Launch of a Unique Book: Acadie Then and Now: a People's History
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Read Ebook {PDF EPUB} Cajun and Creole Folktales by Barry Jean Ancelet Search Abebooks
Read Ebook {PDF EPUB} Cajun and Creole Folktales by Barry Jean Ancelet Search AbeBooks. We're sorry; the page you requested could not be found. AbeBooks offers millions of new, used, rare and out-of-print books, as well as cheap textbooks from thousands of booksellers around the world. Shopping on AbeBooks is easy, safe and 100% secure - search for your book, purchase a copy via our secure checkout and the bookseller ships it straight to you. Search thousands of booksellers selling millions of new & used books. New & Used Books. New and used copies of new releases, best sellers and award winners. Save money with our huge selection. Rare & Out of Print Books. From scarce first editions to sought-after signatures, find an array of rare, valuable and highly collectible books. Textbooks. Catch a break with big discounts and fantastic deals on new and used textbooks. Cajun and Creole Folktales. This teeming compendium of tales assembles and classifies the abundant lore and storytelling prevalent in the French culture of southern Louisiana. This is the largest, most diverse, and best annotated collection of French-language tales ever published in the United States. Side by side are dual- language retellings—the Cajun French and its English translation—along with insightful commentaries. This volume reveals the long and lively heritage of the Louisiana folktale among French Creoles and Cajuns and shows how tale-telling in Louisiana through the years has remained vigorous and constantly changing. Some of the best storytellers of the present day are highlighted in biographical sketches and are identified by some of their best tales. -
Acadiens and Cajuns.Indb
canadiana oenipontana 9 Ursula Mathis-Moser, Günter Bischof (dirs.) Acadians and Cajuns. The Politics and Culture of French Minorities in North America Acadiens et Cajuns. Politique et culture de minorités francophones en Amérique du Nord innsbruck university press SERIES canadiana oenipontana 9 iup • innsbruck university press © innsbruck university press, 2009 Universität Innsbruck, Vizerektorat für Forschung 1. Auflage Alle Rechte vorbehalten. Umschlag: Gregor Sailer Umschlagmotiv: Herménégilde Chiasson, “Evangeline Beach, an American Tragedy, peinture no. 3“ Satz: Palli & Palli OEG, Innsbruck Produktion: Fred Steiner, Rinn www.uibk.ac.at/iup ISBN 978-3-902571-93-9 Ursula Mathis-Moser, Günter Bischof (dirs.) Acadians and Cajuns. The Politics and Culture of French Minorities in North America Acadiens et Cajuns. Politique et culture de minorités francophones en Amérique du Nord Contents — Table des matières Introduction Avant-propos ....................................................................................................... 7 Ursula Mathis-Moser – Günter Bischof des matières Table — By Way of an Introduction En guise d’introduction ................................................................................... 23 Contents Herménégilde Chiasson Beatitudes – BéatitudeS ................................................................................................. 23 Maurice Basque, Université de Moncton Acadiens, Cadiens et Cajuns: identités communes ou distinctes? ............................ 27 History and Politics Histoire -
Alan Lomax En Louisiane : Les Hauts Et Les Bas D’Un Chercheur De Terrain »
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Érudit Article « Alan Lomax en Louisiane : les hauts et les bas d’un chercheur de terrain » Barry-Jean Ancelet Rabaska : revue d'ethnologie de l'Amérique française, vol. 6, 2008, p. 21-40. Pour citer cet article, utiliser l'information suivante : URI: http://id.erudit.org/iderudit/019979ar DOI: 10.7202/019979ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 10 février 2017 10:31 Terrains Alan Lomax en Louisiane : les hauts et les bas d’un chercheur de terrain1 BARRY-JEAN A NCELET Centre d’études acadiennes et créoles Université de Louisiane à Lafayette Je devrais commencer en mettant les choses au clair. D’abord, je ne prétends pas repenser ici le travail considérable de Porterfield, Hirsch2 et d’autres qui ont récemment étudié la vie et l’œuvre de John Lomax et son fils Alan sur les plans national et international. -
Acadian Music As a Cultural Symbol and Unifying Factor
L’Union Fait la Force: Acadian Music as a Cultural Symbol and Unifying Factor By Brooke Bisson A thesis submitted in partial fulfilment of the requirements for the Master of Arts in Atlantic Canada Studies at Saint Mary's University Halifax, Nova Scotia A ugust 27, 2003 I Brooke Bisson Approved By: Dr. J(Jihn Rgid Co-Supervisor Dr. Barbara LeBlanc Co-Supervisor Dr. Ma%aret Harry Reader George'S Arsenault Reader National Library Bibliothèque nationale 1^1 of Canada du Canada Acquisitions and Acquisisitons et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre référence ISBN: 0-612-85658-5 Our file Notre référence ISBN: 0-612-85658-5 The author has granted a non L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of theL'auteur conserve la propriété du copyright in this thesis. Neither thedroit d'auteur qui protège cette thèse. thesis nor substantial extracts from Niit la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou aturement reproduits sans son permission. autorisation. In compliance with the Canadian Conformément à la loi canadienne Privacy Act some supporting sur la protection de la vie privée, forms may have been removed quelques formulaires secondaires from this dissertation. -
The Survival of French Culture in South Louisiana by Barry Jean Ancelet
The Survival of French Culture in South Louisiana by Barry Jean Ancelet "What's your name? Where're you from? Who's your daddy?" When Barry j ean Ancelet - a native of Louisiana you first meet someone from south Louisiana, these are the questions where he grew up with French as his first language- received his Master 's Degree in you will probably hear. And you have to answer them before you can f olklore from Indiana University and his get along about your business. They are not rhetorical questions but doctorate in Creole Studies at the Universite quite serious ones designed to elicit information which helps to place de Provence. He is currently Director of Folklore Programs, Center for Louisiana you in the world of the Cajuns and Creoles. If you are from the inside, Studies, University of So uthwestern they want to know where you fit; if from the outside, they want to Louisiana. know how you got in and why. Such concerns could be thought of as xenophobic, but they are not. Rather they are simply part of a ritual to establish relationships - one which is used by a people whose history of tragedy and turmoil has taught them to be careful. Such questions function as boots for a people used to high water. Young and old perform during Cajun Mardi The French founded Louisiana in 1699. At first there were just a few Gras at Fred's Lounge in Mamou, Louisiana. forts perched precariously along the rivers of the frontier. Eventually, Photo by Philip Gould 47 however, there developed a society of French colonials. -
L'émergence De L'écrit Dans Le Contexte De La Louisiane
CORE Metadata, citation and similar papers at core.ac.uk Provided by Érudit Article « L’émergence de l’écrit dans le contexte de la Louisiane » Barry-Jean Ancelet Port Acadie : revue interdisciplinaire en études acadiennes / Port Acadie: An Interdisciplinary Review in Acadian Studies, n°16-17, 2009-2010, p. 81-86. Pour citer cet article, utiliser l'information suivante : URI: http://id.erudit.org/iderudit/045132ar DOI: 10.7202/045132ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 13 février 2017 10:46 L’émergence de l’écrit dans le contexte de la Louisiane Barry-Jean Ancelet Université de Louisiane à Lafayette Résumé En Louisiane, des linguistes, des enseignants, des folkloristes et des écrivains, ainsi que des non-professionnels comme des marchands et des chanteurs, participent présente- ment à la négociation d’une forme visuelle pour le français parlé des Cadiens. Leur souhait est bien que cette forme représente la spécificité régionale tout en favorisant une ouvertu- re plus large sur la francophonie. -
The Cultural Geography of Hidden Landscapes and Masked Performances in South Louisiana Gumbo Cooking
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 Just Throw it in the Pot! The ulturC al Geography of Hidden Landscapes and Masked Performances in South Louisiana Gumbo Cooking Corey David Hotard Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Social and Behavioral Sciences Commons Recommended Citation Hotard, Corey David, "Just Throw it in the Pot! The ulturC al Geography of Hidden Landscapes and Masked Performances in South Louisiana Gumbo Cooking" (2015). LSU Doctoral Dissertations. 1493. https://digitalcommons.lsu.edu/gradschool_dissertations/1493 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JUST THROW IT IN THE POT! THE CULTURAL GEOGRAPHY OF HIDDEN LANDSCAPES AND MASKED PERFORMANCES IN SOUTH LOUISIANA GUMBO COOKING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Geography and Anthropology by Corey David Hotard BA, Louisiana State University, 1999 MA, Louisiana State University, 2003 December 2015 Dedicated to those who left before me: Dr. Thomas Eubanks, Lester Landry, Dr. Miles Richardson, Augie Fragala and Jamie Lapeyrouse Cox ii ACKNOWLEDGEMENTS If it takes a village to raise a child, it takes a city to complete a dissertation! The first people that deserve acknowledgements are definitely my parents. -
14SUM Syllabus NO Music
MUGN V-246-W01 History of New Orleans Music 3 Credits Summer, 2014 May 19, to July 14, 2014 Instructor: Sanford Hinderlie, E-mail [email protected] Office hours: By appointment via email because I will be administering this course from overseas for most of the summer session. (No calls on my cell). Online Technical Source Contacts: Jonathan Gallaway Blackboard Support [email protected] 504 864 7168 Brian Sullivan Course Support [email protected] 504 864 7129 Phil Rollins Media Support [email protected] 504 864 7167 Class Meeting Time: Via Internet: To be determined in the syllabus following and on Blackboard in “Course Materials.” Course Description This course is a comprehensive study of the history of New Orleans music, dating from the nineteenth century music in Congo Square and opera to the present-day musicians of rhythm- and-blues, rock, jazz and rap. The sources of the music, listening, music identity, social and racial influences, and the history of the music business in New Orleans are components of this course. Prerequisites: English T-122; or English A-205; or English H-233; or TSSAT verbal 680 or higher; or TSSAT2 verbal 680 or higher; or TSSAT English 30 or higher; TSSAT1 English 30 or higher; or is required for this class. Textbooks and Other Materials Purchased by Student: Armstrong, Louis. Satchmo: My Life in New Orleans. Englewood Cliffs, New Jersey: Prentice Hall, 1954. Berry, Jason, Foose, Jonathan, and Jones, Tad. 2009 Up from the Cradle of Jazz, New Orleans Music since World War II, New Addition Edition. Lafayette, LA: University of Louisiana at Lafayette Press. -
Cover Design by Bob Mcgrath
Cover design by Bob McGrath CAJUN RECORDS 1946-1989 – A DISCOGRAPHY © Nick Leigh 2018 INTRODUCTION TO THE REVISED EDITION I began collecting blues records in 1959 but it was another 7 years before I heard Cleveland Crochet & the Sugar Bees on the Storyville anthology “Louisiana Blues”. My appetite whetted, I wanted more. Buying the Iry Le Jeune LPs on Goldband a few months later (not one but two volumes – and purchased as imports on a student’s allowance!) fuelled an appreciation of Cajun music that has remained undiminished. In the mid 1960s, however, there was little information available about the great music I was listening to, other than the catalogues I obtained from Goldband and Swallow, and the early articles by Mike Leadbitter and John Broven in “Blues Unlimited” and “Jazz Journal”. Thanks to people like Mike, John, Neil Slaven, Rob Ford and Les Fancourt there is now a lot of information available to provide the background to blues and rhythm & blues recordings. However much of the information about the post World War 2 music of South Louisiana in general and the French (Cajun) recordings in particular, remains elusive So far as I know no single ‘discography’ of post-war Cajun record releases has been published and I thought I would try to correct this oversight. This is notwithstanding the increasing amount of well researched material about the music in general and individual artists. Therefore I take only limited credit for the information included herein about the recordings. My aim has been to bring that material together in a single document. -
Louisiana Bar Journal/April/May 2015
RESURRECTION OF A REAL RIGHT: Annuities with a Charge Also Inside: • Interstate Discovery Simplified • Are Medicare Set-Asides Legally Mandated in Personal Injury Settlements? • Book Review: Acadie LegierCo haystack NO Mag Aug09 8/12/09 4:37 PM Page 1 The Needle In A Haystack Ask how we can help you file BP Oil Spill Claims utilizing the latest court-supervised settlement methodology. Complex financial litigation cases often require the engagement of experts who can find “the needle in a haystack.” A substantial edge is gained when you have Legier & Company’s Forensic & Investigative CPA and Expert Witness Group on your team to help you find obscured financial facts that build and prove stronger cases. Expert Testimony • Fraud • Forensic & Investigative Accounting • Calculating and Refuting Financial Damages Business Valuations • Bankruptcies • Shareholder Disputes • Lost Profits • Business Interruptions Lost Wages • Corporate Veil Piercing • Marital Dissolutions For more information, contact William R. Legier (504) 599-8300 1100 Poydras Street • 34th Floor • Energy Centre • New Orleans, LA 70163 Telephone (504) 561-0020 • Facsimile (504) 561-0023 • http://www.legier.com Louisiana Bar Journal Vol. 62, No. 6 417 418 April / May 2015 ® April / May 2015 Volume 62, Number 6 Departments Features Editor’s Message .................. 423 Interstate Discovery Simplified: Louisiana Passes the Uniform Interstate Depositions and Discovery Act President’s Message ............ 424 By Christopher D. Cazenave and Graham H. Ryan ..............................................426 Association Actions .............. 440 Practice Management........... 450 Resurrection of a Real Right: Annuities with a Charge By Tyler G. Storms .................................................................................................430 Lawyers Assistance .............. 451 Focus on Diversity ................ 452 Are Medicare Set-Asides Legally Mandated in Personal Injury Settlements? Puzzle .................................. -
21S NOLA Syllabus Part I Graphicsa
HISTORY OF NEW ORLEANS MUSIC 2021S History of New Orleans Music 21S- MUGN-O246-W01 Spring 2021 16-Week Session 1/19/2021 - 5/7/2021 Instructor Information Name: Sanford Hinderlie Phone: (504) 865 2773 (Not to be used with Online course) Email: [email protected] (Preferred contact method. I usually reply to emails within 1-12 hours.) Office Location: World Wide Web Office Hours: By email appointment Terms of Use A student's continued enrollment in this course signifies acknowledgment of agreement with the statements, disclaimers, policies, and procedures outlined within this syllabus and elsewhere in the Canvas environment. This Syllabus is a dynamic document. Elements of the course structure (e.g., dates and topics covered, but not policies) may be changed at the discretion of the professor. Sanford Hinderlie, jazz piano Course Information Prerequisite Courses: ENGL T122 or Equivalent Course Location: Online in Canvas (NOTE: This is an asynchronous online course. However, it is NOT self-paced. Readings as well as all learning activities must be completed according to the weekly schedule provided in this syllabus.) Credit Hours: 3 Credit hours Weeks and Dates of the Course: 16 weeks (full semester), from Wednesday, Jan. 20, 2021 to Friday, May 5, 2021 Class Meeting Time: Each week begins on Monday at 12:00 am and ends on Sunday at 11:59 pm in Canvas Expectations of Workload: e.g. According to the Loyola University Credit Hour Policy http://academicaffairs.loyno.edu/credit-hour-policy, you are supposed to spend at least 6300 minutes (that is 105 hours including 35 hours of classwork and 70 hours of out-of-class work) for the whole semester regardless of how many weeks it is offered. -
Thesis Le Cri Du Bayou
THESIS LE CRI DU BAYOU: THE STATUS AND PROMOTION OF THE FRENCH LANGUAGE AND CAJUN MUSIC IN LOUISIANA Submitted by Melissa Hartmann Department of Foreign Languages and Literatures In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring 2012 Master’s Committee: Advisor: Mary Vogl Paola Malpezzi-Price Ann Little THÈSE LE CRI DU BAYOU: LE STATUT ET LA PROMOTION DE LA LANGUE FRANÇAISE ET LA MUSIQUE CADIENNE EN LOUISIANE Soumis par Melissa Hartmann Départment of Langues et Littératures Etrangères Réalisée en partie pour remplir les conditions De Diplôme de Master Colorado State University Fort Collins, Colorado Printemps 2012 Comité de Masters: Conseillère de thèse : Mary Vogl Paola Malpezzi-Price Ann Little ABSTRACT LE CRI DU BAYOU: THE STATUS AND PROMOTION OF THE FRENCH LANGUAGE AND CAJUN MUSIC IN LOUISIANA As one of the rare Francophone regions in North America, Louisiana has a unique culture and French dialect, spawning from Acadian immigrants who came to the Louisiana colony in the latter part of the 18th century. As the Cajun identity evolved, several strong influences have shaped and formed the Cajun French language; yet, it remains in danger due to damages from a 1921 law prohibiting the use of French in Louisiana and increased exposure to Anglo-American culture. However, many efforts to promote Cajun French have been employed since 1968 and the creation of the Council for the Development of French in Louisiana (CODOFIL), especially regarding the implementation of French-language immersion programs. In order to obtain their goal of preserving the Cajun French dialect, CODOFIL first realized the need to reestablish a sense of linguistic and cultural pride in the Cajun community.