Empire of Things: How We Became a World of Consumers, Fifteenth

Total Page:16

File Type:pdf, Size:1020Kb

Empire of Things: How We Became a World of Consumers, Fifteenth 1 Empire of Things: How We Became a World of Consumers, Fifteenth Century to the Twenty-First Frank Trentmann (2016 -- London: Allen Lane; New York: HarperCollins) Bibliography: 1. General overviews, critical introductions, readers and handbooks 2. History of consumption, 15th century to 20th century 3. Empires, imperialism and colonial culture 4. Cities and countryside, esp. 1700-1920s 5. The home, domestic comfort and convenience, 1700-1950s 6. First World War to the end of the Cold War 7. Asia – esp. Japan, Korea, India and China 8. Global developments and diversity 9. Excess, credit, debt, thrift and saving, happiness 10. Time 11. Age and generations 12. States and firms – public consumption, social spending, company leisure and consumer policy 13. Home and away: ethics, fair trade, localism and remittances 14. Religion 15. Waste, recycling, storage, collecting, second hand and material flows 2 1. General overviews, critical introductions, readers and handbooks: Appadurai, Arjun, ed. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press, 1986. Baudrillard, Jean. Société de Consommation/English - The Consumer Society: Myths and Structures. London: Sage, 1970/98. Braudel, Fernand. The Structures of Everyday Life. New York, 1979/1981. Brewer, John, and Roy Porter, eds. Consumption and the World of Goods. London and New York: Routledge, 1993. Brewer, John, and Frank Trentmann, eds. Consuming Cultures, Global Perspectives. Oxford: Berg, 2006. Capuzzo, Paolo. Culture del consumo. Bologna: Il Mulino, 2006. Chessel, Marie-Emmanuelle. Histoire de la consommation. Paris 2012. Csikszentmihalyi, Mihaly, and Eugene Rochberg-Halton. The Meaning of Things: Domestic Symbols and the Self. Cambridge: Cambridge University Press, 1981. Deaton, Angus. Understanding Consumption. Oxford: Clarendon Press, 1992. de Grazia, Victoria, and Ellen Furlough, eds. The Sex of Things: Gender and Consumption in Historical Perspective. Berkeley, CA: University of California Press, 1996. Douglas, Mary, and Baron Isherwood. The world of goods: towards an anthropology of consumption. London: Allen Lane, 1979. Fine, Ben. The World of Consumption: The Material and Cultural Revisited. London: Routledge, 2002. Galbraith, John Kenneth. The Affluent Society. New York: The New American Library, 1958. Gronow, Jukka, and Alan Warde, eds. Ordinary Consumption. London: Routledge, 2001. Haupt, Heinz-Gerhard. Konsum und Handel: Europa im 19. und 20. Jahrhundert. Göttingen: Vandenhoeck & Ruprecht, 2002. Lee, Martyn J. The Consumer Society Reader. Malden, MA: Blackwell, 1999. Lury, Celia. Consumer culture. 2nd ed. ed. Cambridge: Polity, 2011. Miller, Daniel, ed. Acknowledging Consumption: A Review of New Studies. London: Routledge, 1995. ———, ed. Consumption: Critical Concepts in the Social Sciences. 4 vols. New York, 2001. Princen, Thomas, Michael Maniates, and Ken Conca, eds. Confronting Consumption. Cambridge, MA: MIT Press, 2002. Prinz, Michael, ed. Der lange Weg in den Überfluss: Anfänge und Entwicklung der Konsumgesellschaft seit der Vormoderne. Paderborn: Ferdinand Schoningh, 2003. Reisch, Lucia, and John Thøgersen, eds. Handbook of Research on Sustainable Consumption. Cheltenham, 2015. Sassatelli, Roberta. Consumo, Cultura e Società. Bologna: Universale Paperbacks Il Mulino, 2004. Schor, Juliet B., and Douglas B. Holt, eds. The Consumer Society Reader. New York: The New Press, 2000. Schrage, Dominik. Die Verfügbarkeit der Dinge: eine historische Soziologie des Konsums. Frankfurt a.M., 2009. Shove, E. Comfort, Cleanliness and Convenience: The Social Organisation of Normality. Oxford: Berg, 2003. 3 Southerton, D., ed. Encyclopedia of Consumer Culture. Thousand Oaks, CA, 2011. Tilley, Christopher, Webb Keane, Susanne Küchler, Michael Rowlands, and Patricia Spyer. Handbook of Material Culture. London: Sage, 2006. Trentmann, Frank, ed. The Oxford Handbook of the History of Consumption. Oxford, 2012. Zelizer, Viviana. "Culture and Consumption." In The Handbook of Economic Sociology, edited by Neil J. Smelser and Richard Swedberg. Princeton, N.J.: Princeton University Press, 2005. 4 2. History of consumption, 15th century to 20th century: Abe, Takeshi. "The Development of Japanese Cotton Weaving Industry in Edo Period." In GEHN Conference: A Global History of Cotton Textiles, 1200-1850. Osaka: Osaka University, 2005. Achenbaum, A. W. Older Americans, Vital Communities: A Bold Vision for Societal Aging. Baltimore: John Hopkins University Press, 2005. Adams, William Howard. On luxury: a cautionary tale. 1st ed. ed. Washington, D.C.: Potomac Books, 2012. Aidit bin Haji Ghazali. "Consumer Credit from the Islamic Viewpoint." Journal of Consumer Policy 17, no. 4 (2005): 443-457. Aiolfi, Sergio. Calicos und gedrucktes Zeug: Die Entwicklung der englischen Textilveredelung und der Tuchhandel der East India Company 1650-1750 Stuttgart, 1987. Ajmar-Wollheim, Marta, and Flora Dennis, eds. At Home in Renaissance Italy. London: V & A Publications, 2006. Aldcroft, Derek H. Europe's Third World: The European Periphery in the Interwar Years. Aldershot: Ashgate, 2006. Allen, Robert. "Agricultural Productivity and Rural Incomes in England and the Yangzi Delta c. 1620-1820." Oxford: Nuffield College, 2004. Allen, Robert C. The British Industrial Revolution in Global Perspective. Cambridge, 2009. ———. "The High Wage Economy and the Industrial Revolution: A Restatement." Economic History Review 68, no. 1 (2015): 1-22. ———. "Mr. Lockyer meets the Index Problem: The Standard of Living in Canton and London in 1704." Oxford: Nuffield College, 2004. Allen, Robert C., Jean-Pascal Bassino, Debin Ma, Christine Moll-Murata, and Jan Luiten van Zanden. "Wages, Prices, and Living Standards in China, Japan, and Europe, 1738-1925, GPIH Working Paper no.1." 2005. Allerston, Patricia. "Clothing and early modern Venetian society." Continuity and Change 15, no. 3 (2000): 367-390. Ariès, Philippe. Centuries of childhood. London: Cape, 1962. Ariff, Mohamed. "Islamic Banking." Asian-Pacific Economic Literature, Vol.2, No.2: 46-62 2, no. 2 (1988): 46-62. Armstrong, Isobel, and Paul Young, eds. The Great Exhibition of 1851: A Reader, 2008. Auslander, Leora. Cultural Revolutions: The Politics of Everyday Life in Britain, North America and France. Oxford, 2009. Aynsley, Jeremy, and Charlotte Grant, eds. Imagined Interiors: Representing the Domestic Interior since the Renaissance. London: V & A Publications, 2006. Baldwin, Frances Elizabeth. Sumptuary Legislation and Personal Regulation in England. Baltimore: Baltimore, 1926. Barles, Sabine. L'invention des déchets urbains: France (1790-1970). Seyssel: Champ Vallon, 2005. Barnes, Ruth. Indian Block-Printed Textiles In Egypt: The Newberry Collection in the Ashmolean Museum. Oxford: OUP, 1997. Barnett, Amy. "Home Making: Domestic Material Culture in Eighteenth Century Norwich." Northampton: University of Northampton. 5 Batchelor, Jennie, and Cora Kaplan, eds. Women and Material Culture, 1660-1830. New York: Palgrave, 2007. Batchelor, Robert. "Concealing the Bounds: Imagining the British Nation through China." In The Global Eighteenth Century, edited by Felicity A. Nussbaum. Baltimore: The John Hopkins University Press, 2003. Bavel, Bas van, and Oscar Gelderblom. "The economic origins of cleanliness in the Dutch Golden Age." Past & Present 205 (2009): 41-69. Bayly, C.A. "'Archaic' and 'Modern' Globalization in the Eurasian and African Arena, ca. 1750– 1850." In Globalization in World History, edited by A. G. Hopkins, 45-72. London, 2002. ———. "The Origins of Swadeshi (Home Industry): Cloth and Indian Society, 1700-1930." In The Social Life of Things: Commodities in Cultural Perspective, edited by Arjun Appadurai, 285-321. Cambridge: CUP, 1986. Bayly, Christopher Alan. Rulers, Townsmen and Bazaars: North Indian Society in the Age of British Expansion 1770-1870. Cambridge: Cambridge University Press, 1983. Beckert, Sven. Empire of Cotton: A New History of Global Capitalism. London, 2014. Behrens-Abouseif, Doris, and Stephen Vernoit, eds. Islamic Art in the Nineteenth Century:Tradition, Innovation and Eclecticism. Leiden: Brill Academics, 2006. Belfanti, Carlo. "The civilization of fashion: at the origins of a Western social institution." Journal of Social History 43, no. 2 (2009): 261-83. Bennett, Tony, and Patrick Joyce, eds. Material powers : cultural studies, history and the material turn. London: Routledge, 2010. Bentley, Jerry H. "Cross-Cultural Interaction and Periodization in World History." American Historical Review (1996): 749-770. Berend, Ivan T. An Economic History of Twentieth-Century Europe. Cambridge: Cambridge University Press, 2006. Berg, Daria. Women and the literary world in early modern China, 1580-1700. London, 2013. Berg, Daria, and Chloe Starr. The quest for gentility in China: negotiations beyond gender and class. London: Routledge, 2007. Berg, Maxine. "Consumption in Eighteenth- and Early Nineteenth-Century Britain." In The Cambridge Economic History of Modern Britain: Volume 1: Industrialisation, 1700-1860, edited by Roderick Floud and Paul Johnson, 357-387. Cambridge Cambridge University Press, 2004. ———. "In Pursuit of Luxury: Global History and British Consumer Goods in the Eighteenth Century " Past and Present 182, no. 1 (2004): 85-142. ---------. Luxury and Pleasure in Eighteenth-Century Britain. Oxford: Oxford University Press, 2005. Berg, Maxine, and Helen Clifford. "Selling Consumption in the Eighteenth Century: Advertising and the Trade Card in Britain and France." Journal of Cultural
Recommended publications
  • 1 Cacao Criollo
    CACAO CRIOLLO: SU IMPORTANCIA PARA LA GASTRONOMÍA, EL TURISMO, CAMBIO CLIMÁTICO Y ALGUNAS PREPARACIONES A BASE DE SUS RESIDUOS Natali López Mejía1, Javier Alejandro Duarte Giraldo2, Jhan Carlos Nino Polo3, Yeimy Alexandra Rozo Betancourt4, Jhon Alejandro Huerfano Calderon5 y Juan Carlos Posso Gomez6 Revista de Institución 1Docente investigadora del programa de Tecnología en Gastronomía, Facultad de Turismo, Arte, Comunicación y Cultura, Universitaria Agustiniana, Ak. 86 #11b-95, Bogotá, Bogotá D.C., Patrimonio y Desarrollo Colombia, e-mail: [email protected]. 2Docente coordinador de alimentos y bebidas del programa de Tecnología en Gastronomía, Confederación Panamericana de Facultad de Arte, Comunicación y Cultura, Universitaria Agustiniana, Ak. 86 #11b-95, Bogotá, Escuelas de Bogotá D.C., Colombia, e-mail: [email protected] Hotelería, Gastronomía y 2Estudiante del programa de Tecnología en Gastronomía, Facultad de Arte, Comunicación y Turismo Cultura, Universitaria Agustiniana, Ak. 86 #11b-95, Bogotá, Bogotá D.C., Colombia, e-mail: (CONPEHT). [email protected] www.conpeht- 3Estudiante del programa de Tecnología en Gastronomía, Facultad de Arte, Comunicación y turpade.com Cultura, Universitaria Agustiniana, Ak. 86 #11b-95, Bogotá, Bogotá D.C., Colombia, e-mail: ISSN: 2448-6809 [email protected] Publicación 4Estudiante del programa de Tecnología en Gastronomía, Facultad de Arte, Comunicación y semestral Cultura, Universitaria Agustiniana, Ak. 86 #11b-95, Bogotá, Bogotá D.C., Colombia,
    [Show full text]
  • Chocolatiers and Chocolate Experiences in Flanders & Brussels
    Inspiration guide for trade Chocolatiers and Chocolate Experiences IN FLANDERS & BRUSSELS 1 We are not a country of chocolate. We are a country of chocolatiers. And chocolate experiences. INTRODUCTION Belgian chocolatiers are famous and appreciated the world over for their excellent craftmanship and sense of innovation. What makes Belgian chocolatiers so special? Where can visitors buy a box of genuine pralines to delight their friends and family when they go back home? Where can chocolate lovers go for a chocolate experience like a workshop, a tasting or pairing? Every day, people ask VISITFLANDERS in Belgium and abroad these questions and many more. To answer the most frequently asked questions, we have produced this brochure. It covers all the main aspects of chocolate and chocolate experiences in Flanders and Brussels. 2 Discover Flanders ................................................. 4 Chocolatiers and shops .........................................7 Chocolate museums ........................................... 33 Chocolate experiences: > Chocolate demonstrations (with tastings) .. 39 > Chocolate workshops ................................... 43 > Chocolate tastings ........................................ 49 > Chocolate pairings ........................................ 53 Chocolate events ................................................ 56 Tearooms, cafés and bars .................................. 59 Guided chocolate walks ..................................... 65 Incoming operators and DMC‘s at your disposal .................................74
    [Show full text]
  • Belize in the Cocoa-Chocolate Global Value Chain
    Belize in the Cocoa-Chocolate Global Value Chain July 2018 Prepared by Danny Hamrick and Karina Fernandez-Stark Duke Global Value Chains Center, Duke University Global Value Chains Center This research was prepared by the Duke University Global Value Chains Center on behalf of the Organization of American States (OAS). This study is part of the establishment of Small Business Development Centers in the Caribbean. The report is based on both primary and secondary information sources. In addition to interviews with firms operating in the sector and supporting institutions, the report draws on secondary research and information sources. The project report is available at www.gvcc.duke.edu. Acknowledgements The Duke University Global Value Chains Center would like to thank all of the interviewees, who gave generously of their time and expertise, as well as Renee Penco of the Organization of American States (OAS) for her extensive support. The Duke University Global Value Chain Center undertakes client-sponsored research that addresses economic and social development issues for governments, foundations and international organizations. We do this principally by utilizing the global value chain (GVC) framework, created by Founding Director Gary Gereffi, and supplemented by other analytical tools. As a university- based research center, we address clients’ real-world questions with transparency and rigor. www.gvcc.duke.edu. Duke Global Value Chain Center, Duke University © July 2018 i Belize in the Cocoa-Chocolate Global Value Chain Acronyms ..........................................................................................................................................................
    [Show full text]
  • November/December 2005 Issue 277 Free Now in Our 31St Year
    jazz &blues report november/december 2005 issue 277 free now in our 31st year www.jazz-blues.com Sam Cooke American Music Masters Series Rock & Roll Hall of Fame & Museum 31st Annual Holiday Gift Guide November/December 2005 • Issue 277 Rock and Roll Hall of Fame and Museum’s 10th Annual American Music Masters Series “A Change Is Gonna Come: Published by Martin Wahl The Life and Music of Sam Cooke” Communications Rock and Roll Hall of Fame Inductees Aretha Franklin Editor & Founder Bill Wahl and Elvis Costello Headline Main Tribute Concert Layout & Design Bill Wahl The Rock and Roll Hall of Fame and sic for a socially conscientious cause. He recognized both the growing popularity of Operations Jim Martin Museum and Case Western Reserve University will celebrate the legacy of the early folk-rock balladeers and the Pilar Martin Sam Cooke during the Tenth Annual changing political climate in America, us- Contributors American Music Masters Series this ing his own popularity and marketing Michael Braxton, Mark Cole, November. Sam Cooke, considered by savvy to raise the conscience of his lis- Chris Hovan, Nancy Ann Lee, many to be the definitive soul singer and teners with such classics as “Chain Gang” Peanuts, Mark Smith, Duane crossover artist, a model for African- and “A Change is Gonna Come.” In point Verh and Ron Weinstock. American entrepreneurship and one of of fact, the use of “A Change is Gonna Distribution Jason Devine the first performers to use music as a Come” was granted to the Southern Chris- tian Leadership Conference for ICON Distribution tool for social change, was inducted into the Rock and Roll Hall of Fame in the fundraising by Cooke and his manager, Check out our new, updated web inaugural class of 1986.
    [Show full text]
  • Annual Report 2019
    ARC CENTRE OF EXCELLENCE IN ARC CENTRE OF EXCELLENCE Introducing the Centre 1 Director’s Report 2 2019 Highlights 4 Chair’s Message 6 Activity Plan for 2020 8 SECTION 1: GOVERNANCE AND STRUCTURE 11 Governance 12 POPULATION AGEING RESEARCH AGEING POPULATION Structure 18 Centre Personnel 20 SECTION 2: RESEARCH AND RESEARCH TRAINING 30 Research Stream 1: Macro-Demographic Dynamics and Population Ageing Policy 31 Research Stream 2: Decision Making, Expectations and Cognitive Ageing 40 Research Stream 3: Organisations and the Mature Workforce 47 Research Stream 4: Sustainable Wellbeing and Later Life 55 ANNUAL REPORT 2019 Research Training and Mentoring 75 SECTION 3: EXTERNAL LINKAGES 84 / Industry and Government Links 85 ANNUAL REPORT ANNUAL National and International Links 90 SECTION 4: PERFORMANCE INDICATORS AND FINANCIAL STATEMENT 97 Key Performance Indicators 98 Research Outputs 99 Communications, Education and Community Outreach 113 2019 End User Links 128 Centre Finance 132 Estimates of Future Expenditure 134 New Grants 135 Awards, Prizes and Recognition 137 CONTACT DETAILS 139 Introducing the Centre 1 Director’s Report 2 2019 Highlights 4 Chair’s Message 6 Activity Plan for 2020 8 SECTION 1: GOVERNANCE AND STRUCTURE 11 Governance 12 Structure 18 Centre Personnel 20 SECTION 2: RESEARCH AND RESEARCH TRAINING 30 Research Stream 1: Macro-Demographic Dynamics and Population Ageing Policy 31 Research Stream 2: Decision Making, Expectations and Cognitive Ageing 40 Research Stream 3: Organisations and the Mature Workforce 47 Research Stream
    [Show full text]
  • Emfin Profile 2018
    EXECUTIVE MASTER IN FINANCE Preparing Financial Leaders CLASS PROFILE 2018 EMFin Programme For more than half a century, INSEAD has been developing ambitious leaders with a unique worldview and a strong entrepreneurial spirit. Our close links to the international business community, distinctive participative teaching style and outstanding faculty all contribute to our global reputation. INSEAD’s Executive Master in Finance (EMFin) builds on these strengths, offering you an unparalleled experience that will hone your leadership and management skills as well as deepen your knowledge of the sector. Class Profile EMFin 2018 38 Participants 31 Average Age 16 Nationalities 7 years Average work experience 34% Female Main Industry Sectors 11% 42% Investment Banking 3% Corporate Finance 5% Investment Management 5% Retail and Commercial Banking 5% Private Equity Financial Consulting 11% Sales & Trading Other 18% Job Titles 3% 5% 42% 8% VP / Director Manager Associate Analyst 42% CFO 2 | EMFin PROFILES 2018 Participant Name Page No. Roohi BANSAL .................................................................................................................................. 4 Paul Howard BIRKETT ...................................................................................................................... 4 Vy BUI ................................................................................................................................................. 4 Pei Ying CHANG ...............................................................................................................................
    [Show full text]
  • ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
    ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums).
    [Show full text]
  • Talking Heads -.:: GEOCITIES.Ws
    Talking Heads / David Byrne / A+ A B+ B C D updated: 09/06/2005 Tom Tom Club / Jerry Harrison / ARTISTS = Artists I´m always looking to trade for new shows not on my list :-) The Heads DVD+R for trade: (I´ll trade 1 DVD+R for 2 CDRs if you haven´t a DVD I´m interested and you still would like to tarde for a DVD+R before contact me here are the simple rules of trading policy: - No trading of official released CD´s, only bootleg recordings, - Please use decent blanks. (TDK, Memorex), - I do not sell any bootleg or copies of them from my list. Do not ask!! - I send CDRs only, no tapes, Trading only !!! ;-), - I don't do blanks & postage or 2 for 1's; fair trading only (CD for a CD or CD for a tape), I trade 1 DVD+R for 2 CDRs if you haven´t a DVD I´m - Pack well, ship airmail interested - CD's should be burned DAO, without 2 seconds gaps between the - Don´t send Jewel Cases, use plastic or paper pockets instead, I´ll do the same tracks, - For set lists or quality please ask, - No writing on the disks please - Please include a set list or any venue info, I´l do the same, - Keep contact open during trade to work out a trade please contact me: [email protected] TERRY ALLEN Stubbs, Austin, TX 1999/03/21 Audience Recording (feat. David Byrne) CD Amarillo Highway / Wilderness Of This World / New Delhi Freight Train / Cortez Sail / Buck Naked (w/ David Byrne) / Bloodlines I / Gimme A Ride To Heaven Boy DAVID BYRNE In The Pink Special --/--/-- TV-broadcast / documentary DVD+R Interviews & music excerpts TV-Show Appearances 1990 - 2004 TV-broadcasts (quality differs on each part) DVD+R I.
    [Show full text]
  • LANCASTER UNIVERSITY Popular Music, the Christian Story, and The
    LANCASTER UNIVERSITY Popular Music, the Christian Story, and the Quest for Ontological Security David John Gillard MA (Distinction) A Thesis Submitted to the Faculty of Graduate Studies In Fulfilment of the Requirements for The Degree of Doctor of Philosophy (PhD) DEPARTMENT OF POLITICS, PHILOSOPHY AND RELIGION OCTOBER 2019 Abstract Popular Music, the Christian Story, and the Quest for Ontological Security David John Gillard MA A Thesis Submitted to the Faculty of Graduate Studies In Fulfilment of the Requirements for The Degree of Doctor of Philosophy (PhD) October 2019 The crisis of socialisation into Christian belief is, in part, evidence of Western secularisation. Added to this, there is evidence of significant existential restlessness. Moreover, many individuals feel alienated from the Church, which has been the historic Western provider of a discourse offering ontological security. Such restlessness finds emotional expression within a popular music culture that frequently interrogates Christian belief. It is argued here that not only is there a hegemonic resistance to Christian discourse, but that the Church inadvertently colludes with these forces, favouring its historic, rationalistic methods of evangelism, the effectiveness of which is now limited. This thesis offers a model to redress aspects of this disconnect, arguing for the significance of affective spaces within which spiritual reflection is encouraged. Using Zygmunt Bauman’s sociology of liquid modernity the thesis considers the fluid nature of Western society. In particular, it explores the ways in which popular music articulates core themes in a society in which individuals are effectively bricoleurs, drawing from popular culture in order to tactically resist hegemony. Central to the discussion is the idea that humans are ‘hard wired’ to develop a sense of self in a proto-musical manner.
    [Show full text]
  • Contemporary French Farmers Unions at the Age of Uncertainty Eric Doidy, François Purseigle
    Troubled rootedness : contemporary French farmers unions at the age of uncertainty Eric Doidy, François Purseigle To cite this version: Eric Doidy, François Purseigle. Troubled rootedness : contemporary French farmers unions at the age of uncertainty. 8. Annual Conference of the European Sociological Association. Conflict, Citizenship and Civil Society, Sep 2007, Glasgow, United Kingdom. hal-02753714 HAL Id: hal-02753714 https://hal.inrae.fr/hal-02753714 Submitted on 3 Jun 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Conflict, Citizenship and Civil Society Theme of the Conference Europe is experiencing extensive transformations that disturb traditional political institutions and explode periodically into deep conflict. Political interpretation of these events is contested and reasons 'traditional' and 'new' vie for explanatory efficacy. Conflicts associated with migration, generation, gender, precarious labour, urban tension and cultural and religious intolerance are spliced by inequality, discrimination, poverty and exclusion thus complicating
    [Show full text]
  • SBS Chill 12:00 AM Monday, 23 March 2020 Start Title Artist 00:07 Sealed Air Ghosts of Paraguay
    SBS Chill 12:00 AM Monday, 23 March 2020 Start Title Artist 00:07 Sealed Air Ghosts of Paraguay 03:00 Tíbrá Samaris 06:23 Fanfare Of Life Leftfield 12:35 Halving the Compass (Rhian Sheehan Remix) Helios 19:08 Plastic Heart Jens Buchert 24:49 Run Air 28:48 Swiss (Orginal Mix) Deeb 33:04 Soul Bird (Tin Tin Deo) Cal Tjader 35:46 The Garden A.J. Heath 40:32 Sundown Living Room 45:27 When're You Gonna Break My Heart Silver Ray 58:18 Song 1 DJ Krush 63:42 Endless Summer Flanger Powergold Music Scheduling Licensed to SBS SBS Chill 1:00 AM Monday, 23 March 2020 Start Title Artist 00:08 Babies Colleen 03:34 Traces Of You Anoushka Shankar & Nora... 07:20 They have escaped the weight of darkness Olafur Arnalds 11:28 Telco Daniel Lanois 15:02 Grey Skies Ben Westbeech 16:52 Hold On Gary B 23:36 (Exchange) Massive Attack 27:47 Interview With The Angel Ghostland 32:14 Finally Moving Pretty Lights 36:44 Agua José Padilla 43:53 Tomorrow Island (yesterday mix) Frank Borell 49:04 Leaves Winterbourne 54:39 Already Replaced Steve Hauschildt 58:43 Jets Bonobo Powergold Music Scheduling Licensed to SBS SBS Chill 2:00 AM Monday, 23 March 2020 Start Title Artist 00:05 Riverside Agnes Obel 03:53 Desert (Version Française) Emile Simon 06:51 Ghost Song Spacecadet Lullabies 14:54 War Song Phamie Gow 18:01 Natural Cause Emancipator 23:06 Siren Of The Sun Urban Myth Club 28:33 Sand Max Melvin 34:37 Mamma Africa Babylon Syndicate 39:29 The Dust of Months Bill Wells 43:38 Memory (Red Scarf) V.K 46:35 The Dove Caspian 49:40 1+1 La Chambre 56:36 Mir Murcof 63:11 Metro Francois
    [Show full text]
  • Angélique Kidjo Raises Voices in the Light: the Artist Reimagines the Talking Heads’ Album at the Vets
    Angélique Kidjo Raises Voices in the Light: The artist reimagines The Talking Heads’ album at The Vets African pop star, international world-music sensation and 2020 Grammy winner Angélique Kidjo is returning to Providence on Saturday (Feb 22) to perform her reimagining of Remain in the Light, the landmark album by RI-conceived band The Talking Heads. Kidjo has visited Providence before, performing in Kennedy Plaza as part of a FirstWorks event that was a precursor to PVDFest back in 2015. “People were transfixed,” said Kathleen Pletcher, executive artistic director of FirstWorks. “She makes everyone want to be dancing.” Kidjo has also performed at the Newport Jazz Festival in the past. Remain in the Light, was selected because of the lyrics and themes of the songs on the album, and also because some of its more afrobeat notes hearken back to musical styles typical in Africa. The songs allow Kidjo to weave together content about gentrification and social control, modernization and the struggle around beauty standards with musical evolutions that mirror those themes. Although the album is from 1980, the themes are at least as relevant today. Hits being reinterpreted include “Once in a Lifetime” and “Houses in Motion.” Kidjo is also well known as an activist, with a focus on women’s advocacy and girls’ education around the world. She conducted an educational talk back as part of FirstWorks’ “Raise Your Voice” series, in partnership with Classical High School, on Friday, Feb 21. The talk, and the entire series, are aimed at combining education and the arts, “Using the arts to amplify different perspectives and voices that aren’t always heard, and bring them to the fore.” Pletcher says, “The educational element has become the beating heart that is so important to FirstWorks – reaching over 5,000 students with a curriculum that uses the arts as a different way into subjects, topics and academics, providing a gateway to help launch classroom learning.” Kidjo is especially known for the engagement level of her live performances.
    [Show full text]