DOCSLIB.ORG

TS Bauhaus 4C.Qxp 12/06/2009 09:35 Page 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TS Bauhaus 4C.Qxp 12/06/2009 09:35 Page 2 Bauhaus 1919-1933 Michael Siebenbrodt & Lutz Schöbe TS Bauhaus 4C.qxp 12/06/2009 09:35 Page 2 Auteurs : Michael Siebenbrodt et Lutz Schöbe © Theobald Emil Müller-Hummel, droits réservés p. 152 : Photo inconnue, BHA © Pius Pahl, droits réservés p. 153 : Photo inconnue, SWKK Mise en page : © Gyula Pap, Artists Rights Society, p. 154 : Reno/Foto-Atelier Louis Held, Bauhaus-Museum, Baseline Co. Ltd. New York, USA/ VG Bild-Kunst, Bonn Kunstsammlungen zu Weimar (KW) 33ter-33bis Mac Dinh Chi Street © Walter Peterhans, droits réservés p. 156 : Photo inconnue, BHA Star Building, 6e étage © Josef Pohl, droits réservés p. 158 : Photo Marburg District 1, Ho Chi Minh Ville © Konrad Püschel, droits réservés p. 159 (en haut) : Photo inconnue, BHA Vietnam © Margaretha Reichardt, droits réservés p. 161 : Photo Gunter Lepkowski, BHA © Otto Rittweger, droits réservés p. 162 : Photo inconnue, Bauhaus-Archiv, Berlin © Parkstone Press International, New York, USA © Agnes Roghé, droits réservés p. 163 : Photo inconnue, BHA © Confidential Concepts, worldwide, USA © Karl Peter Röhl, droits réservés p. 166 : Photo inconnue, BHA © Hajo Rose, Artists Rights Society, p. 167 (en haut) : Kicken, Berlin/Phyllis Umbehr, BHA © The Josef and Anni Albers Foundation, Artists Rights New York, USA/ VG Bild-Kunst, Bonn p. 167 (en bas) : Photo inconnue, SWKK Society, New York, USA/ VG © Reinhold Rossig, droits réservés p. 168 : Photo inconnue, BHA Bild-Kunst, Bonn © Xanti Schawinsky, droits réservés p. 169 (en haut) : Photo inconnue, SWKK © Alfred Arndt, Artists Rights Society, New York, © Nachlass Scheper, Berlin p. 169 (en bas) : Photo inconnue, SWKK USA/ VG Bild-Kunst, Bonn © Joost Schmidt, Artists Rights Society, New York, p. 170 : Photo inconnue, BHA © Gertrud Arndt, Artists Rights Society, New York, USA/ VG Bild-Kunst, Bonn p. 171 : Photo inconnue, SWKK USA/ VG Bild-Kunst, Bonn © Kurt Schmidt, droits réservés p. 172 : Photo : Erich Consemüller © Theo Ballmer, droits réservés © Eberhard Schrammen, droits réservés p. 173 (en bas) : Photo inconnue, BHA © Klaus Barthelmess, droits réservés © Lothar Schreyer, droits réservés p. 173 (en haut) : Photo inconnue, BHA © Rudolf Baschant, droits réservés © Herbert Schürmann, droits réservés p. 174 : Photographe : Jost Schilgen, BHA © Eugen Batz, Artists Rights Society, © Alma Siedhoff-Buscher, Artists Rights Society, p. 175 : Photographe Marianne Brandt New York, USA/ VG Bild-Kunst, Bonn New York, USA/ VG Bild-Kunst, Bonn p. 178 : Universität zu Köln/Theaterwissenschaftliche Sammlung © Herbert Bayer, Artists Rights Society, New York, © Franz Singer, droits réservés p. 179 : Staatliche Kunstsammlungen Dresden, USA/ VG Bild-Kunst, Bonn © Franz Skala, droits réservés © Irene Bayer, droits réservés © Naum Slutzky, droits réservés Puppentheatersammlung, 1957 © Johannes Berthold, droits réservés © Irmgard Sörensen, droits réservés p. 180 : Photo inconnue, SWKK © Marianne Brandt, Artists Rights Society, New York, © Gunta Stölzl-Stadler, Artists Rights Society, p. 181 : Photo inconnue, BHA USA/ VG Bild-Kunst, Bonn New York, USA/ VG Bild-Kunst, Bonn p. 182 (à gauche) : Universität zu © Marcel Breuer, droits réservés © Kurt Schwertfeger, droits réservés Köln/Theaterwissenschaftliche Sammlung © Theodor Bogler, droits réservés © Paula Stockmar, droits réservés p. 182 (en haut) : Harvard Art Museum © Paul Citroën, Artists Rights Society, New York, © Wolfgang Tümpel, droits réservés p. 182 (en bas) : Germanisches Nationalmuseum USA/ VG Bild-Kunst, Bonn © Henry van de Velde, droits réservés p. 183 : Universität zu Köln/Theaterwissenschaftliche © Edmund Collein, droits réservés © Reingardt Voigt, droits réservés Sammlung © Dr. Stephan Consemüller © Lis Volger, droits réservés p. 184 : © Bühnen-Archiv Oskar Schlemmer, © Martin Decker, droits réservés © Nikolai Wassiljew droits réservés Sekretariat, I- 28824 Oggebbio © Walter Determann, droits réservés © Wilhelm Wagenfeld, Artists Rights Society, p. 185 : Photographe : Erich Consemüller, © © Friedl Dicker, droits réservés New York, USA/ VG Bild-Kunst, Bonn Bühnen-Archiv Oskar Schlemmer, © Otto Dorfner : Frau Dorfner Erbs © Max Pfeiffer Wattenphul, droits réservés Sekretariat, I- 28824 Oggebbio © Franz Ehrlich, droits réservés © Vincent Weber, droits réservés p. 186 (en haut) : Fotograf Lux Feininger, © © Hugo Erfurt, Artists Rights Society, © Hanz Wittwer, droits réservés Bühnen-Archiv Oskar Schlemmer, New York, USA/ VG Bild-Kunst, Bonn © Anni Wottiz, droits réservés Sekretariat, I- 28824 Oggebbio © Friedrich Engemann, droits réservés © Iwao Yamawaki, droits réservés p. 186 (à gauche en bas) : Fotograf Lux Feininger, © Lyonel Feininger, Artists Rights Society, New York, © Archiv und Familiennachlass Oskar Schlemmer, © Bühnen-Archiv Oskar Schlemmer, USA/ VG Bild-Kunst, Bonn IT- 28824 Oggebbio (VB) Sekretariat, I- 28824 Oggebbio © Lux Feininger, droits réservés © Bühnen-Archiv Oskar Schlemmer, Secretariat, p. 186 (à droite en bas) : Fotograf : Erich © Carl Fieger, droits réservés IT- 28824 Oggebbio (VB), ww.schlemmer.org Consemüller, © Bühnen-Archiv Oskar © Hermann Fischer, droits réservés © Photoarchiv C. Raman Schlemmer, Schlemmer, Sekretariat, I- 28824 © Walter Funkat, droits réservés IT-28824 Oggebbio (VB) Oggebbio © Walter Gropius, Artists Rights Society, New York, p. 187 : Photographe : Marianne Brandt, BHA USA/ VG Bild-Kunst, Bonn Crédits photographiques : p. 190 : Photo inconnue, BHA © Josef Hartwig, Artists Rights Society, New York, Abréviations: p. 191 (haut et bas) : droits réservés, SWKK USA/ VG Bild-Kunst, Bonn BHA Bauhaus-Archiv, Museum für Gestaltung, Berlin p. 194 : droits réservés, SBHD © Fritz Heinze, droits réservés SBHD Stiftung Bauhaus Dessau p. 195 (en haut) : droits réservés, SBHD © Toni Hergt, droits réservés SWKK Stiftung Weimarer Klassik und p. 195 (en bas) : droits réservés, Stiftung © Wilhelm Heß, droits réservés Kunstsammlungen Meisterhäuser Dessau © Ludwig Hirschfeld-Mack, droits réservés p. 196 (en bas) : droits réservés, SBHD © Karl Hermann Haupt, droits réservés p. 11 : Photo Louis Held p. 196 (en bas) : droits réservés, SBHD © Charlotte Schultze-Marovsky, droits réservés p. 19 : Photo Hugo Erfurt p. 197 (en haut) : droits réservés, BHA © Adolf Hofmeister, droits réservés p. 20 : Photo inconnue p. 198 : droits réservés, SBHD © Johannes Itten, Artists Rights Society, New York, p. 23 (en haut) : Photo inconnue p. 199 : gta archives / ETH Zurich: legs de Hannes Meyer USA/ VG Bild-Kunst, Bonn p. 23 (en bas) : Photo Lucia Moholy p. 200 : Junkers-Luftbild, BHA © Hedwig Jungnik, droits réservés p. 26 : Photo inconnue p. 201 : droits réservés, SBHD © Wassily Kandinsky Estate, Artists Rights Society, p. 30 : Photo inconnue p. 202 : droits réservés New York, USA/ ADAGP, Paris p. 32 : Photo inconnue p. 203 : droits réservés/ BHA © Peter Keler, droits réservés p. 35 : Photo Emil Theiß, Stadtarchiv Dessau p. 214 : BHA © Paul Klee, Artists Rights Society, p. 36 : Photo Howard Dearstyne p. 228 : SWKK New York, USA/ VG Bild-Kunst, Bonn p. 37 : Photo inconnue, BHA p. 232 : Photographe : Paula Stockmar, BHA © Heiner Knaub, droits réservés p. 45 : Photo Umbo (Otto Umbehr) p. 234 : Photo inconnue : SWKK © Kurt Kranz, droits réservés p. 48 : BHA p. 234 : Photographe : Lucia Moholy, BHA © Max Krehan, droits réservés p. 65 : Photo inconnue, BHA p. 235 (en bas) : Photographe : Hajo Rose, BHA © Max Krajewski, droits réservés p. 77 : Photo Atelier Louis Held © Benita Koch-Otte, droits réservés p. 88 : Photo inconnue, BHA p. 235 (en bas) : Photographe : Edmund © Walter Köppe, droits réservés p. 119 : Photo inconnue, BHA Collein, SBHD © Felix Kube, droits réservés p. 121 : Photo Wolfgang Kleber, HOCHTIEF Essen / p. 236 (en haut à gauche) : Photographe : © Werner Kubsch, droits réservés Anhaltische Gemäldegalerie Dessau / Stiftung Irene Bayer, SBHD © Magda Langenstraß-Uhlig, Artists Rights Society, New York, Bauhaus Dessau p. 236 (en haut à droite) : Photographe : USA/ VG Bild-Kunst, Bonn p. 123 : Photo Gunter Lepkrowski, BHA Erich Consemüller, BHA © Otto Lindig : Prof. Ingrid Conrad-Lindig p. 127 : Photo inconnue p. 236 : Photographe : Erich Consemüller, © Margaret Lowe p. 130 : © Bühnen-Archiv Oskar Schlemmer, Sekretariat, I- collection particulière © Rudolf Lutz, droits réservés 28824 Oggebbio © Arnulf Lutz, droits réservés p. 131 : Photo inconnue, BHA Tous droits d'adaptation et de reproduction © Gerhard-Marcks-Stiftung, Brême p. 132 (en haut) : Photo inconnue, BHA réservés pour tous pays. Sauf mention contraire, © Adolf Meyer, droits réservés p. 132 (en bas) : Photo inconnue, BHA le copyright des œuvres reproduites se trouve © Hannes Meyer, droits réservés p. 133 (en haut) : Photo Edmund Collein ou Heinz Loew, BHA chez les photographes qui en sont les auteurs. En © Ludwig Mies van der Rohe, Artists Rights Society, p. 133 (en bas) : Photo inconnue, SBHD dépit de nos recherches, il nous a été impossible New York, USA/ VG Bild-Kunst, Bonn p. 134 : Photo Gunter Lepkrowski, BHA d'établir les droits d'auteur dans certains cas. En © László Moholy-Nagy, Artists Rights Society, New p. 135 : Photo de Heinz Loew ou Joost Schmidt cas de réclamation, nous vous prions de bien York, USA/ VG Bild-Kunst, Bonn p. 138 (en haut) : Photo inconnue, BHA vouloir vous adresser à la maison d'édition. © Lucia Moholy, Artists Rights Society, New York, p. 138 (en bas) : Photo Erich Consemüller USA/ VG Bild-Kunst, Bonn p. 146 : Photo inconnue, SBHD ISBN : 978-1-78042-871-0 © Farkas Molnár, droits réservés p. 147 : Photographe Walter Peterhans © Georg Muche, droits réservés p. 151 : Photo inconnue 2 TS Bauhaus
Load more

Recommended publications
  • Francia. Band 42
    Francia. Forschungen zur westeuropäischen Geschichte Herausgegeben vom Deutschen Historischen Institut Paris (Institut historique allemand) Band 42 (2015) Rezensionsexemplare/Livres recus pour recension DOI 10.11588/fr.2015.0.44728 Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publikationsplattform der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hinausgehende unerlaubte Verwendung, Reproduktion oder Weitergabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. Im Jahr 2014 eingegangene Rezensionsexemplare Livres reçus pour recension en 2014 Die Rezensionen werden online veröffentlicht. Les comptes rendus seront publiés en ligne. www.francia-online.net www.recensio.net Mittelalter/Moyen Âge – Amélia Aguiar Andrade, Adelaide Millán da Costa (Hg.), La ville médiévale en débat, Lissabon (Instituto de Estudos Medievais) 2013, 255 S. (Estudos, 8), ISBN 978-989-97066-9-9, EUR 25,00. – Antonella Ambrosio, Sébastien Barret, Georg Vogeler (Hg.), Digital diplomatics. The computer as a tool for the diplomatist?, Köln, Weimar, Wien (Böhlau) 2014, 347 S., 59 s/w, 21 farb. Abb. (Archiv für Diplomatik, Schriftgeschichte, Siegel- und Wappenkunde. Beiheft, 14), ISBN 978-3-412-22280-2, EUR 44,90. – Cristina Andenna, Gordon Blennemann, Klaus Herbers, Gert Melville (Hg.), Die Ord- nung der Kommunikation und die Kommunikation der Ordnungen. Band 2. Zentralität: Papsttum und Orden im Europa des 12. und 13. Jahrhunderts, Stuttgart (Franz Steiner Verlag) 2013, 331 S.
    [Show full text]
  • Anna Halprin's Dance-Events
    AUTONOMY AS A TEMPORARY COLLECTIVE EXPERIENCE: ANNA HALPRIN’S DANCE-EVENTS, DEWEYAN AESTHETICS, AND THE EMERGENCE OF DIALOGICAL ART IN THE SIXTIES by Tusa Shea BA, University of Victoria, 2002 MA, University of Victoria, 2005 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History in Art Tusa Shea, 2012 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-88455-3 Our file Notre référence ISBN: 978-0-494-88455-3 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse.
    [Show full text]
  • County Executive George Latimer
    The june 2020 vol. 16 - issue 6 Shoreline Publishing Westchester’s Community Newspapers thebronxvillebulletin.com 914-738-7869 • shorelinepub.com COMPLIMENTARY ISSUE! Bulletin SeniorBronxville Car Parade Honors Graduates Senior Sabrina Mellinghoff Named National Merit Scholarship Winner Bronxville High School senior Sabrina Mellinghoff has been named a winner in this year’s 2020 Nation- The Bronxville Class of 2020 was recently celebrated by al Merit Scholarship Program com- way of a car parade through Bronxville. Teachers, family and petition. She is among an elite group friends were on hand to cheer them on. The parade traveled of students nationwide to receive a by NYPresbyterian Lawrence Hospital allowing students to $2,500 scholarship. wave signs of thanks to hospital staff. Congratulations to all Mellinghoff entered the academ- the students, parents and teachers!! ic competition as a junior, along with approximately 1.6 million students nationwide, by taking the Preliminary SAT/National Merit Scholarship Qual- ifying Test that served as an initial screen of entrants. Students with the Sabrina Mellinghoff highest scores were chosen to advance to the semifinals before the pool was further narrowed down. Mellinghoff was selected as one of 7,500 winners from a group of more than 15,000 distinguished finalists. According to its website, the National Merit Scholarship Program honors students who show exceptional academic abil- ity and potential for success in rigorous college studies. 5 Orchard Place, Bronxville Village Kathleen Collins Licensed Associate RE Broker | 914.715.6052 [email protected] Bronxville Brokerage | 2 Park Place | 914.620.8682 | juliabfee.com Each Office is Independently Owned and Operated.
    [Show full text]
  • ISSUE 207 from Idea to Not All Chairs Best of the Finished Car Are Created Best Equal DESIGNING WAYS for People in the World of Design
    THE GLOBAL FAVOURITE IN WINDOW DECORATION B-Range in Snow White April 2018 April designingways AUDI CHAIRS DESIGN ISSUE 207 From idea to Not all chairs Best of the finished car are created Best equal DESIGNING WAYS for people in the world of design TAYLOR ROLLER BLIND COLLECTION GOOD GLARE & EASY FLAME AUTOMATED SUITABLE FOR ANTIMICROBIAL UV CONTROL HEAT REDUCTION TO CLEAN RETARDANT OR MANUAL MOIST CONDITIONS Issue No. 207 Issue No. Contact us on 0861-1-TAYLOR (829567) www.taylorblinds.co.za April 2018 for an obligation-free quote and expert advice. @TaylorShutters RSA R35.95 BLINDS & SHUTTERS Est.1959 (incl. VAT) dw • April 2018 i A Stylish Addition enerations of experience and distinctive British design are the foundation of the Romo Gbrand. Renowned for its assorted library of classic and contemporary fabrics and wallcoverings, Romo offers a diverse style and timeless elegance enriched with a sophisticated colour palette. Through an exclusive collaboration with renowned rug manufacturer Louis de Poortere, Romo has designed a striking collection of textural flat weave and luxurious hand tufted rugs featuring timeless Romo designs. Using alluring soft chenilles and sumptuous wool yarns, Romo’s finest designs have been expertly reinterpreted as exquisite floorcoverings. FLAT WEAVE RUGS oven with soft chenille, Villa Nova’s range of flat weave rugs incorporate subtle variations of colour and interesting Wtextures. Using intricate woven details, these stunning rugs perfectly capture the essence of the original Villa Nova fabric. ii April 2018 • dw dw • April 2018 1 UPHOLSTERY LEATHER SYNTHETIC FABRICS CUSTOM FURNITURE Combining artistry and craftsmanship Kohler’s Artist Editions Taylor’s blind product range comprises systems, fabrics and basin collection adds personality to any bathroom.
    [Show full text]
  • The Bauhaus 1 / 70
    GRAPHIC DESIGN HISTORY / THE BAUHAUS 1 / 70 The Bauhaus 1 Art and Technology, A New Unity 3 2 The Bauhaus Workshops 13 3 Origins 26 4 Weimar 45 5 Dessau 57 6 Berlin 68 © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS 2 / 70 © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE ARTS & CRAFTS MOVEMENT 3 / 70 1919–1933 Art and Technology, A New Unity A German design school where ideas from all advanced art and design movements were explored, combined, and applied to the problems of functional design and machine production. © Kevin Woodland, 2020 Joost Schmidt, Exhibition Poster, 1923 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 4 / 70 1919–1933 The Bauhaus Twentieth-century furniture, architecture, product design, and graphics were shaped by the work of its faculty and students, and a modern design aesthetic emerged. MEGGS © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 5 / 70 1919–1933 The Bauhaus Ideas from all advanced art and design movements were explored, combined, and applied to the problems of functional design and machine production. MEGGS • The Arts & Crafts: Applied arts, craftsmanship, workshops, apprenticeship • Art Nouveau: Removal of ornament, application of form • Futurism: Typographic freedom • Dadaism: Wit, spontaneity, theoretical exploration • Constructivism: Design for the greater good • De Stijl: Reduction, simplification, refinement © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 6 / 70 1919–1933
    [Show full text]
  • Bauhaus Döneminde Mobilya Ve Tekstil Atölyeleri Arasındaki
    SDÜ ART-E Güzel Sanatlar Fakültesi Sanat Dergisi Haziran’21 Cilt:14 Sayı:27 ISSN 1308-2698 BAUHAUS DÖNEMİNDE MOBİLYA VE TEKSTİL ATÖLYELERİ ARASINDAKİ DİSİPLİNLERARASI İŞ BİRLİĞİ: MARCEL BREUER ÖRNEKLEMİ INTERDISCIPLINARY COLLABOTARION AMONG FURNITURE AND TEXTILE WORKSHOPS IN THE BAUHAUS PERIOD: THE EXAMPLE OF MARCEL BREUER Şebnem Ertaş Beşir*, Şeyma Dereci** Öz Modernleşme sürecinin öncü akımlarından olan Bauhaus; çeşitli disiplinleri kapsayan ve sanatçı, zanaatçı ile endüstrinin etkileşim halinde olması gerektiğini vurgulayan bir felsefe benimsemesiyle özünde iş birliği kavramını barındırmaktadır. Dönem içerisinde akımın bir simgesi haline gelen Bauhaus Okulu’nda iş birliği, çeşitli atölyeler ve tasarımcıları arasında disiplinlerarası etkileşimlerle devam etmiştir. Dönemin önemli atölyelerinden mobilya atölyesinin kurduğu en belirgin iş birliği ise tekstil atölyesi ile olmuştur. Çalışma kapsamında; Bauhaus dönemi mobilya ve tekstil atölyeleri arasında kurulan iş birliğine bağlı olarak gözlemlenen malzeme ve tekniklerin değişim ve gelişimlerinin, Marcel Breuer tasarımları açısından ortaya konması amaçlanmıştır. Bu bağlamda, Bauhaus dönemleri içerisinde tasarımcının mobilyaları incelenmiş; mobilyalar ve tekstil atölyesiyle kurulan iş birliği ortaya konmuştur. Sonuçta ise, Weimar ve Dessau dönemi mobilya tasarımlarının malzemeleri, strüktür ve tekstil başlıklarında değerlendirilmiş; iş birliği kurulan tekstil atölyesi tasarımcısı bilgisi ile birlikte tablolaştırılmış ve bazı çıkarımlar yapılmıştır. Çalışma; Bauhaus’un felsefesinde yatan iş birliği olgusunun, mobilya ve tekstil atölyeleri arasındaki disiplinlerarası etkileşim ile Breuer ilişkisini ortaya koyması adına önemlidir. Anahtar Kelimeler: Bauhaus, Marcel Breuer, Mobilya, Tekstil, İş Birliği, Disiplinlerarası. Abstract Bauhaus, which is one of the leading movements of the modernization process, includes the concept of cooperation at its core, adopting a philosophy that covers various disciplines and emphasizes the need for the interaction among artists, proficient and industry.
    [Show full text]
  • Bauhaus 1919 - 1933: Workshops for Modernity the Museum of Modern Art, New York November 08, 2009-January 25, 2010
    Bauhaus 1919 - 1933: Workshops for Modernity The Museum of Modern Art, New York November 08, 2009-January 25, 2010 ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Upholstery, drapery, and wall-covering samples 1923-29 Wool, rayon, cotton, linen, raffia, cellophane, and chenille Between 8 1/8 x 3 1/2" (20.6 x 8.9 cm) and 4 3/8 x 16" (11.1 x 40.6 cm) The Museum of Modern Art, New York. Gift of the designer or Gift of Josef Albers ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1925 Silk, cotton, and acetate 57 1/8 x 36 1/4" (145 x 92 cm) Die Neue Sammlung - The International Design Museum Munich ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1925 Wool and silk 7' 8 7.8" x 37 3.4" (236 x 96 cm) Die Neue Sammlung - The International Design Museum Munich ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1926 Silk (three-ply weave) 70 3/8 x 46 3/8" (178.8 x 117.8 cm) Harvard Art Museum, Busch-Reisinger Museum. Association Fund Bauhaus 1919 - 1933: Workshops for Modernity - Exhibition Checklist 10/27/2009 Page 1 of 80 ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Tablecloth Fabric Sample 1930 Mercerized cotton 23 3/8 x 28 1/2" (59.3 x 72.4 cm) Manufacturer: Deutsche Werkstaetten GmbH, Hellerau, Germany The Museum of Modern Art, New York. Purchase Fund JOSEF ALBERS German, 1888-1976; at Bauhaus 1920–33 Gitterbild I (Grid Picture I; also known as Scherbe ins Gitterbild [Glass fragments in grid picture]) c.
    [Show full text]
  • Press Information 100 Years of Bauhaus at ITB Anniversary Events
    Press Information 100 years of bauhaus at ITB Anniversary events in Germany NOTE that many of these projects are still in the development stage Bauhaus Association 2019 1 Press Release 100 years of Bauhaus in Berlin Berlin, 6 March 2019 The year 2019 is dedicated to Bauhaus. Throughout Germany, numerous players are inviting visitors to the big anniversary under the auspices of the Bauhaus Association. Berlin is also celebrating the Bauhaus centenary with a large number of events. visitBerlin is taking the Bauhaus anniversary as an opportunity to present the Grand Tour of Berlin Modernism at this year's ITB (international travel trade show) in a special area (hall 12, stand 101). Totalling some 50 sites dotted around the city, visitors are invited to experience the entire panorama of Berlin's architectural modernity across all 12 districts. Fascinating information about the history of Bauhaus and the most important architects of the era have been brought together here. The diversity of the buildings presented ranges from the past to the present: from the six large housing estates from the 1920s to the Jewish Museum of 2001. The Grand Tour of Berlin Modernism can be found on the official website visitBerlin.de. 12 stories about Berlin Modernism can also be experienced on site with the ABOUT BERLIN app. In cooperation with the Bauhaus Archive and the Royal Porcelain Factory, Berlin (KPM), visitBerlin will also present legendary design objects by Bauhaus designers at its exhibition stand. On display, among other things, will be bowls by Marianne Brandt, the famous lamp by Wilhelm Wagenfeld and an exclusive preview of the new b100 Service Edition by KPM.
    [Show full text]
  • Stadtbaukunst in Der DDR Der Frühen 50Er Jahre K 3/2009 - 1
    Sara Tazbir Stadtbaukunst in der DDR der frühen 50er Jahre k 3/2009 - 1 Sara Tazbir Stadtbaukunst in der DDR der frühen 50er Jahre Das Anknüpfen an den Reformstädtebau um 1900. Demonstriert am städtebaulichen Wettbewerb Dessaus. Einleitung genbewegung das Konzept des künstlerischen Städte- Der vorliegende Artikel hat zum Ziel, an ausgewählten baus. Der Stadtraum sollte als solcher wieder erlebbar Beispielen die Rezeption städtebaulicher Reform- gemacht und künstlerisch bewusst gestaltet werden bei gedanken der Jahrhundertwende im DDR-Städtebau gleichzeitiger Berücksichtigung der zeitgenössischen, der frühen 50er Jahre aufzuzeigen.1 Die Umstände und städtischen Lebenswirklichkeit. Der künstlerische Vorgänge in Städtebau und Architektur der 50er Jahre Städtebau differenzierte sich facettenreich aus: Seine in der DDR sind komplexer und differenzierter, als sie Bandbreite reichte von Camillo Sitte, 4 als einem Initia- bisher in der Forschung dargestellt worden sind.2 Die tor auf dem Feld der Stadtbaukunst und Vertreter einer einseitige Bewertung und Diskussion der sowjetischen praktischen Ästhetik, über Karl Henrici, 5 Anhänger Sit- Einflussnahme hat andere Ansätze und Gesichtspunkte tes, und dem Pragmatiker Theodor Fischer6 bis zur gänzlich ausgeblendet und vernachlässigt, was hiermit kunsthistorischen Reflexion über Stadtbaukunst eines nachgeholt, ergänzt und erweitert werden soll. Der Ver- Albert Erich Brinckmann.7 gleich städtebaulicher Theorien der Deutschen Bauakademie, vornehmlich am Institut für Theorie und Stadtbaukunst in der DDR: eine deutsche Tradition Geschichte der Baukunst erarbeitet, mit den Ausarbei- Nach 1945 stand man in der Stadtplanung in Deutsch- tungen von Albert Erich Brinckmann weist eine ver- land vor anderen Voraussetzungen. Die steinerne Stadt blüffende geistige Nähe auf, bei der zur Recht von einer lag in Trümmern. Fragen des Wieder- oder Neuaufbaus Wiederaufnahme bzw.
    [Show full text]
  • B Au H Au S Im a G Inis Ta E X H Ib Itio N G U Ide Bauhaus Imaginista
    bauhaus imaginista bauhaus imaginista Exhibition Guide Corresponding p. 13 With C4 C1 C2 A D1 B5 B4 B2 112 C3 D3 B4 119 D4 D2 B1 B3 B D5 A C Walter Gropius, The Bauhaus (1919–1933) Bauhaus Manifesto, 1919 p. 24 p. 16 D B Kala Bhavan Shin Kenchiku Kōgei Gakuin p. 29 (School of New Architecture and Design), Tokyo, 1932–1939 p. 19 Learning p. 35 From M3 N M2 A N M3 B1 B2 M2 M1 E2 E3 L C E1 D1 C1 K2 K K L1 D3 F C2 D4 K5 K1 G D1 K5 G D2 D2 K3 G1 K4 G1 D5 I K5 H J G1 D6 A H Paul Klee, Maria Martinez: Ceramics Teppich, 1927 p. 57 p. 38 I B Navajo Film Themselves The Bauhaus p. 58 and the Premodern p. 41 J Paulo Tavares, Des-Habitat / C Revista Habitat (1950–1954) Anni and Josef Albers p. 59 in the Americas p. 43 K Lina Bo Bardi D and Pedagogy Fiber Art p. 60 p. 45 L E Ivan Serpa From Moscow to Mexico City: and Grupo Frente Lena Bergner p. 65 and Hannes Meyer p. 50 M Decolonizing Culture: F The Casablanca School Reading p. 66 Sibyl Moholy-Nagy p. 53 N Kader Attia G The Body’s Legacies: Marguerite Wildenhain The Objects and Pond Farm p. 54 Colonial Melancholia p. 70 Moving p. 71 Away H G H F1 I B J C F A E D2 D1 D4 D3 D3 A F Marcel Breuer, Alice Creischer, ein bauhaus-film.
    [Show full text]
  • Lyonel Feininger
    1. Lucia Moholy 2. Lyonel Feininger British, born Czechoslovakia, 1894–1989 American, 1871–1956 Untitled [Southern View of Newly Completed Bauhaus, Dessau], 1926 “Moholy’s Studio Window” around 10 p.m., 1928 Gelatin silver print Gelatin silver print Sheet: 5.7 x 8.1 cm (2 1/4 x 3 3/16 in.) Image: 17.8 x 12.8 cm (7 x 5 1/16 in.) The J. Paul Getty Museum, Los Angeles Bauhaus-Archiv Berlin © Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn © Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn 85.XP.384.100 EX.2011.6.82 The J. Paul Getty Trust 1200 Getty Center Drive, Suite 403 Tel 310 440 7360 www.getty.edu Communications Department Los Angeles, CA 90049-1681 Fax 310 440 7722 The J. Paul Getty Trust 1200 Getty Center Drive, Suite 403 Tel 310 440 7360 www.getty.edu 3. LyonelCommunications Feininger Department Los Angeles, CA 90049-1681 Fax 310 440 77224. Lyonel Feininger American, 1871–1956 American, 1871–1956 Bauhaus, March 22, 1929 Bauhaus, March 26, 1929 Gelatin silver print Gelatin silver print Image: 17.8 x 23.9 cm (7 x 9 7/16 in.) Image: 17.9 x 24 cm (7 1/16 x 9 7/16 in.) Harvard Art Museums/Busch-Reisinger Museum, Gift of Mr. and Mrs. Harvard Art Museums/Busch-Reisinger Museum, Gift of T. Lux Lyonel Feininger Feininger © ArtistsThe J. PaulRights Getty Society Trust (ARS), New1200 York Getty / VG Center Bild-Kunst, Drive, Suite Bonn 403 Tel 310 440 7360 © Artistswww.getty.edu Rights Society (ARS), New York / VG Bild-Kunst, Bonn EX.2011.6.1Communications Department Los Angeles, CA 90049-1681 Fax 310 440 7722 EX.2011.6.2 The J.
    [Show full text]
  • Architecture, Identity, and Migration in a Socialist Model City
    Yale University EliScholar – A Digital Platform for Scholarly Publishing at Yale Masters of Environmental Design Theses Yale School of Architecture 5-2020 Heimat im Wartezimmer: Architecture, Identity, and Migration in a Socialist Model City Holly Bushman Yale University, [email protected] Follow this and additional works at: https://elischolar.library.yale.edu/envdesign Part of the Environmental Design Commons Recommended Citation Bushman, Holly, "Heimat im Wartezimmer: Architecture, Identity, and Migration in a Socialist Model City" (2020). Masters of Environmental Design Theses. 1. https://elischolar.library.yale.edu/envdesign/1 This Thesis is brought to you for free and open access by the Yale School of Architecture at EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Masters of Environmental Design Theses by an authorized administrator of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. Heimat im Wartezimmer: Architecture, Identity, and Migration in a Socialist Model City Holly M. Anderson Bushman B.S. Bates College, 2016 A thesis submitted to the faculty of the Yale School of Architecture in partial fulfillment of the requirements for the degree of: Master of Environmental Design Yale University May 2020 _________________________________________ Keller Easterling Principal Advisor and M.E.D. Program Chair _________________________________________ Elihu Rubin Reader Abstract: Eisenhüttenstadt, the first “socialist model city” designed and constructed in the German Democratic Republic (GDR), provides an opportunity to scrutinize the relationship between state conceptions of architectural design and national identity in the early 1950s. Known as Stalinstadt until 1961, the community was founded in eastern Brandenburg in 1950 as housing for workers at the nearby ironworks Eisenhüttenkombinat Ost “J.
    [Show full text]