The Inventory of the Elliot Norton Collection #858

Total Page:16

File Type:pdf, Size:1020Kb

The Inventory of the Elliot Norton Collection #858 The Inventory of the Elliot Norton Collection #858 Howard Gotlieb Archival Research Center Norton, Elliot, 1903- #858 April 1990-March 1995 Balcony Aisle 13 After.#89 D The collection of eight boxes includes seventeen folders of correspondence from actors, playwrights, directors and others with whom Elliot Norton was associated in his 48 years as drama critic for a Boston newspaper and interviewer for the weekly radio and television program "Elliot Norton Reviews" from 1958-1982. Some carbon copies for Mr. Norton's letters are also present. He was affiliated with the major American theater orgi;inizations and drama critic groups, as founding member, president or committee member of most at one time or other. Fourteen folders are devoted to correspondence, programs and publicity for his numerous awards and honors. Among other materials in the collection are typescripts of his lectures, transcripts and other documents related to his television program, and biographical pieces written during his career and on his retirement in 1982. 1 Norton,· Elliot, 1903- Inventory Outline I. CORRESPONDENCE (1930-1994). 17 folders. Selected alphabetical list of correspondents. II. SUBJECT FILES A. Affiliations-14 folders American College Theatre Festival American National Theatre and Academy (ANTA) American Theatre Critics Assocition Boston Press Club Committee Memberships. 6 folders Massachusetts Council on the Arts and Humanities, 1966-1976 National Critics Institute New England Theatre Conference Provincetown Playhouse B. Awards and Honors. 6 folders Awards and Honors, 1947-1988. 3 folders Elliot Norton Awards: 1983-1993. 2 folders Honorary Degrees 1956-1980. C. Broadway Down East D. Foreign Tours. 4 folders Edinburgh, 1953. Notebook Foreign Language League Drama Work 1967 Israel, 1970 Theatre Guild Abroad, 1970 III.MANUSCRIPTS A. Lectures, 1948-1989. 9 folders B. Radio and Television Programs. 9 folders "Elliot Norton Reviews" Transcripts, etc. 1963-1982, 5 folders Correspondence, 1958-1982 1 folders Printed Materials 1 folder Videotape Inventory 1 folder Radio and Television Programs-Other 1 folder C. Writings 2 folders D. Manuscripts sent to E.N. 1 folder 2 IV. PRINTED MATERIALS 5 folders A. ByE.N. B. AboutE.N. C. About E.N. --Retirement D. MentionE.N. E. Collected by or sent to E.N. V. 1969 APPOINTMENT CALENDAR VI. AUDIO and VIDEO MATERIALS VIL PHOTOGRAPH 3 Norton, Elliot, 1903- Inventory of Papers April 1990-March 1995 I. CORRESPONDENCE (Chronological arrangement) 17 folders Box 1 Fl 1930-1950 F2 1951-1959 F3 1960-1962 F4 1963-1964 F~ 1965-1966 F6 1967-1968 F7 1969-1970 F8 1971-1973 Box2 Fl 1974-1975 F2 1976-1977 F3 1978-1979 F4 1980-1981 F5 1982 F6 1983-1990 F7 1991-1994 Box 3 Fl Undated by approximate decade. F2 Correspondence with Edward Sheehan about his play, American Innocence, 1982-1984. Selected List of Correspondents: Adlow, Elijah TLS May 31, 1966 Aherne, Brian, TLS Dec 5, 1969 Albee, Edward, 1928-TLS, April 25, 1968; ANS, Dec. 1 1975 with CTLS from EN Aldrich, Nelson TLS Dec. 30, 1958 Aldrich, Richard, 1902-1986. TLS, Sept. 27, 1954; Telegram, Jan. 6, 1955; ALS Dec. 2, 1968; 4 Atkinson, Brooks, 1894-1984, ALS, Mar. 23, 1958;TLS Nov. 5, 1959; TLS Dec. 31, 1959; ALS Nov. 1, 1961; TLS Aug. 10, 1970; TLS Feb. 5, 1974; TLS Aug. 11, 1974 ALS, Sept. no year; TLS "Tuesday", no date. Bacharach, Burt. TLS, Aug. 6, 1969 Bailey, Pearl Mae, 1918-1990. TLS May 3, 1968; TLS Jan. 16, 1970; ANS, n.d. Ballard, Kay 1926-ANS June 7, 1947, ALS Apr. 19, 1974 Banks, Talcott TLS March 12, 1962, TLS Feb. 17, 1982 Bean, Orson ANS n.d. Benedict, Paul TLS April 2, 1986 Bentley, Eric, TLS Oct. 14, 1973; TLS Dec. 8, 1973; TLS Jan. 6, 1974; TLS May 26, 1974 Berg, Gertrude ALS Jan. 28, no year Berlin, Irving, 1888-1989. TLS May 23 1962 , Bloomgarden, Kermit Telegram Nov. 19, 1955; TLS Jan. 3 1962, with his CTL to Forrest Tucker Brown, Francis Telegram Feb. 20, 1967 Brown, Joe Evan, 1892-1973. ALS n.d. ca. 1940s Brustein, Robert TLS May 31, 1978 TLS July 28, 1978; TLS August 12, 1978; TLS Dec. 14, 1978; TLS April 25, 1983; TLS Dec. 28, 1988; TLS May 21, 1991 TLS Feb. 6, 1992; TLS March 21, 1994. Canham, Erwin D. TLS Nov. 29, 1949 Cantor, Eddie 1893-1964. TLS Aug 8, 1947 Capp, Al, 1909-1979. TLS Aug. 29, n.y. Carlisle, Kitty, 1915 - ANS Nov. 26, 1986, ALS May 3, 1988; 2 ALS n.d. Carney, Art, 1918-ALS Aug. 9, 1963 Carson, Mildred ALS Oct. 9, 1956 Case, Harold (BU) TLS March 1, 1967 Celler, Emanuel TLS March 8, 1956 Channing, Carol, 1921- ALS June 11, 1977; ANS n.d. Telegram, July 6, 1982 Chapman, Robert TLS March 16, 1977; TLS April 1, 1977 Chayefsky, Paddy 1923 - 1981 TLS March 25, 1958 Chodorov, Jerome TLS Aug, 23, 1962 Christy, Marian ALS Nov. 20, 1978 Clurman, Harold TLS April 30, 1974 TLS May 8, 1974, TLS Nov. 8, 1977, Photocopy ALS May 26, 1979 Como, Perry TLS, Nov. 5, 1947 Conway, John (historian) TLS May 4, 1961 Cornell, Katharine, 1898-1974. ALS Feb. 10, 1958;ANS 5 n.d. [1971]; ALS Mar. 31, 1973; ANS on card with photograph, XMAS, 1973) Cousins, Norman, 1912-1990. TLS June 13, 1955 TLS Nov. I, 1955 Coward, Noel, 1899-1973. TLS Oct. 8, 1963 Crane, Bob ALS July 3, no year Crawford, Cheryl TLS Oct. 22, 197 6 Cronyn, Hume, 1911- TLS Sept. 19, 1956;TLS July, 20, 1957;TLS July 18, 1963; TLS April 30, 1970 TLS Mar 22, 1974; TLS Sept. 23, 1977; TNS April 25, 1978. Photocopy. TLS (to Spring Sirkin) Dec I, 1992; TLS Feb. 20, 1994. ANS n.d. 1980s (?) Crouse, Russel, 1893-1966. TLS May 4, 1964 Signed Buck. See also Lindsay, Howard. Cummings, Constance ALS Dec. 22, 1978 Cunningham, Bill (Boston Herald) TLS April 1,6, 1959 Davis, Hallie Flanagan TLS June 5, 1947 Denker, Henry TLS April 6, 1961 Dickson, Harry Ellis TLS Nov. 4, 1969, TLS Feb. 12, 1975 Douglas, Kirk, 1916- TLS Nov. 26, 1963 Dowling, Eddie, 1894-1976 ALS Feb. 20, 1948, ALS July 24, 1949 ALS Dec. 12, 1967. Drake, Alfred, 1914-TNS Mar. 20, 1958 Duke, Patty, 1946-ALS n.d. Duncan, Sandy, 1946-ANS [1981 from Chicago] Dunnock, Mildred, 1904- ALS June 2, 1969 Durante, Jimmy Telegram Feb. 5, 1939 Ebsen, Buddy, 1908-TelegramAug. 29, 1940 Edelson, Stan & Bobbi. TLS Dec. 12, 1968 Ehrensperger, Harold (B.U.) Feb. 21, 1963 Eisenhower, Dwight D. 1890-1969. TLS Dec. 8, 1950 Engel, Lehman, TLS April 8, 1958 TLS March 10, 1975 TLS April 30, 1975 TLS, May 13, 1975 Enters, Angna, 1907-1989. ANS Nov. 18, 1941; TNS Dec. 3, 1944 ALS,Feb. 8, 1967 Ernst, Morris TLS March 7, 1956 Fabray, Nanette, 1922-. ALS June 15, 1946, ALS, n.d. Fairbanks, Sir Douglas, 1909- TLS Aug. 1, 1971 Farrell, Glenda ALS n.d Ferrer, Jose ALS on card Aug. 3, 1991 6 Fiedler, Arthur, 1894-1979. TLS Aug. 10, 1944 Fonda, Henry, 1905-1982 Telegram Mar. 26, 1959 Freedley, George TLS Oct. 10; 1956 Garson, Greer, 1908- TLS (with autograph note) Dec. 6, 1960 Gassner, John, TLS Oct. 9, 1956 TLS Jan. 7, 1962; ALS Dec. 31, 1965 Gelb, Arthur (NYT) TLS Feb. 18, 1957, TLS April 15, 1962 Gelbart, Larry, ANS Feb. 12, 1976, ALS Jan. 8, 1977 Gibson, William, TLS April 18, 1976, TLS on postcard Nov. 14, 1983, TLS Oct. 24, 1964 with EN letter of Nov. 28, 1974 Gish, Lillian, 1899-1993. TNS Dec. 14, 1982 Golden, John, ALS May 8, 1941 Goldston, Eli TLS, March 22, 1965; TLS Dec. 3, 1965, TLS Jan 10, 1966; TLS Jan. 25, 1966. Gordon, Ruth, 1896-1985, ALS May 8, 1969, ALS n.d. ALS May 29, 1969; ALS June 10, 1969; ALS June 11, 1969 Telegram, n.d.; ALS June 27, 1969; AL,S Feb. 8, 1971 ANS Mar. 22, 1971; ALS n.d.; ALS Apr. 7, 1971 ALS May 19, 1971; ALS Dec 15, 1977 Norton, Elliot to Ruth Gordon CTLS Mar. 18, 1971 CTLS Apr. 4, 1971; CTL to R. G. and GarsonKanin Dec. 31, 1977 Gould, John TLS May 29, 1982 TLS May 18, 1992 Green, Abel TLS Nov. 6, 1944 Green, Yvonne (Mrs. Martyn) ALS March 21, 1975 Greenwood, Charlotte 1893-1978. ALS n.d. Gross, Gerald (BU) TLS July 20, 1981 Grossman, Max TLS March 19, 1965 Guernsey, Otis TLS Jan. 27, 1965, TLS April 19, 1966 Gurney, Arthur TLS May 21, 1962 Guthrie, Sir Tyrone, 1900-1971. TLS June 23, 1964 Reply from E.N. CTL (holo corr) July 7, 1964 Hagman, Larry ALS, n.d. Haigh, Kenneth, ALS "Monday" no year Halliday, Richard TLS Oct. 8, 1963 Hammerstein, Dorothy (Blanchard) ALS July 29, 1958 Hammerstein, Oscar, 1895-1960. TLS April 23, 1954; TLS Oct. 26, 1958 (from O.H. and Richard Rodgers) TLS Nov. 10, 1959 Harris, Julie, 1925-ANS May 30, 1982; ALS June 19, 1991; ANS Mar. 1, 1992; ANS on Postcard Apr. 16, 1992; ANS May 2, 1992 ANS May 22, 1993 Hart, Moss 1904-1961. TLS Nov. 9, 1943; TLS 7 June 23, 1960; TLS July 18, 1960; TLS Aug 1, 1960 TLS Feb. 28, 1961 Hartman, Paul TLS Apr. 17, 1948; TLS June 12, 1958; ALS, n.d. Hayden, Jeffrey ALS July 4, 1974 Hayes, Helen, 1900-1993. 1NS Jan. 11, 1991 (to Ms. Sirkin); 1NS June 26, 1991 Hayward, Leland, TLS Nov. 12, 1954 Heckart, Eileen, ALS n.d. Hellman, Lillian, 1906-1984. TLS May 6, 1958;TLS May 23, 1961; TLS Dec. 7, 196l;ALS n.d. Hepburn, Katharine, 1909-1NS Feb.
Recommended publications
  • The First Critical Assessments of a Streetcar Named Desire: the Streetcar Tryouts and the Reviewers
    FALL 1991 45 The First Critical Assessments of A Streetcar Named Desire: The Streetcar Tryouts and the Reviewers Philip C. Kolin The first review of A Streetcar Named Desire in a New York City paper was not of the Broadway premiere of Williams's play on December 3, 1947, but of the world premiere in New Haven on October 30, 1947. Writing in Variety for November 5, 1947, Bone found Streetcar "a mixture of seduction, sordid revelations and incidental perversion which will be revolting to certain playgoers but devoured with avidity by others. Latter category will predomin­ ate." Continuing his predictions, he asserted that Streetcar was "important theatre" and that it would be one "trolley that should ring up plenty of fares on Broadway" ("Plays Out of Town"). Like Bone, almost everyone else interested in the history of Streetcar has looked forward to the play's reception on Broadway. Yet one of the most important chapters in Streetcar's stage history has been neglected, that is, the play's tryouts before that momentous Broadway debut. Oddly enough, bibliographies of Williams fail to include many of the Streetcar tryout reviews and surveys of the critical reception of the play commence with the pronouncements found in the New York Theatre Critics' Reviews for the week of December 3, 1947. Such neglect is unfortunate. Streetcar was performed more than a full month and in three different cities before it ever arrived on Broadway. Not only was the play new, so was its producer. Making her debut as a producer with Streetcar, Irene Selznick was one of the powerhouses behind the play.
    [Show full text]
  • BTC Catalog 172.Pdf
    Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material.
    [Show full text]
  • Program Booklet
    February 9 & 16 Nashoba-wheelockfam5.5x7.5.indd 1 9/23/19 3:16 PM WFT@BU January/February 2020 Why Little Women? “It was the best of times, it was the worst of times.” “Call me Ishmael.” And “Christmas won’t be Christmas without any presents.” Little Women is on a short list of great works of literature featuring famous first lines. I returned to these opening lines for our first rehears- al and realized that the first two pages of Louisa May Alcott’s classic novel contain all the ingredients of her story: The four sisters are the first four characters whose voices we hear – this is a story about them. Jo has the first of these four lines – she will be the trailblazing leader of the sisters. Father is away at war – this is a matriarchal home. Marmee has asked her daughters to sacrifice their Christmas presents so as not to “spend money for pleasure, when our men are suffering so in the army” — this family is generous and mission-driven. Each sister has a different passion: books, music, drawing — this family does not have a lot, but they do have each other. It is their charity, love, and fire that make this family the Marches, that enable us to see ourselves in one of the four sisters, or parts of ourselves in all. As a young reader and moviegoer, what always spoke to me about Little Women is the rebel story of a young woman defying the gender norms of her time period through writing her own story.
    [Show full text]
  • Value of the Public Domain | Congress | Statutes and Treaties | Legislative Materials | | Other Sites | Opposing Copyright Extension Home Page |
    Subverted PD List | About Term Extension | Constitutionality | Media | Letters | Value of the Public Domain | Congress | Statutes and Treaties | Legislative Materials | | Other Sites | Opposing Copyright Extension Home Page | Some Famous Works and Year of First Publication (Subverted Public Domain List) Dennis S. Karjala Professor of Law Arizona State University This list shows a few works of music, literature, and film that, as far as I can tell, were first published in the years shown. The "Subverted Public Domain" begins with the year 1923. Works published in that year would already be in the public domain but are still protected by the legislative swindle known as the Sonny Bono Copyright Term Extension Act of 1998. Any United States work published before 1964 lost its copyright in the 28th year after publication unless the copyright was formally renewed at the Copyright Office. (Congress made renewal automatic for works published after 1963, so most of those works are, and for a very long time will be, under copyright.) To check on the copyright status of works from the 1923-63 era, it is therefore necessary to determine whether the copyright was renewed. See How to Determine Whether a Work is in the Public Domain, and links contained there, for more details. Frances Hodgson Burnett's The Secret Garden was published in 1911, so it went into the public domain on Jan. 1, 1987. Its entrance into the public domain has spawned a huge outpouring of new and creative derivative works, including plays, musicals, video and audio cassettes, annotated and searchable online versions, and even cookbooks.
    [Show full text]
  • Presidential Handwriting, 1/5/1977 (1)” of the Presidential Handwriting File at the Gerald R
    The original documents are located in Box C54, folder “Presidential Handwriting, 1/5/1977 (1)” of the Presidential Handwriting File at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box C54 of The Presidential Handwriting File at the Gerald R. Ford Presidential Library THE WHITE HOUSE WASHINGTON , MEDAL OF FREEDOM CANDIDATES Art & Architecture v Alexander Calder* '~Georgia O'Keefe* Norman Rockwell Athletics v"Joe DiMaggio Business J. Willard Marriott, Sr. Scholarship & Education ~orman E. Borlaug vwill and Ariel Durant v Bruce Catton Science & Engineering v/John Bar de en* /James D. Watson Theology & Religion Spencer Kimball Communications Lowell Thomas* Vermont C. Royster Labor 'v I. w. Abel Law v Judge Henry Friendly Erwin N. Griswold Literature /Archibald MacLeish* '<James Michener* II National Security / \ .· Arleigh Burke Y/Omar Nelson Bradley * Wilber M. Brucker Performing Arts \_./Irving Berlin ~ing Crosby (Harry Lillis) v Arthur Fiedler* Mrs. Jouett Shouse Public Service George S. Aiken Mike Mansfield John Sherman Cooper Henry Cabot Lodge George Pratt Shultz* Medicine Rene Dubos Jonas Salk Albert Sabin *Denotes candidates who drew heavy support from within the White House staff .
    [Show full text]
  • Bus Stop* by William Lnge
    Itt WILLIAN INGE 8:15P.M. SUBAL THEATRE 101.30 • DEC.8, 1979 BOISE STATE UNIVERSITY DEPARTMENT OF THEATRE ARTS Presents Bus Stop* by William lnge Cast Elma Duckworth ................................... Tracy Kepner Grace Hoyland ....................... ......... Gueneth Omeron Will Master ...................................... Paul McFarland Cherie ............................................ Colleen Lloyd Dr. Gerald Lyman ................................... Ken Jenkins Carl ..............................................Walter Fields Virgil Blessing .................................. Pat Cunningham Bo Decker ............................................ Carl Hahn Setting The action of the play takes place in a street-corner restaurant in a small town about thirty miles west of Kansas City. Act I A night, early March, 1:00 a.m. Intermission Act II A few minutes later Intermission Act Ill Early morning, 5:00a.m. *Produced with the permission of Dramatists Play Service, Inc. Production Staff Director ........................................ Dr. Shankweiler Set Designer .................................... Stephen R. Buss Light Designer ...................................... Frank Heise Costume Designer ............................... Stephen R. Buss Pub I icity Director and Assistant .............. Charles E. Lauterbach and Kathy Robran Box Office ....................................... Peggy Nichols Asst. to the Director and Stage Manager .......... Rhonda McConnell Rehearsal Assistants ............... Teresa Sproul and Kathy Robran House
    [Show full text]
  • Doug Elkins Choreography, Etc
    Christopher Duggan Christopher doug elkins choreography, etc. Doug Elkins, Choreographer/Artistic Director Amy Cassello, General Manager Anne Davison, Dramaturg Randi Rivera, Production Stage Manager Justin Levine, Music Co-Director Matt Stine, Music Co-Director Dancers: Alexander Dones, Mark Gindick, Deborah Lohse, Cori Marquis, Kyle Marshall, Aaron Mattocks, Donnell Oakley, John Sorensen-Jolink PROGRAM Hapless Bizarre -Intermission- Mo(or)town/Redux Thursday, March 6 at 7:30 PM Friday, March 7 at 8 PM Saturday, March 8 at 2 PM & 8 PM Support provided by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation, with additional support from the National Endowment for the Arts. Media Sponsor 8 | DANCE CELEBRATION PROGRAM NOTES Hapless Bizarre Originally conceived by Doug Elkins, Barbara Karger and Michael Preston Choreography by Doug Elkins in collaboration with the dancers Music Direction and Engineering by Justin Levine and Matt Stine Dramaturgy by Anne Davison Lighting by Amanda K. Ringger Costumes by Oana Botez Creative Consulting by David Neumann Dancers: Mark Gindick, Deborah Lohse, Cori Marquis, Kyle Marshall, Donnell Oakley, John Sorensen-Jolink Hapless Bizarre was made possible by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and additional funding from the Andrew W. Mellon Foundation, the MetLife Foundation and the National Endowment for the Arts. Hapless Bizarre was hatched and first previewed at The Yard, an artist residency and performance center dedicated to contemporary dance, theatre and related arts, as part of the 2012-2013 season.
    [Show full text]
  • Archibald Macleish - Poems
    Classic Poetry Series Archibald MacLeish - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Archibald MacLeish(7 May 1892 – 20 April 1982) Archibald MacLeish was an American poet, writer, and the Librarian of Congress. He is associated with the Modernist school of poetry. He received three Pulitzer Prizes for his work. <b> Early Years</b> MacLeish was born in Glencoe, Illinois. His father, Scottish-born Andrew MacLeish, worked as a dry goods merchant. His mother, Martha (née Hillard), was a college professor and had served as president of Rockford College. He grew up on an estate bordering Lake Michigan. He attended the Hotchkiss School from 1907 to 1911 before entering Yale University, where he majored in English, was elected to Phi Beta Kappa, and was selected for the Skull and Bones society. He then enrolled in Harvard Law School, where he served as an editor of the Harvard Law Review. In 1916, he married Ada Hitchcock. His studies were interrupted by World War I, in which he served first as an ambulance driver and later as a captain of artillery. He graduated from law school in 1919, taught law for a semester for the government department at Harvard, then worked briefly as an editor for The New Republic. He next spent three years practicing law. <b>Expatriatism</b> In 1923 MacLeish left his law firm and moved with his wife to Paris, France, where they joined the community of literary expatriates that included such members as <a href="http://www.poemhunter.com/gertrude-stein/">Gertrude Stein</a> and <a href="http://www.poemhunter.com/ernest- hemingway/">Ernest Hemingway</a>.
    [Show full text]
  • Speaking Flyer for October 2007.Pub
    SAVORING THE CLASSICAL TRADITION IN DRAMA ILLUMINATING PRESENTATIONS BY The Shakespeare Guild IN COLLABORATION WITH The National Arts Club The English-Speaking Union The Shakespeare Theatre Company F. MURRAY ABRAHAM x Monday, October 15 F. MURRAY ABRAHAM is best known for his compelling Salieri in the 1984 film Amadeus. For this performance he earned both an Academy Award and a Golden Globe. He’s also widely admired for such films as The Sunshine Boys (1975), All the President’s Men (1976), Scarface (1983), The Name of the Rose (1986), Bonfire of the Vanities (1990), Last Action Hero (1993), Mighty Aphrodite (1995), and Finding Forrester (2000). What Mr. Abraham’s fans may be less familiar with are the stage protago- NATIONAL ARTS CLUB nists he’s depicted, among them Bottom, Iago, Lear, Macbeth, 15 Gramercy Park South Malvolio, and, most recently, Shylock, in a stirring Merchant of Manhattan Venice that won plaudits not only in New York but in Stratford- upon-Avon, where it was a highlight of the ROYAL SHAKESPEARE Program, 7:30 p.m. COMPANY’s Complete Works festival. He’ll talk about these and Members, $25 Others, $30 other roles during a dialogue with the Guild’s JOHN ANDREWS. x KEN LUDWIG Monday, November 5 A globally renowned playwright, KEN LUDWIG has enjoyed success on Broadway, in London’s legendary West End, and in dozens of other prestigious settings. Actors who have performed his works include stars like Alec Baldwin, Carol Burnett, Joan Collins, Hal Holbrook, Frank Langella, Lynn Redgrave, and Mickey Rooney. LEND ME A TENOR, produced by Andrew Lloyd Webber, has become one of the most popular comedies of our era; it won NATIONAL ARTS CLUB two Tony Awards in New York, and it was nominated for an Olivier when it graced the British theatre that is now named 15 Gramercy Park South for Sir John Gielgud.
    [Show full text]
  • Preface to the First Edition 1
    NOTES Preface to the First Edition 1. The Rodgers and Hammerstein Song Book (New York: Simon & Schuster and Williamson Music, 1956); Six Plays by Rodgers and Hammerstein (New York: Modern Library Association, 1959). 2. Like other Broadway-loving families, especially those residing on the west side of the coun- try, it took the release of the West Side Story movie with Natalie Wood for us to become fully cognizant of this show. 3. “The World of Stephen Sondheim,” interview, “Previn and the Pittsburgh,” channel 26 tele- vision broadcast, March 13, 1977. 4. A chronological survey of Broadway texts from the 1950s to the 1980s might include the fol- lowing: Cecil Smith, Musical Comedy in America; Lehman Engel, The American Musical Theater; David Ewen, New Complete Book of the American Musical Theatre; Ethan Mordden, Better Foot Forward; Abe Laufe, Broadway’s Greatest Musicals (New York: Funk & Wagnalls, 1977); Martin Gottfried, Broadway Musicals; Stanley Green, The World of Musical Comedy; Richard Kislan, The Musical (Englewood Cliffs, N.J.: Prentice-Hall, 1980); Gerald Bordman, American Musical Comedy, American Musical Theatre, American Musical Revue, and American Operetta; Alan Jay Lerner, The Musical Theatre: A Celebration; and Gerald Mast, Can’t Help Singin.’ 5. See Gerald Bordman, American Musical Comedy, American Musical Revue, and American Oper- etta, and Lehman Engel, The American Musical Theater. 6. Miles Kreuger, “Show Boat”: The Story of a Classic American Musical; Hollis Alpert, The Life and Times of “Porgy and Bess.” The literature on Porgy and Bess contains a particularly impres- sive collection of worthwhile analytical and historical essays by Richard Crawford, Charles Hamm, Wayne Shirley, and Lawrence Starr (see the Selected Bibliography).
    [Show full text]
  • NETC Newsletter V12n3
    A Quarterly Publication of the New England Theater NETCNews Conference, Inc. volume 12 number 3 summer 2003 A Brief History of the NETC Continues to Honor New England Theatre America’s Best New Plays inside Conference Auditions with the John Gassner Award The first NETC “Summer Theatre Auditions” were John Gassner was one of his generation’s leaders in the this issue held on April 15, 1967 at the University of New American theatre. Born in Hungary, he emigrated to Hampshire. The following year they moved to the U.S. as a child, and later attended Columbia Northeastern and then to The Boston Conservatory. University. He became a critic for the New York Herald Special Feature: Chairperson for those first three years was John Tribune and New York Magazine, and was an editor for The Forum Edwards. Harlan Grant, who taught at the Simon and Schuster. From 1931 to 1944, he was chair- Conservatory, chaired the auditions for three years fol- man of the script department of the Theatre Guild. page 6 lowed by Robert Leibacher and the Conservatory host- Aside from producing many stage productions, he ed until 1974. wrote and lectured prolifically on the theatre; he was on the Yale faculty. He’s best known for his critical Special Feature: In 1975, Patricia Sankus took over as chair, moved the works on American plays. auditions to Northeastern and developed a system of A Cast of Thousands: preliminary and final auditions. Pat chaired the audi- This quote from his work gives us some idea of his tions until 1979 when Marie Philips took over.
    [Show full text]
  • Searchable PDF (7.984Mb)
    The Premier Season Congratulations from Pioneer Construction Company crhe 550 Kirkland 5. W. Playhousf._J Grand Rapids Michigan 49507 William Archibald's See, touch THE INNOCENTS and hear this exceptional January 7, 8, and 9, 1977 audio system Christopher Marlowe's DOCTOR FA(JST(JS February 18, 19, 20, and 21 ' ' Oscar Wilde's THE IMPORTANCE OF BEING EARNEST May 13, 14, 20, and 21 The Beosystem 1900 THEATRE ARTS DEPARTMENT TI-E KALAMAZOO COLLEGE DB MICHIGAN & INDIANA KALA MAZOO 469 WES T MIC HIG AN/3815 191 IJJ 1965-1966 0::: UUOM by Ferenc Molnar J.B. by Archibald MacLeish ~ THE PHYSICISTS by Friedrich Durrenmatt ::c THE TOUCH OF A POET by Eugene O'Neill Dorothy Upjohn Dalton 1- 19~1967 "the leading lady of z: THE GOOD WOMAN OF SETZUAN by Bertold Brecht 0 THE BIRDS by Aristophanes The Playhouse" THE RNALS by Richard Brinsley Sheridan THE DIARY OF A SCOUNDREL Faculty Readers' Theatre It was on the top floor of Bowen Hall in 1958, during the ~ 1967-1968 critique after the production of WAITING FOR z: THE ROAR OF THE GREASEPAINT . GODOT, that Dorothy Dalton first revealed her interest - THE SMELL OF THE CROWD by Leslie Bricusse & Anthony Newley in the Kalamazoo College theatre. However, she had C/) THE TEMPEST by William Shakespeare begun her own theatrical activity much earlier when, as Z: DEATH OF A SALESMAN by Arthur Miller a student at Smith College, she starred as Caliban in a 0 THURBER CARNNAL Faculty Readers' Theatre i= production of THE TEMPEST. She continued that in­ u 1968-1969 terest after her graduation while living for a time in 0 FLEA IN HER EAR by Georges Feydeau Greenwich Village, where she worked with the Province­ 0 SERJEANT MUSGRAVES DANCE by John Arden town Players and the Washington Square Players, 0 THE GLASS MENAGERIE by Tennessee, Williams avant-garde groups of the era.
    [Show full text]