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Michael Tierney
Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting -
Program Book
GREETINGS to The 2 1st WO RETD SCIENCE E I C T I O KT C CONVENTION Th.e 2 1st 'WOFiLTD SCIENCE FICTION C ONVENTION VPtz shinqton, <DC 31 August 1 September 1 q e 3 2 September 'y am Cammittee: CRAFTY CHAIRMAN .................................... George Scithers TACHYLEGIC TREASURER ....................................... Bill Evans DESPOTIC DIPLOMAT .......................................... Bob Pavlat EXTEMPORANIZING EDITOR .................................... Dick Eney FLAMBOYANT FOLIATOR .................................... Chick Derry RECRUDESCENT RELIC ....................................... Joe Sarno MEMORIALIST of MISDEEDS.................................... Bob Madle TARTAREAN TABULIST .................................... Bill Osten PUBLICISTEAN PHOTOGRAPHIST .............................. Tom Haughey _A.n Appreciation of Murray £ein$ter It was in the year 1919 or '20, when I was fifteen and every fine fantasy story I read was an electric experience, that I read "The Mad Planet". It was a terrific nightmare vision and instantly I added the name of Murray Leinster to the list that already held A. Merritt, Edgar Rice Burroughs, and a few others. I have been reading and admiring his stories ever since, and I hope they go on forever. Mr. Leinster is a professional, in the finest sense of the word, meaning that he has the skills of his profession at his fingertips. And his profession is that of a master story-teller. His stories take hold of you from the first page and build with a sheer craftmanship and econ omy of effort that are the envy and despair of anyone who has ever tried to do the same thing. In science-fiction, imagination is even more important than writ ing skill, and the boldness of his imaginative concepts is one big rea son why Murray Leinster’s name has been up there in the bright lights for so long. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Tarzan the Untamed
TARZAN THE UNTAMED I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R. -
[email protected] Terms of Sale
Yesterday’s Muse Books SEPTEMBER 2015 CATALOG Yesterday’s Muse Books, ABAA 32 W Main St Webster NY 14580 585-265-9295 www.yesterdaysmuse.com [email protected] Terms of Sale: All items subject to prior sale. Orders can be placed by phone or e-mail, or directly through our website. Payment is expected at the time of your order and may be made by check, credit card, or PayPal direct transfer. Institutions, fellow booksellers, and repeat customers may request to pay on invoice, with payment due upon receipt unless other arrangements have been made prior to purchase. All items are guaranteed to be as described with respect to edition, condition, and authenticity. Returns will be accepted for any reason, though we ask that you provide notice within a reasonable timeframe. Our usual trade courtesies extended (please inquire). Shipping: All prices include free shipment with tracking by USPS Media Mail. Upgrades to USPS Priority Mail, FedEx Ground, etc., as well as international shipping, are available, and will be charged at cost (please inquire for quote). All orders are carefully wrapped and packaged in sturdy shipping boxes. Catalogs: To receive future catalogs by e-mail, please contact us to be added to our mailing list, or join directly on our website. Printed versions of all our catalogs are also available upon request. Previous catalogs are archived on our website. 3 1. [Adventure] Peary, Robert E. [Edwin] Secrets of Polar Travel New York: The Century Co., 1917. First edition. ix, [5], 313 pp. 8vo. Photographic frontispiece depicting the Stars & Stripes flying over the North Pole, photographic plates throughout text. -
Degeneration, Gender, and American Identity in the Early Fiction of Edgar Rice Burroughs James Biggs Claremont Graduate University, [email protected]
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University Volume 3 | Issue 1 Article 2 2013 Degeneration, Gender, and American Identity in the Early Fiction of Edgar Rice Burroughs James Biggs Claremont Graduate University, [email protected] Follow this and additional works at: http://scholarship.claremont.edu/lux Recommended Citation Biggs, James (2013) "Degeneration, Gender, and American Identity in the Early Fiction of Edgar Rice Burroughs," LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University: Vol. 3: Iss. 1, Article 2. Available at: http://scholarship.claremont.edu/lux/vol3/iss1/2 Biggs: Degeneration, Gender, and American Identity in the Early Fiction of Edgar Rice Burroughs Biggs 1 Degeneration, Gender, and American Identity in the Early Fiction of Edgar Rice Burroughs James Biggs Claremont Graduate University School of Arts and Humanities - History Abstract Edgar Rice Burroughs rendered a particular construction of womanhood as a remedy for national degeneration and neurasthenia. Progressive-era Americans like Burroughs wondered whether the developmental forces that shaped industrial society might also threaten the character and institutions upon which they believed American society and civilization functioned. Middle-class American observers worried that the character traits responsible for the rise of American greatness were undermined by that very success. In particular, they thought the demands of urban life resulted in neurasthenia, the loss of “nervous energy.” Burroughs employed the powerfully symbolic Pocahontas narrative to construct a vision of womanhood that offered the possibility of redeeming a degenerate and neurasthenic civilization. Burroughs’s construction of womanhood shares much with the traditional ideology of domesticity, yet at the same time challenged Progressive notions of femininity. -
THE MENTOR 79, July 1993
THE MENTOR AUSTRALIAN SCIENCE FICTION CONTENTS #79 ARTICLES: 8 - THE BIG BOOM by Don Boyd 40 - WHAT IS SF FOR by Sean Williams COLUMNISTS: 14 - NORTHERN FEN by Pavel A Viaznikov 17 - A SHORT HISTORY OF RUSSIAN "FANTASTICA" by Andrei Lubenski 32 - SWORDSMAN OF THE SHEPHERD'S STAR by Andrew Darlington 45 - IN DEPTH #6 by Bill Congreve COMIC SECTION: 20 - THE INITIATE Part 2 by Steve Carter DEPARTMENTS; 2 - EDITORIAL SLANT by Ron Clarke 49 - THE R&R DEPT - Reader's letters 61 - CURRENT BOOK RELEASES by Ron Clarke FICTION: 4 - PREY FOR THE PREY by B. J. Stevens 23 - THE BROOKLYN BLUES by Brent Lillie Cover Illustration by Steve Carter. Internal Illos: Steve Fox p. 7, 39 Peggy Ranson p.11, 13, 44, 48 Sheryl Birkhead p. 49 Rod Williams p. 68 Julie Vaix p. 68 THE MENTOR 79, July 1993. ISSN 0727-8462. Edited, printed and published by Ron Clarke. Mail Address: THE MENTOR, c/- 34 Tower St, Revesby, NSW 2212, Australia. THE MENTOR is published at intervals of roughly three months. It is available for published contribution (Australian fiction [science fiction or fantasy]), poetry, article, or letter of comment on a previous issue. It is not available for subscription, but is available for $5 for a sample issue (posted). Contributions, if over 5 pages, preferred to be on an IBM 51/4" or 31/2" disc (DD or HD) otherwise typed, single or double spaced, preferably a good photocopy (and if you want it returned, please type your name and address) and include an SSAE anyway, for my comments. -
Tarzan of the Apes
TARZAN OF THE APES I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R. -
Fine Literature – Books in All Fields
Sale 483 Thursday, July 5, 2012 11:00 AM Fine Literature – Books in All Fields Auction Preview Tuesday July 3, 9:00 am to 5:00 pm Wednesday, July 4, 9:00 am to 5:00 pm Thursday, July 5, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. -
A Princess of Mars
The John Carter Trilogy: a princess of mars; the gods of mars; the warlord of mars. OF EDGAR RICE BURROUGHS a princess of mars; the gods of mars; the warlord of mars. — A Pulp-Lit Annotated Edition — By EDGAR RICE BURROUGHS Edited and annotated by Finn J.D. John I sought out Dejah Thoris in the throng of departing chariots. (See Page 91) Copyright ©2014 by Pulp-Lit Productions. All rights reserved, with the exception of those portions of this book written by Edgar Rice Burroughs or published in his original works, on which copyright protections have expired. For information about permission to reproduce selections from this book, write to Pulp-Lit Productions, Post Office Box 77, Corvallis, OR 97339; or e-mail [email protected]. Second PDF edition 2021 ISBN: 978-1-63591-208-1 Book design by Fiona MacDaibheid Pulp-Lit Productions Corvallis, Oregon http://pulp-lit.com table of contents. Front matter: Preface .......................................................... ix How to Use This Book ................................... xiii Introduction ................................................ xv Book One: A Princess of Mars ........................................1 Annotations .................................................195 Book Two: The Gods of Mars .....................................209 Annotations .................................................433 Book Three: The Warlord of Mars .................................443 Annotations .................................................597 preface. ear Reader: Before we begin our journey through Edgar Rice Burroughs’ storyworld of Mars, I feel it is important that I tell you a brief story Dfrom my life. Call it, if you will, a full disclosure. You see, Edgar Rice Burroughs is a particularly important author in my life, and that fact has had an effect — and, I hope, a good effect — on how I’ve approached my work in editing and annotating this, the first Pulp-Lit Annotated Omnibus Edition. -
Edgar Rice Burroughs Tarzan the Untamed Kindle
EDGAR RICE BURROUGHS TARZAN THE UNTAMED PDF, EPUB, EBOOK Russ Manning,Gaylord DuBois | 117 pages | 30 Nov 1999 | Dark Horse Comics,U.S. | 9781569714188 | English | Milwaukie, United States Edgar Rice Burroughs Tarzan the Untamed PDF Book He is deeply in love with his wife and totally devoted to her; in numerous situations where other women express their attraction to him, Tarzan politely but firmly declines their attentions. There are the typical Burroughs contrivances there's a moment where Tarzan's life is saved by a foe having a conveniently-timed epileptic seizure , and Xuja itself is perhaps the "City of Contrivances," though Burroughs seems to have put more thought into Xuja than he did Opar. On his return he discovers among many burned bodies one that appears to be the corpse of his wife, Jane Porter Clayton. But in this book, written after WWI , but taking a point at the start of the war as its focus -- at the beginning of the book, Tarzan, AKA Lord Greystoke, has just learned that hostilities between Britain and Germany now exist -- the book presents the Germans as harshly as the propaganda against Germany published during the war, when Ge This is the most amazing book. It's almost as if he wrote some of it and then threw in some fanfic for the rest. Thank heavens Edgar kept writing Tarzan tales His preferred dress is a knife and a loincloth of animal hide, his preferred abode is a convenient tree branch which happens to be nearby when he desires to sleep, and his favored food is raw meat, killed by himself; even better if he is able to bury it a week so that putrefaction has had a chance to tenderize it a bit. -
Jane of the Jungle
Edgardemain – An ERBLIST Contributor http://www.erblist.com Jane of the Jungle John "Bridge" Martin Copyright 2012 Consider the daring and heroic characters created by Edgar Rice Burroughs, and who leaps to mind? Tar- zan? John Carter? David Innes? Billy Byrne? Shoz- Dijiji? 1 Intrepid adventurers all, but no list of ERB protagonists would be com- plete without inclusion of his heroines. They were as brave and as bold in many ways as their male counterparts, and shone with matchless beauty as well. And taking a back seat to no one in this de- partment is the daughter of 1 This article was originally researched and written by me in 1989 and published in ERBapa No. 22 in summer of that year. 1 Edgardemain – An ERBLIST Contributor http://www.erblist.com a genteel Baltimore, Maryland family who, over the space of 11 books, developed into a true queen of the jungle. Jane Porter Clayton mastered the ability of coping with wild beasts and wild humans alike, without ever losing any of the grace and charm that her upbringing by a professor-minister must have included. Here is an admirable lady indeed, one who, as Lady Greystoke, can properly entertain guests, whether in her London town house, her African bungalow, or the Cafe Savoy in Paris. She can also lead a group of city people who are stranded in the jungle, or command a platoon of jungle-wise Waziri warriors, and in many ways perform as competently as Tarzan of the Apes himself. Fate brought her to the shores of a hostile jungle.