brindle [film] 4 Black Women’s Action Group Sharon Hickey 5 Blackout at the Knockout Auntie Joyce Ingram 6 Blackfella Films & The Black book Shane Phillips [in progress] Boomalli Artists Cooperative The Coloured Diggers Deaths in Custody committee Origins of the Block, and AHC Elouera Gym Bob Bellear 8 Eora Centre Foundation for Aboriginal Affairs (FAA) Kaye Bellear 10 Family days on the Block Dick Blair [City of Sydney] Gadigal Music Col James 12 Gamarada Men’s Self - healing group Gamarada Montessori Learning Centre Ted Kennedy 14 Gathering Ground Mick Mundine 24 ICAMPA The Keeping Place Koori Construction courses Community Koori Lighthouse Koori Radio Uncle Max Eulo 16 Lights Camera Action Ali Golding 17 Mac Silva Centre Peter Golding 19 Metropolitan Aboriginal Land Council Ningenah 20 Midnight basketball Moogahlin Performing arts Paul Morris 22 Mudgin-Gal Women’s Centre Bill Simon 26 Murawina Preschool Redfern Aboriginal Authority (RAA) was OAU Redfern All Blacks (RABs) What Redfern represents to people 28 Redfern Aboriginal Corporation (RAC) Radio Redfern Redfern Community Centre Organisations 31 Redfern Records Aboriginal Children’s Service Redfern Residents for Reconciliation Aboriginal Housing Company [AHC] REDWatch Aboriginal Legal Service The Settlement Neighbourhood Centre Aboriginal Medical Service Short Black Films Aboriginal People’s Gallery Sorry Day Committee NSW Aboriginal Tent Embassy Street Beat Aboriginal Dance Theatre Redfern (ADTR) Tribal Warrior All Blacks Sports Club Wyanga Aged Care Centre Aunty Polly Smith Health Centre Yaama Dhiyaan Babana Men’s Group Young mob leaders Black Lace Films & Music, Map 73 last updated 3 June 2009 See the full interview transcripts at http://redfernoralhistory.com.au 1 TIMELINE Part I – rough draft only The lands (wetlands and dunes) of the Gadigal people were part of the coastal Dharug. -
1 Parvatibai Chowgule College of Arts and Science Autonomous
Parvatibai Chowgule College of Arts and Science Autonomous DEPARTMENT OF ENGLISH NEW COURSE STRUCTURE TWO YEAR M.A. DEGREE COURSE IN ENGLISH 2019 – 2020/2020 - 2021 (ROLL ON STRUCTURE) CORE ELECTIVE SEMESTER CORE COMPULSORY CORE BRIDGE PG-ENG-C-1 PG-ENG-B-1 English Poetry Engaging Literature I PG-ENG-C-2 Students will choose TWO electives from the --- Twentieth Century English pool of electives as Drama offered for odd semesters by the PG-ENG-C-3 department in the --- Exploring Narratives in Fiction academic year. PG-ENG-C-4 PG-ENG-B-2 Linguistics Research Methodology Students will choose PG-ENG-C-5 II TWO electives from the Literary Theory pool of electives as --- offered for even semesters, by the PG-ENG-C-6 department in the The Indian Subaltern: Dalit and academic year. --- Transgender Narratives CORE ELECTIVE SEMESTER CORE COMPULSORY Pool of Core PG-ENG-E-1 PG-ENG-E-2 PG-ENG-E-3 PG-ENG-E-4 PG-ENG-C-7 Electives to be chosen Technical Green Visual Creative Writing Post-Colonial: Theory And by first and Media Studies Literature Practice Writing - III semester Perspectiv and third es semester PG-ENG-C-8 students PG-ENG-E- 5 PG-ENG-E-6 PG-ENG-E- 7 Shakespeare Asian Literature Mythology, Indian Archetype Literature in & Literature Translation 1 Pool of Core Electives to PG-ENG-E-8 PG-ENG- PG-ENG-E- PG-ENG-E-11 PG-ENG-C-9 be chosen by E-9 10 Popular Prose Writing second and Modern European Literature Literature ELLT Film Studies (Diarists, Essays, fourth Autobiogra- phies) semester IV students PG-ENG-C-10 PG-ENG-E- PG-ENG-E-13 PG-ENG-E-14 PG-ENG-E-15 12 World Literature Children‘s World Gender & Sexuality Wome Literature Subalter n‘s n: Literat Aboriginal ure Narratives 2 SEMESTER I - CORE COURSE Course Title: English Poetry Course Code: PG-ENG-C-1 Marks: 100 Credits: 4 1. -
Women in the Life of the City
VICTORIAN WOMEN’S TRUST WOMEN IN THE LIFE OF THE CITY 1 WOMEN IN THE LIFE OF THE CITY VICTORIAN WOMEN’S TRUST Published and distributed by: WOMEN IN THE LIFE Victorian Women’s Trust @VicWomensTrust OF THE CITY a. Level 9, 313 La Trobe Street Melbourne 3000 p. (03) 9642 0422 e. [email protected] w. www.vwt.org.au CONTENTS INTRODUCTION 5 WOMEN & THE PUBLIC RECORD 6 WOMEN’S PROFILES 12 REFERENCES 38 This project was undertaken by Victorian Women’s Trust with research, profile writing and referencing provided by Megan Rosato, 2018. All images contained within are for educational purposes only. Not for reproduction. WARNING: Aboriginal and Torres Strait Islander readers are warned that the following material contains images of deceased persons. PLEASE NOTE: This material is intended for reference only. Permissions to honour these women in public projects will need to be sought on a project to project basis and should include family and community consultation. Women sorting cheques National Bank, Head office, 2 279 Collins Street, Melbourne, 1953 - Wolfgang Sievers 3 VICTORIAN WOMEN’S TRUST Members of the Australian WOMENWomen’s IN THE Army LIFE Service OF THE CITY (AWAS) give “eyes right” as they pass the saluting base during the Service Womens march through Melbourne, 1942. Introduction In late 2017, The City of Melbourne approached the Victorian Women’s Trust with a request for assistance in developing a list of notable women to address the gender bias in street naming. As putting women on the public record is an important touchstone of the Trust as an organisation, we were happy to roll up our sleeves and start researching notable women of Melbourne whose mighty contributions shaped the city, we live and work in.