1 Jacques Derrida, Edmund Husserl's Origin of Geometry: an Introduction
NOTES INTRODUCTION 1 Jacques Derrida, Edmund Husserl’s Origin of Geometry: An Introduction (Lincoln: University of Nebraska Press, 1989), p. 81. 2 Ibid. 3 Ibid., p. 82. 4 Sots art emerged in Moscow in 1972 as a result of socialist realism’s small- scale relocation from the sphere of affirmative perception to the sphere of alienated optics. 5 Following the death of Lenin in 1924, city apartments in Russia became overcrowded to the extent that families of every variety, belonging to various social, national, and cultural- ethnic groups, were forced to cleave together in a single communal body. 6 In communal life, everything (including vision) was ruled by speech rituals. In short, as I wrote in the preface, communal vision can be defined as seeing through the eyes, or on behalf, of the “collective other.” 7 The New Economic Policy (1921– ca. 1929) began in Lenin’s time and was ended by Stalin. 8 See Aleksei Gan, “Da zdrastvuet demonstratsiia byta!”, quoted in Margarita Tupitsyn, El Lissitzky: Beyond the Abstract Cabinet (New Haven: Yale University Press, 1999), p. 32. 9 Susan Buck- Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project (Cambridge, Mass.: MIT Press, 1991). 10 See “Beseda s Zhakom Derrida,” in Zhak Derrida v Moskve: Dekon struk- t siia puteshestviia (Moscow: Ad Marginem, 1993), p. 168. CHAPTER 1 1 Jacques Derrida, Edmund Husserl’s Origin of Geometry: An Introduction (Lincoln: University of Nebraska Press, 1989), p. 105. 2 The term “psychedelic commodity,” which alludes to the overproduction of “paradisiacal” propaganda (Soviet- style), can be referred to Julia Kristeva’s notion of “visual representations, fixing .
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