WDR 3 Jazz & World, 19. Januar 2018

Total Page：16

File Type：pdf, Size：1020Kb

WDR 3 Jazz & World, 19. Januar 2018 Jenseits von Tradition und Avantgarde – Arthur Blythe 22:04-24:00 Stand: 15.01.2018 E-Mail: [email protected] | Web: jazz.wdr.de Moderation: Harry Lachner Redaktion: Bernd Hoffmann Laufplan 1. Focus K.: Arthur Blythe 1:16 ARTHUR BLYTHE Savant SCD 2044; LC: 11121 CD: Focus 2. In A Sentimental Mood K.: Duke Ellington/ Irving Mills/ Manny 7:56 ARTHUR BLYTHE Kurtz wie Titel 1 3. Bush Baby K.: Arthur Blythe 6:30 ARTHUR BLYTHE Columbia JC 36583; LC:0149 CD: Illusion 4. For Fats K.: Arthur Blythe 2:20 HORACE TAPSCOTT Flying Dutchman FDS-107; LC: 01815 QUINTET CD: The Giant Is Awakened 5. Lower Nile K.: Arthur Blythe 4:03 ARTHUR BLYTHE India Navigation IN 1029 CD: Metamorphosis - The Grip 6. Iron Man K.: Eric Dolphy 6:20 WOODY SHAW Muse Records MR 5160; LC: 4441 CD: The Iron Men 7. Caravan K.: Duke Ellington/ Juan Tizol/ Irving Mills 5:32 ARTHUR BLYTHE CBS 84152; LC:0149 CD: In The Tradition 8. Carespin' With Mamie K.: Arthur Blythe 7:05 ARTHUR BLYTHE wie Titel 3 9. As Of Yet K.: Arthur Blythe 5:07 ARTHUR BLYTHE wie Titel 3 10. We See K.: Thelonious Monk 6:36 ARTHUR BLYTHE Columbia FC38661; LC:0149 CD: Light Blue Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 19. Januar 2018 Jenseits von Tradition und Avantgarde – Arthur Blythe 22:04-24:00 Stand: 15.01.2018 E-Mail: [email protected] | Web: jazz.wdr.de 11. Shadows K.: Arthur Blythe 4:20 ARTHUR BLYTHE CBS 85980; LC:0149 LP: Elaborations 12. Contemplation K.: Arthur Blythe 6:56 ARTHUR BLYTHE CBS 85194; LC: 0149 CD: Blythe Spirit 13. BBB K.: Amina Claudine Myers/ Arthur Blythe 5:57 LESTER BOWIE Black Saint 120020-2; LC: 04866 CD: The 5th Power 14. Stay As Sweet As You K.: Mack Gordon/ Harry Revel 4:38 Are Milestone MCD55007; LC: 01189 MCCOY TYNER CD: 4x4 QUARTET 15. Sister Daisey K: Arthur Blythe 5:06 GUST WILLIAM TSILIS Warner Bros. Records 9 26027-2; LC: 00392 CD: Pale Fire 16. Mighty Fine K: Joey Baron 5:18 JOEY BARON Intuition Records INT 3503 2; LC: 08399 CD: Down Home 17. 7/4 Thang K: Arthur Blythe 3:53 ARTHUR BLYTHE Savant SCD 2050; LC: 11121 CD: Exhale 18. Night Song K: Arthur Blythe/ Thomas Tsilias 5:45 ARTHUR BLYTHE Clarity Recordings CCD-1016 CD: Night Song 19. Equinox K: John Coltrane 7:55 ARTHUR BLYTHE wie Titel 17 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 2 .

Copy Link

Recommended publications

December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F.
[Show full text]
Arthur Blythe Quintet
Arthur Blythe Quintet Thanks to woessner for sharing the Arthur Blythe Quintet (New York) and Ran Blake show at Dime. woessner noted in 2013: On June the 3, 2013, [jazz saxophonist] Arthur Blythe went into the USC Keck Center to have a large benign tumor removed from his right Kidney. The operation was serious, as Arthur spent one week after the procedure in an induced coma in their ICU unit. His health has been a challenge for him for several years now. The Parkinson’s (Arthur has been living with Parkinson’s for eight years) has developed more rapidly and at this time he is in a rehabilitation center in Lancaster, CA. His goal is to be back home (?) within the next 30 days. The recent operation he underwent diminished his ability to walk and swallow foods. He is fighting hard each day to gain his strength back. Donate to the Arthur Blythe Parkinson’s Fund here: http://gusttsilis.com/arthurblythe/ Thanks also to Lewojazz and to rillenheini for sharing the Berlin track at Dime. Lineage: Public Theater, New York, NY; May 4, 1979 New York: FM > cassette > Total Recorder > HD > CD Wave Editor > CD > EAC > FLAC Philharmonie, Berlin, Germany; November 1, 1980 Berlin: rbb Kultur radio broadcast (.mp2, 320 kb/s, 48 kHz) > HDD > Ran Blake 1979 (?) Audacity (edits, fades, boost + 8,0 dB, flac) MP3 Version New York 1979 Arthur Blake Quartet 01. Radio Introduction 0:07 Philharmonie, Berlin, Germany 02. Spirits In The Field 4:46 November 1, 1980 1979 York Arthur Blythe Quintet New 03. Lenox Avenue Breakdown 18:03 10.
[Show full text]
Kool LA Fest Goes
32 Jazz Kool L.A. Fest Goes `Outside' Five -Concert Series Turns Spotlight On Avant-Garde By SAM SUTHERLAND Kool shows here have the input of and festivals, including the Playboy veteran promoter George Wein, Jazz Festival, the Jazz at the Bowl LOS ANGELES -In a fresh con- while employing Outward Visions' concerts and the Jazz at the Pavilion cert programming gambit, the Kool Marty Khan and Helene Cann to series. Jazz Festival will spotlight the evolv- capture the decidedly atypical talent "They'd tried to come up with a ing "new music" realm when it lineup. way to make new music work within alights here starting Saturday (6). In A major metropolitan jazz festival the overall scheme of earlier New the process, the five concerts headlining such mavericks as the Art York festivals," adds Outward Vi- planned in the series will challenge Ensemble of Chicago, Anthony sions' Helene Cann, "but somehow Los Angeles' frequent stereotype as Braxton, James Blood Ulmer, Leroy it never really worked, musically or a commercial, pop jazz market Jenkins and Laurie Anderson, economically." In that sense, she as- rather than a testing ground for the among others, may provide the best serts, the Kool Jazz L.A. bill will avant- garde. measurement to date of how far the seek to determine whether the field Co- sponsored by Brown & Wil- Kool Jazz packages have journeyed can be better on its own than when liamson Tobacco's Kool cigarettes from their mid '70s emphasis on r &b coupled with more traditional jazz CHICK'S CREW -It's a classy reunion backstage as Chick Corea celebrates and the Los Angeles Philharmonic, and fusion.
[Show full text]
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
[Show full text]
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
[Show full text]
Chico Freeman Extended
Chico Freeman Heralded as one of the most important saxophonists of our time, composer and producer, Chico Freeman has perfected an immediately recognizable approach to music and composition, blending what he has experienced from his past and providing fluidity into a future of infinite musical possibilities. In the early 2000s, with dozens of recordings as a leader, Freeman moved from New York to Europe to start a new chapter of his life -- exploration by focusing on his own self-improvement and self-reflection. His thirst to immerse himself in his music, his curiosity to explore working with different musicians and living in different cultures and challenging himself to be better than he was. “As much as I’ve travelled and on the road playing with such masters as McCoy Tyner, Elvin Jones, Jack DeJohnette, Sam Rivers, Sun Ra, Dizzy Gillespie and so many jazz greats, as well as leading my own groups including founding “The Leaders” and the group “Roots,” an inner voice was telling me, you need to go to another level both musically and personally,“ Freeman explains. “You need to work with other musicians from different cultures and create new avenues of expression. As part of the Freeman family legacy of Chicago; his father, legendary NEA Jazz Master saxophonist Von Freeman; his uncles, guitarist George Freeman; and drummer Bruz Freeman, Chico amassed a diverse résumé of performing R&B to blues, hard bop to avant-garde. His collegiate studies in Advanced Composition and Theory at Northwestern University led him to teach composition at the AACM (Association for the Advancement of Creative Musicians) Music School, and while attaining his Masters in Composition and Theory at Governor State University, he studied composition with NEA Jazz Master Muhal Richard Abrams.
[Show full text]
Spring-2019-FCRSA-Newsletter.Pdf
DEADLINES: Spring 2019 Specialty 2019 Issue: .................................................... Wednesday, July 10, 2019* Summer 2019 Issue: ...................................................... Wednesday, July 10, 2019* Fall 2019 Issue: ........................................................... Thursday, October 10, 2019* Winter 2020 Issue: ............................................................Friday, January 10, 2020* 3rd of month to qualify for ad discount ADVERTISING RATES: Full page Camera Ready/PDF* $40.00 (early discounted price - $34.00) Half page Camera Ready/PDF* $20.00 (early discounted price - $17.00) Full page, non Camera Ready* no photo $40.00 (no discount) Full page non Camera Ready* with photo $60.00 (no discount) Half page, non Camera Ready* no photo $20.00 (no discount) Half page non Camera Ready* with photo $30.00 (no discount) Additional photos (each) $10.00 (no discount) Litter listing, no ad $15.00 (early discounted price - $12.75) Litter listing with ad Included in ad price Commercial advertising -- members and non-members 3 times basic rates Flat-Coated Retriever Society of America *Please refer to Flat-Coated Retriever Society — “Camera Ready” Ad Requirements inside All photos returned promptly (please put address label on back of photos). The FCRSA requires that litter listings or advertisements for a single or multiple-sired breeding must include copies of OFA or equivalent hip and patella ratings and OFA, CERF, or ACVO eye certifications for the dam and sire or all sires. Eye exams must be within 12 months of breeding to be valid, as per FCRSA Board decision. Litter listings without determined (named) sire(s) will not be accepted. Include payment with ads. Checks payable to FCRSA, Inc. and send to Christine Teneralli, address inside front cover.
[Show full text]
The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT
[Show full text]
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
[Show full text]
March/April 2004 Issue 267 Free Aged 30 Years
March/April 2004 Issue 267 Free Aged 30 Years www.jazz-blues.com March/April 2004 • Issue 267 Published by Martin Wahl Communications Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Chris Hovan, Nancy Ann Lee, David McPherson, Peanuts, Mark Smith, Duane Verh and Ron Cleveland’s jazz festival – Weinstock. 25 years and still swingin’!! Check out our new, updated web For 25 years Highlighting the season are two gala con- page. Now you can search for CD Tri-C JazzFest certs with special performances by Diana Reviews by artists, Titles, Record Cleveland has Krall, George Benson, Joe Sample, Dr. Labels or JBR Writers. Twelve years of reviews are up and we’ll be going been presenting John, Christian McBride, the Clayton- all the way back to 1974! the brightest jazz Hamilton Jazz Orchestra, and a host of luminaries – from others. In addition, we acknowledge Address all Correspondence to.... young lions to the Cleveland’s contributions to the jazz world Jazz & Blues Report legends. Beyond through performances by Joe Lovano, 19885 Detroit Road # 320 world-class per- Jimmy Scott, and an exploration of the Rocky River, Ohio 44116 formances, JazzFest is nationally recog- works of composer Tadd Dameron. Main Office ...... 216.651.0626 nized as a dynamic force for jazz educa- Our 25th anniversary season truly of- Editor's Desk ... 440.331.1930 tion, reaching more than 20,000 students fers something for every jazz palate, along annually through clinics, workshops and with our offering of world-class educational [email protected] in-school performances.
[Show full text]
GOLD COAST 2Yos in TRAINING SALE SELLING
2020 GOLD COAST 2YOs IN TRAINING SALE SELLING SCHEDULE Tuesday 10 November..................................................................Lots 1-210 ...................... 12pm AEST For those watching or bidding from afar, please see the below start times: Thailand ............................................................................................................................................................................................ 9am ICT Hong Kong, Philippines & Singapore ....................................................................................................10am HKT/PST/SGT South Korea ................................................................................................................................................................................11am KST New Zealand ............................................................................................................................................................................3pm NZDT FRONT COVER FEATURES TYZONE (Written Tycoon-Rezonet) G1 BRC Stradbroke Handicap A$60,000 GC 2YOs In Training Sale | Earnings: A$1,286,500 TOP KNIGHT (Zoustar-Nero Cavallo) Champion 3YO in Singapore, S-G1 Singapore Derby, S-G1 Singapore Guineas A$130,000 GC 2YOs In Training Sale | Earnings: S$1,484,443 All pedigrees, supplement pedigrees and indexes are supplied by Arion Pedigrees Limited for use by Magic Millions Sales Pty Limited under license. They are subject to copyright law, use outside a Magic Millions publication is illegal without written
[Show full text]
Gerry Hemingway Quartet
Gerry Hemingway Quartet Herb Robertson - trumpet Matthias Schubert - tenor saxophone Mark Helias - bass Gerry Hemingway – drums "Like the tightest of early jazz bands, this crew is tight enough to hang way loose. *****" John Corbett, Downbeat Magazine Gerry Hemingway, who developed and maintained a highly acclaimed quintet for over ten years, has for the past six years been concentrating his experienced bandleading talent on a quartet formation. The quartet, formed in 1997 has now toured regularly in Europe and America including a tour in the spring of 1998 with over forty performances across the entire country. “What I experienced night after night while touring the US was that there was a very diverse audience interested in uncompromising jazz, from young teenagers with hard core leanings who were drawn to the musics energy and edge, to an older generation who could relate to the rhythmic power, clearly shaped melodies and the spirit of musical creation central to jazz’s tradition that informs the majority of what we perform.” “The percussionist’s expressionism keeps an astute perspective on dimension. He can make you think that hyperactivity is accomplished with a hush. His foursome recently did what only a handful of indie jazzers do: barnstormed the U.S., drumming up business for emotional abstraction and elaborate interplay . That’s something ElIery Eskelin, Mark Dresser and Ray Anderson know all about.“ Jim Macnie Village Voice 10/98 "The Quartet played the compositions, stuffed with polyrhythms and counterpoints, with a swinging
[Show full text]