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PH Braces for Fuel Crisis After Attacks on Saudi Oil Facilities
WEEKLY ISSUE @FilAmNewspaper www.filamstar.com Vol. IX Issue 545 1028 Mission Street, 2/F, San Francisco, CA 94103 Email: [email protected] Tel. (415) 593-5955 or (650) 278-0692 September 19-25, 2019 Elaine Chao (Photo: Wikimedia) VP Robredo faces resolution of her fraud, sedition cases Trump Transpo Sec. By Beting Laygo Dolor acting as presidential electoral tribu- by the Commission on Elections, which Chao under scrutiny Contributing Editor nal (PET) is expected to release the Marcos charged was an election taint- US NEWS | A2 decision on the vote recount of the ed with fraud and massive cheating. ANYTIME within the next week or 2016 elections filed by former sen- To prove his claim, Marcos so, Vice-president Leni Robredo can ator Ferdinand Marcos, Jr. against requested and was granted a manual expect a decision to be handed out in her. recount of votes in three provinces. two high-profile cases involving her. Robredo defeated Marcos by some TO PAGE A7 VP Leni Robredo (Photo: Facebook) In the first, the Supreme Court 250,000 votes based on the final tally ■ By Daniel Llanto FilAm Star Correspondent IN THE wake of the drone attacks on Saudi Arabia’s oil facilities, Foreign PH braces for fuel Affairs Sec. Teodoro Locsin Jr. said Riza Hontiveros (Photo: Facebook) the loss of half of the world’s top oil Divorce bill in producer is so serious it could affect the country “deeply” and cause the “Philip- crisis after attacks discussion at PH Senate pine boat to tip over.” PH NEWS | A3 “This is serious,” Locsin tweeted. -
Kod-4000 Sort by Title Tagalog Song Num Title Artist Num
KOD-4000 SORT BY TITLE TAGALOG SONG NUM TITLE ARTIST NUM TITLE ARTIST 650761 214 Luke Mejares 650801 A Tear Fell Victor Wood 650762 ( Anong Meron Ang Taong ) Happy Itchyworms 650802 A Wish On Christmas Night Jose Mari Chan 650000 (Ang) Kailangan Ko'y Ikaw Regine Velasquez 650803 A Wit Na Kanta Yoyoy Villame 650763 (He's Somehow Been) A Part Of Me Roselle Nava 650804 Aalis Ka Ba?(Crying Time) Rocky Lazatin 650764 (He's Somehow Been)A Part Of Me Roselle Nava 650805 Aangkin Sa Puso Ko Vina Morales 650765 (Nothing's Gonna Make Me) Change Roselle Nava 650806 Aawitin Ko Na Lang Ariel Rivera 650766 (Nothing's Gonna)Make Me Change Roselle Nava 650807 Abalayan Bingbing Bonoan 650187 (This Song) Dedicated To You Lilet 650808 Abalayan (Ilocano) Bingbing Bonoan 650767 ‘Cha Cha Cha’ Unknown 650809 Abc Tumble Down D Children 650768 100 Years Five For Fighthing 650188 Abot Kamay Orange&Lemons 650769 16 Candles The Crest 650810 Abot Kamay (Mtv) Orange&Lemons 650770 214 (Mtv) Luke Mejares 650189 Abot-Kamay Orange And Lemons 650771 214 (My Favorite Song) Rivermaya 650811 About Kaman Orange&Lemons 650772 2Nd Floor Nina 650812 Adda Pammaneknek Nollie Bareng 650773 2Nd Floor (Mtv) Nina 650813 Adios Mariquita Linda Adapt. L. Celerio 650774 6_8_12 (Mtv) Ogie Alcasid 650814 Adlaw Gai-I Nanog Rivera 650775 9 & Cooky Chua Bakit (Mtv) Gloc 650815 Adore You Eddie Peregrina 650776 A Ba Ka Da Children 650816 Adtoyakon R. Lopez 650777 A Beautiful Sky (Mtv) Lynn Sherman 650817 Aegis Rachel Alejandro 650778 A Better Man Ogie Alcasid 650190 Aegis Medley Aegis 650779 A -
Kathryn Bernardo Winning Over Her Self-Doubt Bernardo’S Story Is Not Just All About Teleserye Roles
ittle anila L.M.ConfidentialMARCH - APRIL 2013 Stolen Art on the Rise in the Philippines MANILA, Philippines - Art dealers and buyers beware: Criminal syndicates have developed a taste for fine art and, moving like a pack of wolves, they know exactly what to get their filthy paws on and how to pass the blame on to unsuspecting gallery staffers or art collectors. Many artists, art galleries, and collectors who have fallen victim to heists can attest to this, but opt to keep silent. But do their silence merely perpetuate the growing art thievery in the industry? Because he could no longer agonize silently after a handful of his sought-after creations have been lost KATHRYN to recent robberies and break-ins, sculptor Ramon Orlina gave the Inquirer pertinent information on what appears to be a new art theft modus operandi that he and some of the galleries carrying his works Bernardo have come across. Perhaps the latest and most brazen incident was a failed attempt to ransack the Orlina atelier Winning Over in Sampaloc early in February! ORLINA’S “Protector,” Self-Doubt stolen from Alabang design space Creating alibis Two men claiming to be artists paid a visit to the sculptor’s Manila workshop and studio while the artist’s workers Student kills self over Tuition were on break; they told the staff they were in search of sculptures kept in storage. UP president: Reforms under way after coed’s tragedy The pair informed Orlina’s secretary that they wanted to purchase a few pieces immediately and MANILA, Philippines - In death, and its student support system In a statement addressed to the asked to be brought to where smaller works were Kristel Pilar Mariz Tejada has under scrutiny, UP president UP community and alumni, Pascual housed. -
September 2017 Asian Eye Covers All Bases
SEPTEMBER 2017 www.lopezlink.ph Out in full force for WTT@11! Story on page 10. http://www.facebook.com/lopezlinkonline www.twitter.com/lopezlinkph Asian Eye covers all bases AS the country observed Sight Saving Month in August, a news report placed the number of bilaterally blind Filipinos at more than 330,000, with cataracts, errors of refraction (EOR) and glaucoma as the leading causes of blindness. Bilateral low vision due to EOR and cataract is more prevalent, with more than 2 million Filipino sufferers. Turn to page 6 1H financials: RNIs Alisa de los Reyes, Grand …page 2 …page 12 stable …pagesocial 9 worker gestures Lopezlink September 2017 Lopezlink September 2017 Biz News JANUARY TO JUNE 2017 FINANCIAL RESULTS (UNAUDITED, CONSOLIDATED) Total revenues Net income attributable to equity First Gen recurring net income holders of the parent company First Gen-PREHC PLP remembered 2016 2017 % change 2016 2017 % change slightly lower at $84M FIRST Gen Corporation re- ty increased to $851 million for tal consolidated revenues (see tender offer agreement ABS-CBN P20.990B P19.344B -8 P2.273B P1.455B -36 ported recurring net income the first half of 2017 compared related story). By Joel Gaborni EDC P17.005B P17.747B +4 P4.923B P4.615B -6 at midyear review attributable to equity holders to $804 million for the same The 132-MW Pantabangan- By Carla Paras-Sison First Gen $804.311M $850.935M +6 $113.009M $57.993M -49 of the parent of $84 million for period last year. Masiway hydroelectric plants’ FPH P44.142B P51.482B +17 P3.512B P2.516B -28 the first semester of 2017. -
Wala Nang Wakas Episode Guide
wala nang wakas episode guide Download wala nang wakas episode guide VIDEO: [youtube]] FULL TRANSCRIPT: State of the Nation Address of His Excellency Benigno S. Aquino III About The Half Sisters. In the series, Rina (Jean Garcia) is the childbearing woman of the “twins,” one sired through amorous marital copulation with her husband. Fernado ‘Dong’ Batul:Broadcaster killed by gunmen. I have been writing about this topic so much on my blog and in my news reports; now one of the victims is. Okay so I was supposed to post this entry the day before we left for Japan, but I unfortunately had a shitty internet connection during that time that’s why this. Naglilingkod sa Diyos at sa Bayan sa pagtuturo ng Kasaysayan. LOOKING DOWN ON EACH OTHER: The Filipinos and the Chinese, a History of Racism Timeless (Sana y Wala Nang Wakas): Watch full length episodes & video clips. Read the latest Timeless (Sana y Wala Nang Wakas) episode guides & recaps, fan reviews. A Gentleman’s Promise Series 3: The Love Exception By Akira Ellie “Palagi mong pinabibilis ang tibok ng puso ko sa simpleng pagsulyap mo sa akin.” On the Wings of Love, December 1, 2015. Jigs (Albie Casiño) insists on disrupting Leah (Nadine Lustre) and Clark s (James Reid) celebration with their families. Genre: Drama, Romance, Telenovela: Created by: ABS-CBN: Starring: Jericho Rosales Kristine Hermosa Diether Ocampo Angelika dela Cruz: Opening theme Sana y Wala Nang. Elizabeth Jane Urbano Oineza, better known simply as Jane Oineza (born July 30, 1996), is a Filipina actress, commercial model and singer. -
Real Life Revisited on GMA Life TV to Be a Winner in This Adventure Sport
The ratings are out and the results are astoundingly clear-your GMA’s newly-launched primetime series Iglot starred by Claudine Kapuso Network GMA 7 leads the way among local channels once Barretto and new child star Milkcah Wynne Nacion delivers an again in the race towards the topmost spot! impressive debut performance vis-à-vis the competition’s 100 Days to Heaven. Respected and recognized ratings service provider Nielsen TV Audience Measurement recently came out with the August data (August 28 to 31 based on overnight ratings), and the outcome Afternoon Wins In the afternoon block (12nn to 6pm), GMA maintained its edge favors GMA by a 4.1 point margin over its longtime rival ABS-CBN, over ABS-CBN nationwide. The recently launched Pahiram ng which has a 30.9 standing. Meanwhile, despite its aggressive Isang Ina, billed by Carmina Villarroel, Bea Binene, Jake Vargas, marketing, TV5 capped off the month with 16.1 share points. and Maxene Magalona, upheld the winning performance made by Kylie Padilla’s Blusang Itim. Let the Numbers Talk The lead of 4.1 points means that GMA had almost 155,000 more Overall, for the month of August, GMA’s afternoon programs TV households from all over the country watching its shows. scored 41.5 household share points nationwide, ahead of ABS- Using an assumption of five viewers per household, the lead CBN’s 24.8, and TV5’s 15.4. would translate to GMA having about 774,000 more viewers over ABS-CBN. Compared to TV5, GMA had about 709,000 more TV The gap of 16.7 points over ABS-CBN means that more than households or an estimated advantage of roughly 3.5 million more 634,000 households and more than 3.1million more viewers viewers. -
Catalogue 2010
EQUIPO CINES DEL SUR Director_José Sánchez-Montes I Relaciones institucionales_Enrique Moratalla I Directores de programación_Alberto Elena, Casimiro Torreiro I Asesores de programación_María Luisa Ortega, Esteve Riambau I Programador Transcine y cinesdelsur.ext_ ÍNDICE José Luis Chacón I Gerencia_Elisabet Rus I Auxiliar administración_Nuria García I Documentación Audiovisual Festival_Jorge Rodríguez Puche, Rafael Moya Cuadros I Coordinador Producción_Enrique Novi I Producción_Clara Ruiz Molina, Daniel Fortanet I Coordinadora de comunicación, difusión y prensa_María Vázquez I Auxiliares de comunicación, difusión y prensa_ Ramón Antequera, Anne Munzert, Ana Cabello, José Manuel Peña I Jefa de prensa_Nuria Díaz I Comunicación y prensa_Estela 7 Presentación_Welcome Hernández, Isabel Díaz, Neus Molina I Márketing_José Ángel Martínez I Publicaciones_Carlos Martín I Catálogo_Laura 11 Jurado 2010_Jury 2010 Montero Plata I Gestión de programación, tráfico de copias y material promocional_Reyes Revilla I Auxiliares de programación, tráfico de copias y material promocional_Zsuzsi Gruber, Frederique Bernardis I Relaciones con la industria_Nina Frese I Auxiliar relaciones con la industria_Bram Hermans I Relaciones públicas_Magdalena 19 PROGRAMACIÓN_Programming Lorente I Coordinador de invitados_Enrique Novi I Invitados_Marichu Sanz de Galdeano, Toni Anguiano I Asesor Consejería de Cultura_Benito Herrera I Protocolo_María José Gómez I Web_Enrique Herrera, María Vázquez I 21 Secciones Oficial e Itinerarios_Official and Itineraries Sections Coordinador -
Special Issue on Film Criticism
semi-annual peer-reviewed international online journal VOL. 93 • NO. 1 • MAY 2020 of advanced research in literature, culture, and society UNITAS SPECIAL ISSUE ON FILM CRITICISM ISSN: 0041-7149 Indexed in the International Bibliography of the ISSN: 2619-7987 Modern Language Association of America About the Issue Cover From top to bottom: 1. Baconaua - One Big Fight Productions & Waning Crescent Arts (2017); 2. Respeto - Dogzilla, Arkeofilms, Cinemalaya, CMB Film Services, & This Side Up (2017); 3. Ebolusyon ng Isang Pamilyang Pilipino - Sine Olivia, Paul Tañedo Inc., & Ebolusyon Productions (2004); 4. Himala - Experimental Cinema of the Philippines (1982); and 5. That Thing Called Tadhana - Cinema One Originals, Epicmedia, Monoxide Works, & One Dash Zero Cinetools (2014). UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowl- edge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. Although downloading and printing of the articles are allowed, users are urged to contact UNITAS if reproduction is intended for non-individual and non-commercial purposes. Reproduction of copies for fair use, i.e., for instruction in schools, colleges and universities, is allowed as long as only the exact number of copies needed for class use is reproduced. -
W Ala Tay Ong Sasan Tuhin
ISSN: 0041-7149 SINce ISSN: 2619-7987 1922 VOL. 87 • NO. 1 • MAY 2014 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society U Z. ELISERIO WALA TAYONG SASANTUHIN TAYONG WALA . UNITAS WALA TAYONG SASANTUHIN VOL. 87 • NO. 1 • MAY 2014 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society WALA TAYONG SASANTUHIN u Z. ElisErio SINce 1922 Indexed in the International Bibliography of the Modern Language Association of America Wala Tayong Sasantuhin Copyright @ 2014 U Eliserio & the University of Santo Tomas Pasasalamat kay Vladimeir Gonzales para sa paghintulot sa may akda na gamitin ang litratong kuha niya para sa pabalat ng libro. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowledge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. Although downloading and printing of the articles are allowed, users are urged to contact UNITAS if reproduction is intended for non-individual and non-commercial purposes. Reproduction of copies for fair use, i.e., for instruction in schools, colleges and universities, is allowed as long as only the exact number of copies needed for class use is reproduced. -
Cinema) History
Campos / Ghostly Allegories 611 GHOSTLY ALLEGORIES: HAUNTING AS CONSTITUTION OF PHILIPPINE (TRANS) NATIONAL (CINEMA) HISTORY Patrick Campos University of the Philippines Film Institute [email protected] Abstract By reading through the con–texts of Yam Laranas’s The Echo (2008) and Kelvin Tong’s The Maid (2005), the essay considers three Filipino genres that ironically gathered momentum at the time of the Philippine film industry’s crisis and decline in the 1990s up to the 2000s – the historical drama, the OFW (overseas Filipino worker) film, and horror. In the process, the essay constitutes an alternative map of Philippine cinema premised on inter-national transactions across states and film industries, on the one hand, and on the nodal and spectral bodies of Filipinas that network these states and industries, on the other hand. Dwelling on multiform hauntings, it ultimately focuses on how nations/cinemas – through (de)localized genres – are constituted and called into account by specters of (cinema) histories. Keywords Philippine cinema, Singapore cinema, transnational cinema, Asian horror, OFW film About the Author Patrick Campos is Assistant Professor at the University of the Philippines Film Institute. He is currently Director of the Office of Extension and External Relations of the College of Mass Communication, University of the Philippines, Diliman, where he previously served as College Secretary. Kritika Kultura 21/22 (2013/2014): –643 © Ateneo de Manila University <http://kritikakultura.ateneo.net> Campos / Ghostly Allegories 612 I came here to see the world. I ended up looking into the saddest and darkest part of the human heart. Here my journey ends. -
VICE President KONTRABIDAS
2018 FEBRUARY NEW Kapuso Loveteam? Andre & Klea ANNULMENT OK lo PHILIPPINES - The House of Rep- Under the bill, marriage annulments veteam? resentatives has approved a proposed law that eliminates the costly judicial ANNULMENT process for marriage annulment. continued on page 25 JADINE movie ‘Never Not love you’ not happening? Am-FILIPINO star in HollYwood Dengue Vaccine Versace Assassination TV Show Side Effects PEOPLE Who use Blown out of EMOJIS a LOT have More sex proportion VICE President Office will DISaPPear Binibining Pilipinas 4th year longest FILIPINOS TOP on Binibining Pilipinas contestants like Agatha Romero (TOP)and crossover This photo, taken on April 4, 2016, shows a nurse showing vials of beauty queen Catriona Gray (ABOVE) the dengue vaccine Dengvaxia, developed by French medical giant are ready to represent the Philippines. Sanofi Pasteur, during a vaccination program at an elementary school in Metro Manila. A group of physicians and scientists has issued a statement expressing dismay at how the controversy surrounding the an- PORNHUB ti-dengue Dengvaxia vaccine has started to WHY showbiz need GOOD “erode” public confidence in the country’s vaccination programs. The statement, which was emailed to media outfits, was signed by 58 doctors, in- cluding former Health secretaries Esparan- KONTRABIDAS za Cabral and Manuel Dayrit. “The unnecessary fear and panic, largely brought about by the imprudent language reduce and unsubstantiated accusations by persons whose qualifications to render any expert opinion on the matter are questionable, at best, have caused many parents to resist having their children avail of life saving STRESS vaccines that our government gives,” the SEX statement read. -
2004 01 Inside Pages
UP Film Institute Filmography of Filipino Films 2003 Introduced by Lucenio Martin L. Lauzon Compiled by Virginia D. Cuyugan and Lucenio Martin L. Lauzon with assistance from Pol del Mundo of the Movie and Television Review and Classification Board (MTRCB) Ana Fajardo of the Film Academy of the Philippines (FAP) Edwin Joaquin of the MOWELFUND Film Institute The Filipino film celebrates this year its 85th anniversary but its activities and achievements through the years still need to be documented and assessed fully and systematically. Today, the country is still wanting not only in the capability to preserve its film heritage but also in the determined and sustained efforts to collect and preserve existing data on Filipino film for posterity. It does not help that the conservation of Filipino heritage, taxing and tedious as it is already, is appreciated by only a few individuals even within the industry. As an institution dedicated to the study of films, the UP Film Institute (UPFI) shall try to help in the task of gathering, classifying and disseminating data on the Filipino film. As part of its commitment to the public, the UPFI shall make these data available to everyone through the publication of a systematic and comprehensive listing of Filipino films, beginning with those produced in 2003. This year is most apropos as it was also in 2003 that the UPFI was formally established by virtue of the UP Board of Regents resolution. The UPFI realizes that such filmographies are indispensable for anyone who wants to gain an overview of the film landscape in the country and to make necessary, informed and authoritative observations on the state of the Filipino film industry.