A Critical Examination of the Biblical Teaching on the Image of God, And
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Background and Meaning of the Image of the Beast in Rev. 13:14, 15
Andrews University Digital Commons @ Andrews University Dissertations Graduate Research 2016 The Background and Meaning of the Image of the Beast in Rev. 13:14, 15 Rebekah Yi Liu [email protected] Follow this and additional works at: https://digitalcommons.andrews.edu/dissertations Part of the Biblical Studies Commons Recommended Citation Liu, Rebekah Yi, "The Background and Meaning of the Image of the Beast in Rev. 13:14, 15" (2016). Dissertations. 1602. https://digitalcommons.andrews.edu/dissertations/1602 This Dissertation is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. ABSTRACT THE BACKGROUNDS AND MEANING OF THE IMAGE OF THE BEAST IN REV 13:14, 15 by Rebekah Yi Liu Adviser: Dr. Jon Paulien ABSTRACT OF GRADUATE STDUENT RESEARCH Dissertation Andrews University Seventh-day Adventist Theological Seminary Title: THE BACKGROUNDS AND MEANING OF THE IMAGE OF THE BEAST IN REV 13:14, 15 Name of researcher: Rebekah Yi Liu Name and degree of faculty adviser: Jon Paulien, Ph.D. Date Completed: May 2016 Problem This dissertation investigates the first century Greco-Roman cultural backgrounds and the literary context of the motif of the image of the beast in Rev 13:14, 15, in order to answer the problem of the author’s intended meaning of the image of the beast to his first century Greco-Roman readers. Method There are six steps necessary to accomplish the task of this dissertation. -
Man As Male and Female: Created in the Image of God Nathan Jastram
Volume 68:l January 2004 Table of Contents Introduction to "Man as Male and Female" ..............................3 William C. Weinrich Man as Male and Female: Created in the Image. of God Nathan Jastram................................................................. 5 INTRODUCIlON ...................................................................................................... 5 L THE DEmNITION OF THE IMAGE OF GOD ............................................. 7 A. Various definitions of the image of God ................................................ 8 1. General ................................................................................................... 8 2. Luther ................................................................................................... 12 3. The Lutheran Confessions ................................................................. 15 4 . Synodical statements. resolutions. and teachinm ........................... 17 B. Biblical usage ........................................................................................... 18 1 . Kev biblical passages .......................................................................... 18 a) Man in the image or likeness of God .............................................. 18 (1) Genesis 1:26-28 ..................................................................... 19 (2) Genesis 5:13 ......................................................................... 25 (3) Genesis 9% ............................................................................. 27 -
A Thing About Machines: Eça De Queirós's Technological Twilight Zone
A Thing About Machines: Eça de Queirós’s Technological Twilight Zone ANA ILIEVSKA University of Chicago Abstract: By reconstructing the acts and voices of technological artifacts in A cidade e as serras (1901), this paper outlines what I call Eça de Queirós’s technological “twilight zone,” where machines are granted literary citizenship, and human interlocutors are forced to reevaluate who and what counts as humanity and conversation. I argue that the unresponsiveness of technological artifacts to the human voice in A cidade e as serras reveals a process of destabilization of power hierarchies and vocal anthropocentrism. Eça neither demonizes nor glorifies machines; rather he elaborates ways in which productive coexistence and communication can remain a prime objective. In A cidade e as serras, Eça parses out anxieties about technology and modernity in subtle and balanced ways that can shed new light on enduring questions about human- machine interactions in our era of technological dependence. Keywords: Artifacts, noise, voice, A cidade e as serras, Portuguese novel Sometime in 1960, Bartlett Finchley (expertly played by the British comic actor Richard Haydn) would witness the unusual coming-to-life of his domestic appliances.1 A wealthy misanthrope intolerant of insubordination, he already had 1 I would like to thank Dain Borges, Jennifer Iverson, Armando Maggi, Victoria Saramago, and Itamar Ramot as well as the participants and organizers of the 20th/21st Century and Sound and Society workshops at the University of Chicago for their invaluable comments on the first rough drafts of this essay. To Eric M. Gurevitch (University of Chicago) I owe the reference to David Arnold's book on everyday technologies, and to Vincent Barletta (Stanford) the noise reduction in my writing. -
Created in God's Image
CREATED IN GOD’S IMAGE FROM HEGEMONY TO PARTNERSHIP CREATED IN GOD’S IMAGE FROM HEGEMONY TO PARTNERSHIP CREATED IN GOD’S IMAGE IN GOD’S IMAGE CREATED FROM HEGEMONY TO PARTNERSHIP PARTNERSHIP TO HEGEMONY FROM Created in God’s Image: From Hegemony to Partnership is a church manual on men as partners for promoting positive masculinities. It is a dynamic resource on men, gender and masculinity from the stand point of the Christian faith. The concepts of masculinity and gender are explored with the aim of enabling men to become more conscious of gender as a social construct that affects their own lives as well as that of women. Masculinity is explored from lived experiences as well as from the perspective of social practices, behaviour and power constructions through which men become conscious of themselves as gendered subjects. Various approaches are used to examine and question hegemonic masculinity and for creating enabling environments in which men and women work towards re-defining, re-ordering, re-orienting and thus transforming dominant forms of masculinity. The intention is to affirm positive masculinities and not to demonize men or to instill feelings of guilt and powerlessness in them. Men are enabled to peel away layers of gender constructions which have played a key role in defining manhood in specific cultural, religious, economic, political and social contexts. The manual includes theological and biblical resources, stories, sermon notes and eight modules on men, masculinity and gender. The modules include activities for discussion on how men’s experiences, beliefs and values form the foundational bases of masculinity. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Preacher's Magazine Volume 55 Number 04 Neil B
Olivet Nazarene University Digital Commons @ Olivet Preacher's Magazine Church of the Nazarene 6-1-1980 Preacher's Magazine Volume 55 Number 04 Neil B. Wiseman (Editor) Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/cotn_pm Part of the Biblical Studies Commons, Christian Denominations and Sects Commons, International and Intercultural Communication Commons, Liturgy and Worship Commons, Missions and World Christianity Commons, and the Practical Theology Commons Recommended Citation Wiseman, Neil B. (Editor), "Preacher's Magazine Volume 55 Number 04" (1980). Preacher's Magazine. 564. https://digitalcommons.olivet.edu/cotn_pm/564 This Journal Issue is brought to you for free and open access by the Church of the Nazarene at Digital Commons @ Olivet. It has been accepted for inclusion in Preacher's Magazine by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. ACCENT ON CHURCH GROWTH June, July, August, 1980 s u i t a b l e Framing The Creature Who Is His Image God has created man to be a creaturely reflection of His spiritual, holy, and blessed nature. That they might be a mirror of His spirituality He gave them the understanding; that they might be a copy of His holiness and love, the will; and that they should be a vessel of His blessedness and happiness, the feelings. But then came sin. The whole man fell. His understanding was darkened (Eph. 4:18), his will became evil (John 3:19), and his feelings became unhappy (Rom. 7:24). Out of this total ruin the work of Christ now saves him. -
Representations of Mute Women in Film Honor Schwartz South Dakota State University
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Theses and Dissertations 2017 Speak, Little utM e Girl: Representations of Mute Women in Film Honor Schwartz South Dakota State University Follow this and additional works at: http://openprairie.sdstate.edu/etd Part of the English Language and Literature Commons, Film and Media Studies Commons, and the Rhetoric Commons Recommended Citation Schwartz, Honor, "Speak, Little utM e Girl: Representations of Mute Women in Film" (2017). Theses and Dissertations. 1665. http://openprairie.sdstate.edu/etd/1665 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. SPEAK, LITTLE MUTE GIRL: REPRESENTATIONS OF MUTE WOMEN IN FILM BY HONOR SCHWARTZ A thesis submitted in partial fulfillment of the requirements for the Master of Arts Major in English South Dakota State University 2017 iii ACKNOWLEDGEMENTS I wish to thank Dr. Sharon Smith for her unwavering commitment and devotion to this project. I also greatly appreciate Dr. Teresa Hall, Dr. Nicole Flynn, and Dr. Jason McEntee, and for their time, support, and advice. This thesis would still be a figment of my imagination without these dedicated instructors. iv TABLE OF CONTENTS ABSTRACT ........................................................................................................................ v Chapter One: Introduction RETHINKING THE MUTE WOMAN: VOICELESS WOMEN AND ALTERNATIVE LANGUAGES IN FILM ....................... 1 Chapter Two CLASSIC HOLLYWOOD MUTE WOMEN: JOHNNY BELINDA AND OTHER FILMS (1940s-1980s) ............................................ -
Man and His Image
Man and His Image By Tintin Cooper Introduction………………....................................................................................................................................3 1. The Corpse and the Image of Man (The Image Within the Man)………….......................6 2. The Roman Emperor's ‘Imago’......................................................................................................................13 3. The Mesopotamian King and his Salmu Image……….............................................…………16 4. If a Picture of Christ is Christ, then a Picture of a King is the King...........................................25 5. Saddam Hussein and his Image Doubles..............................................................................................30 Conclusion……………..................................................................................................................................….36 Illustrations…………….................................................................................................................................…..37 Bibliography……………................................................................................................................................….45 Introduction: The relationship between a person and their image is one that has long been argued, and has often been fraught with violence. The question of distinguishing a person from their image seems straightforward enough, yet it is an eternal question that has never quite been laid to rest. The conventional theories with -
Are We Masking the Image of God in the Face of Man
Are We Masking the Image of God in the Face of Man Covid-19: An Un-Anticipated Problem I confess, the last 6 months have perplexed me. Health organizations declared COVID-19 a pandemic in March and the world was not ready. Government officials gave recommendations and eventually mandated tactics to prevent the fire-blazing spread of the pestilence. As a church leader, I felt responsible for our members’ safety. Many depend upon the elders to give guidance, especially in floundering times. The startling news reports gave us short notice. We had little time to figure out our responsibility as to guardians of the flock. We were concerned for our people’s safety. We also wanted to demonstrate love for our neighbors. And as these things progressed, there grew in us a concern that the civil government would overstep its boundaries (tyranny). We were told that delayed action would likely kill millions. We were told that our elderly would easily get the virus, spread it, and quickly pass away. We were told we must keep the hospitals from overcrowding (flatten the curve) if there were any hope of treating the victims. The government recommended we keep people away from people. They told us to stop shaking hands. Keep six feet apart. Stay in our homes. Cover our faces – mouth, nose and even eyes – so that the virus would not spread.1 To be sure, epidemiologists and government officials were aiming at a moving target. And when the virus killed handfuls at a time, as it burned through a couple of nursing homes, the concerns became grave. -
The Bible and Our Times for 1954
The "MAN FROM SPACE" By G. Elliott * RECENTLY there has been a spate of specula- tion on whether there is life on other worlds, and if so, what is the possibility of visitation therefrom. Not long ago a certain film was given this advance publicity : "Don't try to escape it—He did. It's coming—from out space. Nothing like this has ever happened to you before." Many will be reminded of the broadcast which panicked America in October, 1939. It was a radio dramatization of H. G. Wells' book, War of the Worlds. Then in October last year a voice purporting to be that of "a space man" broke into a New York radio show warning "Earth-men" that they must live in peace! El Keystone A month or two ago a book was published in An artist's conception of the man-made "space- this country on the subject of "flying saucers," of ships" of the future. which a specimen is supposed to have landed on the Californian desert. One of the alleged occu- pants is described as "the man from space." be the work of a mere alarmist. To caution them faithfully is the task of a watchman. Such a one The Bible Travestied was the apostle Paul who foretells the awful pre- In short, writers and showmen have exploited dicament Of those who will be unprepared when such themes a good deal of late. While some may "sudden destruction cometh." In solemn accents regard this as legitimate entertainment, the terrible he warns, "And they shall not escape." 1 Thess. -
The Story of Cole Younger, by Himself by Cole Younger
The Project Gutenberg EBook of The Story of Cole Younger, by Himself by Cole Younger This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.guten- berg.org/license Title: The Story of Cole Younger, by Himself Author: Cole Younger Release Date: February 12, 2008 [Ebook 24585] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE STORY OF COLE YOUNGER, BY HIMSELF*** Cole Younger The Story of Cole Younger, by Himself Being an Autobiography of the Missouri Guerrilla Captain and Outlaw, his Capture and Prison Life, and the Only Authentic Account of the Northfield Raid Ever Published By Cole Younger Chicago The Henneberry Company 1903 Contents Why This Book Is Here . 1 1. Boyhood Days . 3 2. The Dark and Bloody Ground . 11 3. Driven from Home . 15 4. The Trap That Failed . 19 5. Vengeance Indeed . 23 6. In the Enemy's Lines . 25 7. Lone Jack . 27 8. A Foul Crime . 33 9. How Elkins Escaped . 35 10. A Price on My Head . 39 11. Betrayed . 43 12. Quantrell on War . 47 13. The Palmyra Butchery . 51 14. Lawrence . 55 15. Chasing Cotton Thieves . 61 16. A Clash with Apaches . 65 17. The Edicts of Outlawry . 69 18. Not All Black . 75 19. A Duel and an Auction . 77 20. Laurels Unsought . 81 21. The Truth about John Younger . 87 22. Amnesty Bill Fails . -
Life As Relation: Classical Metaphysics and Trinitarian Ontology
Theological Research ■ volume 2 (2014) number 1 ■ p. 31–52 doi: http://dx.doi.org/10.15633/thr.677 Giulio Maspero Pontifical University of the Holy Cross, Rome Life as Relation: Classical Metaphysics and Trinitarian Ontology Abstract Life is a theological and metaphysical problem, because it constitutes the apex of the realm of being. The Aristotelian Unmoved Mover was identified with Life as the act of thinking. Christian doctrine affirms that God is triune just as Life, but here identified both with Logos and Love. The ontology of the First Principle is different in Classical metaphysics and in Trinitarian theology. The question discussed in the paper is how this difference affects the understand- ing of the relationship between God and the world. Having recourse to the theological framework developed by the Cappadocian Fathers in the discus- sions that lead to the formulation of the Trinitarian dogma in the 4th century, free and mutual relation is presented as the key concept that was used in theol- ogy to overcome the limitations of the metaphysics of the time and to extend it in order to develop a new ontology that is an ontology of life. Trinitarian ontology may also aid our understanding of created life, because it is not sim- ply meta-physics, i.e. a description of man and God according to the category of necessity, but is ana-physics: life is understood from above with suitable cat- egories for free beings. Keywords Gregory of Nyssa, Augustine, Thomas Aquinas, metaphysics and trinitarian theology 32 Giulio Maspero And all other realities will appear immaterial and unnecessary, save this one: father, son and love.