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A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
NZSA Bulletin of New Zealand Studies
NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington, -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s. -
Programme Cover 21.03.2021
Our Sponsors... TEAM National Trust membership offers free entry to hundreds of Trust properties throughout Australia and overseas and helps secure the future of our natural and built heritage – phone 03 9656 9800 OF PIANISTS COLIN & CICELY RIGG BEQUEST, ADMINISTERED BY EQUITY TRUSTEES www.teamofpianists.com.au BRILLIANT AUSTRALIAN BERNIES MUSIC LAND & AND INTERNATIONAL PERFORMERS THE TEAM OF PIANISTS - IN HERITAGE SETTINGS A GREAT ASSOCIATION Recognised for consistent presentation of top-class performances, the Team of In 1988, Bernie Capicchiano invited me to adjudicate the first Bernstein Pianists is supported by enthusiastic audiences, who treasure the privilege of Competition. I was very impressed with the sounds of the Bernstein piano, and experiencing excellent performances at close range, often in heritage venues. soon after that, the Team of Pianists obtained Bernstein pianos for its concerts. Subsequently, the Team performed regularly on radio 3MBS-FM in a The Team and their artists bring audiences into contact with great music, programme called 'The Bernstein Piano Hour' and later, we made CDs at MOVE providing a vital sense of connection with the past. Fine solo and chamber Records, using Bernstein pianos from Bernies Music Land. These CDs have been very successful and continue to be available commercially. works, chosen specially with particular venues and Following the first Bernstein Competition, Bernie introduced masterclasses performers in mind, form and teachers’ seminars and with great support from his family, he encouraged the basis of the Team’s music in the community. Bernie and I became close friends, both of us having programmes, exciting similar aims in lifting the standards of piano playing and in promoting music listeners' emotions and generally. -
Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ. -
December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: the Dance of Life – an Interview with Jan Bolwell
December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: The Dance of Life – an interview with Jan Bolwell Also In This Issue: Fulbright in the News | Awards and Appointments of Note | Grantee Experience: A Year in the Life of a Māori Geneticist with Aneska Hoskin | Alumni Spotlight: Fulbright Teachers Return to their Classrooms with Expanded World Views | Kai and Korero | Fulbright NZ Scholar Shona Munro on Kiwi Policing | Fulbright Announcement: Introducing Fulbright Good Works – a New Alumni Seminar Series THE TEAM FROM THE EXECUTIVE DIRECTOR This is our final issue of Bright Sparks for the Bright Sparks. Fulbright Science and Innovation PIP CLIMO JAMIE ROBERTSON year, and what a year it has been! Whereas 2019 was graduate Hamish Prince has been busy research- PROGRAMME MANAGER EXECUTIVE AND CORPORATE [email protected] SERVICES ASSISTANT full of firsts—the first ever Fulbright rebrand, the ing the vast storms known as “atmospheric rivers” [email protected] first global meeting of Fulbright Executive Direc- while he waits to take up his Fulbright scholar- tors in Washington DC, the first year our grantees ship next year. Geneticist Aneska Hoskin, also a were able to enjoy the benefits of increased fund- member of this year’s graduate cohort, outlines ing from MFAT—2020 has been characterised by some of the key lessons learnt during her year THERESE LLOYD JULIE WILLIAMS thwarted expectations and continual challenges. spent as a research assistant at Ngati Porou SENIOR COMMUNICATIONS ADVISOR CORPORATE SERVICES MANAGER [email protected] [email protected] But it has also been transformative. -
Sonata for Flute and Piano in D Major, Op. 94 by Sergey Prokofiev
SONATA FOR FLUTE AND PIANO IN D MAJOR, OP. 94 BY SERGEY PROKOFIEV: A PERFORMANCE GUIDE HONORS THESIS Presented to the Honors Committee of Texas State University-San Marcos in Partial Fulfillment of the Requirements for Graduation in the Honors ColLege by Danielle Emily Stevens San Marcos, Texas May 2014 1 SONATA FOR FLUTE AND PIANO IN D MAJOR, OP. 94 BY SERGEY PROKOFIEV: A PERFORMANCE GUIDE Thesis Supervisor: ________________________________ Kay Lipton, Ph.D. School of Music Second Reader: __________________________________ Adah Toland Jones, D. A. School of Music Second Reader: __________________________________ Cynthia GonzaLes, Ph.D. School of Music Approved: ____________________________________ Heather C. GaLLoway, Ph.D. Dean, Honors ColLege 2 Abstract This thesis contains a performance guide for Sergey Prokofiev’s Sonata for Flute and Piano in D Major, Op. 94 (1943). Prokofiev is among the most important Russian composers of the twentieth century. Recognized as a leading Neoclassicist, his bold innovations in harmony and his new palette of tone colors enliven the classical structures he embraced. This is especially evident in this flute sonata, which provides a microcosm of Prokofiev’s compositional style and highlights the beauty and virtuosic breadth of the flute in new ways. In Part 1 I have constructed an historical context for the sonata, with biographical information about Prokofiev, which includes anecdotes about his personality and behavior, and a discussion of the sonata’s commission and subsequent premiere. In Part 2 I offer an anaLysis of the piece with generaL performance suggestions and specific performance practice options for flutists that will assist them as they work toward an effective performance, one that is based on both the historically informed performance context, as well as remarks that focus on particular techniques, challenges and possible performance solutions. -
Omega-2018-Seasonbrochure-Web.Pdf
1 Welcome Moving into our thirteenth season, Omega Ensemble has come of age and entered its teens! If childhood is about magic, the 2018 Concert Season introduces mystery, love, romance and passion. We are proud to continue to perform our Virtuoso Series in the stunning City Recital Hall, alongside our Master Series at the iconic Sydney Opera House. Our 2018 Season is all about relationships, intimacy and connections, between our artists, our audience and the music itself. David Rowden Maria Raspopova Founder and Co-Artistic Director Co-Artistic Director 2 Season Calendar Concert Date and Time Venue Pg O Miss Brill - An Australian Premiere Sun 18 Feb, 7:00pm Art Gallery of New South Wales 21 M Summer Winds: From Beethoven to Ravel Sun 25 Feb, 2:30pm Utzon Room, Sydney Opera House 15 O Four Winds Festival Fri 30 Mar, 5:00pm Bermagui, NSW 21 V Eternal Quartets: Messiaen and Schubert Wed 11 Apr, 7:30pm City Recital Hall 7 O Annual Fundraising Gala Wed 23 May, 7:00pm University Union and Schools Club 21 M Fairy Tales: Schumann, Bruch and Borodin Sun 17 Jun, 2:30pm Utzon Room, Sydney Opera House 16 V Love: Weber and Franck Wed 18 July, 7:30pm City Recital Hall 8 V Joy: Farrenc and Beethoven Tue 25 Sept, 7:30pm City Recital Hall 11 M Vocalise: Rachmaninoff and Poulenc Sun 21 Oct, 2:30pm Utzon Room, Sydney Opera House 17 V Momentum: Schubert and Mendelssohn Tues 13 Nov, 7:30pm City Recital Hall 12 M Maria Raspopova in Recital Sun 2 Dec, 2:30pm Utzon Room, Sydney Opera House 18 M = Master Series V = Virtuoso Series O = Other Performance Composer -
School of Music Program Notes
First Half Deanna Buringrud,flute Gail Novak,piano Honors Project Recital Hall I April 7, 2019 j 12 p.m. Program Sonata for Flute and Piano Francis Poulenc Allegro malinconico Cantilena Presto giocoso First Sonata, for Flute and Piano Bohuslav Martinu I II III INTERMISSION ARIZONA STATE UNIVERSITY School of Music Program Notes First Sonata for Flute and Piano, Bohuslav Marinu (Dec. 1890 - 1959) Bohuslav Marinu was a Czech composer of early-mid 20th century. Bohuslav grew up in a family without material wealth. He began violin at a young age and excelled quickly. The town was impressed by his talent when attending his recitals, and raised the funds to send him to the Prague Conservatory in 1906. Martinu was expelled from the Prague conservatory in 1910 due to "incorrigible negligence." Martinu became more interested in the composition aspect of music than his individual performance, and as such did not practice his violin enough. First Sonata for Flute and Piano was composed in 1945 in South Orleans, Cape Cod. During this time, Marinu was living in the United States to escape France when it was occupied by the Nazis in WW2. Though he didn't speak english very well, Martinu quickly adapted to his environment and ended up teaching both at Princeton and the Tanglewood institution in Berkshire. First Sonata was written for Georges Laurent, the principle flutist of the Boston Symphony. It premiered in New York 1949. Remnants ofMartinu's past can be heard throughout the sonata, such as the perfect fourths in the first movement that represent the church bells his father rang. -
You Are Known by the Company You Keep
You Are Known By The Company You Keep , “ A friend through business is a friend indeed” Sir Len Southward May I introduce you to some of my friends…. I am delighted to introduce you to some of the many wonderful people I have had the Honour of working with over the years, people who have made music their livelihood and delighted the hearts of millions around the world. You too have joined the famous and those with prestige by employing the services of Allen Birchler, Piano Tuner to the Regent on Broadway. You are welcome to make my friends, yours. Allen C Birchler. A graduate of the famous Julliard School, Nina Tichman (piano) has won many prestigious competitions and appears as a soloist with orchestras and recital the world over. Xyrion Trio "At the risk of running out of superlatives, it was complex, vibrant dangerously inspired and just plain, absolutely brilliant" Otago Daily Times Bringing together three of Germany’s finest musicians - Nina Tichman, Ida Bieler and Maria Kliegel - the Xyrion Trio (pronounced ‘Ziri-on’, like ‘Xena, Warrior Princess’) tour for Chamber Music New Zealand in October. A graduate of the famous Julliard School, Nina Tichman (piano) has won many prestigious competitions and appears as a soloist with orchestras and recital the world over. In 2004 Nina was invited to perform for the President of Germany. Ida Bieler (violin), for many years a member of the Melos Quartet, is in demand as a teacher and a judge at international masterclasses and competitions. Maria Kliegel is one of the leading cellists of the 21st Century. -
Orchestra Giovanile Luigi Cherubini Michele Campanella, Pianoforte E
Milano Università Bocconi Orchestra Giovanile Aula Magna di via Roentgen Luigi Cherubini Michele Campanella, pianoforte e direttore Mercoledì 14.IX.11 Liszt ore 21 42° Torino Milano Festival Internazionale della Musica 03_22 settembre 2011 Quinta edizione Franz Liszt (1811–1886) Fantasia su temi popolari ungheresi per pianoforte e orchestra (1852) 16 min. ca Andante mesto - Adagio Allegro molto – Allegro eroico Fantasia Allegretto alla Zingarese Vivace assai Concerto n. 1 in mi bemolle maggiore per pianoforte e orchestra (1856) 18 min. ca Allegro maestoso Quasi Adagio - Allegretto vivace – Allegro animato Allegro marziale animato – Presto. Concerto n. 2 in la maggiore per pianoforte e orchestra (1861) 22 min. ca Adagio sostenuto assai – Allegro agitato assai Allegro moderato – Allegro deciso Marziale un poco meno allegro Allegro animato – Stretto (molto accelerando) Orchestra Giovanile Luigi Cherubini Michele Campanella, direttore e pianoforte In collaborazione con Università Bocconi Il Liszt sinfonico Intorno alla metà dell’Ottocento il concerto per strumento solista e orchestra contava tre tipi ‘ideali’ (e diverse soluzioni ibride): virtuosistico, sinfonico, programmatico. Tra i primi si annoverano gli eredi dell’archetipo classico, ritemprati da sostanziose iniezioni di virtuosità a tratti sbalorditiva, ma pur sempre inchiodati a quella ‘solita forma’: tre movimenti dalla successione canonica (semplificando: veloce, lento, veloce) e dai rapporti tonali consueti, il primo dei quali aderente per forma e spirito ai principi sonatistici. Nella seconda categoria, quella del concerto ‘sinfonico’, troviamo invece un diverso equilibrio tra le parti: il solista riduce sensibilmente le sue pretese, per lascia- re spazio a un intervento strutturato – appunto ‘sinfonico’ – dell’orchestra, dove il solista interviene come membro rilevato della stessa compagine.