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Places to Go, People to See Thursday, Feb
Versu Entertainment & Culture at Vanderbilt FEBRUARY 28—MARCH 12,2, 2008 NO. 7 RITES OF SPRING PLACES TO GO, PEOPLE TO SEE THURSDAY, FEB. 28 FRIDAY, FEB. 29 SATURDAY 3/1 Silverstein with The Devil Wears Prada — Rocketown John Davey, Rebekah McLeod and Kat Jones — Rocketown Sister Hazel — Wildhorse Saloon The Regulars Warped Tour alums and hardcore luminaries Silverstein bring their popular Indiana native John Davey just might be the solution to February blues — his unique pop/ Yes, they’re still playing together and touring. Yes, they can still rock sound to Nashville. The band teamed up with the Christian group The Devil folk sound is immediately soothing and appealing and is sure to put you in a good mood. with the best of ’em. Yes, you should go. Save all your money this THE RUTLEDGE Wears Prada for a long-winded U.S. tour. ($5, 7 p.m.) 401 Sixth Avenue South, 843-4000 week for that incredibly sweet sing-along to “All For You” (you know 410 Fourth Ave. S. 37201 ($15, 6 p.m.) 401 6th Avenue S., 843-4000 you love it). ($20-$45, 6 p.m.) 120 Second Ave. North, 902-8200 782-6858 Music in the Grand Lobby: Paula Chavis — The Frist Center for the Steep Canyon Rangers — Station Inn Red White Blue EP Release Show — The 5 Spot Visual Arts MERCY LOUNGE/CANNERY This bluegrass/honky-tonk band from North Carolina has enjoyed a rapid Soft rock has a new champion in Red White Blue. Check out their EP Nashville’s best-kept secret? The Frist hosts free live music in its lobby every Friday night. -
Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7
Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420. -
Khalid Teenage Dream Album Download DOWNLOAD ALBUM: Passenger – Songs for the Drunk and Broken Hearted (Deluxe) ZIP
khalid teenage dream album download DOWNLOAD ALBUM: Passenger – Songs for the Drunk and Broken Hearted (Deluxe) ZIP. DOWNLOAD Passenger Songs for the Drunk and Broken Hearted (Deluxe) ZIP & MP3 File. Ever Trending Star drops this amazing song titled “Passenger – Songs for the Drunk and Broken Hearted (Deluxe) Album“, its available for your listening pleasure and free download to your mobile devices or computer. You can Easily Stream & listen to this new “ FULL ALBUM: Passenger – Songs for the Drunk and Broken Hearted (Deluxe) Zip File” free mp3 download” 320kbps, cdq, itunes, datafilehost, zip, torrent, flac, rar zippyshare fakaza Song below. DOWNLOAD ZIP/MP3. Full Album Tracklist. 1. Sword from the Stone (03:21) 2. Tip of My Tongue (03:01) 3. What You’re Waiting For (02:37) 4. The Way That I Love You (02:39) 5. Remember to Forget (03:38) 6. Sandstorm (05:01) 7. A Song for the Drunk and Broken Hearted (03:59) 8. Suzanne (04:15) 9. Nothing Aches Like a Broken Heart (04:16) 10. London in the Spring (03:01) 11. London in the Spring (Acoustic) (02:56) 12. Nothing Aches Like a Broken Heart (Acoustic) (03:17) 13. Suzanne (Acoustic) (04:05) 14. A Song for the Drunk and Broken Hearted (Acoustic) (03:56) 15. Sandstorm (Acoustic) (04:10) 16. Remember to Forget (Acoustic) (03:36) 17. The Way That I Love You (Acoustic) (02:37) 18. What You’re Waiting For (Acoustic) (02:36) 19. Tip of My Tongue (Acoustic) (03:00) 20. Sword from the Stone (Acoustic) (03:33) Songs for the Drunk and Broken Hearted (Deluxe) Album by Passenger. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
4 Social Scene' Beats Critics
page B2 VVKIIIV November 11, 2005 MANITOU MESSENGER 4 Social scene' beats critics 17-member collective lives up to hype By April Wright before you realize Staff Writer they have started, and after the first part of "Hyped" and "heavily-produced" are not the album, these catchphrases normally associated with good tracks are necessary: records. But the heavily hyped 17-piece collective Not only do you need Broken Social Scene has delivered a strong, ambi your breath back, but tious and innovative fourth album. they help keep the The Canadian band's eponymous fourth album. album from feeling Broken Social Scene, has been one of the most antic rushed. ipated albums of the year for indie rockers. In the The tracks "Fire weeks and months before its official release, fans Eye'd Boy," clambered for leaked versions of the record and "Windsurfing Nation" pushed the band onto Amazon's Top 50 CD List. and "Swimmers" Some critics were even declaring it "album of the sound almost manic year" based on the leaks. next to each other. The And does it live up to the hype? The answer is former varies between "A History of Loneliness" an emphatic "Yes!" The album starts out with "Our being mellow and By Lisa Gulya Faces Split the Coast," which sets up the mellow, ostentatious and even Singles at St. Olaf tend to complain. We're but danceable, sound for which Broken Social tually collapses into a lonely, we say, and no one dates casually, Scene is notorious. The band incorporates brass gentle chaos. while others around us are happily hooked instruments tastefully into the song. -
Practice of Ayurveda
PRACTICE OF AYURVEDA SWAMI SIVANANDA Published by THE DIVINE LIFE SOCIETY P.O. SHIVANANDANAGAR— 249 192 Distt. Tehri-Garhwal, Uttaranchal, Himalayas, India 2006 First Edition: 1958 Second Edition: 2001 Third Edition: 2006 [ 2,000 Copies ] ©The Divine Life Trust Society ISBN-81-7052-159-9 ES 304 Published by Swami Vimalananda for The Divine Life Society, Shivanandanagar, and printed by him at the Yoga-Vedanta Forest Academy Press, P.O. Shivanandanagar, Distt. Tehri-Garhwal, Uttaranchal, Himalayas, India PUBLISHERS’ NOTE Sri Swami Sivanandaji. Maharaj was a healer of the body in his Purvashram (before he entered the Holy Order of Sannyasa). He was a born healer, with an extraordinary inborn love to serve humanity; that is why he chose the medical profession as a career. That is why he edited and published a health Journal “Ambrosia”. That is why he went over to Malaya to serve the poor in the plantations there. And, strangely enough, that is why, he renounced the world and embraced the Holy Order of Sannyasa. He was a healer of the body and the soul. This truth is reflected in the Ashram which he has established in Rishikesh. The huge hospital equipped with modern instruments was set up and the entire Ashram where all are welcome to get themselves healed of their heart’s sores and thoroughly refresh themselves in the divine atmosphere of the holy place. Sri Swamiji wanted that all systems of healing should flourish. He had equal love and admiration for all systems of healing. He wanted that the best of all the systems should be brought out and utilised in the service of Man. -
The Elton/Hootie Line March 4, 2020
The Elton/Hootie Line March 4, 2020 We’re talking about things that are going to change the world and change the way people listen to music and that’s not going to happen with people blogging on the internet…There’s too much technology available. I’m sure, as far as music goes, it would be much more interesting than it is today. Elton John, Interview with The Sun (2007) ©2020 Epsilon Theory 1 All rights reserved. The records I used to listen to and still love, you can’t make a record that sounds that way. Brian Wilson, he made all his records with four tracks, but you couldn’t make his records if you had a hundred tracks today. We all like records that are played on record players, but let’s face it, those days are gone. You do the best you can, you fight that technology in all kinds of ways, but I don’t know anybody who’s made a record that sounds decent in the past twenty years, really. You listen to these modern records, they’re atrocious, they have sound all over them. There’s no definition of nothing, no vocal, no nothing, just like – static. Even these songs probably sounded ten times better in the studio when we recorded ’em. CDs are small. There’s no stature to it. I remember when that Napster guy came up across, it was like, ‘Everybody’s gettin’ music for free.’ I was like, ‘Well, why not? It ain’t worth nothing anyway.’” Bob Dylan, in an interview with Rolling Stone (2006) ©2020 Epsilon Theory 2 All rights reserved. -
Focus Day 2011: Five Decades of New Music for Percussion: 1961
Focus Day 2011 Five Decades of New Music for Percussion: 1961–2011 In celebration of the 50th Anniversary of the Percussive Arts Society, the New Music/Research Focus Day 2011 Committee is extremely excited to present Focus Day 2011: Five Decades of New Music for Percussion. Featuring masterworks of the last fifty years of our repertoire performed by some of the most significant artists of our generation, Focus Day 2011 marks a monumental achievement for the Percussive Arts Society and its membership. As the Percussive Arts Society as a whole cel- ebrates its 50th anniversary, it is fitting that the New Music Research Committee is celebrating the “Five Decades of New Music for th 25 Anniversary of Focus Day (formerly New Music/Research Day) at PASIC. Since its founding by Stuart Smith in 1986, the mission of the New Music/Research Committee has been to present creative, innovative, and imaginative programming that exposes new compositional trends while Percussion 1961–2011” maintaining connections to the historically significant composers and performers of our field who together shaped the contemporary art-form of new music for percussion. Certainly, Focus Day 2011 defines this mission in every way. Many of the major masterworks by the most important composers of our field from 1961–2011 will be presented throughout the day, including works from Mark Applebaum, Herbert Brün, Michael Colgrass, Christopher Deane, Morton Feldman, Brian Ferneyhough, Michael Gordon, David Lang, Steve Reich, Paul Smad- beck, Stuart Smith, Karlheinz Stockhausen, Gordon Stout, Michael Udow, Julia Wolfe, and Ian- nis Xenakis. The New Music Research Committee also encourages the presentation of new and previously unknown works at PASIC, and we are delighted that Focus Day 2011 will include two PASIC Premieres—a unique new composition by Judith Shatin, and a truly epic new percussion ensemble work by one of the leading composers of our time, James Wood. -
1 Arcade Fire
All Songs Considered Listeners Pick The Best Music Of 2010: The Top 100 1 Arcade Fire: The Suburbs 2 The Black Keys: Brothers 3 The National: High Violet 4 Mumford & Sons: Sigh No More 5 Broken Bells: Broken Bells 6 LCD Soundsystem: This Is Happening 7 Vampire Weekend: Contra 8 Sufjan Stevens: The Age Of Adz 9 Beach House: Teen Dream 10 Kanye West: My Beautiful Dark Twisted Fantasy 11 Gorillaz: Plastic Beach 12 Sleigh Bells: Treats 13 Jonsi: Go 14 Local Natives: Gorilla Manor 15 Band Of Horses: Infinite Arms 16 The Tallest Man On Earth: The Wild Hunt 17 Deerhunter: Halcyon Digest 18 Spoon: Transference 19 Janelle Monae: The ArchAndroid 20 Yeasayer: Odd Blood 21 Ray LaMontagne and The Pariah Dogs: God Willin' and the Creek Don't Rise 22 New Pornographers: Together 23 Broken Social Scene: Forgiveness Rock Record 24 Joanna Newsom: Have One On Me 25 Cee Lo: The Ladykiller 26 MGMT: Congratulations 27 Sharon Jones And The Dap Kings: I Learned The Hard Way 28 Massive Attack: Heligoland 29 Josh Ritter: So Runs The World Away 30 Girl Talk: All Day 31 She And Him: Volume II 32 Bruce Springsteen: The Promise 33 Belle And Sebastian: Write About Love 34 Big Boi: Sir Lucious Left Foot: The Son Of Dusty Chico 35 Best Coast: Crazy For You 36 The White Stripes: Under Great White Northern Lights 37 Danger Mouse And Sparklehorse: Dark Night Of The Soul 38 Caribou: Swim 39 The Roots: How I Got Over 40 Kings Of Leon: Come Around Sundown 41 Frightened Rabbit: The Winter Of Mixed Drinks 42 Neil Young: Le Noise 43 Drive-By Truckers: The Big To-Do 44 Flying Lotus: Cosmogramma 45 Carolina Chocolate Drops: Genuine Negro Jig 46 Dead Weather: Sea of Cowards 47 Laura Veirs: July Flame 48 The Walkmen: Lisbon 49 Dr. -
Rewind: 2012 in Review
the REPORT Issue 308 | 19 December 2012 Contents: PAGE 2: Artists versus digital services » PAGE 3: Fans as the fulcrum » PAGE 4: Labels in 2012 » PAGE 5: Tech giants » PAGE 6: New services » PAGES 7 – 9: Rewind: 2012 In Review Startups » PAGE 10: Digital marketing » PAGE 11: Social music » PAGE 12: Measurements » PAGE 13: Piracy battles » PAGES 14 & 15: Country profiles » REWIND: 2012 IN REVIEW the REPORT | 19 December 2012 | Page 2 Artists versus digital services It’s become a cliché in recent be portrayed as a greedy Goliath itself by digital ecosystem. prominent songwriters. High-profile albums years to suggest that the were withheld from There were many negative aspects to these streaming services, connection between artists debates in 2012, with name-calling, willful often to the barely- and fans is the fulcrum of misunderstanding and a concerning lack concealed frustration of transparency making for an unhealthy the music industry, with of their labels. mixture. everyone else a middleman Yet artists were Yet a more positive take on 2012 would be to pushing the who needs to justify their mark the importance of having artists and boundaries too, position in the value chain. songwriters take a more prominent role in the seeking new models. debates around new digital music business Usually it’s labels fielding the most criticism Whether it’s Cazzette models. under that line of argument, but in 2012 the launching their career spotlight turned to the current generation of As FAC co-CEO Crispin Hunt noted in Music on Spotify, DJ Shadow streaming music services, with Spotify and Ally’s end-of-year debate: “As the digital releasing a BitTorrent Pandora taking the brunt of the attacks. -
The Music Distribution Industry in Canada 2006
THE MUSIC DISTRIBUTION INDUSTRY IN CANADA 2006 BY LARRY LEBLANC FEB. 2006 This report has been prepared by Larry LeBlanc for the Canadian Association of Broadcasters (CAB). The purpose of this document is to provide a profile of the English and French-language components of distribution of the Canadian-owned label and artist sector as well as Canadian artists signed or distributed by multinationals in Canada. The report specifically discusses changes in the music distribution sector in Canada since 1998. As well, such newly emerging factors as the rise of widespread Internet-based downloading; the rise of music subscription services; and the use of ringtones, ringtunes and podcasting in affecting music sales are also discussed. The report indicates that Canadian music retail has become more consolidated and more selective with product choices. Major music retailers carry a different product mix today than a decade ago. There are fewer music CDs, and more film-related DVD and computer game product. Although radio remains a critical vehicle for the Canadian record industry, labels and retailers cite a waning impact of the medium on overall sales. The study is based on a review of existing documentation, secondary research as well as analysis and findings drawn from 11 interviews conducted by Larry LeBlanc, as the principal source of primary research. Music OVERVIEW Canada's small market size, and a sizable support infrastructure is enabling the domestic industry to develop distinct acts for audiences home and abroad. In the past three years, global markets have embraced a new wave of formidable Canadian English-language rock acts including: Arcade Fire, Broken Social Scene, Death From Above 1979, Feist, Stars, the Dears, Alexisonfire, Metric, Bedouin Soundclash, and Hot Hot Heat; as well as such French-language acts as Corneille, and Lynda Lemay. -
Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.