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Future Photovoltaic Power Generation for Space-Based Power Utilities
'. IAF-02-R.4.06 Future Photovoltaic Power Generation for Space-Based Power Utilities Sheila Bailey, Geoffrey Landis, Aloysius Hepp, and *Ryne RaffaeIIe NASA Glenn Research Center, MS 302-1 , Cleveland, OH 44135 *Rochester Institute of Technology, Rochester, NY 14623 53rdInternational Astronautical Congress The World Space Congress - 2002 10-19 Qct 2002/Houston, Texas For permission to copy or republish, contact the International Federation, 3-5 Rue Mario- Nikis, 75015 Paris, France This is a preprint or reprint of a paper intended for presentation at a conference. Because changes may be made before formal publication, this is made available with the understanding that it will not be cited or reproduced without the permission of the author. IAP-02-R.4.06 FUTURE PHOTOVOLTAIC POWER GENERATION FOR SPACE-BASED POWER UTILITIES Sheila Bailey, Geoffrey Landis, Aloysius Hepp, and “Ryne Raffaelle NASA Glenn Research Center, MS 302-1, Cleveland, OH 44135 *Rochester Institute of Technology, Rochester, NY 14623 [email protected] ABSTRACT This paper discusses requirements for large weight gigawatt (GW) space power generation. earth orbiting power stations that can serve as Investment in solar power generation central utilities for other orbiting spacecraft, or technologies would also benefit high power for beaming power to the earth itself. The military, commercial and science missions. current state of the art of space solar cells, and a These missions are generally those involving variety of both evolving thin film cells as well solar electric propulsion, surface power as new technologies that may impact the future systems to sustain an outpost or a permanent choice of space solar cells for high power colony on the surface of the moon or mars, mission applications are addressed. -
The Game Ships
CONSTRUCTIBLE STRATEGY GAMETM THE GAME RocketmenTM: Axis of Evil is a fast and furious game of spaceship combat between two or more players, who battle for the resources of an asteroid belt and ultimately for the fate of the entire solar system. Players collect ships and crew to build customizable fleets, and then they gather resources during the game to add more ships to their fleets. These rules describe the two-player version of the game; optional rules can be found online at www.wizkidsgames.com. Game Pack Contents Each Game Pack contains 6 plastic styrene cards (2 ship cards and 2 base cards, or 1 ship card and 1 Fighter squadron and their base cards; 1 crew card; and 1 resource card), 2 cardboard ship data cards, 1 cardboard asteroid, 1 six-sided die (d6), and these rules. Winning the Game The first player to capture his or her opponent’s home base, or to destroy all of the ships in his or her opponent’s active fleet, wins. SHIPS Each ship is composed of the pieces used to construct the ship itself and the ship’s base and stand. Carefully punch out the ship’s pieces one at a time and construct it by following the assembly instructions printed on its base card. Ship pieces can be inserted back into their cards for storage in trading card sleeves. After punching out pieces, some thin plastic pegs might remain attached to the card. Break off these pegs if they interfere with reinserting the ship pieces after play. All the information needed to play a ship is printed on its data card and base. -
Air University Quarterly Review: Spring 1959 Volume. XI, Number 1
-fr ^CAíXl/^' Publislie d by Air University as tbe professional Journal of tlie In ited States Air Force The United States Air Force AIR UNIVERSITY QUARTERLY REVIEW Volume XI SPRING 1959 Number 1 THE EVOLUTION OF AIR L O G IST IC S................................................... 2 G en. E dwin W. R awlings, USAF BLUEPRINTS FOR SPACE................................................................................16 B rig. Gen. H omer A. B oushey, USAF DEVELOPMENT OF SPACE SUITS AND C A P SU L E S.................... 30 Dr . J ohn W. Heim and O tto Schueller THE PAST AND PRESENT OF SOVIET MILITARY D O C T R IN E ......................................................................................................38 Dr . K enneth R. W hiting EXPERIMENTAL STUDIES ON THE CONDITIONING OF MAN FOR SPACE F L I G H T .................................................................61 D r . B runo Balke SURPRISE IN THE MISSILE ERA ............................................................76 Lt . Col. R obert O. Brooks, U S A F A PREFACE TO ORGANIZATIONAL PA T TERN M A K IN G . 84 Col. R obert A. Shane, U S A F IN MY OPINION What Makes a Leader?..............................................................................105 Lt . Col. B. J . S mit h , USAF AIR FORCE REVIEW Operation Swiltlift— Peacetime Utilization of Air Reserve Forces..............................................................................109 Lt . Col. J affus M. Rodgers, U S A F BOOKS AND IDEAS Notes on Air Force Bibliography..........................................................113 Dr . R aymond Est ep Address manuscripts to Editor. Air Univrrsily Quarlerly Hrview, Headquartcrs Air Univcrsity, Max- Hell Air Force Base. Ala. Use of fuuds for printing this publication has bcen approved by the Secretary of the Air Force and the Director of the Bureau of the Budftct. -
Wydrukuj Tekst
Folia 68 Annales Universitatis Paedagogicae Cracoviensis Studia ad Bibliothecarum Scientiam Pertinentia VII (2009) Piotr Krywak Historia w fantastyce – fantastyka w historii na przełomie XX i xxI w. Zdawać by się mogło, że proza historyczna i proza o przyszłości są tak odmiennymi formami beletrystyki, iż trudno w ich przypadku mówić o podobieństwie. Pierwsza traktuje przecież o zdarzeniach minionych, podczas gdy druga o tych, jakie dopiero nastąpią. Jedna, przynajmniej częściowo, nawiązuje do faktów; druga odwołuje się do fantazji, nie rezygnując wszakże z – odnoszących się do rzeczywistości – mniej lub bardziej prawdopodobnych prognoz. Istotnie, niełatwo zestawiać ze sobą na jednej płaszczyźnie kwerendy autora szukającego materiałów, które ułatwią mu stworze- nie wizji dawnych dziejów, z pracą wyobraźni człowieka pragnącego przewidzieć coś, co – być może – dopiero będzie. A jednak, zbieżności istnieją. Wystarczy przyj- rzeć się językowi porównywanych odmian literatury pięknej, by zauważyć, że sto- sowana niegdyś powszechnie w prozie historycznej stylizacja archaiczna wymaga zaczęsto science tworzenia fiction neologizmów (przykład powieści Antoniego Gołubiewa zdaje się być pod tym względem dostatecznie wymowny), a więc tej samej operacji, co pro- , w której jeszcze do niedawna pełniły one rolę jednego z podsta- wowych środków kreowania fikcji oraz umożliwiały przeciwstawianie sobie mowy współczesnej i przyszłej; tak jak w utworach historycznych mowy dzisiejszej i tej, jakiej używano przed wiekami. Fantasta – w odróżnieniu od powieściopisarza histo- rycznego, który nawiązuje do dawnych form językowych lub gwar zachowujących nieużywane już w języku współczesnym konstrukcje – nie może sobie wprawdzie pozwolić na zbyt daleko idące modyfikacje fleksji czy składni, bo, przewidując roz- wój mowy, pisał będzie niezrozumiale i w konsekwencji utraci kontakt z czytelni- kiem, lecz w dziedzinie słowotwórstwa zachowuje znaczną swobodę. -
Page 1 of 26 Curriculum Maps 9/12/2011
Curriculum Maps Page 1 of 26 Kenmore-Tonawanda Union Free School District 1500 Colvin Blvd Buffalo, NY 14223-3119 Science - Astronomy Add to My ePortfolio Export Print Display Mode Essential Suggested Options Standards Content Skills Assessment Resources Questions Resources Green is common to both High Schools Blue is Kenmore East Red is Kenmore West Scale of the Universe and It's Origin What is Models of the Illustrate the inferred shape of Cosmic Voyage Astronomy 2009 Opening cosmology? Universe our galaxy and our position in (Video) Day Assignment.doc the galaxy. Cosmic Voyage Bill Nye Outer Space Video How does Our Galaxy, (An IMAX film Quiz.doc cosmic the Milky Way Plot, interpret, and analyze narrated by BlaineHubbleFotos.pps background data regarding Galactic The Leonard Nimoy), Cosmic Voyage Video.doc radiation distance and predicted speed. Dimensions of takes students on Cosmic Voyage Video.doc support the the Milky Way Illustrate the formation of the a trip through Nasascavengerhunt.doc Big-Bang solar system. through outer Theory? Our Position in space by focusing the Galaxy Compare the distances Why do on the size of our between stars and planets. astronomers Discovering solar system, Compare and contrast the theorize that Other Galaxies different theory models for the galaxy, and most of the formation of the Universe. universe. It also Classification matter in shows students of Galaxies galaxies and inner space - clusters of Formation of what can galaxies is dark Our Solar be found inside of matter? System a single atom. What does the The Big Bang Worksheet is true Model Big Bang Theory false and fill in the propose? blank - video is 45 minutes long. -
Detailed Design of a Space Based Solar Power System
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research 2009 Detailed design of a space based solar power system Sean Joseph Mobilia San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Mobilia, Sean Joseph, "Detailed design of a space based solar power system" (2009). Master's Theses. 3675. DOI: https://doi.org/10.31979/etd.eytn-2wht https://scholarworks.sjsu.edu/etd_theses/3675 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. DETAILED DESIGN OF A SPACE BASED SOLAR POWER SYSTEM A Thesis Presented to The Faculty of the Department of Mechanical and Aerospace Engineering San Jose State University In Partial Fulfillment of the Requirements for the Degree Masters of Science by Sean Joseph Mobilia May 2009 UMI Number: 1470984 Copyright 2009 by Mobilia, Sean Joseph INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 1470984 Copyright 2009 by ProQuest LLC All rights reserved. -
Barbican April Highlights
For immediate release: Wednesday 6th March 2019 Barbican April highlights Fertility Fest, the only arts festival devoted entirely to the subjects of modern families and the science of making babies, arrives at the Barbican for the first time. London-based artist and 2018 Jarman award-winner Daria Martin’s first solo commission for a major London public gallery, Tonight the World, continues in The Curve. Smart Robots, Mortal Engines: Stanislaw Lem on Film is a season of lesser- known adaptations of the work of Polish author Stanislaw Lem, screening in the Barbican Cinema. Masterful composer and percussionist Midori Takada and singer and producer Lafawndah present the world premiere performance of their Barbican- commissioned collaborative work Ceremonial Blue. CINEMA Poetry in Motion: Contemporary Iranian Cinema Wed 3–Wed 24 Apr 2019, Cinema 1 & 2 Barbican Cinema is pleased to present Poetry In Motion: Contemporary Iranian Cinema, which takes place between 3-24 April and showcases some of the country’s most inventive filmmakers. Reflecting Iranian culture’s rich, diverse traditions and love of storytelling, Poetry In Motion presents the work of bold contemporary directors whose stories will charm, surprise and enchant, a mix of everyday, universal themes, and the retelling of traditional narratives in new ways. The season showcases emerging voices in Iranian cinema through the prism of Persian poetry, rather than through its modern day politics and often stereotyped representation. It features seven films – several of which are UK premieres – and ScreenTalks with an array of the country’s leading directors and artists. Smart Robots, Mortal Engines: Stanisław Lem on Film Thu 11–Tue 16 Apr 2019, Cinema 3 Part of Life Rewired Smart Robots, Mortal Engines: Stanislaw Lem on Film is a cinema season of lesser-known adaptations of the work of Polish author Stanislaw Lem (1921-2006). -
Peter Glaser at MIT - 1999 MA Space Grant Consortium Public Lecture
MIT 150 | Peter Glaser at MIT - 1999 MA Space Grant Consortium Public Lecture [MUSIC PLAYING] YOUNG: --and fellowships. We have had, in the course of this lectureship, a very, very distinguished group of people, beginning with Bill Lenoir in 1990. And our last speaker in 1998 was Dr. John Logsdon from DC. This afternoon speaker is a friend of many of ours in this area, Dr. Peter Glaser, retired a few years ago as the vice president of Arthur D. Little, where for many years he founded and for many years ran the space research program at Arthur D. Little Dr. Glaser was born in Czechoslovakia. Was educated in England at Leeds College of Technology, as he was fortunate enough to escape from wartime Europe. Received his degree there in 1943, and enlisted in the Free Czech Army, which was part of the British Army and participated in the battle to liberate Europe. At one point in the progression through Europe and that battle, the Free Czech Army was transferred to the control of the US Army under General Patton, and went as far as Pilsen at the time of VE Day, at which point peace was declared, they were liberated, and Peter returned to his homeland of Czechoslovakia for a nervous period of three years, wondering what the Russians were going to do about it. His parents had returned from England to Czechoslovakia. He took advantage of that time to get a second degree in mechanical engineering from the Czech Technical University in Prague. And in 1948, when the Russians did take over the rule of Czechoslovakia with a very firm hand, he was fortunate enough to be able to get out on just about the last plane to the United States with his mother, where he was able to convert his knowledge of mechanical engineering and the $10 in a suitcase that he came to the US with to a job with a textile company doing mechanical engineering in New York. -
State of the Space Industrial Base 2020 Report
STATE OF THE SPACE INDUSTRIAL BASE 2020 A Time for Action to Sustain US Economic & Military Leadership in Space Summary Report by: Brigadier General Steven J. Butow, Defense Innovation Unit Dr. Thomas Cooley, Air Force Research Laboratory Colonel Eric Felt, Air Force Research Laboratory Dr. Joel B. Mozer, United States Space Force July 2020 DISTRIBUTION STATEMENT A. Approved for public release: distribution unlimited. DISCLAIMER The views expressed in this report reflect those of the workshop attendees, and do not necessarily reflect the official policy or position of the US government, the Department of Defense, the US Air Force, or the US Space Force. Use of NASA photos in this report does not state or imply the endorsement by NASA or by any NASA employee of a commercial product, service, or activity. USSF-DIU-AFRL | July 2020 i ABOUT THE AUTHORS Brigadier General Steven J. Butow, USAF Colonel Eric Felt, USAF Brig. Gen. Butow is the Director of the Space Portfolio at Col. Felt is the Director of the Air Force Research the Defense Innovation Unit. Laboratory’s Space Vehicles Directorate. Dr. Thomas Cooley Dr. Joel B. Mozer Dr. Cooley is the Chief Scientist of the Air Force Research Dr. Mozer is the Chief Scientist at the US Space Force. Laboratory’s Space Vehicles Directorate. ACKNOWLEDGEMENTS FROM THE EDITORS Dr. David A. Hardy & Peter Garretson The authors wish to express their deep gratitude and appreciation to New Space New Mexico for hosting the State of the Space Industrial Base 2020 Virtual Solutions Workshop; and to all the attendees, especially those from the commercial space sector, who spent valuable time under COVID-19 shelter-in-place restrictions contributing their observations and insights to each of the six working groups. -
The Moral Vertical in Russian Cinema Female Pilots, Flight Attendants, Cosmonauts and Aliens — Åsne Ø
Department of Language and Culture The Moral Vertical in Russian Cinema Female Pilots, Flight Attendants, Cosmonauts and Aliens — Åsne Ø. Høgetveit A dissertation for the degree of Philosophiae Doctor – January 2019 The front page illustration is a collage of film posters: Aelita (Protazanov 1924) design by Israil’ Bograd (1927), Letchiki (unknown designer, film directed by Raizman 1935), Eshche raz pro liubov’ (Natanson 1968) design by Miron Luk’ianov, Belka i Strelka. Zvezdnye sobaki (unknown designer, film directed by Evlannikova and Ushakov 2010). “… every valorization is a verticalization…” Gaston Bachelard (1988: 11) The Moral Vertical in Russian Cinema Note on transliteration and translation. When transliterating Russian names and words in the dissertation I have used ALA-LC Romanization tables for Slavic Alphabets, without the two-letter tie characters (so that ц = ts, ю = iu, я = ia) and some of the diacritics (so that ё = e, й = i, э = e). Exceptions are made in the cases where there are other established ways of transliterating a Russian name, such as ‘Leo Tolstoy’, rather than ‘Lev Tolstoi’. Names and words are transliterated from Cyrillic to Latin in the text, while the Cyrillic alphabet is used in the footnotes. The original quotation is referred to in the footnotes in the cases where I have translated quotations from Russian language into English in the text. Note on illustrations. All the illustrations are screenshots from the respective films, taken from online streaming sites. iii The Moral Vertical in Russian Cinema Acknowledgements The goal of a PhD is to write and defend a dissertation. There are many people that deserve to be thanked, as I could not have done this without them. -
SF Commentary 9
o 0,0 ,0, ,000 o 000 ooo 000 ....... '• • o o 0 o o 0 o“ ooo o 000 o o 0 o o o o o o o o o ooo o 000 ooo o 0 0 o 0 o ooo ooo ooo 000 ooo 0 o o O 0 0 ooo ooo 0 o □ ooo ooo ooo FEBRUARY THAT APRIL’S HERE ’Tie now 8.30 pm (2030 hours, for those who care) on Saturday 4th April, 1970. This morning I accosted myself - a most difficult procedure, since I almost never look in mirrors - and said to myselfs "Why don’t you try to churn out two fanzines in five days?” And myself said to I, trying his best to spit in myself’s eye? "Spit in your eye, I". Having failed to accomplish this difficult procedure, I thoughts "Well, come to think of it, I haven’t had a twinge in that arm for all of twelve hours. And even though I could hardly walk yesterday, I might even get by today if I lean against the bookcase." It’s a sturdy bookcase, and miraculously my arm kept twirling 7500 or however many impossible times it takes to roll out this magazine. Oohn Foyster’s latest foysterfanzine hit the post office yesterday with that dull thump peculiar to Gestetner paper. S F COMMENTARY 10 .. ah, we remember it well. Wasn't that the magazine we ran off on March 1st in at the Melbourne Science Fiction Club? Well, Oohn Foyster ran off some of it. The rest had to wait for the good graces of Gestetner Pty Ltd, a most mysterious group of philanthropists. -
Stanisław Bereś Ita Dixit Lem
Stanisław Bereś Ita dixit Lem Postscriptum nr 1(51), 9-30 2006 Stanis³aw Bereœ Ita dixit Lem Każdy inteligentny Polak zna prawo Stanisława Lema. Głosi ono: „nikt nic nie czyta; jeśli czyta, nie rozumie; jeśli rozumie, natychmiast zapomina”. Tymczasem sam Lem był zaprzeczeniem tego prawa. Wszystko czytał i ro- zumiał, niczego nie zapominał. Jego erudycja przekraczała wszelkie znane standardy i odpowiadała wiedzy kilku poważnych instytutów naukowych. Łatwo można się o tym przekonać, zaglądając np. do zapisów jego dyskusji z najwybitniejszymi polskimi filozofami w specjalnym numerze „Studiów Fi- lozoficznych” (1965, nr 2-3) lub z elitą polskiego literaturoznawstwa w „Pa- miętniku Literackim” (1971, nr 1). Jego hipotezy, przedstawiane na kartach kolejnych powieści i książek eseistycznych, były przekładane na język ma- szyn cyfrowych i absolutnie poważnie dyskutowane podczas głośnego workshopu naukowego na Freie Universität w Berlinie Zachodnim w 1981 roku (Project Instrat), który zgromadził wybitnych uczonych z całego świata z zakresu literaturoznawstwa, psychologii, genetyki, informatyki. Jakby mało tego, jako jedyny na świecie nienaukowiec, Lem brał udział w opracowy- waniu koncepcji międzynarodowego programu naukowego SETI (Search for Extraterrestrial Intelligence), mającego na celu poszukiwanie form inteli- gentnego życia poza Ziemią. Wszystkie te konfrontacje ze światem nauki potwierdziły niewiarygodną szerokość wiedzy Lema, jego wyjątkową prze- nikliwość i zaskakującą trafność w konstruowaniu długofalowych prognoz cywilizacyjnych (np.