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Flying on Your Own Recalled | the Chronicle Herald
Flying On Your Own recalled ANDREA NEMETZ ARTS REPORTER Published March 7, 2014 - 9:28pm Last Updated March 7, 2014 - 9:29pm Collaborator heard MacNeil’s hit decades ago; now he leads orchestra in tribute Late Cape Breton songstress Rita MacNeil will be honoured this weekend in two Symphony Nova Scotia concerts Flying on Your Own: A Tribute to Rita MacNeil. The singer died last April at the age of 68. (FILE) Scott Macmillan thinks he was the first person to hear Rita MacNeil’s classic ballad Flying On Your Own. “There was a wonderful group of us that would play at the Middle Deck,” recalls Macmillan, a longtime collaborator of the late Cape Breton songstress. “We did several nights at a time. The band was hot — Allie Bennett on bass, John Alphonse on drums, Ralph Dillon on keyboards and myself on guitar. “One night, Rita came in early and said she had some songs she wanted to sing for me. The four songs were all good, but Flying On Your Own stood out.” Released nearly 30 years ago, Flying On Your Own was the biggest hit for the beloved Big Pond singer-songwriter, who died April 16 at the age of 68. She sang it in her last performance, on March 9, 2013, with Symphony Nova Scotia, in a concert that was part of the East Coast Music Award celebrations. A year later, Symphony Nova Scotia will honour the three-time Juno Award winner with Flying on Your Own: A Tribute to Rita MacNeil. Shows are tonight at 7:30 p.m. -
For Immediate Release / July 23, 2020 the San Francisco
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / JULY 23, 2020 Click here to access the Online Press Kit, which includes downloadable images, artist bios, and a PDF of this press release. THE SAN FRANCISCO SYMPHONY LAUNCHES SUMMER 2020 PROGRAMMING Digital programming includes CURRENTS—a four-part series curated and hosted by Michael Morgan in collaboration with San Francisco Symphony musicians and guest artists from the Bay Area CURRENTS Video Series and companion Podcast Series explore the intersections between classical music and Chinese, Jazz, Hip Hop, and Mexican musical cultures CURRENTS Explore & Create further guides conversations, activities, and opportunities for learning, curated and hosted by Daniel Bartholomew-Poyser Summer programming also features intimate, outdoor 1:1 Concerts performed by San Francisco Symphony musicians to one audience member at a time CURRENTS content can be accessed via https://www.sfsymphony.org/CURRENTS SAN FRANCISCO, CA—Today the San Francisco Symphony launches CURRENTS, dynamic online programming featuring music and conversation around the changing perspectives for symphony orchestras today, curated and hosted by conductor Michael Morgan and San Francisco Symphony musicians. CURRENTS includes a four-part video series and companion podcast series, telling the stories and sharing the music of Bay Area communities by highlighting classical music’s changing and symbiotic relationship with vital influences and influencers in Chinese, Jazz, Hip Hop, and Mexican cultures. Both series prompt bespoke performances and candid, personal reflections by members of the San Francisco Symphony and local musicians, personalities, and creators, which reflect a synergy of perspectives. -
6 April 2021
6 April 2021 12:01 AM George Frideric Handel (1685-1759) Lascia la spina, from Il Trionfo del tempo e del disinganno Julia Lezhneva (soprano), Wroclaw Baroque Orchestra, Giovanni Antonini (conductor) PLPR 12:09 AM Jacob Obrecht (1457-1505) J'ay pris amours for ensemble Amsterdam Loeki Stardust Quartet NLNOS 12:15 AM Claude Debussy (1862-1918), Felix Greissle (arranger) Prelude a l'apres-midi d'un faune arr. for chamber ensemble Thomas Kay (flute), Canadian Chamber Ensemble, Raffi Armenian (conductor) CACBC 12:25 AM Joseph Haydn (1732-1809) Trio for keyboard and strings in G major (H.15.25) 'Gypsy Rondo' Grieg Trio NONRK 12:40 AM Franz Schubert (1797-1828) Symphony no 3 in D major (D.200) Norwegian Radio Orchestra, Olaf Henzold (conductor) NONRK 01:04 AM Erkki Melartin (1875-1937) Easy Pieces, Op 121 Arto Noras (cello), Tapani Valsta (piano) FIYLE 01:20 AM Sergey Rachmaninov (1873-1943) Variations on a Theme of Corelli, Op 42 Duncan Gifford (piano) AUABC 01:40 AM Ralph Vaughan Williams (1872-1958) Oboe Concerto in A minor Matthias Arter (oboe), I Tempi Chamber Orchestra, Gevorg Gharabekyan (conductor) CHSRF 02:01 AM Paul Dukas (1865-1935) Fanfare from 'La Péri' Polish National Radio Symphony Orchestra, Katowice, Domingo Hindoyan (conductor) PLPR 02:03 AM Paul Dukas (1865-1935) La Péri Polish National Radio Symphony Orchestra, Katowice, Domingo Hindoyan (conductor) PLPR 02:22 AM Samuel Barber (1910-1981) Piano Concerto, Op 38 Garrick Ohlsson (piano), Polish National Radio Symphony Orchestra, Katowice, Domingo Hindoyan (conductor) PLPR 02:51 -
Boston Symphony Orchestra Concert Programs, Season 129, 2009
BOSTON SYMPHONY ORCHESTRA boston" James Levine, Music Director symphony ORCHESTRA Bernard Haitink, Conductor Emeritus JAMES LEV1NE Seiji Ozawa, Music Director Laureate Music Director « 129th Season, 2009-2010 w CHAMBER TEA VI Friday, April 23, at 2:30 COMMUNITY CONCERT IX Sunday, April 25, at 3, at Villa Victoria Center for the Arts, South End, Boston COMMUNITY CONCERT X Sunday, May 2, at 3, at New Life Community Church, Framingham The free Community Concerts are made possible by a generous grant from The Lowell Institute. CATHERINE FRENCH, violin (1st violin in Strauss) IKUKO MIZUNO, violin (1st violin in Brahms) KAZUKO MATSUSAKA, viola (1st viola in Strauss) EDWARD GAZOULEAS, viola (1st viola in Brahms) BLAISE DEJARDIN, cello (1st cello in Strauss) MIHAIL JOJATU, cello (1st cello in Brahms) STRAUSS String Sextet from the opera Capriccio BRAHMS String Sextet No. 1 in B-flat, Opus 18 Allegro ma non troppo Andante, ma moderato Scherzo: Allegro molto; Trio: Animato Rondo: Poco Allegretto e grazioso Weeks 24/25 Richard Strauss (1864-1949) String Sextet from the opera Capriccio Strauss completed Capriccio, the last of his fifteen operas, on August 8, 1941, and the first performance took place in Munich on October 28, 1942. Clemens Krauss, who had also written the libretto, was the conductor, and the role of Countess Madeleine, the main character, was taken by Krauss' s wife, the soprano Viorica Ursuleac. The year 1941 found Strauss and his own wife in poor health, depressed by the war, worried about prospects for their Jewish daughter-in-law and half- Jewish grandson, and dismayed by the ever more chilly treatment the composer was getting at the hands of the German government (Strauss was not a Nazi, but he was not an outspoken opponent either, and he despised the Nazis no more than any other political party). -
Symphony Nova Scotia Fonds (MS-5-14)
Dalhousie University Archives Finding Aid - Symphony Nova Scotia fonds (MS-5-14) Generated by the Archives Catalogue and Online Collections on January 24, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/symphony-nova-scotia-fonds Symphony Nova Scotia fonds Table of contents Summary information ...................................................................................................................................... 4 Administrative history / Biographical sketch .................................................................................................. 4 Scope and content ........................................................................................................................................... 5 Notes ................................................................................................................................................................ 5 Access points ................................................................................................................................................... 6 Collection holdings .......................................................................................................................................... 7 Administration and finance records of Symphony Nova Scotia (1984-2003) ............................................. 7 Budgets records of Symphony -
VOICES of REMEMBRANCE a Concert of Music and Readings to Remember Lives Lost but Not Forgotten
Halifax Camerata Singers Jeff Joudrey, artistic director with Lynette Wahlstrom, piano Curtis Dietz, trumpet VOICES OF REMEMBRANCE A concert of music and readings to remember lives lost but not forgotten November 11, 2020 Halifax Camerata Singers | VOICES OF REMEMBRANCE 1 In Remembrance Remembering and dedicated to … • Those who died in the Second World War that ended 75 years ago, including victims of the 1945 bombings of Dresden and Hiroshima • Six members of the Canadian Armed Forces, serving overseas on HMCS Fredericton, who died in a Cyclone helicopter crash off the coast of Greece in April 2020 • Capt. Jenn Casey, a native of Halifax, NS, who died in an air accident in May 2020 while flying with the Canadian Armed Forces Snowbirds Reading: Crimson Stain Larry Smeets * (b. 1955) Reader: Lt. (N) Simon Hardman Royal Canadian Navy/Canadian Forces Recruiting Group For the Fallen Eleanor Daley * (b. 1955) Curtis Dietz, trumpet In Flanders Fields Christine Donkin * (b. 1976) With Hope and Perseverance Remembering and dedicated to … • The 22 women and men slain on April 19–20, 2020 in Canada’s worst mass shooting, in Portapique and Wentworth, NS Reading: Because We Love, We Cry Sheree Fitch * (b. 1956) Reader: Sheree Fitch, Nova Scotia Author/Poet The Road Home arr. Stephen Paulus (1949–2014) Soloist: Amanda Zadeh, soprano How Can I Keep from Singing Sarah Quartel * (b. 1984) Soloist: Meg Currie, soprano Halifax Camerata Singers | VOICES OF REMEMBRANCE 2 With Love, Empathy and Compassion Remembering and dedicated to … • All who have died at home, in hospital, or in long-term care homes as a result of the Covid-19 pandemic Reading: Texts attributed to Albert Camus Albert Camus (1913–1960) Reader: Amanda Zadeh, BScN, RN Department of Ophthalmology & Visual Sciences, Nova Scotia Health Ubi Caritas Ola Gjeilo (b. -
2006 Issue 2 the Participaper
TTHEHE PPARARTICIPTICIPAPERAPER AN INVERNESS COUNTY PERIODICAL John Dan (Smokey) MacNeil of Creignish Volunteer of the Year 2006 Vol 27, No 2 April/May 2006 The Participaper Page 1 FROM THE DIRECTOR’S DESK The Participaper INVERNESS COUNTY RECREATION, TOURISM, Editor, Graphic Design and Production Marie Aucoin CULTURE AND COMMUNITY DEVELOPMENT OFFICE PO Box 43, Cheticamp, NS, B0E 1H0 Phone: (902) 224-1759 VOLUNTEER RECOGNITION email: [email protected] This year the Municipality received (for subscription requests see below) over 30 nominations from organizations The Participaper is published five times a year by the Inverness County Department of Recreation and Tourism: throughout the County wishing to honour John Cotton, Director. Contributions of information and their hard working volunteers. Congratulations to all! articles, photos and artwork are welcome. We also welcome For more information on the volunteers who received your letters and comments. This publication is a service for the residents of Inverness County. Others may subscribe at awards at this year’s ceremony, see inside this issue. the following rates (postage included): $8.00/yr in Canada or $9:00/yr in the US. Send subscription request, with payment, to the attention of: JUNE IS RECREATION MONTH – Marie Cameron STAY ACTIVE AND HEALTHY YOUR WAY Recreation and Tourism Department PO Box 179, Municipal Building In Nova Scotia, June is proclaimed Recreation Month, Port Hood, NS, B0E 2W0 a celebration in which we recognize and celebrate the Email: [email protected] contributions recreation makes to the quality of life in Copyright 8 2006 All rights reserved. No part of this periodical may be used or reproduced in any Nova Scotia. -
Transforming Resources CSTM Research Contract 2104-16-008 Mining, Oil & Energy Researcher: Beth A
Resource Sector in Popular Culture Gallery: Transforming Resources CSTM Research Contract 2104-16-008 Mining, Oil & Energy Researcher: Beth A. Robertson MUSIC BANDS, CHOIRS, SONGS AND ALBUMS THAT REFERENCE MINING, OIL & ENERGY: Music Bands and Choirs: The Men of the Deeps: A choir of working and retired coal miners from Cape Breton, Nova Scotia that first organized in 1966 in celebration of Canada’s Centennial Year (1967). Their mission has been to preserve the rich folklore of Nova Scotia coal mining communities through song. They have since travelled widely, being the first Canadian performer group to visit the people’s republic of China after diplomatic relations between Canada and China were restored in 1972, as well as Yugoslavia, throughout the United States and Canada. They have also partnered with other well-known musicians such as Rita MacNeil to produce the 1998 album, “Reason to Believe.” Copyright: All songs and promotional materials copyright protected, all rights reserved by Men of the Deeps. To inquire about licensing, please contact business manager Stephen Muise: (Mail) 211 Olive Street, New Waterford, NS, (Tel) 902-862-8518, (Email) [email protected] 1 Resource Sector in Popular Culture Gallery: Transforming Resources CSTM Research Contract 2104-16-008 Mining, Oil & Energy Researcher: Beth A. Robertson The Hard Rock Miners: Canadian rockabilly folk band based in Vancouver, British Columbia, formed in 1987 by Michael Phillips, Scooter Johnson-Bucket, Oliver Metson, Ingrid Mary Percy, Michael Turner, Peter Carr, and Bill Ryan. Popular songs of the band include “Old Vancouver Town” (1995) and “Oh This Night” (1995). https://en.wikipedia.org/wiki/Hard_Rock_Miners Copyright: All songs and press copyright protected, all rights reserved. -
Daly Berman 1 Amanda Elaine Daly Berman Boston University, Graduate School of Arts and Sciences Department of Musicology And
Daly Berman 1 Amanda Elaine Daly Berman Boston University, Graduate School of Arts and Sciences Department of Musicology and Ethnomusicology Repression to Reification: Remembering and Revitalizing the Cape Breton Musical Diaspora in the Celtic Commonwealth INTRODUCTION Cape Breton Island, the northeast island of the Canadian province of Nova Scotia, has long had a strong connection with New England, and the Boston area in particular, due to its maritime location and relative geographic proximity. At its peak in the mid-20th century, the Boston Cape Breton community is estimated to have numbered close to 100,000 members. However, as Sean Smith writes in the June 3, 2010 issue of the Boston Irish Reporter, Greater Boston’s Cape Breton community is undergoing a transition, with the graying of the generation that played such a major role during the 1950s and 1960s in establishing this area as a legendary outpost for music and dance of the Canadian Maritimes. Subsequent generations of Cape Bretoners have simply not come down to the so-called “Boston states” on the same scale, according to the elders; what’s more, they add, the overall commitment to traditional music and dance hasn’t been as strong as in past generations.1 Further, he notes that it is “non-Cape Bretoners [e.g., members of other Maritime communities, non-Cape Breton Bostonians] who seem to make up more of the attendance at these monthly dances” held at the Canadian-American Club (also known as the Cape Breton Gaelic Club) in Watertown, Massachusetts. The club serves as a gathering site for area members of the Cape Breton and the greater Maritime diaspora, offering a monthly Cape Breton Gaelic Club Ceilidh and weekly Maritime open mic sessions. -
The Tune-Making of John Macdougall
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@USU Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-2009 Music from the Dead: The Tune-Making of John MacDougall Robert Macdonald Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the English Language and Literature Commons Recommended Citation Macdonald, Robert, "Music from the Dead: The Tune-Making of John MacDougall" (2009). All Graduate Theses and Dissertations. 414. https://digitalcommons.usu.edu/etd/414 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. MUSIC FROM THE DEAD: THE TUNE-MAKING OF JOHN MACDOUGALL by Robert Macdonald a report submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in FOLKLORE Approved: Jeannie B. Thomas, PhD Lisa Gabbert, PhD Major Professor Committee Member Patricia Gantt, PhD Committee Member UTAH STATE UNIVERSITY Logan, Utah 2009 1 Introduction In the last week of July 2007, I landed in Halifax, Nova Scotia, headed for Cape Breton. It was my first trip to the little maritime island. The plane had bumped through rain and fog in its descent, and the dark, pine-covered landscape was completely invisible beneath. My economy rental car turned out to be an oversized SUV, and as I drove through the storm for the city center I became lost and disoriented on the dark Interstate. -
John Campbell and the Cape Breton Fiddle Tradition
studying culture in context John Campbell and the Cape Breton fiddle tradition George Ruckert Excerpted from: Driving the Bow Fiddle and Dance Studies from around the North Atlantic 2 Edited by Ian Russell and Mary Anne Alburger First published in 2008 by The Elphinstone Institute, University of Aberdeen, MacRobert Building, King’s College, Aberdeen, AB24 5UA ISBN 0-9545682-5-7 About the author: George Ruckert, Senior Lecturer in Music at MIT, is a long time student of the great Indian sarod master, Ali Akbar Khan. In his career as a sarodist, he has played at concerts throughout the USA, India, Europe, and Canada. He has published five books on the music of North India. A fiddler as well, he is the author of The Music of John Campbell – A Cape Breton Legacy, due to be published by MelBay. Copyright © 2008 the Elphinstone Institute and the contributors While copyright in the volume as a whole is vested in the Elphinstone Institute, copyright in individual contributions remains with the contributors. The moral rights of the contributors to be identified as the authors of their work have been asserted in accordance with the Copyright, Designs and Patents Act 1988. This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. 12 John Campbell and the Cape Breton fiddle tradition GEORGE RUCKERT e are at a Saturday night dance in the Mabou region of Cape Breton Island in WJuly, 2004. The fiddler, young Andrea Beaton, accompanied on piano by Mac Morin, plays a set of jigs for the noisy, sweaty, joyful dancers. -
Mccarthy William Morrison Mccarthy (“Bill”), Born September 10Th, 1942, Aged 76 Years, Died Unexpectedly on September 26Th, 2018, While Aboard an International Flight
McCARTHY William Morrison McCarthy (“Bill”), born September 10th, 1942, aged 76 years, died unexpectedly on September 26th, 2018, while aboard an international flight. Bill was a proud resident of North Lake Ainslie and didn’t do things by halves. He was a long-time business owner of Strathlorne Service Centre in Inverness. He was dedicated to his community, whether it was as a member of Lake Ainslie Development Association or as a member of Shean Co-op Board of Directors, serving as past president of North Inverness Forest Management, as well as a past chair of Central Inverness Community Health Board. Bill was passionate about community development and recently served on the Inverness Area Advisory committee, Inverness County Food Advisory, and, in the past, the Inverness-Richmond Community Futures Committee. Bill is survived by his wife of almost 42 years, Margaret (“Maggie”) Herbert, North Lake Ainslie, his daughter, Mary McCarthy, grandchildren Amber, Adam, Brooke and Claire and great-grandson Kiyan, all of Minneapolis, Minnesota, US. A memorial reception will be held on October 13th, 2018, from 2:00 p.m. – 4:00 p.m. at the Lake Ainslie Fire Hall in Scotsville. If you wish to make a donation in Bill’s memory, please consider the Lake Ainslie Volunteer Fire Department or a charity of your choice. AUCOIN “Constant” Marcellin Aucoin of Cheticamp, formerly of Belle Cote, Inverness County. Age 89, passed away peacefully surrounded by his family on Friday, September 21st, 2018, at the Cape Breton Regional Hospital, Sydney. Born in Belle Cote on November 12th, 1929, he was a son of the late Thomas and Elizabeth (Deveau) Aucoin.